Tagged: X-Men

The Weekly Haul: Reviews for April 3, 2008

Let’s be honest: It was a forgettable week for comics. Both Marvel and DC are still trying to get their summer events off the ground, and the rest of their books seem to be treading water. And while a few decent indies hit the shelves this week, none were exceptional.

So, if that’s not enough to get you excited for a big batch of reviews, I don’t know what is.

Book of the Week: BPRD 1946 #5 — For a series that started out with three and a half low-key books, BPRD 1946 goes out with a frenetic climax, as Bruttenholm and pals do their darndest to prevent a payload of monsters from being launched into America.

There are also monkeys. Lots and lots of monkeys, all captured in crazed fashion by artist Paul Azaceta (read my interview with Paul right here).

This book continues to work well as narrative backfill, showing the Bruttenholm’s transition from fighting Nazis to raising Hellboy. While there are allusions to events to come, the story never obsesses with self reference, as it’s too busy having fun. Sample dialogue from the villain: "You’re in over your head, stranger! You and your popgun army!"

Lots of credit to Mike Mignola and co-writer Joshua Dysart for pumping out yet another Hellboy property while keeping the quality sky-high. (You can also read my interview with Dysart right here.)

Runner Up:

DMZ #31 — This series seems to have finally pulled itself out of a long dry spell of one-and-done books that strayed too far from the central narrative. We’re back to Matty in his role of journalist/angry-young-dude, as he covers the campaign of Parco, a mix of Hugo Chavez and Barack Obama who’s trying to jostle the system. As expected, the system doesn’t like being jostled.

When this series is clicking, Brian Wood does a beautiful job of paralleling real events and politics without straining. The DMZ story works all by itself, but it still offers commentary on things like the current election season and Iraq.

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ComicMix Radio: Living The Dream – Writing TV and Comics

ComicMix Radio: Living The Dream – Writing TV and Comics

He’s Marc Guggenheim, and if you didn’t know him from Brothers & Sisters, CSI:Miami or even the "Death Of Bart Allen" storyline in Flash, you may have encountered his current run on Amazing Spider-Man, his new Young X-Men series or even a little show called Eli Stone. So how does he work it all out? Marc is happy to fill us in, plus:

— The Scarecrow moves to Heroes

— Secret Invasion tie-ins dry up on the shelves

— Get ready for The Marvel Super Hero Squad and the "Wacky Adventures of Wolvie"

And there are at least three songs we play that you will not get out of your head until Monday morning, guaranteed – so just  Press the Button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

Where Are The Superheroine Movies?

Over at Cinematical, Elisabeth Rappe responds to all the acclaim for Iron Man by pointing out a deficiency in the booming business of comics being adapted to film.

Looking around the cinematic landscape, at the likes of Tony Stark, Bruce Banner, Bruce Wayne, Hellboy and the like, Rappe notices something missing: superheroines. And, even worse, Marvel’s recent announcement of more male heroes headed to the screen and ongoing delays in a Wonder Woman project, it looks like no female heroes will be hitting the big screen anytime soon.

It has been eight years since X-Men made comic book movies big business, and we have yet to see a proper superheroine. Ant-Man is on a faster production track than Wonder Woman – and who is more recognizable to the general public? Why is Thor more palatable to the mass audience than Black Widow? I don’t buy that there isn’t a mass appeal for these stories.

It probably doesn’t help the studio perspective that the only two comic heroines allowed to fly solo were disasters. But was there ever a smidgen of care given to either Elektra or Catwoman during the writing or production process? Neither film was entered into with that Iron Man spirit; they were careless and cheap, and turned out predictably awful. It’s no surprise that a movie bombs because it sucks – but surely, the suits are ascribing that largely to heroines being lousy sells. It says volumes that neither are worth the kind of relaunch The Incredible Hulk is getting. Why not bring back Elektra to revise big screen history? I’d pay to see it in a heartbeat.

A lot of food for thought, and plenty to agree or disagree with. Interestingly, Rappe doesn’t place any of the blame on the comic book industry, which has been called out for giving women short shrift plenty of times.

ComicMix Six: The Worst Movies Adapted From Comic Books

ComicMix Six: The Worst Movies Adapted From Comic Books

It should come as no surprise that Hollywood studios often turn to the pages of comic books and graphic novels for source material — especially for action-packed summer releases like Iron Man.

Some of these films, such as Iron Man, Batman Begins, Spider-Man 2 or X-Men 2, achieve a great deal of commerical and critical success. In addition, they’re also embraced by comic book fans as great examples of what comic book movies should be.

Unfortunately, there are also those other comics-to-film adaptations that disappoint critics, mainstream audiences and comic book fans alike. These films, whether due to bad writing, inept direction, gross miscasting, or a combination of factors, are often not only bad comic book adaptations, but bad movies in general.

Yet, even with Iron Man‘s phenomenal success, it’s important to remember these bad films. These particular movies occupy a special place in the hierarchy of bad filmmaking and deserve to be highlighted — especially so you can avoid seeing them if you haven’t already.

Here then, in no particular order, is the ComicMix Six list of the Worst Movies Adapted From Comic Books.

 

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Box Office Report For ‘Iron Man’ Could Mean Sequel

Box Office Report For ‘Iron Man’ Could Mean Sequel

It was an auspicious start for the Metal Marvel Hero, as Iron Man grossed an estimated $5.5 million at around 2,500 theaters during its Thursday night previews and made an estimated $32.5 million at 4,105 theaters on Friday, making it the 14th highest-grossing opening day on record. (You can read the ComicMix reviews of the film here and here.)

The Friday gross was comparable to X2: X-Men United, which debuted May 2 five years ago, bringing in $31.2.

Paramount big-wig Brad Grey went on record last week by saying that as long as the flick does "as well as expected", the studio wants to get a sequel in theaters for the same May weekend in 2010 — and with numbers like these, that could be more realistic than we imagined.

While this is actually a Marvel Studios-produced film, with Paramount distributing, it’s no surprise after these numbers that they will be rushing to get Downey Jr. back in the red-and-gold ASAP. Director Jon Favreau has already stated that he planned a loose structure for three movies, with the Mandarin presumably making an appearance somewhere down the line.

Keep your eye on ComicMix for more updates on how the first big blockbuster of the summer does in the box office!

10 Must-Read Stories Before You Watch ‘Iron Man’ in Theaters

10 Must-Read Stories Before You Watch ‘Iron Man’ in Theaters

  • News
  • April 30, 2008

Even people who’ve never picked up a comic book are looking forward to seeing the new Iron Man movie debuting tomorrow, starring Robert Downey, Jr. as Tony Stark, "the cool exec with a heart of steel!"

When Stan Lee and Don Heck introduced Anthony Stark, he was a modern-day Howard Hughes, a weaponsmaker who was investigating his interests in a war zone when he was injured by shrapnel and captured by guerilla soldiers. Desperately needing a life-support system to keep his heart beating, as well as a weapon to fight off his captors, he used materials around him created a make-shift suit of high-tech armor that  earned him the name "Iron Man."

Returning to the states, the world welcomed its new superhero, believing him to be the rich playboy’s bodyguard, and he soon became a founding member of the famous Avengers. Over the years that followed, "Ol’ Shellhead" has been through many armors, as well as many personal changes. He had his heart repaired and battled alcoholism. He had his heart injured again and replaced it with a mechanical one that needed  constant recharging. Recently, his body was finally healed and  his resources greatly enhanced after merging with an experimental form of nano-technology.

Much like The Dark Knight reading list we provided you as prep for Batman’s upcoming return to the big screen, ComicMix has assembled ten recommended reads that showcase how clever and resourceful our hero is while also displaying the forces and passions that drive him in his double-life. They have been assembled in chronological order, so you can follow Iron Man’s evolution.

Enjoy!

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Mortal Kombat vs. DC Universe: Super or Silly?

Mortal Kombat vs. DC Universe: Super or Silly?

  • News
  • April 29, 2008

It’s been over a week since Midway announced that the rumored Mortal Kombat vs. DC Universe game was in fact real. The reaction from both comic and gaming communities has been a collective, "Huh?"

At first it seems like an odd couple, but it isn’t without precedent. In the past, Capcom combined their 2D Marvel fighting games with their Street Fighter franchise to create X-Men vs. Street Fighter, the first of many successful Marvel vs. Capcom games. Look at it this way: people know Mortal Kombat and they also know the Justice League. So, from a sales point of view, this looks like a mainstream winner.

But from a fanboy perspective, does this work? Sure, we hear the cries of "Superman would just rip the head off of Sub-Zero," but it just might be more interesting than you think. If this Superman is reigned in to a reasonable level, he could be a boss-level character — but not invincible. Think less Silver Age or post-Infinite Crisis and more Superman: The Animated Series or John Byrne’s Man of Steel. And remember, Superman’s as vulnerable to magic as anyone else, so the Mortal Kombat warriors’ special abilities could be a hassle for Mr. Faster Than A Speeding Bullet. And when you think about it like that, Sub-Zero’s freezing power doesn’t seem so, well… powerless.

 

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The Weekly Haul: Reviews for April 24, 2008

  • News
  • April 24, 2008

This week in comics was all over the map, a schizophrenic jumble of thrills, idiocy, fun and pulp. The good books were great, and the bad ones were terrible. At the very least, it was entertaining from start to finish.

Book of the Week: The Mice Templar #4 — After the third issue of this series came out a couple months back, I wrote that while it was a good read, I was still waiting for the story to diverge from the rote fantasy plot. Writer Bryan J.L. Glass sent me a note saying just wait for issue #4, when things take a big turn.

Sure enough, the latest issue marks the point when The Mice Templar went from good to great. This isn’t just a fantasy tale featuring mice, it’s an intricately detailed epic and one of the best stories on comics shelves today.

In issue #4, Karic and Pilot continue their journey, with Karic showing both his potential as a great Templar and his youthful uncertainty. As they go along, Glass draws readers deeper into the massive mythos he has created, a back story that is mysterious but not confused. The issue ends with a too-good-to-spoil moment of "nothing will ever be the same." My only complaint is having to wait two months for the next issue.

Lastly, Mike Oeming’s art on this series improves with every issue, and it started out strong. He manages to make scenes of fighting mice into tense, dramatic moments, and his watercolor work in the concluding pages expands on the perceptions of what comic book art can be.

The Runners Up:

The Mighty Avengers #12 — Those of us who bailed out on the end of the horrifically delayed Secret War finally have an answer to the question of "Where the hell did Nick Fury go?" In this potboiler of an issue, Brian Michael Bendis diverges from the boring Mighty team to trace Fury’s movements while in exile, starting with the one-eyed wonder finding out about the Skrull infiltration.

From there, a paranoid Fury pushes forward as covertly as possible, investigating anyone and everyone to determine who the Skrulls are. The issue ends with an exhausted and uncertain Fury standing before a wall of photos of heroes, some marked as Skrulls. The issue follows in tone the great Gene Hackman thriller The Conversation, and is perhaps the best Secret Invasion lead-in yet.

Fall of Cthulhu #11 — This Lovecraftian tale from BOOM! Studios has been up and down over the first storylines, but the latest (The Gray Man) starts off like a perfect blend of Lovecraft’s stories and an old issue from EC Comics. A mysterious girl — you know trouble’s brewing when her nickname is Lucifer — is pulled into a sheriff’s office, and the authorities struggle to figure out how she’s connected to all the recent trouble in Arkham.

Michael Alan Nelson’s script work because he perfectly sets up the sheriff and his deputies in the role of the unknowing everymen who’ve stumbled into some ugliness far beyond their comprehension. This is a genuinely creepy book.

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Happy Birthday: John Ostrander

Happy Birthday: John Ostrander

  • News
  • April 20, 2008

Born in 1949, ComicMix creator/columnist John Ostrander loved comics from early on but initially followed a different love: religion. Raised Roman Catholic, Ostrander wanted to become a priest and attended a year of seminary before deciding it wasn’t right for him. Instead he turned to acting.

Ostrander was part of a Chicago theater company in the early ’80s, and in addition to acting he co-wrote a play called Bloody Bess with William J. Norris. ComicMix Editor-in-Chief Mike Gold was starting First Comics at the time and had seen and liked the play—he knew Ostrander was a big comics fan and invited him to try his hand at writing comics. Ostrander wrote several stories for First’s Warp series before creating the character of GrimJack.

By the time First Comics closed in 1991, Ostrander was working for other comic companies as well, and he continued to do so. He has written The Spectre, Firestorm, Justice League of America, and Wasteland for DC, X-Men, Heroes for Hire, and The Punisher for Marvel, Lady Death for Chaos!, Eternal Warrior for Valiant, Star Wars: Republic for Dark Horse, and many many others. Ostrander has also written audio plays and short stories, and he currently writes for ComicMix, producing both a regular column and new issues of  GrimJack and Munden’s Bar.

Black Panther Cartoon in Development

Black Panther Cartoon in Development

  • News
  • April 18, 2008

Spider-Man and the X-Men are almost always on television in one animated form of another. Heck, even iron Man is getting an animated series these days. Can’t we see new characters getting a shot at animated success instead of the same old same old?

Apparently, we can. During BET’s network upfront presentation, it was announced that a Black Panther animated series will debut on the channel in the future.

No information was given as to when we can expect to see the series or what it will be like, but considering Reginald Huldin is BET’s president of entertainment and also the current writer for the Black Panther comic series, the character should be in good hands.

 (via Variety)

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