The comedy will be available on Blu-ray and DVD October 22 , but our friends at 20th Century Home Entertainment have a copy available to give away to one of our readers. All you need to do is tell us which of the following is your favorite of the following films and why. Tell us no later than 11:59 p.m. Monday, October 14. The decision of the ComicMix judges will be final and the contest is open only to United States and Canadian readers only.
The Internship reunited two of the central members of the frat pack, Owen Wilson and Vince Vaughn. The guys from the frat pack have been creating comedic gold for years now. In honor of the home entertainment release of the newest frat pack film, let’s take a look back at some of the greatest moments from the pack.
In The Internship, Vince Vaughn and Owen Wilson team up to crash the digital world in this laugh-out-loud buddy comedy you’ve been searching for! Trying to reboot their obsolete careers, old-school salesmen Billy (Vaughn) and Nick (Wilson) talk their way into an internship program at the state-of-the-art Google campus, vying for a handful of spots among tech-savvy college students who are half their age and twice as smart. The competition is fiercely funny as Billy and Nick break all the rules in a hilarious quest to land their dream jobs!
Wedding Crashers
Wedding Crashers, the film that proved Wilson and Vaughn had perfect comedic chemistry, brought the laughter and good times. To this day, men still dream of crashing a wedding with John and Jeremy. Maybe they can’t fulfill their dreams, but everyone can rest assured knowing the rules of wedding crashing; “blend in by standing out” to “be gone by the sunrise.”
Zoolander
Zoolander is certainly one of the most memorable frat pack movies with Will Ferrell playing a crazed fashion designer and Owen Wilson and Ben Stiller taking on the role of two pretty boys. The Blue Steel look developed by Derek Zoolander will go down in movie history. Wilson and Stiller were hilarious as they portrayed self-centered models obsessed with perfecting their hair and their runway walk.
Anchorman
Ron Burgundy is arguably the best character that Will Ferrell has ever played. He is a legend, a ladies man, and a role model for friends like Brick and Champ. In a moment of sheer brilliance, Anchorman brought together six members of the frat pack for a street fight between anchormen. Five of the frat pack guys were representing various news channels and carrying weapons such as a trident, a wooden post, and a chain.
Old School
Many people consider Old School to be the golden ticket that brought the frat pack together and placed them on the map as the big names in comedy. Ferrell, Vaughn, and Wilson were hilarious as they went back to their glory days and reminded the audience why college is exactly where you want to be. This classic comedy is one that can be enjoyed for generations to come.
Dodgeball
Who doesn’t love the idea of watching grown men and women dressed in uniforms and playing intense games of dodgeball? (Especially if two of those men are Vince Vaughn and Ben Stiller.) In the movie that taught us the five D’s of dodgeball: dodge, duck, dip, dive, and dodge, we got to witness another perfect moment between members of the frat pack. Dodgeball may have only had two members of the pack, but it definitely makes the list of the greatest frat pack movies!
I’ve mentioned before how I like going to see movies on a big screen and, when I can, on an IMAX screen which is about as large as you can get. I especially like seeing older movies on the big screen; you see them as they were meant to be seen. I still enjoy watching movies on TV although I can’t say I want to watch them on screens much smaller. I know that plenty of folks – especially them younger generation types – prefer watching them at home but I have (and still) argue that the experience just isn’t the same. To each their own.
This week, me and my Mary played hooky to run off and see The Wizard OfOz remastered for 3D and IMAX before it departed the theaters. I had some apprehension going in. Would the film get stretched to meet the IMAX screen? I’m not always nuts about the results of a film that was not meant for 3D that is manipulated after the fact to make it 3D.
Bottom line – I had a great time. I’ve seen reviews for the BluRay/DVD/kitchen sink combo pack but this is about seeing it in the movie theater, specifically an IMAX theater. So, the images were sharp, the background was a little muddy here and there but I suspect that was in the original and not so much the transfer. It’s more about how the movies were made then than they are now.
How was the 3D? Meh. It didn’t detract but it didn’t add much as far as I was concerned. I guess I was hoping for more. The twister sequence has always been one of the best (if not the best) in films; it’s truly scary. I was hoping 3D would add even more; there was a bit more dust and stuff floating around but that was about it. On the other hand, they didn’t try to add stuff to the sequence and that was a blessing.
I also was hoping for a little more from the attack of the flying monkeys. It did gain some clarity; the images were sharper and that made the flying monkeys even weirder and scarier. They always weirded me out and this edition made that impression stronger.
What really worked for me was the sound quality. IMAX’s sound is almost always superior; immersive, surrounding, and clearer. That was really the case with Wizard Of Oz. The songs, the background music, the cackle of the Wicked Witch, the growls of the Cowardly Lion – all were so crystal clear that it made it as though I were hearing them for the first time.
In fact, that’s what the IMAX version of the film gave me and that I was hoping it would give me – a sense of seeing it anew, of how it must have been when the audiences first experienced it in 1939. Judy Garland’s singing “Over The Rainbow” was stunning; her image fills the IMAX screen and the sound is pristine. It is simple and direct and strikes right to the heart; all the more amazing since it was very nearly cut from the final version of the film. I’ve seen the film many times. Including on the big screen, but never as a big a screen as the IMAX and I saw it with fresh eyes and heard it with new ears.
There are many, many scenes that stood out in this new version: the Munchkinland sequence, with one great song after another, had a sharpness and clarity I had not experienced before. My favorite heroic moment in the film, when the Scarecrow, the Tin Man, and the Lion march into the Wicked Witch’s castle to go to (so far as they knew) certain death to rescue Dorothy as the score grows (you know the moment – O-EE-O, EE-ORUM!) had me bouncing in my seat, ready to cheer. I think My Mary was very glad there were so few people in the theater for that matinee.
I wish I could’ve told you all about this while you still had a chance to experience it yourself but we very nearly didn’t make it. All I can say is – I’m glad we did. It took me over the rainbow and the experience was very much about the reason I still go out to the movies. As our Brit friends would say, it was Wizard!
Universal City, California, October 3, 2013— The latest blistering addition to one of Hollywood’s greatest action-movie franchises, Fast & Furious 6, roars into the holiday season as the unbeatable choice for “Highest-Octane action yet!” (Meriah Doty, Yahoo!) A transcontinental caper that reunites fan-favorite stars from the blockbuster franchise’s earlier films, Fast & Furious 6 earned almost $800 million at the box office worldwide. Fast & Furious 6 comes to Blu-ray™ Combo Pack including Blu-ray™, DVD & Digital HD with UltraViolet™ and On Demand on December 10, 2013, from Universal Studios Home Entertainment. The film will also be available on Digital November 19, 2013. Found exclusively only on the Blu-ray™ is a special Extended version with even more intense action, as well as over an hour of exclusive behind-the-scenes bonus features, only available for a limited time in collectible Steel Book packaging
[youtube]http://youtu.be/QFii47jqxj4[/youtube]
Fast veterans Vin Diesel (Riddick, xXx), Paul Walker (Takers, Flags of Our Fathers) and Dwayne Johnson (Pain and Gain, G.I. Joe: Retaliation) lead an all-star cast that includes Jordana Brewster (The Texas Chainsaw Massacre: The Beginning, Dallas), Tyrese Gibson (Transformers, Death Race), Chris “Ludacris” Bridges (Crash, RocknRolla), Sung Kang (Ninja Assassin, Live Free or Die Hard), John Ortiz (Silver Linings Playbook, American Gangster), Gal Gadot (Night and Day, Date Night), Elsa Pataky (All Things to All Men, The Wine of Summer) and, for the first time since 2009’s Fast and Furious, Michelle Rodriguez (Resident Evil, Turbo), plus series newcomers Luke Evans (Immortals, The Three Musketeers) and MMA-champion Gina Carano (Haywire, Blood and Bone). Director Justin Lin and screenwriter Chris Morgan team up for their fourth Fast & Furious collaboration, hailed “Fun, entertaining and sexy” by Jake Hamilton of FOX-TV, and packed with “bigger fights, badder villains, bolder chases,” according to Elizabeth Weitsman of The NY Daily News. Call **Fast 6 (**3278) from your mobile phone to get a special message from Vin Diesel plus an exclusive behind-the-scenes clip.*
The Blu-ray™ Combo Pack includes a Blu-ray™, DVD and Digital HD with UltraViolet.
• Blu-ray™ disc unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6x the picture resolution of DVD, exclusive extras and theater-quality surround sound.
• DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
• DIGITAL HD with UltraViolet lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download movies to watch on iPad®, iPhone®, Android™, smart TVs, connected Blu-ray playres, game consoles and more.
Bonus Features Exclusively on Blu-rayTM
Extended Version of the Film
Take Control—Vin Diesel, Paul Walker, Michelle Rodriguez and director Justin Lin appear at key moments throughout the film, offering observations and reflections on the movie, behind-the-scenes footage and more.
Planes, Tanks and Automobiles
• The London Chase—Gives viewers a front-row seat for the filming of a sprawling car chase through the streets of one of the world’s most historic—and congested—cities. Examines how director Justin Lin and his team pulled off car-flipping mayhem on a breathtaking scale.
• Highway Heist: The Convoy Attack—A first-hand account of a meticulously planned and executed action sequence, as Dominic’s gang saves the day in this high-velocity battle featuring a tank, an armored cargo carrier and a harpoon.
• The Antonov Takedown—An exploration of what went into creating Fast & Furious 6’s spectacular finale sequence, featuring the world’s largest plane, including first- and second-unit filming, special effects, visual effects, car rigging, stunt drivers, green-screen shooting and more.
• Dom and Letty Race Again – Vin Diesel and Michelle Rodriguez reunite on screen.
Gearhead’s Delight—From the shop to the test track, to the set and back again, a look at the latest hot cars showcased in Fast & Furious 6. Narrated by car lover Paul Walker, this piece features Dom’s latest Charger, Brian’s Nissan Skyline GTR, the BMW M5’s, the Alfa Romeo and the classic cars from the film’s car-auction scene.
The FLIP Car—Provides an inside look at the Fast franchise’s newest mind-blowing vehicle—the pivoting FLIP car. Dennis McCarthy, the film’s picture car coordinator, will take us through the coolest parts of this truly astonishing vehicle, and the destruction it leaves in its wake.
Hand-to-Hand Fury—This jam-packed featurette offers viewers a detailed look at the rehearsals, choreography, stunt work and filming of some of Fast & Furious 6’s most bone-jarring fight sequences.
Bonus Features on Blu-rayTM and DVD
• Deleted Scenes
The Making of Fast & Furious 6
• The Fastest of Them All—Chronicles the epic saga of the Fast films from chapters three through six. Justin Lin and his team reveal how they brought new energy to the franchise, creating a dynamic multi-movie story arc.
• Reuniting the Team—Explores the characters (and actors) that make up the Fast family, with a focus on founding partners Dom and Brian (and Vin and Paul).
• Letty’s Return—Heralded by a crowd-pleasing cliffhanger in Fast Five, Michelle Rodriguez (“Letty”) makes a dramatic return in the sixth installment. This short feature explores how the creative team engineered her resurrection.
• The Mastermind and The Mole—Viewers meet Fast “newbies” Luke Evans (“Shaw”) and Gina Carano (“Riley”) as they share their experience joining the cast of Fast & Furious 6 and how their characters fit into the new plot.
On the Set with Vin—Vin Diesel talks through a stunt he is about to perform and then rides his hot rod through an explosion, coming out unscathed.
Feature Commentary with Director Justin Lin
SYNOPSIS
Vin Diesel, Paul Walker, Dwayne Johnson and Michelle Rodriguez lead a cast of returning all-stars as the global blockbuster franchise built on speed delivers the biggest adrenaline rush yet in this explosive extended version. Hobbs (Johnson) has been tracking an organization of lethally skilled drivers, whose mastermind (Luke Evans) is aided by the love Dom (Diesel) thought was dead, Letty (Rodriguez). The only way to stop the criminal mercenaries from stealing a top secret weapon is to outmatch them at street level, so Hobbs asks for the help of Dom and his elite team. Payment for the ultimate chase? Full pardons for all of them and a chance to make their families whole again.
CAST AND FILMMAKERS:
Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Sung Kang, John Ortiz, Gal Gadot, Elsa Pataky, Luke Evans, Gina Carano, Shea Whigham, David Ajala, Kim Kold, Thure Lindhardt, Joe Taslim
Directed by: Justin Lin
Screenplay by: Chris Morgan
Based on Characters Created By: Gary Scott Thompson
Producers: Neal H. Moritz, Vin Diesel, Clayton Townsend
Executive Producers: Justin Lin, Amanda Lewis, Samantha Vincent, Chris Morgan
Director of Photography: Stephen F. Windon
Production Designer: Jan Roelfs
Editor: Christian Wagner, Kelly Matsumoto
Costume Designer: Sanja Milkovic Hays
Music by: Lucas Vidal
TECHNICAL INFORMATION – BLU-RAY™
Street Date: December 10, 2013
Copyright: 2013 Universal Studios. All Rights Reserved.
Selection Numbers:
SteelBook: 61127649 (US), 61127790 (CDN)
BD Combo Pack: 61125007 (U.S), 61125653 (CDN)
Running Time: 2 hours, 11 minutes (Rated); 2 Hours 11 Minutes (Unrated)
Layers: BD-50
Aspect Ratio: Widescreen 2.35:1
Rating: PG-13 for intense sequences of violence and action and mayhem throughout, some sexuality and language/ Unrated
Technical Info: DTS-HD Master Audio 5.1/DVS DD 2.0 (English); Digital Surround 5.1 (Spanish and French)
Subtitles: English SDH, French and Spanish
TECHNICAL INFORMATION – DVD
Street Date: December 10, 2013
Copyright: 2013 Universal Studios. All Rights Reserved.
Selection Numbers: 61124405 (U.S), 61125652 (CDN)
Running Time: 2 hours, 11 minutes
Layers: Dual Layer
Aspect Ratio: Anamorphic Widescreen 2.35:1
Rating: PG-13 for intense sequences of violence and action and mayhem throughout, some sexuality and language
Technical Info: Dolby Digital 5.1/DVS DD 2.0 (English); Dolby Digital 5.1 (Spanish and French)
Subtitles: English SDH, French and Spanish
LOS ANGELES, CA (September 26, 2013) – Twentieth Century Fox Home Entertainment is releasing their latest selection of vintage films on DVD from their popular Fox Cinema Archives collection beginning today through October 22. Launched in 2012, Fox Cinema Archives already includes more than 200 classic films drawing from the studio’s deep vault of movies. The collection dives into the studio’s rich catalog to resurrect some of the most memorable films from the 1930s, 40s and 50s.
In the coming weeks, 10 essential titles will be added to Fox Cinema Archives, including classic war, western and film noir fare, giving film buffs the opportunity to enhance their collection by purchasing a variety of iconic films at major top-tier retailers. The release schedule for this wave of titles can be seen below.
Providing the best home entertainment experience possible, Twentieth Century Fox Home Entertainment is committed to bringing classic films from the studio’s vault into the homes of film aficionados and collectors with its Fox Cinema Archives collection. We aim to provide the best home entertainment experience possible for titles released under the Fox Cinema Archives banner, but are often limited to the film’s available source material.
October 22 – Film Noir (Sherlock Holmes)
Hound of the Baskervilles (1939), 79 min.
Sherlock Holmes (two-time Oscar-nominee Basil Rathbone) and his partner Watson (Nigel Bruce) investigate the legend of a hound, a creature that may be after the heirs of the famed Baskerville estate where several deaths have occurred on the moor.
The Adventures of Sherlock Holmes (1939), 81 min.
Sherlock Holmes (Oscar® nominee Basil Rathbone7) and his partner (Nigel Bruce) are at it again in attempt to stop his greatest Professor Moriarty (George Zucco) and his attempt to steal the Crown Jewels.
Everyone seems to love zombies these days. When I student taught, my eighth graders all wanted to write zombie apocalypse stories, fueled by AMC’s Walking Dead, countless video games, and numerous movies. Of course, to me, a zombie is far more supernatural, far rarer and the stuff of myth and legend. As a result, I’ve never really cottoned to these undead that owe more to George A. Romero’s 1968 classic Night of the Living Dead than voodoo tradition. That said, every now and then one of these tales rises to the top and screams for your attention.
Max Brooks’ clever account World War Z was one of those stories, a survival journal that was nicely written. As a result, it was optioned and after its troubled production, arrived this summer to beat expectations and prove to be an engaging bit of popcorn entertainment. Leave beside the dramatic issues plaguing it during production, what matters is the final product, out now on home video from Paramount Home Video.
The script ‘s challenge was turning the book into a coherent story for film and Matthew Michael Carnahan largely solved that by focusing on Gerry Lane (Brad Pitt), a former United Nations investigator. Retired, he was enjoying the good life in Philadelphia with his Karin (Mireille Enos) and his daughters Rachel (Abigail Hargrove) and Constance (Sterling Jerins). One day the zombies arrived and he had to protect his family while at the same time, use his experience to help figure out what has happened and how to contain the uncontrollable. How do you stop someone who twelve seconds earlier was a normal person but was now out for your blood? And how did it all begin, was there a cure?
Deputized by Deputy Secretary-General Thierry Umutoni (Fana Mokoena), Gerry goes back on active duty and the roller coaster ride of a movie begins. There’s globetrotting, near-death experiences, explosions, screaming, and plenty of zombies. In a nice political touch, there’s a hint from Captain Speke (James Badge Dale), that Israel knew about this before the disease was unleashed.
Wisely, director Marc Forster keeps things moving so you never stop to realty-check some of the thinner plot points or even remember to eat your popcorn. He makes us feel this really could be the final zombie apocalypse story, the one that can’t be topped. Ever. Everything you want in such a film is here and then some.
Pitt’s everyman guy gives us someone to root for and he grounds much of the action through sheer force of personality. When the story stopped working, Drew Goddard and Damon Lindelof stepped in to revise the script, including its troubled third act and the two brought their genre cred with them and it helped strengthen what could otherwise have been a train wreck.
Overall, the film transfer is good but not great, more than sufficient to enjoy at home, coupled with stronger sound.
The combo pack offers the film on Blu-ray, DVD and digital copy while the high def disc comes with a 10 minute longer unrated cut that’s more of the same and you have trouble figuring out what was added. It also comes with a bunch of extras including Origins (8:21), a look back at the book and its impact; Looking to Science (7:28) for clues as to how such changes could really happen; WWZ: Production: Outbreak (8:31), The Journey Begins (8:39), Behind the Wall (9:41), and, Camouflage (9:25), a nicely detailed look at the making of this feature. If you want even more, Paramount once more offers store exclusives: Wal-Mart has an hour of exclusive streaming content via Vudu; Target has an exclusive slipbox with an art book; and Best Buy has a different exclusive slipcover and alternative streaming content. Man, I hope this trick fails and they stop it before the next wave of releases.
At Dragon Con a few weeks ago, I was delighted to catch up with voice actor John DiMaggio (a.k.a. Bender from Futurama) once again. John was at the con for several voice actor and Futurama panels, and also to continue spreading the word about his new voice actor documentary, I Know That Voice, which I interviewed him and the other producers about during San Diego Comic-Con. John was actually selling limited collector’s edition/advance copies of the documentary at the con, so not only did I check in with him on further documentary news, but I also snagged a copy of the film! Read on for our short I Know That Voice follow-up interview, and my review of the documentary!
What has the reception to the I Know That Voice documentary been at Dragon Con, and have you sold some of the advance copies?
It’s been really wonderful. People know about it; people are excited about it. I’ve been able to sell some copies; I wish I could sell more, but there are only a certain amount that we are going to sell that’ll be collectors’ items. But we’re working on a distribution deal right now, with a company called Go Digital, and another company called In Demand. This is all in negotiation; but In Demand wants to release it for a month on cable stations, to expose it, and they’ll plug it. And then we’re going to release it digitally on all the VoD (Video on Demand) platforms, like iTunes, Amazon, Hulu – everything. So that will be in December of this year. We’re getting it out there! People are going to be able to see it!
Will we be seeing any extras on the DVD?
Right now, our special con edition of the film is just that – it’s just the film, with no chapters, and no special anything to it; but yes, there are absolutely going to be extras on the final DVD. It will have all sorts of bonus features. It will have chapters; it will have extra interviews with some of the people that we interviewed – I mean, we had over 150 interviews, so we couldn’t, naturally, fit all of that into the documentary. So we’ve got extra stuff – extra clips from a whole bunch of people that we’ve interviewed. Also, we have our Comic-Con panel at San Diego, where we talked about it – which was great. So we have that on video for everybody. When I get back to Los Angeles after Dragon Con, we’re going to do a commentary reel; so Tommy Reid and Larry Shapiro, the producer and director, and I, are going to do that. There might be some outtakes, I’m not sure. Lots of stuff!
That sounds great! Any other details you’d like to share?
Well – the reason I got these special con editions done was because I personally felt that we were dangling this in front of everybody for so long; and the thing is that we only had a tenth or a twentieth of the movie done when we originally did the trailer, and that was awhile ago. We announced it, and people were like, “Okay! Well where is it?” and we were like, “Well…we’re making it. Sorry!” So now we have it, and I wanted to get it to the people that really want it; the fans. I wanted to do it. I really felt the need to let everybody know that it’s done. And here it is!
And of course we’re still going to honor our pre-order, on our VIP list on the website. I have enough copies for them; but we’re also going to have the final DVD done within the next month and a half; so if they want to wait, they can get the first dibs on that. If they want, I have these con copies, and I can get them to them. If they are on the preorder list, they can let us know. When I get back to L.A., what we’ll probably do is send out a newsletter or set up a PayPal site or something like that, and we’ll post that on the site and on the Facebook page. But we want everybody to know. And it’s funny, because Larry was saying to me, “John, they’re going to want special features! They’re going to want all this stuff.” And yeah, they are going to want it. But what they want is the film, mostly.
Well, and I’m going to buy the final copy, too.
See that’s the thing; people will keep buying it. If they like it, they’re going to buy the final one. And either is okay. I just needed proof that this thing was done, for the fans, and for me, too. But everything is all a go for the final product to come out soon; and it’s really exciting. I’m just hoping that the fans respond; and I think that they have here, and that they will continue to. When people know about it and hear about it, they’re thrilled; and that’s all I can ask.
• • • • •
Review – I Know That Voice
Voice actors are a fascinating contradiction in the entertainment industry. They are simultaneously loved by millions and recognized by few. Whereas passing an on-screen actor on the street is cause enough for most people to snap pictures or call a friend to share who they just spotted, those same people could be standing next to one of their favorite “voices” at a grocery store and never realize it. They could have a whole conversation with voice actor John DiMaggio and not know that they were talking to one of the lead actors of their favorite animated show – unless, of course, DiMaggio suddenly told them to “Bite my shiny metal ass!” in the voice of Bender from Futurama. Then they might fall over in happy shock.
Despite the anonymity of the industry, the men and women who give voice to thousands of animated characters are some of the most talented, versatile, and hard-working members of the entertainment industry. This is what executive producer DiMaggio, producer and director Larry Shapiro, and producer Tommy Reid wanted to showcase in their upcoming documentary, I Know That Voice. DiMaggio says, “I wanted to honor these people. I wanted to show that my peers are…an incredibly talented bunch… I wanted to show them as champions of the industry.”
To do this, the documentary’s producers interviewed over 150 voice actors, casting and voice directors, creators, producers, voice teachers, and other luminaries about their experiences in the animation industry. These interviews are used in the film to explore every aspect of the voice acting profession, including its history; starting out in the business; taking on “legacy voices” first created by other voice actors; developing new characters; and the traits that delineate voice acting from on-screen acting, such as possessing the skills of musicality, physicality, and versatility. The documentary also explores the experience of celebrity for a group of extraordinarily talented people primarily known for voices that may not even sound like their own.
It’s not often that I watch a documentary with a constant smile and a frequent sense of wonder and delight – but that is what happened while watching I Know That Voice, which runs the gamut from serious discussions to whimsical humor. In large part, this is due to the main focus of the film, the actors themselves. As a whole, the titans of this industry come across as uniformly intelligent and clever, well-spoken, hard-working, dedicated, talented, wickedly funny, and warm and humble people. In discussing their work, they show a great respect for the industry and their peers, reverence for inspirations such as Mel Blanc and Daws Butler, and appreciation for the part they get to play in bringing animated characters to life for their fans.
This attitude is mirrored by the creators and directors who are also featured, and who clearly appreciate the talent inherent in successful voice actors. Emmy-winning voice director Ginny McSwain asks in her interview, “Does anybody realize how brilliant these actors are? Because they have to get every cryptic expression that you would do on camera, on a mic. They’re storytellers. That’s their gift.” Another director opines that these people are “the best method actors” in Hollywood; and I wouldn’t disagree.
Amongst those best-of-the-best featured in this film are legends like June Foray, Stan Freberg, and Mel Blanc (via archival footage and an interview with his son, Noel Blanc). Then there are beloved voices that I first encountered during my childhood and adolescence, like Rob Paulsen, Jess Harnell, Maurice LaMarche, Nancy Cartwright, Jim Cummings, and Billy West. And voices I’ve become better acquainted with as an adult, like Grey DeLisle, John DiMaggio, and Nolan North. If those names don’t ring a bell, I could instead say: Rocky the Flying Squirrel and Natasha; Tosh the Goofy Gopher; Bugs Bunny, Daffy Duck, Porky Pig, and a ton of other Looney Tunes characters; Yakko Warner, Pinky, and Raphael; Wakko Warner, Roger Rabbit, and Ironhide; The Brain, Calculon, and Kif Kroker; Bart Simpson, Ralph Wiggum, and Chuckie Finster; Darkwing Duck, Monterey Jack, Winnie the Pooh and Tigger, too; Ren, Stimpy, Doug Funnie, Philip J. Fry, Professor Farnsworth, and Dr. Zoidberg; Azula, Vicky, and Catwoman; Bender Bending Rodriguez, Marcus Fenix, and Jake the Dog; and Superboy, The Kraang, and Deadpool.
If that seems like a dizzying list of characters, it’s only a tiny fraction of what each of those actors has voiced; and only a small selection of the large and talented group featured in this documentary. And seeing these amazing people break down how to do the difficult voice of Porky Pig, or what elements went into creating the beloved voice of Dr. Zoidberg, is a real treat; as is getting to see the faces behind the voices we know and love. We also get to see glimpses of the industry through the eyes of the working actor in the studio, which is fascinating to witness.
I Know That Voice is highly entertaining, as well as educational. For those who are fans of the industry, the documentary offers the rare opportunity to see all of your favorite voice actors discuss their craft in a comprehensive manner and do some of their most popular voices. For those unfamiliar with this aspect of the entertainment industry, this is an excellent introduction – and if you’re not a fan of these people at the beginning of the documentary, you will be by the end. For they are indeed champions of the industry, and it’s a joy to see a documentary like this celebrating them and exploring their craft.
Like most people, I enjoyed the heck out of Iron Man 3; it was fast, loud, noisy, and things blew up really well. The handoff from Jon Favreau to Shane Black was a step in the right direction and the casting was superb.
The movie, out now from Paramount Home Video, is definitely a sequel to The Avengers and not Iron Man 2, which everyone now seems to have declared a misfire. Clearly, the United States government has backed off demanding the armor now that they owe him their lives. It didn’t hurt that he allowed Jim Rhodes to keep the War Machine armor for America’s use.
Having Tony Stark deal with the aftermath of nearly dying while trying to end an alien invasion gave the film a nice weight, allowing us to explore the character from a new perspective. The metaphor of his anxiety and the malfunctioning Mark 42 armor was nicely handled without being heavy-handed. This was definitely a Tony Stark movie and Robert Downey Jr. nailed it. We saw his cockiness, insecurities and sheer brilliance, but all the same person.
While Stark is tinkering on armor after armor to combat his sleepless nights, a global terrorist named the Mandarin (Ben Kingsley) has reared his head, hijacking the airwaves and demonstrating a cold-blooded approach. He keeps promising the President of the United States (William Sadler) a lesson and Black’s script gets fuzzy about what it is the Mandarin wants.
Meanwhile, Aldrich Killian (Guy Pearce) arrives at Stark Industries seeking something and again, what he wants is unclear but Pepper Potts nicely turns him down. As we have already learned, Killian has cleaned up nicely since his 1999 encounter with Stark when he first explained his desire to form a company called Advanced Idea Mechanics. In between, he wound up partnering with Maya Hansen (Rebecca Hall), the brilliant scientist Stark blew Killian off to bed. The two have wound up creating a bio-repair formula dubbed Extremis that not only can repair injuries but somehow superheats the body. Early experiments resulted in subjects going boom but Killian and his flunky Savin (James Badge Dale), and others have mastered it, becoming superhuman engines of destruction.
Now that we have all the elements in place, Black stirs the pot and things happen. Unfortunately, they don’t all blend terribly well so you have the richness of Stark’s dilemma but Hansen’s fall from grace is half-baked at best, a disappointment and waste. As much as the film is a joy to watch, I came away thinking it could have been better had everyone but Tony Stark been given more to do.
Pepper has no character arc this time around. She loves Tony, is frustrated by him, and becomes a damsel in distress, looking great all the while. But, she’s given no time to actually reflect on what happens to her in the final act and how that colors her view of the world that has changed around her. I also missed the wit of the exchanges between them that came from Joss Whedon’s pen. Here, it was perfunctory. Same with Rhodes. There’s a nice running gag about War Machine being renamed Iron Patriot but he just flies around and banters with Tony. The President and Vice President (Miguel Ferrer) should have had more to do than be chess pieces Black rapidly moves around the board.
Speaking of rapid, the ease with which the armors attach and detach themselves to Stark (and others) strained credulity throughout the film. When all the armors arrive for the fiery climax, they are readily shredded making on wonder if they are attached with Velcro. There’s been a steady increase in speed with which the suits of armor can come on and off, which is to be expected, but this has gone too far, too fast.
As for those who will complain about the radical reinterpretation of The Mandarin from his comic book past – I sympathize. But even when he was introduced in the early 1960s he was already a bit of an anachronistic foe. Frankly, this was the best way he could have been used without inviting commentary about it being a racist gesture, angering their Chinese co-producers. And by casting Ben Kingsley, you couldn’t have asked for a more perfect choice. He steals every scene he’s in.
The film kicks off Marvel Cinema Universe Phase 3 but does nothing obvious to continue the threads we saw at the end of Phase 2, the threat from Thanos. The closest we come is seeing that time has passed and Tony is still hanging around with Dr. Banner. I’ll be curious which film really propels us towards 2015′s Avengers 2. Despite the total absence of SHIELD in the film, the world is richer with the addition of AIM and Roxxon, elements we will no doubt be seeing on film — and television — in the future.
As for the video edition, it comes in the usual assortment of packages so decide which combo pack works best for you, including those who think 3-D TV is the future. My standard Blu-ay disc looked fabulous, with sharp detail and rich colors. I’m not sure it will get better than this, aided by stellar sound. The DTS-HD Master Audio 7.1 surround track lets you hear every engine roar through the skies.
Thankfully, you won’t have to scurry from store to store to secure all the bonus content but what there is leaves you wanting more (which will make you wait for the Phase 2 box set sometime in 2015 or 2016).
Black and co-writer Drew Pearce provide some interesting color commentary showing how much thought went into structuring the film given all that has come before it. You do get a fairly standard Restore the Database Second Screen Experience assuming you want to download the Jarvis app and locate the content (which is becoming as annoying as the AR moments embedded in the comics).
Additionally, there is Iron Man 3 Unmasked (11 minutes), a routine behind-the-scenes featurette that should have been far longer and more detailed. Instead, they give us Deconstructing the Scene: Attack on Air Force One (9 minutes), showing how much was real versus CGI, which is impressive these days. There are also Deleted and Extended Scenes (16 minutes) which is interesting, entertaining, and mostly thankfully not in the final product. As one would expect, anything with Downey in it means the Gag Reel (5 minutes) is funnier than usual although Cheadle nearly steals this featurette. And in case you missed that Thor: The Dark World is arriving in November; you get a two minute sneak peek.
The bonus highlight is Marvel One-Shot: Agent Carter (15 minutes), focusing on Peggy Carter, Captain America’s paramour from his first feature. Hayley Atwell is back in the title role (now rumored to being considered for a television series), joined by the always entertaining Bradley Whitford, and the return of Dominic Cooper as Howard Stark. She runs, jumps, kicks ass and we love it.
When last we visited Clark Kent and Lana Lang, they were at college, leaving Smallville behind and as Season Three of the syndicated series arrived, it came with changes. The first was that Superboy became The Adventures of Superboy and then the focus moved the characters from the well-named Shuster University to a quasi-internship at The Bureau for Extra-Normal Matters in Capitol City, Florida. Clearly, the actors were aging and the premise of them being in college stopped making sense, plus menace of the week stories was becoming tougher to make plausible on the static campus. The more plausible setting worked for super-heroes but certainly took something away from the civilian side of life, a similar issue plaguing Smallville in its latter seasons.
The third season, out now on DVD from Warner Archive, also brought the welcome removal of the annoying Andy McCalister, character, with actor Ilan Mitchell-Smith taking a curtain call in this season’s “Special Effects”. He was replaced in the cast with coworker Matt Ritter (Peter Jay Fernandez) and the Bureau chief C. Dennis Jackson (Robert Levine).
While there are certainly foreshadowing elements to the far more successful Smallville, the tone this season actually evokes memories of Robert Maxwell’s film nourish first season of The Adventures of Superman, which ran some thirty years earlier. Credit for this positive change, reflecting the adult reality the leads now found themselves, goes to producers Julia Pistor and Gerard Christopher, with DC Comics’ support and approval. Christopher, who inherited the cape the previous season, seems comfortable in the uniform and while no great actor, certainly was stalwart.
The thirty minute format remain inhibiting so character development was almost nil except when it played a role in the story such as “Rebirth” where Clark thought he took a life and hung up his cape. Every series has to explore alternate futures and this series honored that trope with both “Roads Not Taken” and “The Road to Hell”, the latter a fine two-parter with former Tarzan Ron Ely as an aging Man of Steel from a possible future.
On the other hand, several stories seemed mired in the past such as “Wish for Armageddon”, which felt like an antiquated Cold War story in the aftermath of the Berlin Wall’s collapse.
Luthor, Bizarro, and Metallo make return appearances as opponents while first timers included The Golem in a strong neo-Nazi story. Pa Kent (Stuart Whitman) turned up for an appearance, a reminder of when Clark’s life was simpler and dad was always there to guide the way.
Overall, it’s a stronger season than the preceding one, but also one that less resembled the comics fans wanted and appeared somewhat alien to the general audience, neither resembling the comics or the film series.
The transfers are fine overall and the made-to-order 26 episode, three-disc set comes without any bonus features.
While growing up, I among the last generation that got to watch classic black and white and early color horror films day and night. Before talk and game shows became cheap fare, New York stations would run movies before dinner and throughout the evening. Some were cheesy, even to my pre-adolescent eyes, but others were just downright scary. Among the latter was the effectively creepy The Fly. 20th Century Home Entertainment has just released this beloved classic on Blu-ray and it has been nicely transferred to enthrall a new generation.
Of course, many of the readers here probably only know the fun and weird remake by David Cronenberg, which does nicely stand on its own, but the original is well worth a loo, too.
Released in 1958, it was one of Fox’s truly great horror/sci-fi offerings after decades of inferior efforts. The film is based on the forgotten George Langelaan short story of the same name which first appeared in the June 1957 edition of Playboy. Fox quickly snapped up the rights and assigned the script chores to Shogun’s James Clavell. Despite its brevity, he whittled away elements of the story and focused squarely on the doomed Andre (David Hedison, pre-Voyage to the Bottom of the Sea), a scientist cursed by his own lab work.
Told partly in flashback, the movie has Helene Delambre (Patricia Owens) recount how and why she killed her husband Andre as her confession to her brother- in- law Francois (Vincent Price) and Inspector Charas (Herbert Marshall). Essentially, Andre was building a transporter device and of course decided to test it on himself without any assistance or witnesses. As he stepped into the beam, an innocent fly also entered the streaming energy and, well, things happened.
There’s a sense of creeping menace as the film slowly unfolds its tale even though it somewhat telegraphs that clearly some body parts got mixed up. But it also builds up a nice sense of tension until the big reveal, when the cloth covering is removed and we see the giant fly head where Hedison’s handsome face should be. It’s a measured approach, letting things build without a lot of melodrama or screeching violins. We’re sold on believing this tale thanks to Owens’ strong performance with a nice turn from Price. Hedison is underrated here considering how much he has to do without speaking or having his face shown.
Of course, that’s saved for the great final shot, which horrified me as a kid and still brings backs strong memories.
Fox gets credits for the fine transfer of this CinemaScope classic, retaining some of the color and sprucing up the rest. The sound is similarly strong, letting the sound effects come through nicely. The new edition also comes with an interesting and amusing Commentary with Actor David Hedison and Film Historian David Del Valle. There’s a repeat of Biography: Vincent Price from 1997 (44:03); Fly Trap: Catching a Classic (11:30), which explores not only this but the two unnecessary sequels; Fox Movietone News (:54) recapping the film’s premiere in San Francisco; and, the original Theatrical Trailer (1:59)
For years, I have railed against how often Paramount Pictures demonstrates their lack of understanding their Star Trek fans. One misguided decision after another dating back to the 1970s builds a fairly convincing case. The latest misfire is the release pattern to Star Trek Into Darkness, out on disc this week. In case you missed it, the combo pack includes the Blu-ray, DVD and Digital Copy we have all come to expect. You do get Bonus Materail on the Blu-ray disc, but it’s a mere 42 minutes of fairly perfunctory material, discussed a little later. On the other hand, there’s roughly another 60 minutes of features plus an audio commentary that exists but you have to be willing to buy retailer exclusive editions to get them or download the film from iTunes. Hopefully the outcry from consumers and failure to ignite massive sales to fans who must have everything will make this a one-time doomed experiment.
[youtube]http://youtu.be/gcSsn5f-w48[/youtube]
In a summer filled with disappointment, the release of the film is a reminder of what a squandered opportunity J.J. Abrams and Bad Robot had to sustain their reboot of the storied franchise. After making us wait four years, we get a fairly inept story with logic gaps the size of Qo’noS, raising themes but refusing to explore them in the Gene Roddenberry style, favoring action sequences that are prolonged and largely pointless. There are some very strong ideas presented here and given a surface presentation, not allowing the characters to chew over what it means to violate the laws and their oath or to interfere with a civilization’s destiny.
I09 has a brilliant deconstruction of the film’s major plot holes and I commend your attention over there.
Screenwriters Alex Kurtzman, Roberto Orci and Damon Lindelof appear to have taken the most obvious traits the mass audience knows about James T. Kirk and ignored the rest. This means Chris Pine gets to play a hotheaded jerk who is all instinct and no intellect. Let’s compare: the TOS Kirk knew his ship inside and out, and kept current with the tech, otherwise he never would have known what to do to the deflector dish in Star Trek Generations. Pine’s Kirk kicked the hardware into place. Gary Mitchell chided Kirk for studying too hard, striving too hard to be perfect and still, Kirk had enough outside-the-box thinking to outthink the Kobyashi Maru test. Pine’s Kirk is smug and seems to skate through without effort. The television Kirk loved books and was pensive, quoting the Constitution of the United Sates and John Masefield. Pine’s Kirk gives us no clue he has such depth and dimension.
The biggest issue is how the Kirk approached the Prime Directive. On television, every time Kirk skirted or violated the law, it was for the good of the people (see Vaal, Landru) or to undo the contamination from other Starfleet personnel (see John Gill, Ron Tracy). In this film, the story starts with Kirk breaking the laws to save Spock’s life, a selfish, thoughtless act that led to his omitting vital information from Starfleet.
It’s as if the production crew at Bad Robot loved Star Trek without understanding it. The sloppiness in the plotting, what I termed a Swiss cheese script, is a deep shame given they took four years to write this disappointment and then tell us they waited for the right story to present itself.
By remaking Star Trek II: The Wrath of Khan, they demonstrated a complete misreading of why that film worked. We had invested sixteen years with these actors and characters so the themes of age and renewal, sacrifice and friendship worked. Here, we had to wait four years for a second installment and we’re still coming to terms with new actors in familiar roles so killing Kirk and making a big deal out of it fell flat.
I’m also really tried of military-minded rogue Starfleet officers, too easy a plot device. (I didn’t quite get how the detonation of Vulcan meant it was time to start a war with the Klingons.) Peter Weller is wasted as the bad guy and the movie’s closing scenes totally ignore the questions his crimes raised. Let’s see: how did the conspiracy work? Were there others involved and have they been arrested? Where’s the dreadnought’s construction crew? With Starfleet command compromised, who is vetting the new command structure? Are we that much closer to war with the Klingons after Weller’s unsanctioned visit to Qo’noS (the proper spelling damn it).
Benedict Cumberbatch is brilliant and mesmerizing to watch. But his Khan is cold and apparently an enigma to the historians since no one troubled to look him up in the databanks. Instead, Spock-2 calls Spock-1 for the most pointless cameo yet. While the film is chockfull of winks and nods to the TV series it is distancing itself from, it doesn’t mention the Eugenics Wars or properly explain Khan’s amazing intellect and physique (he appears as invulnerable as Superman and has genesis blood so no one will ever die again).
After he craftily lures Starfleet’s brain trust into one room, he casually flies to HQ and opens fire. Here’s where I lost it. It’s a heightened security situation so they sit in a room full of windows and the airspace around Starfleet Command apparently isn’t patrolled. Similarly, two Federation ships cross the Klingon border and are undetected, then orbit the homeworld and remain undetected for a while. Really? The warrior race just lets anyone come visit?
The script had some terrific ideas buried under pacing that called for a loud, messy, lens-flare filled action sequence to interrupt every few minutes. It began to feel like a script written with an egg timer. The new characters are introduced and left to be underdeveloped so Admiral Marcus and his daughter, the curvaceous Carol, are pretty much cyphers while the supporting cast gets a few token moments of screen time. (Chekov being a transporter genius sort of makes sense since it’s an extension of navigation but being an engineering whiz stretches the point.)
Michael Giacchino’s wonderful score and Cumberbatch salvage the film from being a complete misfire. We should be thankful that director J.J. Abrams will be a galaxy far, far away when the third film is prepped for the series’ golden anniversary in 2016. Maybe they can actually hire a script editor to smooth over the rough spots.
That said, the film transfer is stunning in its beauty. The 1080p, 2.40:1-framed image is rich with color and detail. Similarly, the Dolby TrueHD 7.1 soundtrack means business is just about flawless.
As for the paltry features, they’re all short and focus on elements of the production with cast and crew discussing how things were created or determined. While interesting, it all leaves you wanting more detail and information, especially Abrams’ conclusion that Khan was the most compelling opponent from the original 79 epsidoes, echoing Harve Bennett’s conclusion thirty years ago. He never addresses why they didn’t just create someone new.
Anyway, you get: Creating the Red Planet (8:28), Attack on Starfleet (5:25); The Klingon Home World (7:30); The Enemy of My Enemy (7:03); Ship to Ship (6:03); Brawl by the Bay (5:44); Continuing the Mission (1:57): A look at Star Trek‘s work with returning veterans and public service projects; and, The Mission Continues (1:29).
![TheInternship_BD_O-Sleeve[1]](http://www.comicmix.com//wp-content/uploads/2013/10/TheInternship_BD_O-Sleeve1-e1380653586778.jpg)
The comedy will be available on Blu-ray and DVD October 22 , but our friends at 20th Century Home Entertainment have a copy available to give away to one of our readers. All you need to do is tell us which of the following is your favorite of the following films and why. Tell us no later than 11:59 p.m. Monday, October 14. The decision of the ComicMix judges will be final and the contest is open only to United States and Canadian readers only.
Wedding Crashers, the film that proved Wilson and Vaughn had perfect comedic chemistry, brought the laughter and good times. To this day, men still dream of crashing a wedding with John and Jeremy. Maybe they can’t fulfill their dreams, but everyone can rest assured knowing the rules of wedding crashing; “blend in by standing out” to “be gone by the sunrise.”
Many people consider Old School to be the golden ticket that brought the frat pack together and placed them on the map as the big names in comedy. Ferrell, Vaughn, and Wilson were hilarious as they went back to their glory days and reminded the audience why college is exactly where you want to be. This classic comedy is one that can be enjoyed for generations to come.
