Tagged: sex

Webcomics You Should Be Reading: Saturday Morning Breakfast Cereal

  • News
  • October 29, 2008

I recommended this comic to a friend of mine. She wrote back that her office’s content filter blocked it as "tasteless and offensive."

This is an entirely accurate statement about Saturday Morning Breakfast Cereal. What they fail to mention, however, is that it’s also hilarious.

SMBC is a daily single-panel comic, in the vein of an R-rated The Far Side. The humor is primarily based on taking the punchline in a completely different direction than expected. It’s not suitable for kids. (Or adults who want any claim to maturity, for that matter.) It’s also not suitable for people who are sensitive about sex, death, religion, fetishes, cheesecake, herpes, dolphins, politics, or your mom.

There’s a SMBC store, though it’s currently closed for renovations and expected to reopen in November.

Notable moments:

Drama: Nope. Black comedy, maybe. Not the slightest hint of drama.

Humor: Imagine Gary Larson’s sense of humor melded with Kevin Smith’s potty mouth and you’ll pretty much have Zach Weiner. As noted, what lesser cartoonists would use as the entire joke, he uses as a set-up to something unexpected and much more disturbing.

Continuity: None. There’s a "random" strip button on the site, and it’s one of the few comics where that’s actually a worthwhile idea.

Art: Reasonable; it gets the job done. All the people look pretty much alike, and Weiner probably won’t be winning any awards, but he’s conscious enough of his own skill that you never find yourself missing a joke because you can’t figure out what that blue thing is.

Archive: Six years, about 1325 single-panel or two-panel strips. (Don’t let that scare you, though: There is absolutely no need for an archive trawl. You can read as many or as few strips as you want.)

Updates: Daily, consistently.

Risk/Reward: Reading too many of these in a row may make you realize you’re a horrible person. (There’s no ongoing storyline, so there’s no risk should the comic suddenly cut off.)
 

Review: ‘French Milk’

Review: ‘French Milk’

French Milk
Lucy Knisley
Touchstone Books, October 2008, $15

These days, people record their every inner thought and deed via Twitter, LiveJournal, Facebook and other social networking sites.  It’s a fast and easy way to tell the multitudes what you’re up to.  This is especially true for people who travel far from friends and family.

As a result, Lucy Knisley is a throwback.  The 23-year old grew up on comic books and has studied art in Chicago and New York, developing a distinctive style and voice that earned her a small but dedicated following. She recorded her six week sojourn in France by using pen and paper, recording a graphic diary of her trip to celebrate her 22nd birthday and her mother’s 50th.   Upon her return, she gathered up her dozens and dozens of pages and self-published through Monkfish Book Publishing.

While showing [[[French Milk]]] to people at a MoCCA event, she was discovered by Amanda Patten, senior editor at Fireside/Touchstone.  Now, the book is receiving a big PR push and is on sale as today and has already been receiving positive notices.

Knisley has a keen eye for atmosphere and detail, finding joy in the simplicity of a baguette or a rude American tourist. Her observations are sharp and we can share her delight in fresh, unadulterated whole milk, from which the book takes its name.  We follow mother and daughter as they sightsee, shop, dine and relax together.  She does a nice job recording the details to bring their flat to life along with shops, Laundromats and restaurants.

The book’s publicity tells us of the changing relationship between moth and daughter but the book barely scratches the topic.  There’s one sequence when mother tries to discuss financial planning to Lucy but that’s about it.  They share the flat and bed and seem to get along without any tension, quarrel or serious issue.  Lucy Knisley, it seems, missed having sex but remained faithful to her boyfriend, whom she stills has a relationship with. But she seemed content to be a homebody and never craved going out to experience Paris nightlife on her own with people her age. If anything, the relationship seemed very close and stable.

The pair had been to Paris before and her observations about seeing things after a few more years’ growth and maturity is interesting.  But her diary is all surface.  We did this, ate that and went to sleep.  There’s precious little about the culture or differences with her life back in the states.  Her observations are all micro with no attention paid to the larger issues facing a young woman on the cusp of adult independence.

The book benefitted from the occasional photograph so we can compare the real people with Knisley’s fun drawings.  It could have benefitted from some summing up beyond a one-pager at the end.

Knisley has great potential and she’s working hard to achieve her place in the comics field.  This is a terrific, albeit flawed, first major effort. Her current material at Knisley’s website show continued development.

Review: ‘Monty Python’s Tunisian Holiday’

Well as careers go, here’s a good one. Start off writing a fanzine and wind up working with and for Del Close and Monty Python and, specifically, John Cleese. Then you get to write all kinds of books about your labors.

Long-time comics journalist and frequent ComicMix commenter Kim Howard Johnson has a new book out called Monty Python’s Tunisian Holiday. It’s a misnomer; Monty Python was in Tunisia to work. They were making a movie. Monty [[[Python’s Life of Brian]]], to be exact. But few would buy a book called [[[Kim Howard Johnson’s Tunisian Holiday]]] unless it had a lot of sex in it, so the title choice is obvious. So are the contents: it’s Howard’s account of his time with the Pythons in Tunisia filming [[[The Life of Brian]]] and touches on his time on-stage with the group at the famed Hollywood Bowl concerts (Howard’s a professional, trained by no less than Del Close).

This is less of a companion volume to his [[[The First 200 Years of Monty Python]]],[[[ And Now For Something Completely Trivial]]],[[[ Life Before (and After) Monty Python]]], and [[[The First 280 Years of Monty Python]]] than it is Howard’s story chronicling his experiences as both a performer in the movie and a journalist covering the shoot. As such, it’s more of a companion volume to Michael Palin’s recently released autobiography Diaries 1969-1979: The Python Years (I highly recommend the audiobook version, read by Palin). It’s witty, it’s thorough, and if you’re a Python fan or a movie nut, it’s completely vital. 

By the way, Howard’s got prefaces from Michael Palin, Terry Jones, Eric Idle, and his former boss and collaborator ([[[Superman: True Brit]]]), John Cleese. It’s nice to know people.

O.K. Cool, Howard. Great job. Now go do that biography of the Bonzo Dog Band I’ve been wanting so desperately.  Ummm… after you finish that [[[Munden’s Bar]]] story you’re doing with…

Review: ‘Toupydoops’

Review: ‘Toupydoops’

A large portion of America is all about Hollywood. Who’s the new big star? What new movie is coming out? Which director will blow us away this year? Understandably, we have so many struggling artists – actors, singers, writers, directors all trying to find their big break – that it’s become cliche.

Likewise, we comic fans have similar feelings towards our books. Who’s the new big writer? What artist is going to knock or socks off with photo-realistic work? What new title is going to give us a new reason to love comics? How many more teams will Wolverine join before people realize there must be at least three of him?

But what if … what if these two paradigms were merged? What if strange beings with exotic looks and super-human abilities made their way to California and waited on tables while they auditioned to star in a comic book? What if a lad who was born with blue-skin and antennae was able to be an extra in an Image comic while he dreamt of one day starring in his own on-going series?

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Review: ‘Gus and His Gang’ by Chris Blain

Review: ‘Gus and His Gang’ by Chris Blain

Gus and His Gang
By Chris Blain
First Second, October 2008, $16.95

There must be some reason why the good Western comics – hell, pretty much all of the Western comics – of the past three decades have all come from France, but I don’t know it myself. France never had a West of its own; never had a frontier on its border to expand into. (Rather the opposite, actually – their big neighbor is Germany, which spent several hundred years trying to expand into them.) But there’s a streak of Western comics – about the American West, of course – from France going back through the “Blueberry” stories by Charlier and Moebius up to this book.

Well, whatever the reason, the French like stories about our Old West at least as much as we do, and now here’s another one: [[[Gus and His Gang]]], a collection of stories originally published between 2004 and 2007 about three outlaws and the women they pursue (and are pursued by). Gus, Clem and Gratt do rob banks and hijack trains – that’s how they make their living – but those things are mostly incidentals in these stories. These guys are much more concerned with getting a leg over – money never seems to be a problem (there’s always another bank to knock over), but sex always is.

Gus is the title character, the guy on the cover, and the ostensible leader of the three-man gang, but he has the worst luck with women of the three. The first story, “Natalie,” sets the tone – a woman from his past (he knew her five years before, in Cincinnati, when he was working in a wild west show) comes back into his life, and he chases around after her – as she leads him on by his exceptionally long nose – but doesn’t get anything out of it.

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Review: ‘My Brain Is Hanging Upside Down’ by David Heatley

Review: ‘My Brain Is Hanging Upside Down’ by David Heatley

My Brain Is Hanging Upside Down
By David Heatley
Pantheon, September 2008, $24.95

Right at this moment, I know more of the minor details of David Heatley’s life than I do of my own. This is because I don’t typically spend my time obsessing about the minutiae of my past, while I have just spent several hours reading Heatley’s comics – in which he obsessively chronicles every tiny detail of his life (as organized into thematic categories) that he can possibly remember.

[[[My Brain Is Hanging Upside Down]]] collects many (all?) of Heatley’s previously published short strips, and organizes them into something like a memoir in comics form – but a memoir tightly focused and monomanically detailed in its chosen areas. It’s divided into five sections – Sex, Race, Mom, Dad, and Kin – and everything else in the world (including religion, which seems to be very important to Heatley) gets left out or included only at odd, disjointed moments.

Each section, except the last, starts off with a batch of dream comics. These are about as compelling as anyone else’s dreams ever can be, particularly since Heatley has a deliberately crude and flat style. He does generally draw his dream comics with larger panels and more varied transitions than his longer pieces, which gives them some more visual interest. But, still, they’re someone else’s dreams, filled with intensely personal imagery and characters that we don’t recognize (because we haven’t yet met them in the autobiographical stories). So they’re opaque at best, incomprehensible at worst.

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Manga Friday: Here We Go Again

Manga Friday: Here We Go Again

  • News
  • August 8, 2008

 

This time around I have a volume two, a volume three, and a volume four – all in series that I’ve read at least some of the earlier books. Let’s see if I can still remember what went before – since manga often don’t have “who the heck are these people and what are they doing” pages – and whether they’re getting more or less interesting.

Kaze No Hana, Vol. 2
By Ushio Mizta and Akiyoshi Ohta
Yen Press, August 2008, $10.99

This is the series about an amnesiac teenage girl, Momoka, who is part of a family that wields magical swords to drive monsters away and protect their city. I reviewed the first volume in April, and had to admit then that there were too many characters with too few faces for me to keep them all straight.

Well, this time, we get even more characters, including another sword-wielding family that likes the monsters and wants to see them take over the earth or rampage through Tokyo or do whatever it is these particular monsters would do. Their leader is the cute girl Kurohime – and the only thing more dangerous than an old man in a Hong Kong movie is a cute girl in manga – and they have “sacred swords,” which are utterly different from the heroes’ “spiritual swords” in ways that perhaps don’t entirely translate well.

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Joss Whedon Talks ‘Buffy the Vampire Slayer’ Future

Over at MTV, Buffy the Vampire Slayer creator Joss Whedon talks about the big new direction for the comic book series, which sees Buffy and crew going off into the future.

In case, like me, you don’t hold a Ph.D. from Whedon University, it’s a good primer on all the implications that take hold with issue 16 (cover at right). In the issue, Buffy and Willow go to New York as a mystic event messes with time, into the world of Fray.

"The world of Fray has been a huge influence, in fact, the influence on season eight," Whedon said. "At the end of the series, I had something that categorically did not connect, and rather than throw out continuity, I used that. The present is so interesting with tons of slayers, and the future as we know it is quite the opposite. So why is that? And is that the death of magic?"

There’s also this, which is sure to set some nerdy hearts aflutter:

Also, we’ll be seeing a naked Willow soon.

"I had my fiancee pose for that one," [artist Karl] Moline said of the drawing. "It’ll be a nice, special-looking pose."

"It’ll be tasteful, unless he does it the way I wrote it," Whedon laughed. Don’t assume it’s another sex scene with Buffy, but something is about to happen that will rock the Scoobies’ world. "Things really start to change after the Fray story arc," Whedon said, "and the next thing we’ll be doing is seeing that from various points of view, with stand-alone issues dealing with larger issues of the world of the slayer and Twilight. There’s someone in the picture who hasn’t been there before, and the trick is, what’s the most unexpected, and who’s the most obvious and where’s the most pain?"

ComicMix Six: Biggest Tease in Comics (Male)

ComicMix Six: Biggest Tease in Comics (Male)

[EDITOR’S NOTE: In previous editions of ComicMix Six, our contributors have given you their lists of comics’ top political campaigns, the best and worst movies based on comics, and even a few reasons why a Skrull invasion isn’t anything to worry about.

This week, ComicMix Media Goddess Martha Thomases ranks some of comics’ most desirable — but unattainable — men, and the reasons why they always remain just out of reach. -RM]

Some of us yearn for a man’s touch. Sometimes, that man refuses. The very beauty that drew us to him now taunts us.

Here are the worst offenders, in no particular order, for my ComicMix Six list of The Biggest Tease in Comics (Male):

6. MORPHEUS: The Sandman only comes to you when you’re already asleep. This limits how much fun you can have, and more important, how much fun you can remember.

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Review: ‘Ghost Stories’ by Jeff Lemire

Review: ‘Ghost Stories’ by Jeff Lemire

Lemire is in the middle of an impressive thematically-related trilogy of stories about a rural bit of Ontario, Canada – the first book was Tales from the Farm, in early 2007, and the third, [[[The Country Nurse]]], will be along in October of this year. [[[Ghost Stories]]] is the middle book, but it’s a completely independent story – you don’t need to know anything about Tales to read it.

Ghost Stories: Essex County, Vol. 2
By Jeff Lemire
Top Shelf, September 2007, $14.95

Lou Lebeuf is an old, alcoholic, deaf man, living alone on the farm that was his younger brother’s and their father’s before him. He’s also either going senile or just doesn’t care about his current life – and who would? there’s not much to it – so he ignores his new home-care nurse and instead wanders through the memories of his younger days. At first he remembers growing up on that farm, playing hockey with his younger, bigger brother Vince, but he soon moves into the main plot of Ghost Stories.

Lou came up to Toronto to play semi-pro hockey for the Grizzlies around 1950, and Vince followed him up in 1951 — Lou was a solid, smart player, but Vince was a giant bull of a man, dominating the ice once he got angry enough. But, unfortunately for both of them, accompanying Vince on that trip in 1951 was his fiancee, Beth Morgan. Lou was strongly attracted to Beth, and, once — the night after the Grizzlies made the playoffs that March — Lou and Beth had quick, secret sex on a rooftop.

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