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The Parent/Child Divide in Films

The Parent/Child Divide in Films

  • News
  • August 20, 2011
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We admit it, we here at ComicMix love the work of Paul Giamatti. He inhabits his characters and makes them unique and memorable, from John Adams to Harvey Pekar. It’s one reason we’re looking forward to next week’s release of [[[Win Win]]] on Blu-ray and DVD. It prompted the folks over at 20th Century Home Entertainment to send us the top films prior to this one that explores the divide between parent and child, one of the most universal themes in literature, plays, and film.

For those unfamiliar with Win Win, here’s the official word: It’s a sad state of affairs when a parent / child relationship is strained and the one Kyle (Alex Shaffer) has with his mother is no exception. This void that he needs filled is discovered by the Flaherty family consisting of Mike (Paul Giamatti),  Jackie (Amy Ryan) and little Abby (Clare Foley).

Many other movies focus on this theme, and our feature will highlight some of the best that handle this difficult subject with aplomb including: White Oleander, Thirteen and What’s Eating Gilbert Grape.

White Oleander (2002)

White Oleander portrays a teenager who journeys through a series of foster homes after her mother goes to prison for committing a crime of passion. Astrid, played by Alison Lohman, is the teenager who throughout nearly a decade experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. During these years, she keeps in touch with her mother via letters to prison. The film has a strong female cast which also includes Michelle Pfeiffer and Renne Zellweger.

Thirteen (2003)

Tracy (Evan Rachel Wood) is a normal 13-year-old girl who is also a straight-A student. After befriending a new girl at school, Evie (Nikki Reed), Tracy’s world is turned upside down. Evie introduces her to a world of sex, drugs, cash and petty crime. Tracy’s whole identity rapidly changes and it isn’t long before her new world and attitude finally takes a toll on her, her family, and old friends. Due to her new persona, the relationships between Tracy and the people that care for her most are pushed to the limit.

What’s Eating Gilbert Grape (1993)

This film boasts an all-star cast of before-they-were-superstars, including Leonardo DiCaprio, Johnny Depp and Juliette Lewis. The story follows Gilbert (Depp) who has to care for his younger brother Arnie (Di Caprio) and his obese mother, which gets in the way when love walks into his life in the form of Becky (Lewis).

Win Win (2011)

Academy Award® Nominee Paul Giamatti stars as a lovable yet long-suffering lawyer and high-school wrestling coach who takes us on a brilliantly heartfelt journey through the game of life…where you can’t lose ’em all. When Mike Flaherty (Giamatti) comes across a teenage runaway who also happens to be a champion wrestler, Mike’s luck turns around in spectacular fashion. But his win-win situation soon becomes more complicated than he ever imagined when the boy’s family affairs come into play. Co-starring Oscar® Nominee Amy Ryan and directed by Oscar® Nominee Tom McCarthy, this touching and funny comedy will leave you cheering.

Which films would you add to this list?

MARTHA THOMASES: Sex and Comics and Rock and Roll

When I started out in comics in the late 1970s when dinosaurs walked the earth, the comic book business was like a small town. It was possible to be at least a nodding acquaintance of all the major players on the publishing side, and quite a few of the retailers as well.It was a small town – a small town scattered around the world. And like all small towns, there was always gossip.

Gossip, being gossip, is often nothing but lies. However, I’ve always found it fascinating because 1) I’m petty and shallow and 2) even untrue gossip reveals something about our feelings for the person involved.

Back in the day, the gossip was a particularly heady mixture of sex, drugs, and the kind of behavior that can only be the result of hideous self-loathing and bad brain chemistry. People would date, cheat, marry, divorce, hook-up, stalk each other – the usual.

And then there were those who were less usual. I don’t know if the stories were true, but they were fascinating: Freelancers who lived in their cars because they couldn’t manage their money, as opposed to freelancers who lived in their cars because they worked for scumbags. People who were such hoarders that they couldn’t walk from one room to another. The editor who did so much coke that they’d find this person dancing on the desk. The editor who had sex in the elevator on way to the office. The freelancer whose wife, looking for him, screamed into the phone so loudly that you could hear her across the office, even though she was out of state.

There is something both charming and small-minded about this kind of gossip. The small-mindedness is obvious. The majority uses gossip to keep everyone in line, obeying the rules. The charming part develops from the fact that we all knew each other and, for the most part, cared about each other.

Today, comics is a bigger business and a bigger scene. There’s more money at stake, and the stories (true or not) have changed accordingly. Now we hear about the men whose marriages fell apart because they were having affairs with their publicists. Or maybe they left their wives for an actress on the set of the movie based on their books. Or maybe it’s a coke habit. The same vices are involved, but the rise in status ups the ante. People (thankfully) can afford to go to rehab. They can afford to pay child support. The problems might grow with the money available, but so do the solutions.

There’s also a different tone. There is more envy, and, as a result, more a note of satisfaction when the person being discussed can’t handle success. It’s meaner.

We aren’t living in that small town anymore where we care about each other. We’re not even in Kansas anymore.

Martha Thomases, Dominoed Dare-Doll, has been a comic industry publicist for two decades, and no client ever made a pass at her. The stories she hears make her wonder what’s wrong with her.

SATURDAY: Marc Alan Fishman

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FORTIER TACKLES MAC’S LATEST HELLER NOVEL!

  • News
  • July 10, 2011

ALL PULP REVIEWS by Ron Fortier

BYE BYE, BABY

By Max Allan Collins

Forge Books

326 pages

Release Date 16 Aug. 2011

ISBN 10 – 0765321793

ISBN 13 – 978-0765321794

Sometimes it’s all too personal.  Or so Chicago based private eye, Nathan Heller discovers when he’s asked by his friend, Hollywood sex symbol and superstar Marilyn Monroe to help her in her battle with Twentieth Century Fox. The year is 1962 and the famous blond is in a contractual contest with the studio that is facing financial ruins. When the entire energies of the studio’s marketing staff begin attacking her reputation and credibility, Marilyn retaliates.  Fearing the contest will end in court, she asks Heller to tap her phones thus providing her with physical evidence to present a judge. Heller, now in his mid-50s and a highly successful entrepreneur with offices in New York, Chicago and Hollywood, gladly accepts the job unaware his client is deeply embroiled in a sex scandal that could rip the country apart.

Heller soon learns that Marilyn’s sexual escapades with Jack and Bobby Kennedy have attracted a hive of dangerous bees to include the C.I.A., FBI, Teamsters President Jimmy Hoffa and underworld figure Sam Giancana. All of them have a vested interest in keeping the blond bombshell quiet.  When she dies only a few months later of a drug overdose, the usually unflappable Heller is shocked by the inept police investigation that follows. It reeks of a cover up and Heller is convinced the depressed film actress was murdered.  Now comes the tough part, proving it.

“Bye Bye, Baby,” is the fifteenth Nate Heller mystery, Collins’ longest running series and his most acclaimed.  So meticulous is the research that goes into each book, one gets both a fast paced thriller and a history at the same time.  Talk about more bang for your bucks.  Throughout the series, Heller has crossed paths with such personalities as Orson Welles, Frank Nitti, Sally Rand and Charles Lindberg.  He’s very much the detective version of a Forrest Gump.  Yet in all these past cases, he has never been more human or vulnerable.  This is due in large part to the events taking place in a time writer Collins is personally familiar with and it is that intimate connection that infuses itself into the character’s perceptions.

Norma Jean Baker, born June 1st, 1926, came to Hollywood as a model and became Marilyn Monroe.  She landed her first film contract in 1946 and went on to become the most popular screen sex goddess since Jean Harlow.  By 1953, she had progressed to leading roles and shaken off her “dumb blonde” image, winning the coveted Golden Globe Award in 1959 for her role in “Some Like It Hot.”  The true circumstances of her death sparked an avalanche of conspiracy theories still bandied about today.

 

Collins’ genius is taking the dozens of convoluted records and few remaining pieces of evidence to describe one possible scenario on how Marilyn was murdered.  In the end the story is a gut wrenching tragedy and perhaps Collin’s finest book ever.  It is one this reviewer was emotionally involved with from beginning to end.   I can remember all too easily being a fifteen year old fan when Marilyn Monroe died and the sadness I felt.  You see, Max, I loved her too.

Reviews from the 86th Floor: Barry Reese looks at Howard Chaykin’s The Shadow

  • News
  • June 23, 2011


THE SHADOW: BLOOD & JUDGMENT
Howard Chaykin
Published by DC Comics

This was the era of Watchmen. Of The Dark Knight Returns. It was the boom of grim and gritty. Howard Chaykin, whose brilliant American Flagg! was already a modern masterpiece, was chosen to bring The Shadow back to life for DC Comics. He elected to bring the character into the 1980s rather than stick to being a period piece and he approached The Shadow with obvious knowledge but not necessarily a fan’s reverence. He had no problem ramping up the sex and violence, while emphasizing the fact that The Shadow himself is a grade-A jerk.

We get to see Kent Allard’s transformation into The Shadow, as well as he met Lamont Cranston, via flashback — and we learn that the real Cranston is a major jerk. A jerk who still hates The Shadow, even in the 1980s. Killing off The Shadow’s old aides in order to draw the mysterious vigilante back to the scene, Cranston is aided by a slutty secretary and an idiotic clone. He hopes to force The Shadow to take him back to the lost city where The Shadow gained his powers but he doesn’t count on treachery in the ranks, nor does he realize just how dangerous his old enemy truly is.

Classic artwork from Chaykin and a story that hits on nearly all cylinders, this is one of my favorite pulp-to-comics transformations. Chaykin avoided being a pastiche by updating the character and refusing to place him on a pedestal. While the ongoing series by Andy Helfer that followed was a piece of steaming dog poo, this kick-off miniseries deserves a place on every pulp fan’s shelf. It’s proof that the classic pulp heroes can work in the modern day.

I give it 5 out of 5 stars.

Review: Last Tango in Paris

Last Tango in ParisBy 1972, a revolution in moviemaking had taken hold and rewritten the rules. 1968 was the pivotal year, but it led to filmmakers around the world trying new ways to tell stories that felt more like the world the audience inhabited. As a result, Bernardo Bertolucci was emboldened to cross several screen taboos and tell a brutally honest story about relationships, loss, and yes, sex. People were stunned when his [[[Last Tango in Paris]]] opened that November.

Starring Marlon Brando, resurgent after [[[The Godfather]]]’s smash success, it was stunning for adults to see the great actor in a frank relationship complete with full-frontal nudity. But the story required someone of Brando’s age and stature to be compelling and for audiences to take the subject matter seriously. He plays Paul, an American living in Paris, whose wife has just committed suicide with no explanation. Stunned, he finds himself wandering to check out an apartment for rent, where he meets Jeanne (Maria Schneider), a young woman about to marry her filmmaker husband. As the two explore the empty rooms, they can’t deny the instantaneous attraction. And for someone as young and attractive as the unhappy Jeanne to find anything remotely interesting in Paul requires the raw animal magnetism that Brando displayed in most of his films to date.

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Webcomics You Should Be Reading: “Rogue Robot”

Webcomics You Should Be Reading: “Rogue Robot”

  • Uncategorized
  • March 13, 2009

I’m back, my gentle compatriots, with another webcomic for you to feast upon! I know what all of you are saying though, as you sit with arms folded in protest– ”But Marc, you’ve brought to us a rising list of the sick and macabre! Each new webcomic (be it still active, or dead, or with a glorious hard cover archive hitting shelves) has sunk to new depths of depravity. Have you found another gloriously funny webcomic, or are you simply reaching for the rafters in a pathetic attempt to appease us, your loyal and ravenous fanbase!?”

Worry not my friends, I bring to you a funny (if not so grotesque) webcomic to tickle your funny bones. I bring to you… Rogue Robot!

Rogue Robot was started in 2005 by Herron School of Art students Ben Roe and Amory Abbot. Ben initially wrote the strips and provided color, and Amory lent his pencils and inks to the strip. Over time, Ben has become a bit dormant, and Amory has gallantly picked up the slack on all chores, and has been putting out the strips ever since.

The comic had humble beginnings, but quickly gained speed, and found it’s voice. As it has progressed over the years, the strip has really tightened up it’s art, and acerbic wit. Akin to a ‘Penny Arcade’, the comic is essentially about 2 buddies (Amory and Ben) and a few other cast-mates with their own set of unique peculiarities. Humor ranges from straight-up slapstick violence, toilet humor, sex, with occasional epic (as in longer than 1 strip) stories. The comic hits the mark most of the time, and when it goes for broke, well, like so many other comics I’ve shared with you thus far– it’s laugh out loud funny (even though you’ll go to hell for laughing.). It’s also funny to note just how many comics end up dealing with not updating all the time.

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Webcomics You Should Have Read: ‘The Parking Lot Is Full’

Webcomics You Should Have Read: ‘The Parking Lot Is Full’

  • Uncategorized
  • February 15, 2009

I beg of you, gentle ComicMix readers… take a journey with me back in time. Step one? Dust off a pair of “wide leg” jeans. Don your favorite pair of Airwalk low-tops. Grow your hair out a little, and put a Pearl Jam Compact Disk into your brand new Diskman. Step Two? Power up your personal computer. You know the one, with that brand new Intel Pentium chip the kids all talk about. Fire up that 14.4 Baud Modem, and hop on that newfangled ‘Information Super-Highway’. Welcome to 1993 folks! Now that you’re here, you should check out a little known webcomic called “The Parking Lot Is Full”.

The brief history on said comic comes from it’s own tombstone, procured from their site instead of that wiki-pedia thing you “next-gen users” all like so much…

 

“From 1993 – 2002, The Parking Lot is Full was the comic strip love child of artist Jack McLaren and writer Pat Spacek. Starting as crude little strips published in their university newspaper, the comic quickly took on a life of its own, eventually becoming one of the most popular and infamous comic strips on the internet. After nine years of ups and downs, the creators decided that they’d said everything they wanted to say, so the comic was wrapped up and all the toys put away.”

 

What made ‘PLIF’ (get used to this folks, cause “The Parking Lot Is Full” takes a while to type) so enjoyable was it’s fascinating combination of Gary Larsen-esque illustrations combined with sharp writing and a touch of the macabre. Unlike several previous recommendations here on ComicMix, ‘PLIF’ had no continuity really to follow. Yes, there are a few reoccurring sock puppets in the later half of the series, but there’s no backstory to follow (well, anymore…). And to be honest, the really juicy strips are true non-sequiturs.

I’ll be frank, folks, this strip features some of the most laugh-out-loud-but-frankly-I-shouldn’t-be-laughing strips I’ve had the pleasure to read for free on the ‘inter-webs’. There’s no need for lengthy exposition on the progression of the art; It’s crude, in gray tones, and unpolished as my car in February. There’s no need to wax poetic about the subject matter; Generally ‘PLIF’ stuck to a cycle of topics including childhood, sex, religion, and conspiracy theories (sometimes in the same strip!). Simply put, if the ‘Far-Side’ was rolled through a plate of broken glass, you’d have “PLIF”. Suffice to say the content can disturb as much as it can inspire fits of laughter… and that’s what I appreciate about it. Now to the cream of the crop (…ahem. WARNING. These Strips Are Not Suitable For Children, and most adults now that I think of it):

 

• Well, this settles an age old debate.
• Safe Sex, by PLIF
• A Failed Experiment, by Ray Croc.
• "I fell out of my chair the first time I saw this"… said my roomate.
• You know it’d be true.
• A lesson from the Street… Sesame Street.
• If this Pre-Dates Animal Man, Grant Morrison should be worried.

So there you have it folks. Kick off the Airwalks, swap that Diskman for an iPod, and plug back into a nice cable modem. This trip back in time is over. Sadly, there is no more strips to be had after you’ve been through their archive. Do yourself a favor though… buy a collection of them in printed form from the ‘PLIF’ store, and show your support for those who dared release this evil into the world.

The Breakdown:

Drama: Well, this is kinda’ dramatic…

Humor: If you don’t find this funny, maybe you’ll find this funny.

Continuity: There’s some Sock Puppets that show up from time to time.

Art: It’s grey, it’s crude, and it’s wonderfully morbid when it needs to be.

Archive: From 1993-2002, you’re looking at quite a few strips. It looks like they didn’t update but several times a month at best… never the less, if you troll through it all, it’s a solid hour or two of fun.

Updates: Unless you suffer from that condition where you still believe it’s 1993-2002… alas, there is no more ‘PLIF’ to be had.

Risk/Reward: As always… it’s free… so there’s little risk involved. Unless you consider reading a strip like this to be dangerous. Don’t say I didn’t warn you.

Manga Friday: Games & Doctors & Sex

Manga Friday: Games & Doctors & Sex

  • News
  • December 12, 2008

It’s getting harder and harder to find books for this column that go together in any meaningful way. And how do I deal with that problem? Why, by utterly ignoring the problem and throwing together whatever books happen to be lying around. Here, I’ll show you how that works…

Spiral: The Bonds of Reasoning, Vol. 5
Story by Kyo Shirodaira; Art by Eita Mizuno
Yen Press, October 2008, $10.99

For the long version of the backstory of this series, see my earlier reviews of Vol. 4, Vol. 3, and Vol. 2.

The short version: there are “Blade Children” – teenagers who were abducted and had a rib removed (and probably had other things done to them, starting with psychological conditioning), and who form some kind of secret society. And there’s a teenage boy who is almost always called “Little Brother” – by people who are not, in any way, related to him, and because his now-vanished older brother was a genius, special and wonderful and better than his little brother ever could be in every way imaginable – who keeps getting caught up in their convoluted schemes, which generally involve logical puzzles, death traps, and lots of posturing about who is smarter than whom.

At this point, it’s becoming clear that the Blade Children have serious divisions in their ranks, since one group of BCs is sending an assassin against the local Japanese BCs that we’ve been watching torment – and be defeated by – Little Brother repeatedly over the last few books. (Of course, as is typical in modern manga for teenagers, everyone who matters in the entire world is a teenager.)

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S. Clay Wilson Hospitalized

S. Clay Wilson Hospitalized

  • News
  • November 10, 2008

The Oregonian is reporting that S. Clay Wilson, “one of the seminal figures in the underground comix movement, suffered a "severe brain injury." Wilson’s partner, Lorraine Chamberlain, stated on Sunday, "I just talked to the neurologist a few minutes ago. He’s in a decline because of the pneumonia. They can’t seem to stabilize him."

The 67-year-old Wilson was originally thought to be the victim of a mugging when he was found but doctors now theorize that he may have repeatedly fallen given his medical condition. He’s been at San Francisco General since Saturday.

"That’s what we think now, that he fell several times and hit his head," Chamberlain said. "He has a fractured orbital bone in his eye and he fractured his neck. He looks like he’s been kicked in the face and beaten up. But if he’d been beaten up, he would have been robbed. There’s no way to know. But he had way too much to drink.

"It was very bad news today," Chamberlain said. "The most important thing is that he gets over the pneumonia, but he’s had a very severe head injury." Chamberlain and Wilson have known each other for four decades but have been together for only the last eight years.

As a youth, Wilson relocated from Kansas to San Francisco in 1968, just as the Underground Comix movement was gaining traction.  He found R. Crumb, who produced Zap Comix and showed his artwork off.

"I was just completely blitzkrieged by the guy," Crumb said. "I’d never seen anything like those drawings of his before." The founder of the movement credits Wilson for pushing him to cease self-censorship and let everything flow on the page including sex, drugs, and rock and roll.

"I get a lot of flak from feminists, but we all do," Wilson said previously. "But within that group of feminists, there’s all kinds of mentalities. Some don’t understand what we’re dong — making fun of everything. Spain (Rodriguez) gets a lot of shit about it, we all do. I like the idea of keeping the boat rocking."
 

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