Tagged: Lost

REVIEW: Wolverine & Blade Anime

wolverine-anime-300x405-5296873Marvel’s attempt to bring their characters into the world of anime didn’t fare terribly well as four series from Madhouse arrived and sank without much of a ripple. Conceived and vaguely interconnected from Warren Ellis, the projects had noble goals but failed to excite or even tell great stories.

You may have seen them on G4 since they weren’t important enough for the major animation channels or you might have caught Iron Man and X-Men when Sony Home Entertainment released them a few months back. Coming Tuesday are the final two, Blade and Wolverine, and these are no stronger than their predecessors. On the one hand, the color palette is nicely chosen to lend atmosphere to Blade, but then the animation is so stiff and limited vampires and people alike seem to be moving through sludge.

Wolverine, actually the second of the quartet to air from January 7 through March 25, 2011, concerns itself with a search of Mariko Yashida, gone an entire year, and winds up having him slice his way through the Yakuza and AIM. We learn that his paramour had been taken by her father so she could wed Hideki Kurohagi and we’re never given a good reason why it took so long for the canucklehead to figure out she was gone.

Structurally, each episode has fighting, chasing, talking and cliffhangers as the quest takes Wolverine from place to place in search of Mariko. As a result, each stop along the way features different threats and weapons but by episode seven it all starts feeling the same and you just want the story to get on to something fresh. Obvious foes, such as Omega Red turns up so in addition to bullets and knives we get Adamantium versus carbonadium but again, the animation limits just how much you can enjoy it.

Of course he and Yukio will endure all the obstacles and Ellis is wise to keep the tragic ending consistent with the comics although it’s far less effective after having been dragged out

The English voice cast is headed up by Milo Ventimiglia (Heroes) and does a credible job as the Canadian war machine. He’s backed by a lot of veteran vocal actors but no real names other than Scott Porter as Cyclops, who guest stars in one episode as a nod to the four series being interconnected (Wolverine returned the favor in both Iron Man and Blade).

The Blade storyline is less a quest and more a battle between the Daywalker and his eternal foe Deacon Frost. The final entry in the Marvel Anime Universe, it aired July 1 through September 16, 2011. In this case, Blade happens to be in Japan when he comes across a group of vampires that is known only as Existence. Episode one is a recap of who Blade is, which was wise for its audience, and then takes us to discos and vampire hangouts and lot so of murky stuff going on. There are young women being taken, blood farms, people who want the secret of Blade’s ability to walk in the sunlight, etc. Lots of chasing, fighting, biting and staking. My problem is that none of the characters were interesting enough to make me care and my mind kept wandering while vampires did their thing.

Here, the English vocal cast is headed up by Harold Perrineau (Lost) who does a surprisingly effective job.

I continue to find it laughable the vast differences in translation between the English dubbed soundtrack and the closed captioning since the word choices for the latter alter some of the meaning and characterization.

Both discs come with brief and not terribly informative pieces on the anime project and each character’s place in that world. They’re nice to have but totally superfluous. These are affordably priced two-disc DVDs that are good if you love the characters are anime or, preferably, both.

Master Class in Cartooning with “Zippy The Pinhead” creator Bill Griffith tonight

Tonight, a Master Class with Bill Griffith, creator of Zippy The Pinhead:
GRIFFY’S TOP 40 LIST ON COMICS AND THEIR CREATION:
The Daily Life of a Working Cartoonist: Pencilling, Inking and Making People Laugh, Maybe.

Single session: Wednesday July 25, 7:00 PM-9:00 PM. Tuition: $60. For more information and to register, call 212-228-2810 or go to: http://sohodigart.com/Calendar.html

Subjects discussed by legendary comix creator BILL GRIFFITH in this class will be: Creating a cast of characters (one of which may be yourself) and learning the language of comics (writing, humor, pacing, finding your voice, understanding panel and page composition as well as specific hints on drawing in pen & ink).

Attendees may bring photocopies of a small sample of their work, which Bill will critique after the class via email. There will also be a question and answer period at the end of the class. Feel free to ask anything except how to draw superheroes.

BILL GRIFFITH is the creator of the “Zippy the Pinhead” daily comic strip, seen in over 150 newspapers and newspaper websites. “Zippy” has been nationally-syndicated since 1986, by the first and oldest comics syndicate, King Features. Griffith got his start in the underground comics scene in New York and San Francisco in 1969, contributing to dozens of comic books and magazines throughout the last four decades. Fantagraphics Books has just published a collection of Griffith’s early underground work, [[[Bill Griffith: Lost and Found: Comics 1969-2003]]].

Grimm Season One DVD Details Released

The dust has barely settled on the 2011-2012 television season, but the studios are already gearing up the season box sets in anticipation of the fall premieres. Among them is Grimm, which was a major ratings surprise for NBC when the mid-season series debuted. It takes an entirely different look at fairy tales, compared with ABC’s ratings success with Once Upon a Time proving once more that it all comes down to execution.

Universal Home Entertainment will be releasing the first season of Grimm on August 7 and if you haven’t sampled the series yet, it’s worth a look. Here are the details:

OVERVIEW: Classic Grimm’s fairy tales come to life like never before in the “dark and imaginative” (Mike Ayers, CNN.com) supernatural series Grimm, from the producers of Buffy the Vampire Slayer and Angel.  Homicide detective Nick Burkhardt (David Giuntoli, Privileged, Grey’s Anatomy) discovers he is descended from a long line of criminal profilers known as “Grimms,” protectors who are charged with keeping the balance between humanity and the creatures of myth.  With newly awoken abilities to detect the evil lurking among us, Nick struggles to keep his old life separate and safe as he becomes ever more entrenched in the ancient rivalries of the Grimm world.  Available on Blu-ray™ and DVD on August 7, 2012, Grimm Season One allows fans to experience all 22 chilling episodes back-to-back and uninterrupted. (more…)

REVIEW: Felicity Seasons One and Two

felicity1-300x406-6060567Before Star Trek was Fringe and Lost, and Alias and before Alias was Felicity. It may be hard to recall that genre wunderkind Abrams actually broke into television by making a splash in 1998 with the WB series about a college girl. Created with Cabin in the Woods collaborator Matt Reeves, the series is worth a second look given the storytelling, music, and keen eye for casting that first introduced to an armload of performers who have gone on to success, including repeat appearances in later Abrams productions. Or do you think Keri Russell’s cameo in Mission: Impossible 3 was an oddity?

Lionsgate has resurrected the first two seasons in newly packaged DVDs, both out this week. The WB knew that a female-skewing series with a high concept would be a good fit for their struggling network so when Abrams and Reeves turned up with the concept, there was excitement. Susanne Daniels excitedly listened as Abrams outlined a five season arc for Felicity Porter, who would chuck everything she and her parents planned for, to follow a boy from California to New York. The boy barely knew she existed but all it took was for him to sign her yearbook and she was hooked.

So was Daniels who has written, “He brings heart to a pitch and can tell you clearly why anyone would or should care about the world he’s describing. But the single most impressive thing about J.J. is the depth of analysis he lays out in a compelling, almost professorial way. He can tell you everything about every character and their story arcs. And he can tell you how and why his show fits into your network, in the television business, and the world at large, and how the audience will relate to it.” (more…)

Bill Murray’s Classic Meatballs heads for Blu-ray

Pack up and head to Camp North Star this summer as Lionsgate debuts the wacky comedy Meatballs on Blu-ray Disc, Digital Download and On Demand for the first time. Directed by Ivan Reitman (Ghostbusters), the hilarious summer camp adventure stars Oscar® nominee Bill Murray (Best Actor in a Leading Role, Lost in Translation, 2003) in his first leading role. The film also stars Harvey Atkin (TV’s “Law & Order: SVU”) and Kate Lynch (New Year). Featuring a new audio commentary with director Ivan Reitman, Meatballs makes its high-definition premiere on June 12th, for the suggested retail price of $14.99. The DVD will also be available for the suggested retail price of $9.98.

Tripper (Murray) is about to have a summer he will never forget. As head counselor at Camp North Star, an off-the-wall summer getaway, Tripper guides his loveable campers and spirited staff members on a quest for fun in the sun. But when the season begins with a runaway camper, an accidental blackout and Tripper’s amorous attack on a female counselor, everyone knows that the tales by the fireside will only get more outrageous as the summer goes on.

MARC ALAN FISHMAN: Tales from My Art Table – The Soundtrack

Because I no longer profess to have original thoughts, I’ve taken a liking to riffing off a topic suggested by other ComicMix columnists. This week, the lucky Ms. Mindy Newell  inspired my topic du jour. As I discussed last week, I’ve been a serious artist since high school. When I was faced with two years worth of assignments in a single school year, I was chained to the art table basically every night. My art-desk was just a dining room table, so for me the creative process started more with a mindset than a setting. An artist’s area is a second home, a place where creativity blooms and technical proficiency is honed with each successive piece. Nothing gets me into this place quicker than music.

I can point to the soundtrack of my high school days and how it lead me to the canvas… or Bristol board, or god knows what else I was drawing on. Discs in heavy rotation? Tonic’s self-titled debut was a biggie. Reel Big Fish’s Why Do They Rock So Hard was always a quick pick-me-up. Guster’s Lost and Gone Forever carried enough personal anthems that I ended up making a piece of art about it. And of course, my long-standing stalwarts – Barenaked Ladies and They Might Be Giants – were never far behind a studio session. When Matt started dating girls, leaving me wondering what the hell was wrong with me (Answer? No Beard.), I found solace in Marilyn Manson’s Antichrist Superstar and a 10-minute stint as a psuedo-goth. Oddly enough, being sad and angry all the time never worked out for the natural comedian in me. Thank Gordon for Barenaked Ladies.

During this time too, Matt and I (when he wasn’t kanoodling with the ladies) would have an occasional studio night. Generally his house. He’d bring down the boom box, plug it in, and we’d toss in some long running discs, and recreate the atmosphere cultivated in the art room at school. Dave Mathews and Tim Reynold’s Live at Luther College, Rage Against the Machine, a little Guster, and maybe Sting’s Mercury Falling… and the paint, pencils, and bonding of brothers began.

My taste in music was (and still is) pretty kooky to say the least. While I’m by no means a staunch follower of rap, metal, grunge, bluegrass, or soul music… I do have a handful of artists in all those genres that I follow methodically. Trust me, a view of my guilty pleasures list on Spotify is truly vomit-inducing to most. Unlike many of the fine folks writing here… I was right on the cusp of the shuffle generation. And while the first 18 years of my music-loving was dependent on the ‘Album,’ by college, I was picking and choosing tracks to enjoy (unless it was from a band I’d already found a love for). But I digress… This column is supposed to be about the correlation between my music and my art.

In college, I found the first medium to really speak to me – woodcut. A combination of graphic layout and meticulous process led me to an epiphany of sorts. At a piece of plywood, I found a zen-like state where I could just put my hands to a task, let music pour into my ears, and when the haze lifted, art was made. During this time, my CD player had long been ditched for a first generation iPod. All 4 GB were crammed to the brim with tracks gleaned from my own collection, and some acquired from the file-sharing sites that were all-too-popular at the time. My personal policy was to only appropriate music from artists I’d already owned something from… or tracks I liked enough to listen to repeatedly, but not support the band financially. Sorry, Dakota Moon… you’re not worth my buck.

Tunes of the time ranged from Eminem’s B-Sides, BNL’s Maroon, Red Hot Chili Peppers’ Californication and Red Hot Minute… to wuss rock from John Mayer and Ben Folds. All of them piped to my fingers, amidst a mountain of wood shavings. The art attached to this piece shows off the culmination of that work. 16 panels, 10 feet tall, 18 months worth of hard work, completed through 4,000 songs on continuous play.

Nowadays, I jump between online services that pump tunes to me on the cheap (at the trade-off of intermittent commercials), or a shuffling of my iTunes. Occasionally I’ll feel a twinge of nostalgia, and I’ll toss on Sting’s Ten Summoners Tales, and just go to town. Sadly, I’ve not done a woodcut since college… but have found a true love and calling in both graphic design, and comic book making. And nowadays when I’m not buried with freelance work, day job work, or baby and wife tending… I toss on some noise canceling headphones, crank up the shuffle, and start drawing my nights away.

And yeah, Mindy… Sometimes I listen to Glee, too.

SUNDAY: John Ostrander Always Has Paris

 

John Severin: 1921-2012

John Severin, Eisner Hall of Fame winner and one of the last of the legendary EC artists, died Sunday in Denver, Colorado. He was 90.

Severin was among the greatest draftsmen of the EC crew. He was especially well known for his western comics and war comics, but worked across many genres, including a 45 year stint drawing for Cracked magazine, doing numerous parodies and creating the definitive version of the company mascot, janitor Sylvester P. Smythe.

In recent years he had continued to work, with his last new material coming from Dark Horse last year on Sir Edward Grey: Witchfinder.

His family has released a statement:

Internationally acclaimed illustrator-­cartoonist, John Powers Severin (1921-­2012), passed away Sunday, February 12, 2012 at his home in Denver, Colorado with his family by his side.

He was 90 years old.

Throughout his sixty plus year career in comic illustration and cartooning, Severin gained world-­wide notoriety and is regarded by many fans, friends, historians, and colleagues as a truly distinctive and brilliant artist.

Long-time friend and former president and chairman of Marvel Comics, Stan Lee states, “He had an art style that was uniquely and distinctly his own.The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn. Not only was his penciling the very finest, but his inking, too, had a distinctive Severin touch that made every strip he rendered stand out like a winner”.

(more…)

Disney XD Launches Marvel Universe Block on April 1

Disney XD will launch Marvel Universe, a dedicated Marvel programming block, with the new series Ultimate Spider-Man as its centerpiece, on SUNDAY, APRIL 1, it was announced today by Gary Marsh, President and Chief Creative Officer, Disney Channels Worldwide at the Television Critics Association Press Tour in Pasadena, California. Marvel Universe on Disney XD will be the ultimate place for fans to find exclusive Marvel content, including new animated short-form series, live-action interstitials and the series return of The Avengers: Earth’s Mightiest Heroes.  The block will be home to Marvel’s biggest superstars, such as Spider-Man, Iron Man, Hulk, Thor, Captain America and many more to introduce dynamic stories of action, adventure and heroism to a whole new generation.

Marsh said, “Iconic Marvel heroes and villains and stories with core values of accomplishment, discovery and growth make Marvel Universe a perfect complement to Disney XD and a destination for parents and kids to experience together.” (more…)

HANCOCK TIPS HIS HAT TO THE WORLDS OF PHILIP JOSE FARMER VOLUME ONE!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

THE WORLDS OF PHILIP JOSE FARMER:PROTEAN DIMENSIONS
Edited by Michael Croteau
Written by Various
Meteor House
2010

“The world is not such a lonely place as it once was.”

This, the opening sentence to Paul Malmont’s foreword to Meteor House’s THE WORLDS OF PHILIP JOSE FARMER: PROTEAN DIMENSIONS, expresses a sentiment that many of us feel because of Philip Jose Farmer.   A man who took the stories he loved and not only wrote his own tales inspired by what he loved, but took the characters he cherished and added, molded, and in many cases breathed brand new life into them, making them viable, visible, and exciting to those of us eating up his stories like pigeons on breadcrumbs.  

PROTEAN DIMENSIONS is the perfect expression of Farmer’s impact on the world as well as proof that Farmer truly proved that we, people who enjoy fiction and academic discussion and theorizing and world building, are not alone in this world.   The book features works by Farmer as well as those inspired by him, even some who had the opportunity to work with him during his career.   Lost essays, long missing pieces of fiction, and even new tales inspired by the wonders Farmer rendered fill each page of this simply and nicely designed volume.    As previously stated, I’m not enough of an academic to criticize scholarship, but based on my experience as a historian, the work put into the essays is sufficient and successful.  The fiction is also top notch, both what Farmer produced and what he inspired.

If this review seems to be filled with adoration, then you’re reading it the right way.  But it’s as much adoration for the work that went into it as it is for the man it’s about.  I have seen no volume, except for maybe the sequel to this one and its predecessor, MYTHS FOR THE MODERN AGE, dedicated to any creator that does such a good job of pointing out the whole picture of the man, identifying the strengths and weaknesses of his work, and most assuredly putting the best people possible on paying dedication and tribute to who and what Philip Jose Farmer was.

FIVE OUT FIVE TIPS OF THE HAT.