Tagged: Thor

The Weekly Haul: Reviews for May 30, 2008

First things first, a rant. This was a banner week for comics (and don’t those always fall after a holiday, postponing releases ’til Thursday?), but I have a pretty substantial bone to pick. This week’s comics were rife with price-gouging from both DC and Marvel, with pointless cost hikes on several issues. The only semi-understandable $3.99 tag came with Final Crisis, which I reviewed on its own right here.

Now, rant aside, the reviews…

Book of the Week: Northlanders #6 #6 — Brian Wood’s series of Scandinavian mayhem has been hit and miss, but this issue’s on target like a broadsword to the brain. Sven continues to kill as many of Gorm’s allies as he can, brought to life with gloriously gory art.

But the key to this issue is how it’s gradually pulling Sven away from his mindless pursuit of revenge, even if it happens with a way too convenient to plot development.

It’s the story of a leader’s birth, but instead of being told through the rosy view of history and legend, it’s an ugly, bitter and brutal story. It could yet turn into a truly great series, as long as it doesn’t stray too far into the trite territory of Braveheart.

Runners Up:

Thor #9 — J. Michael Straczynski is doing so many things right in this book that it’s impossible to single any one of them out as central to the series’ success. Moving the plot in a new direction, he has Loki playing the Asgardian angles for the umpteenth time, only it’s so sly and written so well that it feels completely fresh, and not just because Loki’s now a woman.

The best moments come from the odd and awkward interactions between the Asgardians and the real world, which is now their world: an awkward love connection between god and mortal and the priceless image of two gods stuck in a small town jail after they had a too-public rumble with some monsters.

Green Lantern #31 — The origin of Hal Jordan as Green Lantern continues, and it’s the same balance of good and bad. On the one hand, Geoff Johns is covering ground that’s been covered too many times already, with Jordan getting his ring and starting training on Oa.

As boring as those moments are, the hidden part of the origin, the shadowy "Darkest Night" prophecy, continues to be endlessly interesting. It draws in so many unexplored pieces of Jordan’s and Sinestro’s backgrounds that it’s a shame Johns decides to waste time on the known aspects.

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‘Iron Man’ Easter Eggs, ‘Captain America’ and ‘Thor’ Movie Details

‘Iron Man’ Easter Eggs, ‘Captain America’ and ‘Thor’ Movie Details

Marvel Studios president Kevin Feige was full of details about current and future projects during a recent screening of new footage from The Incredible Hulk, according to various reports from the event.

Among the juiciest of the news was info related to two highly anticipated Marvel Studios films, The First Avenger: Captain America (When did this film get slapped with the "First Avenger" portion of the title, by the way? Did I miss something?) and the big-screen debut of Marvel’s favorite Norse god, Thor.

According to Feige, Captain America will be a period piece, with a story that occurs during World War II, while the plot of Thor will rely heavily on scenes occurring in Asgard, the mythic Norse realm where the gods go about their godly business.

From Sci Fi Wire:

"The film is not all Asgard, but it will be a big chunk in Asgard, yeah," Feige said.

Feige promised an announcement about a director for Thor "later this summer." Mark Protosevich (The Cell) is drafting a script, which should be submitted in a couple of weeks, he added.

Feige also confirmed that a familiar object in the background of a scene in Iron Man was indeed Captain America’s shield. As the sleuths over at io9 report, the object was absent in the film’s trailer, which happened to include the very same scene — making me that much more impressed with Marvel Studios’ willingness to include these types of Easter Egg elements.

Head over to SciFi Wire for more on Marvel Studios’ slate of films and information from the Hulk screening, and check out the before-and-after screenshots from Iron Man (featuring a glimpse of Cap’s shield) posted over at io9.

Happy Birthday: Mike Deodato

Happy Birthday: Mike Deodato

“Mike” Deodato Taumaturgo Borges Filho was born in 1963 in Campina Grande, Brazil. His father, also an artist, first introduced him to the work of people like Will Eisner and Alex Raymond, and taught young Deodato how to draw.

They worked together on several Brazilian small-press projects in the 1980s, and in 1991 an agency formed to represent Brazilian artists in the American market. They landed Deodato a gig drawing Santa Claws for Malibu Comics. Next he drew the comic-book adaptation of the movie Beauty and the Beast for Innovation.

His work caught the attention of DC, and they offered him Wonder Woman. Next Deodato penciled Thor for Marvel and Glory for Extreme Studios. He has worked on The Incredible Hulk, Amazing Spider-Man, The New Avengers, Squadron Supreme, Thunderbolt, and many others, and manages all that while still living in Brazil.

 

Brian K. Vaughan to Write ‘Runaways’ Movie

Brian K. Vaughan to Write ‘Runaways’ Movie

Big name superheroes like The Incredible Hulk, Thor, Captain America and The Avengers aren’t the only Marvel properties hitting the big screen.

The lesser known characters are getting their crack at film stardom, including the ragtag group of young heroes known as the Runaways.

Created in 2002 by Brian K. Vaughan as part of Marvel’s Tsunami line, Runaways follows a group of kids who discover their parents are evil supervillains. Vaughn, who left the series at the conclusion of the second volume, will return to the property he co-created and write the script for the upcoming movie.

No director is currently attached to the film, but maybe they’ll hire Richard Donner and the movie will be like a super-powered version of The Goonies.

(via Hollywood Reporter)

The Weekly Haul: Reviews for April 3, 2008

Let’s be honest: It was a forgettable week for comics. Both Marvel and DC are still trying to get their summer events off the ground, and the rest of their books seem to be treading water. And while a few decent indies hit the shelves this week, none were exceptional.

So, if that’s not enough to get you excited for a big batch of reviews, I don’t know what is.

Book of the Week: BPRD 1946 #5 — For a series that started out with three and a half low-key books, BPRD 1946 goes out with a frenetic climax, as Bruttenholm and pals do their darndest to prevent a payload of monsters from being launched into America.

There are also monkeys. Lots and lots of monkeys, all captured in crazed fashion by artist Paul Azaceta (read my interview with Paul right here).

This book continues to work well as narrative backfill, showing the Bruttenholm’s transition from fighting Nazis to raising Hellboy. While there are allusions to events to come, the story never obsesses with self reference, as it’s too busy having fun. Sample dialogue from the villain: "You’re in over your head, stranger! You and your popgun army!"

Lots of credit to Mike Mignola and co-writer Joshua Dysart for pumping out yet another Hellboy property while keeping the quality sky-high. (You can also read my interview with Dysart right here.)

Runner Up:

DMZ #31 — This series seems to have finally pulled itself out of a long dry spell of one-and-done books that strayed too far from the central narrative. We’re back to Matty in his role of journalist/angry-young-dude, as he covers the campaign of Parco, a mix of Hugo Chavez and Barack Obama who’s trying to jostle the system. As expected, the system doesn’t like being jostled.

When this series is clicking, Brian Wood does a beautiful job of paralleling real events and politics without straining. The DMZ story works all by itself, but it still offers commentary on things like the current election season and Iraq.

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I Got Nothing… by Michael Davis

I Got Nothing… by Michael Davis

My mind is a blank. I can’t think of anything to write about. I read a bunch of comics and I came back with zip. I watched the news and was left with nada. I’m in the middle of a few great projects but don’t want to write about them yet.

Wow…writer’s block. I have never been at a lost for something to say or better yet to rant about.

This sucks.

Come on Davis. THINK, THINK, THINK!!

Nothing. I got nothing.

I know, I’ll make a list. That always sparks my imagination. Let’s see now, I can’t do a best dressed list or most sexy list. I have to do something that’s classy. I have to do something that shows that I am above the petty stupid lists that Hollywood produces.

Got it!

10 people I would like to pimp slap.

1. Paris Hilton
2. Kim Kardashian
3. Lindsay Lohan
4. Jeremiah Wright
5. The Real World Creator
6. Amy Winehouse
7. Charles Manson
8. Rush Limbaugh
9. Dr. Laura
10. Naomi Campbell

Damn. Still nothing. I am really barren today. What else can I do to spark my imagination?

I got nothing.

I’ll try another list.

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Where Are The Superheroine Movies?

Over at Cinematical, Elisabeth Rappe responds to all the acclaim for Iron Man by pointing out a deficiency in the booming business of comics being adapted to film.

Looking around the cinematic landscape, at the likes of Tony Stark, Bruce Banner, Bruce Wayne, Hellboy and the like, Rappe notices something missing: superheroines. And, even worse, Marvel’s recent announcement of more male heroes headed to the screen and ongoing delays in a Wonder Woman project, it looks like no female heroes will be hitting the big screen anytime soon.

It has been eight years since X-Men made comic book movies big business, and we have yet to see a proper superheroine. Ant-Man is on a faster production track than Wonder Woman – and who is more recognizable to the general public? Why is Thor more palatable to the mass audience than Black Widow? I don’t buy that there isn’t a mass appeal for these stories.

It probably doesn’t help the studio perspective that the only two comic heroines allowed to fly solo were disasters. But was there ever a smidgen of care given to either Elektra or Catwoman during the writing or production process? Neither film was entered into with that Iron Man spirit; they were careless and cheap, and turned out predictably awful. It’s no surprise that a movie bombs because it sucks – but surely, the suits are ascribing that largely to heroines being lousy sells. It says volumes that neither are worth the kind of relaunch The Incredible Hulk is getting. Why not bring back Elektra to revise big screen history? I’d pay to see it in a heartbeat.

A lot of food for thought, and plenty to agree or disagree with. Interestingly, Rappe doesn’t place any of the blame on the comic book industry, which has been called out for giving women short shrift plenty of times.

Reviewing Jack Kirby and Stan Lee’s ‘Essential Thor’

Reviewing Jack Kirby and Stan Lee’s ‘Essential Thor’

I don’t normally post links to reviews on other comics news sites, since we have so many of our own hitting the site here every day, but I had to make an exception for Tom Spurgeon’s recent review of the third volume of Marvel’s Mighty Thor "Essential" collection.

Thor has never been a favorite character of mine, as his dialogue always seemed a bit hokey and he’s pretty much the definition of a deus ex machina. But Spurgeon’s review of the collection, which features Stan Lee and Jack Kirby doing exactly what made them legends in the industry, has me contemplating a change of heart.

He describes the collected stories’ overall tone as "verily, there are asses over yon we doth must beat" repeated ad infinitum — which is a big selling point for me.

Spurgeon goes on to summarize the collection as follows:

It’s quite fun. The panels where Thor is not punching people so hard their light source changes are stuffed to the brim with either a) cool-looking Kirbyana almost always in the form of monsters and machinery, b) Volstagg, a fat coward who can bench press a bus, providing J. Wellington Wimpy-style comedy relief, or c) Thor screaming at someone about how awesome he is in preparation of punching them so hard their light source changes.

I love a well-written review, and this is certainly a great example of one. Head over to The Comics Reporter to read the rest of it.

The Weekly Haul: Reviews for April 24, 2008

  • News
  • April 24, 2008

This week in comics was all over the map, a schizophrenic jumble of thrills, idiocy, fun and pulp. The good books were great, and the bad ones were terrible. At the very least, it was entertaining from start to finish.

Book of the Week: The Mice Templar #4 — After the third issue of this series came out a couple months back, I wrote that while it was a good read, I was still waiting for the story to diverge from the rote fantasy plot. Writer Bryan J.L. Glass sent me a note saying just wait for issue #4, when things take a big turn.

Sure enough, the latest issue marks the point when The Mice Templar went from good to great. This isn’t just a fantasy tale featuring mice, it’s an intricately detailed epic and one of the best stories on comics shelves today.

In issue #4, Karic and Pilot continue their journey, with Karic showing both his potential as a great Templar and his youthful uncertainty. As they go along, Glass draws readers deeper into the massive mythos he has created, a back story that is mysterious but not confused. The issue ends with a too-good-to-spoil moment of "nothing will ever be the same." My only complaint is having to wait two months for the next issue.

Lastly, Mike Oeming’s art on this series improves with every issue, and it started out strong. He manages to make scenes of fighting mice into tense, dramatic moments, and his watercolor work in the concluding pages expands on the perceptions of what comic book art can be.

The Runners Up:

The Mighty Avengers #12 — Those of us who bailed out on the end of the horrifically delayed Secret War finally have an answer to the question of "Where the hell did Nick Fury go?" In this potboiler of an issue, Brian Michael Bendis diverges from the boring Mighty team to trace Fury’s movements while in exile, starting with the one-eyed wonder finding out about the Skrull infiltration.

From there, a paranoid Fury pushes forward as covertly as possible, investigating anyone and everyone to determine who the Skrulls are. The issue ends with an exhausted and uncertain Fury standing before a wall of photos of heroes, some marked as Skrulls. The issue follows in tone the great Gene Hackman thriller The Conversation, and is perhaps the best Secret Invasion lead-in yet.

Fall of Cthulhu #11 — This Lovecraftian tale from BOOM! Studios has been up and down over the first storylines, but the latest (The Gray Man) starts off like a perfect blend of Lovecraft’s stories and an old issue from EC Comics. A mysterious girl — you know trouble’s brewing when her nickname is Lucifer — is pulled into a sheriff’s office, and the authorities struggle to figure out how she’s connected to all the recent trouble in Arkham.

Michael Alan Nelson’s script work because he perfectly sets up the sheriff and his deputies in the role of the unknowing everymen who’ve stumbled into some ugliness far beyond their comprehension. This is a genuinely creepy book.

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ComicMix Six: The Worst Superhero Names in Comics

ComicMix Six: The Worst Superhero Names in Comics

You know you’ve talked about it with your friends. "Mr. Fantastic? He’s got, like, 17 doctorates… Shouldn’t he be ‘Doctor Fantastic’ by now?" And let’s not forget "Captain Marvel, Junior." Captain Marvel’s not his father. What gives? And what’s the deal with that Golden Age aquatic hero who called himself "The Fin?"

No matter how much we love comics, there are some superhero aliases we just can’t get behind. So we did our best to compile some of the worst superhero names in existence.

By the way, members of the Legion of Super-Heroes have been omitted from the list, because… well, it’s just too easy to pick on Matter-Eater Lad and Bouncing Boy.

 

6. KID MIRACLEMAN: In the U.K., he was originally called "Kid Marvelman." That doesn’t change the fact that it’s a lame name. Why?

KID MiracleMAN.

You can use the word "kid" in your name or you can use the word "man," but you can’t use both! With the power of contradiction comes great responsibility!

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