Tagged: film

REVIEW: The Hobbit: An Unexpected Journey Extended Edition

Hobbit Unexpected Joruney ExtendedJ.R.R. Tolkien wrote a children’s book about a creature called a Hobbit and people in England seemed to like it. His publisher asked for a sequel, expecting something within a year or two, and instead it took fare longer and he received something far bigger and darker. It was worth the wait because the saga is engrossing and enduring. Thankfully, a series of events meant it wasn’t until the last decade or so before Hollywood could serve the words with fidelity. Peter Jackson’s Lord of the Rings trilogy was groundbreaking in sweep and production, an investment that could have bankrupted New Line Cinema and instead brought it untold millions in profit.

The original tale, though, took a lot longer to come to the screen and Jackson found himself back behind the director’s chair, turning collaboration with Guillermo del Toro into an encore performance. Eyes were raised when we heard this slighter tale was being turned into two films and then fans grew worried when that morphed into a trilogy.

Last December, we cautiously filed into the theater to see The Hobbit: An Unexpected Journey, which appeared to be only 60% an adaptation of the novel with lots of filler. Jackson indicated all along he intended to bridge the two storylines, hence expanding to multiple films, but did it need the same sweep and grandeur as the Lord of the Rings? Probably not, but he made the creative choice to tonally link the two and as a chapter in a film series, it mostly works.

Now, mere weeks before the second installment, The Desolation of Smaug, arrives, we get to revisit chapter one, in a just-released Extended Edition from Warner Home Video. The 183-minute extended cut has more of the things you like or loathe about the films. Since diehard fans and casual audiences alike are divided between whether this version works or not, the debate continues with thirteen more minutes of evidence to work with. While the previous extended versions added plot, character and more of Howard Shore’s terrific score, this one just adds….more.

the-hobbit-bilbo-bagginsThere’s no question Martin Freeman’s casting as Bilbo Baggins, the reluctant adventurer was excellent. Paired with Ian McKellan’s Gandalf the Gray, they work well together, keeping to closer to the novel. It’s the baker’s dozen of dwarves that hew closer to the Rings trilogy and are far less defined, understandable given the size of the cast. On the other hand, with three films to work with, more should have been done beyond Thorin Oakenshield (Richard Armitage).

Instead, cameos from other players are shoe-horned in so we revisit Elrond (Hugo Weaving), Galadriel (Cate Blanchett), Saruman the White (Christopher Lee). What is welcome is the framing sequence to put this into perspective for the masses, wisely bringing back Ian Holm as the elder Bilbo and Elijah Wood as his cousin Frodo.

For me, it was entertaining but somewhat disappointing because I was not transported in the same way I was when I first visited Middle Earth. I was entertained but it was milder than enthralling.

The film fortunately is fit onto a single disc so you can enjoy it in a single sitting. For those who can’t get enough background material, there are two other discs chockfull of features. These are sumptuous for those who indulge and its interesting listening to Jackson and co-writer Philippa Boyens’ audio commentary, as they discussed the creative choices, pulling material from the Appendices to flesh out the novel.

imagesOne unconnected featurette is New Zealand: Home to Middle-Earth (6:53) which is Jackson and company extolling the virtues of their homeland.

The bulk of the extras are The Appendices Part 7: A Long Expected Journey and The Appendices Part 8: Return to Middle-Earth. The previous parts can only be found on the standard edition of the film. Part 7 takes up about four and a half hours comprising Introduction by Peter Jackson (1:54), The Journey Back to Middle-Earth (48:19); Riddles in the Dark (17:00); An Unexpected Party (25:28); Roast Mutton (17:12); Bastion of the Greenwood (10:41); A Short Rest (29:12); Over Hill (13:40); Under Hill (19:15); Out of the Frying Pan (16:07); Return to Hobbiton (18:35); The Epic of Scene 88 (8:28); The Battle of Moria (10:57); Edge of the Wilderland (22:37). Along the way we learn how the delays in financing and the near collapse of MGM led to del Toro’s departure than a hasty ramp up to get filming done to make international release schedules. We watch with exhaustive detail how scenes were shot, how cast and crew had to scurry across the island to get certain sequences completed and how Andy Serkis came back as Gollum to perform in what was essentially a one-act play set within the grander tale.

Part 8 is comprised of  The Company of Thorin (1:02:41), a six-part documentary including  “Assembling the Dwarves,” “Thorin, Fili & Kili,” “Balin & Dwalin,” “Oin & Gloin” and “Bifur, Bofur & Bombur”; Mr. Baggins: The 14th Member (16:10); Durin’s Folk: Creating the Dwarves (57:25); The People and Denizens of Middle-Earth (58:09); Realms of the Third Age: From Bag End to Goblin Town (58:59); and, The Songs of The Hobbit (32:32). Here, we learn more about how the cast viewed their dwarf selves and we see more character than is revealed in the final cut and the segment on the music is fascinating.

Ultimately, you have to decide if you love extras or thirteen extra minutes will be worth the investment. The film stands on its own in its first form and this is really for the devotees of Tolkien and all things Middle Earth.

Ender’s Game Timeline Readies you for Tomorrow’s Opening

Enders_InfographicNovember will be a very busy month for Lionsgate as they launch the highly anticipated adaptation of the controversial Orson Scott Card’s novel Ender’s Game. A few weeks later they top that with the release of The Hunger Games: Catching Fire, the second chapter in the adaptation of Suzanne Collins’ stunning trilogy. On th eoff-chance tomorrow’s moviegoers are uncertain what the film is all about, the studio sent out the timeline you see here.

Additionally, they announced  an interesting new app for the film. Here’s the formal release:

Salt Lake City, Utah, October 29, 2013 – Sandboxr, a 3D print and software development company from Utah, announced today its 3D print creation app for Summit Entertainment’s ENDER’S GAME.  Sandboxr’s 3D print creation app has been in development for the past two years, and through the ENDER’S GAME-licensed version, fans will be able to create and bring home exclusive replica battleships from the film generated by cutting-edge three-dimensional printing technology.  Fans will be able to check out the ENDER’S GAME 3D printing experience at Sandboxr.com before Thursday’s release of the movie in theatres and IMAX October 31 at 8pm. Summit Entertainment is a LIONSGATE® (NYSE: LGF) company.

Nancy Kirkpatrick, Summit’s President of Worldwide Marketing, said, “This is the first 3D experience of this type to coincide with a major cinematic movie release, and Summit is excited to work with Sandboxr to offer this amazing experience and great new technology to our ENDER’S GAME fans.”

At Sandboxr.com, fans of ENDER’S GAME will be able to enjoy an interactive product experience that extends their engagement with the film and that they can access from their computer. Fans can choose from a selection of CG images from the movie studio file archives and bring home their own ENDER’S GAME 3D printed spacecraft and accessories.

“With an experience as sophisticated as Sandboxr’s, the challenge is to make it easy to use by the average guy or girl.  3D experiences are typically exclusive to tech savvy makers and designers.   However, we’ve worked hard to make a 3D printing experience that is accessible in a meaningful way to everyone. Bringing 3D design and print technology into the hands of the ENDER’S GAME fans is a thrilling opportunity for us at Sandboxr,” says Berkley Frei, Sandboxr CEO.

To experience the app for yourself log onto sandboxr.com and follow the links to ENDER’S GAME.

Extended Edition of The Hobbit is now Available for Download

HobbitAUJEE_TurnedThe Hobbit: An Unexpected Journey Extended Edition from Academy Award®-winning filmmaker Peter Jackson is available NOW on iTunes in the US with the rest of the world rolling out.  A production of New Line Cinema and Metro-Goldwyn-Mayer Pictures, this new cut includes 13 minutes of extra film footage that extends individual scenes, making this the must-see, definitive version for fans.  The Hobbit: An Unexpected Journey Extended Edition  on iTunes includes exclusive early access to nearly nine hours of new special features as part of iTunes Extras*.

All-new special features on the iTunes release includes:

  • New Zealand: Home of Middle-earth
  • THE APPENDICES PART 7 – A LONG-EXPECTED JOURNEY: The Chronicles of The Hobbit
  • THE APPENDICES PART 8 – RETURN TO MIDDLE-EARTH

The Appendices is a multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.

*iTunes Extras not available in all countries.

SYNOPSIS

The Hobbit: An Unexpected Journey is the first in Peter Jackson’s highly anticipated trilogy adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.

The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome Dragon Smaug. Approached out of the blue by the Wizard Gandalf the Grey, Bilbo finds himself joining a company of 13 Dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild, through treacherous lands swarming with Goblins, Orcs and deadly Wargs, as well as a mysterious and sinister figure known only as the Necromancer.

Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the Goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum.

Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him; he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities…A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

The screenplay for The Hobbit: An Unexpected Journey is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien.  Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh.  The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), Present a WingNut Films Production, The Hobbit: An Unexpected Journey.  All three films in The Hobbit Trilogy, also including The Hobbit: The Desolation of Smaug, and the final film, The Hobbit: There and Back Again, are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production.  Warner Bros. Pictures handled worldwide theatrical distribution, with select international territories as well as all international television distribution handled by MGM.

Journeying into The Taranormal With Howie Noel

Happy Hallowe’en!

Howie Noel is a writer, artist and filmmaker.  He created the web series Tara Normal, which he now brings to kickstarter. I had a  chance to talk to him about Tara Normal , and his filming experiences.

Joshua Pantalleresco:  What Inspired Tara Normal?

Howie Noel: Tara Normal was inspired by my love of the paranormal as a field and as a genre. I wanted to create a story using the genres of horror and science fiction. I always wanted to create a story starring a strong female character who saves the day and is fearless. My wife and I are both big fans of the X-Files so there are hints of a tribute in my stories as well. There’s actually of lot of my wife’s personality and more in the character.

JP:  Since a lot of your protrayal of Tara’s personality happens to come from your wife, can you reveal some of those parts?

HN: My wife is very brave and doesn’t take crap from anyone so those are 2 of the traits.

JP:  Heh. For those of us coming into the series, describe Tara.

HN: Tara is a paranormal investigator who has also has special powers. Yes, she can see and speak to ghosts, but she can also punch them. She has the special strength and ability to fight all supernatural beings. The mystery behind her powers will get revealed in the graphic novel. Tara wants to save her mother’s soul which was lost after a demon took her life.

JP: One of my favorite things about this series is the little bit of world building and the attention to detail that comes with it.  I love Tara’s business card and the ghost hunters show, just neat little details like that.  Which ones are your favorites?  Describe how they came to be.

HN: My favorite parts of the world building are designing the businesses and their logos. Making the pirate bar in the new graphic novel was a lot of fun. Also, if the Kickstarter hits $6,000 I’ll be making a Tara Normal tour guide featuring ads for the businesses from the comic. A fun little extra for backers and fan

JP:  If I had to pin you down to just one scene, written or drawn, what is your favorite moment in the series?

HN:  Wow. Tough question. I can’t really pick one moment that is my favorite. There’s a lot of scenes at the end that I can’t share. I think the ending is what readers will love the most.

JP:  Do you prefer writing or illustrating?  What’s your favorite thing to draw?

HN: I like storytelling. I believe that comic books are a visual medium so art is very important to me. I need it to tell as much as the story as the text. I love drawing and if I don’t draw, I get a little crazy. I’m always thinking of stories in my head so it’s just the creative process that I adore.

JP:  I want to know about that short film you did!  Can I watch it anywhere?

HN: The film! The zombie film I wrote and starred in is 8 Hours Earlier. It came out years before 28 Days Later (which is funny to me). My wife directed and filmed it for her senior project at Pratt Institute. It’s a short film and we made it at the same cemetery in Pennsylvania where Night of the Living Dead was filmed. I love George Romero so it’s a fun tribute to him. It was made before the current zombie craze. I’ve always been a huge fan of Romero zombies.

You can check it here:
https://www.facebook.com/photo.php?v=10150363356652151&set=vb.677767150&type=3&theater

JP:  How was your filming experience?  Was it fun?  Would you do another horror movie again?

HN: The filming experience was fun. The best part of being in the cemetery with 2 of my friends as zombies. The local police showed up and saw we were doing a tribute to Romero and just drove away wishing us luck. I would love to do another horror movie and I also just finished writing the script for a Tara Normal film.

JP:  Will you be kickstartering for the Tara Normal movie?  Or is it going to be another short?

HN: As of now, I’m not planning on Kickstartering a movie project- only Tara books for right now. The movie talks are in early stages so no real announcement can be made. I’ve been in talks since day 1 of the book so I like to just cross my fingers and focus on the book. I try not to let it distract from the fact that the book is my focus

JP: Finally, congratulations on making your goal for Tara Normal.  What is next for Howie Noel?  Anything else you’d like to add?

HN:  Thank you. I am very appreciative of all the backers on Kickstarter for helping me on this journey to get the book made. I’m spending the next few months drawing the 2nd half of the book and preparing it for print. Then I get to share it with everyone. I can’t wait.

You can donate to Howie’s kickstarter at: http://www.kickstarter.com/projects/hcnoel/tara-normal. Howie’s website is at http://www.taranormal.com and his twitter is @hcnoel.

All 4 Indiana Jones Films to be Individually Released on Blu-ray

IJRaiders_BRD_FrontSAN FRANCISCO, Calif. (October 17, 2013) – For the first time ever, the first three films in the Indiana Jones saga will be available individually in high definition when they arrive on Digital HD November 19, 2013 and on Blu-ray with a digital copy available through iTunes December 17, 2013 from Lucasfilm Ltd. and Paramount Home Media Distribution.  Relive all your favorite moments from the greatest adventure of all time—from the deserts of Egypt to the jungles of South America—as everyone’s favorite archaeologist travels the globe thwarting evil villains to retrieve history’s most famous artifacts.

Under the supervision of director Steven Spielberg and sound designer Ben Burtt, Raiders of the Lost Ark was painstakingly restored in 2012 with careful attention to preserving the original look, sound and feel of the iconic film.  Own this meticulously restored version of the cinematic classic that started it all, as well as previously remastered versions of Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade, each with pristine picture and sound in sparkling high definition.  2008’s Indiana Jones and the Kingdom of the Crystal Skull will also be available on Digital HD and in a two-disc Blu-ray set with behind-the-scenes special features.

Disc Specifications:

Raiders of the Lost Ark

Raiders of the Lost Ark is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles.

The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Re-Issue Trailer (HD)
  • Digital Copy (available via iTunes)

Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Digital Copy (available via iTunes)

IJLast_BRD_FrontIndiana Jones and the Last Crusade

Indiana Jones and the Last Crusade is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Digital Copy (available via iTunes)

Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull is presented in 1080p high definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital,  and English, English SDH, French, Spanish and Portuguese subtitles. The two-disc set includes the following:

  • The Return of a Legend Featurette
  • Pre-Production Featurette
  • Production Diary: Making Kingdom of the Crystal Skull
  • Pre-Visualization Sequences
  • Galleries
  • Theatrical Trailer #2 (HD)
  • Theatrical Trailer #3 (HD)

REVIEW: Pacific Rim

pacific-rim-dvdI find Guillermo del Toro an incredibly imaginative visualist and energetic storyteller but his movies tend to be overly stuffed with too many elements to crowd the story (Hellboy II) or too many visual and nowhere near enough story (Pacific Rim). I found the latter film incredibly showy, loud, and disappointingly predictable and dull. The worldbuilding is nearly nonexistent, the characters half-baked, and the Kaiju underwhelming.

Back in my Weekly World News days, Addie Blaustein would create a Kaiju and I’d be challenged to write a piece about whatever she conjured up so I know a little something about the Japanese genre and its history. The creatures del Toro and his effects team offer up are large, loud, and messy. But they lack differentiation. Oddly, the Toho monsters had character and a different approach to their attacks. The Kaiju, levels 1-5 here, emerge from the water, attack a city and roar a lot. While visually different, they’re boring.

So are the humans manning the mecha, excuse me, Jaegers, that have been designed to battle them. We have the stereotypical Chinese and Russians, the flinty Aussies and the stoic American brothers. Ho hum. Five years after losing his sibling in a horrible battle, Raleigh Becket (Charlie Hunnam) is coaxed back by his former boss Stacker Pentecost (Idris Elba) into a final fight with the very fate of the world at stake. Gosh, who will be good enough and compatible enough to work in tandem with him? Could it be Mako Mori (Rinko Kikuchi), Pentecost’s aide with traumatic issues of her own? Of course.

Screenwriters Travis Beacham and del Toro tell us the world is under attack by alien beings under the surface and that after all these years, the Kaiju are winning and humanity is threatened. But after all the death and devastation, we have no real sense of what life is like for the common man and woman. What’s the global economy or political landscape like? The dull narration early on provides us some clues but glosses over things to give us one fight after another that is often at night and cut so quickly you can’t quite tell what’s going on.

One irksome point was that Dr. Newton Geiszler (Charlie Day) had to go to the black market to find Kaiju samples to study when one would think understanding the creatures would be a major priority for the world leaders so they can develop effective countermeasures. Day’s performance is over the top, beat only by Burn Gorham’s wacky mad mathematician. Both feel like they were imported from some other film.

Rim HeroesYou would think del Toro’s valentine to the monster movies of old would be more fun but instead, it plods and roars and bores. Rock ‘em, Sock ‘em robots versus Godzilla wanna-bes! This should have been epic and falls short on almost every level. Rather than dropping a bomb to seal the portal to Pellucidar or wherever the aliens are residing, it would have been far more interesting to send the mecha down there and bring the fight to the manufacturers of these monsters. Instead, the threat is sealed, leaving matters unresolved until the unnecessary sequel.

The summer IMAX 3-D blockbuster is out on home video now in a variety of packages from Warner Home Video. The one most of you will wind up with is the Blu-ray, DVD, Ultraviolet combo pack and it’s good to know that the video transfer is wonderful with bright colors where appropriate and clarity throughout. Additionally, the DTS-HD Master Audio 7.1 and 5.1 surround tracks are wonderful.

The package comes with two Blu-ray discs because the extras spill from one to take over the other. On disc one you get the film and can listen to del Toro’s fascinating Audio Commentary, which delves into his influences and discusses the challenges to bringing his imagination to the screen. There are 62 minutes’ worth of Focus Points, a baker’s dozen of featurettes. For the record these include: A Film by Guillermo del Toro (4:47), A Primer on Kaijus & Jaegers (4:09)

Intricacy of Robot Design (4:53), Honoring the Kaiju Tradition (4:30), The Importance of Mass and Scale (5:45), Shatterdome Ranger Roll Call (5:39), Jaegers Echo Human Grace (4:01), Inside the Drift (4:36), Goth-Tech (4:39), Mega Sized Sets (8:54), Baby Kaiju Set Visit (3:07), Tokyo Alley Set Visit (3:17), and Orchestral Sounds from the Anteverse (4:04).

Over on the second disc you then get the interactive The Director’s Notebook, which allows you to flip through his digital handbook on the making of the film, allowing you to go from still images to interviews, and tons of details on the pre-production designs. You can even use the

Magnify Mode, translating del Toro’s Spanish text and accessing exclusive galleries. The disc also offers you The Digital Artistry of Pacific Rim (17 minutes), focusing on the digital effects; The Shatterdome: an archive of the film’s design art via video and still galleries; four Deleted Scenes (4 minutes); Drift Space (5 minutes), a look at the film’s four Drift sequences; Blooper Reel (4 minutes), mostly from Day and del Toro regular Ron Perlman.

John Ostrander: Are You Artistically Experienced?

ostreander-art-131013-150x180-7316947Last week I wrote about seeing The Wizard of Oz again on the IMAX screen and how, once more, I really enjoyed the film. Since then, I’ve reflected on how my attitude towards the film has changed over the years.

The first time I saw Wizard was in the 50s on a relatively small black and white set. To be honest, I was not very taken with it. I was probably about eight or ten and The Guns of Navarone was far more my speed. Also, as I said, I saw it all in black and white and so the moment when the film transitions to Technicolor was lost on me until we got a color set. That’s when I got it and started to appreciate the film more.

What has really changed over the years has been what I bring to the film as I watch it – or any other film I see again or any book I re-read or piece of music that I listen to more than once. The work itself, in those cases, doesn’t really change. Oh, it might be restored or, in the case of The Wizard of Oz, blown up for the IMAX and have a few 3D effects tossed in. However, the fundamentals of the work do not change. I have changed.

To give an example, when I was in 8th grade at St. Jerome’s RC Grade School, I watched and was taken up with the TV version of Going My Way. This wasn’t the Bing Crosby movie, which I didn’t see until much later. This one starred Gene Kelly in the Bing Crosby role and Leo G. Carroll (previously of the Topper TV series and later of The Man From U.N.C.L.E.) in the Barry Fitzgerald role. I was very taken with it and with the idea of being a parish priest, so much so that I signed up for the seminary.

My “vocation” (as such things were called) didn’t last more than my freshman year but that year in seminary had a profound affect on my life and has been highly influential in my writing. It all stems back to that TV series version of Going My Way. I doubt very much it would have the same influence on me today because I’m a different person. I would bring a different self to it. I might find memories – ghosts – of who I was back then but seeing the series again wouldn’t have the same effect on me.

Any artistic work is like a light switch. The potential is there even when the switch closed. However, it takes the person encountering that work to flip that switch so that the electricity flows. That’s when the work is truly experienced. Part of the magic is no two of us experience that same work in exactly the same way.

The work created has the artist’s intent and exists as his or her self-expression. It has a life of its own, often independent of the creator (witness Sherlock Holmes). The experience, where the work really lives, happens only when someone encounters it, takes it in, brings his or her own life to it, when they really participate in it. A good example are comic books – a comic book page exists in a static form but the reader somehow uses the gutters to “see” and experience the action move from one panel to the next.

This essay exists whether you read it or not but it only reaches its full potential when you read it and, even better, it affects you. Then we shall have shared thoughts, feelings – an experience.

So – was it good for you?

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Two Doctor Who Episodes Found, Released Today!

patrick_troughtonThe BBC has confirmed the recovery of nine episodes of th Patricke Troughton era Doctor Who, a complete set of The Enemy of the World, and all but part three of  The Web of Fear.  Both adventures are available now from iTunes, with DVD releases to follow. Part three of Web of Fear, still missing, is included with a restored audio track and a series of telesnaps.  It’s unknown if it may at some time receive the animated treatment that many past adventures have gotten.

The rumors circulating around fandom since the early summer have ended up being truer than many assumed, but not as true as most hoped.  The episodes, hailing from Nigeria (not Ethiopia, as the rumor claimed) and ended up falling far short of the outlandish tales of a hundred or more episodes.

While it was standard practice to record the broadcasts onto 16mm film, those films (And those of many shows, both British and American) were lost as stations wiped tapes and destroyed films as a cost cutting measure. In the early days of television, most assumed there’d be no desire to re-watch television programs, also resulting in the lack of residual agreements for so many stars of early American TV.

The episodes were sold to foreign markets after their initial broadcast, and many times the episodes were passed on through several countries as they continued to be sold.  The tapes/films usually came with an order to return or destroy the masters upon broadcast.  It’s only through that ordered being ignored that allows these episodes to be found today.

It can only be hoped that more episodes may be found in TV station vaults, but as time passes, the possibilities dwindle.  Unless more episodes were found here and are secretly awaiting restoration, this may be the last big score we’ll see in quite a while.

Until the discovery of time travel of course, which will likely first be used to recover our recent history than ancient history.  Yeah, it’s be nice to record the Sermon on the Mount, but I for one would rather get all those Ernie Kovacs Shows back.

REVIEW: Fantastic Voyage

Fantasdtic VoyageAfter a decade of low-budget cheesy special effects science fiction films, the early 1960s was particularly quiet, ceding to television series such as Star Trek and The Time Tunnel. But, also released in 1966 was an eye-opening spectacular that had a plausible premise, strong cast, and the next generation in film special effects. Fantastic Voyage may be remembered today for Raquel Welch in a tight outfit, it is also a step forward in cinematic SF. Thankfully, it preceded 2001: A Space Odyssey by two years.

At a time when miniaturization was making home technology smaller and more sophisticated, the idea of inserting a tiny sub full of humans into the body of an ill scientist seemed the next logical step. The body in question was the victim of an assassination attempt and his knowledge and life had to be saved so a daring experiment was to be undertaken. Forget that the sub is nuclear-powered and the physics doesn’t quite make sense, but this is an ambitious leap forward in man’s quest to understand himself.

Once entering the body they have to contend with antibodies, foreign matter, and a ticking clock. So of course things go wrong en route to the blood clot located in the man’s brain. Harry Kleiner’s screenplay (from a story by a story by Otto Klement and Star Trek’s Jerome Bixby) ignored the original intent for being a Jules Vernesque escapade and dashed the sense of wonder in favor of a dated Cold War vibe.

Richard Fleisher, a skilled and versatile director who helmed Barabbas, Doctor Doolittle, Soylent Green. and yes, Conan the Destroyer, brings his A game to the film, never letting the mind-blowing special effects overwhelm the adventure. He let his cast, led by Stephen Boyd, Raquel Welch, Edmond O’Brien, and Donald Pleasence, actually act and treat this as a plausible mission. Harper Goff, who gave us the Nautilus in Fleisher’s 20,000 Leagues Under the Sea, provided the designs for the Proteus while Ernest Laszlo  made the blood stream a hallucinogenic treat. Leonard Rosenman made a conscious decision not to add music until the crew was inside the scientist’s body so it added to the unreal feel of the location. All told, the film worked better than anyone expected earning it Oscars for Best Art Direction – Color  and Best Special Effects.

The film’s unheralded star was actually Isaac Asimov, who wrote the novelization and corrected numerous logic and medical flaws which were later incorporated into the film, keeping it from being silly. His work was fast while the filming was repeatedly delayed so the book was out a full six months ahead of the film making many think it was an adaptation of his work.

FVAll told, though, today’s CGI easily beats the traditional special effects, automatically making the film feel old. The Cold War stuff distracts from a human adventure and the writing is stiff in places while the direction is leisurely compared with today’s quick cut culture. But this was a pioneering effort that restored a modicum of respect for the genre, paving the way for Kubrick and those who quickly followed. As a result, the film is well worth watching.

Therefore, it’s good to see that the transfer to high def was pretty solid although not perfect. The mono mix is transferred nicely so both add up to a pleasant viewing experience at home.

As for the extras, an incomplete collection from the Cinema Classics Collection DVD are repeated here, including

Most but not all of the supplements from the Cinema Classics Collection DVD have been ported over to this Blu-ray release. They include: Commentary by Film and Music Historian Jeff Bond; Lava Lamps and Celluloid: A Tribute to the Visual Effects of Fantastic Voyage (17:40)which is a useful tutorial on how they accomplished it all; Whirlpool Scene: Storyboard to Scene (2:22); and the Trailer and TV Spots (13:07). Additionally, there is an  Isolated Score Track With Commentary from Bond, who knows his stuff accompanied by Jon Burlingame and Nick Redman.