Tagged: film

REVIEW: Peter Pan

Peter PanOf all the classic animated films, Peter Pan may be the one that has spread its influence furthest. From James Kirk’s reference to the second star on the right to Michael Jackson’s compound being called Neverland, the enduring story of the boy who didn’t want to grow up resonates with us all.

Walt Disney has shined its latest crown jewel to a brilliant luster in the Diamond Edition release of Peter Pan, a combo pack featuring Blu-ray, DVD, and Digital copy (along with a Storybook app for tablets). Said to be one of Disney’s favorite stories, he intended it to be among his earliest releases but circumstances delayed it from being completed until its 1953 release. As a result, some of the lush rotoscoping we saw in Snow White is replaced with complete hand-drawn animation, but it also means some of the figures, from Smee to the Lost Boys are exaggerated and cartoony.

Still, the film moves nicely and takes us on a grand adventure as we quickly move from London to Neverland, from pirates to Indians, all set to one of the strongest scores of the Disney treasure trove. Everyone loves the notion of never having to grow up, take on adult responsibilities, and the problems that come with them. As with all Disney adaptations, it takes great liberties at times with the source material, which means entire generations incorrectly recognize this as the canonical version. One of the charming additions to the original 1904 J.M. Barrie play that Disney used as the template, moreso than the prose versions that followed, was having George, the father, note he too once saw Peter when he was a boy.

The film is a delight to see once more even though critics will decry the stereotypical appearance of Tiger Lily and the Indians. Thankfully, we also understand that the underlying stories were a product of their time and certain allowances can be made without getting all PC.

The timeless tale works because of the story, the music and the fine voice work of Hans Conried (father/Hook), leading a cats that also includes Bobby Driscoll (Peter). Kathryn Beaumont (Wendy), Paul Collins (John) and Tommy Luske (Michael).

Peter & WendyThe transfer from film to high definition is pretty flawless and only the true connoisseurs will recognize the modest color modifications made during the restoration process in this, the seventh jewel in the Diamond collection. There remains a richness to the color that can be tricky to preserve so kudos to the team. Even better is the sound mix, preserving the score and songs, sound effects and dialogue.

Diane Disney-Miller introduces us to the usual trove of extra material, the highlight of the program. Roy Disney is represented with his audio commentary, picked up from the Platinum release. If you haven’t heard it, he nicely recounts many of the stories behind the film’s evolution.

Growing Up with Nine Old Men (41 minutes): The nine key animators to work under Walt and to train the next two or three generations of talent are given their due in this piece. There is a nice assortment of Deleted Songs and Scenes (15 minutes), rescued from the Disney Vault, two deleted scenes and two deleted songs, presented using the original storyboards, concept art, rough cel elements and key frames. The previous DVD Bonus Features are here so this is as comprehensive a collection of Peter Pan material as you are going to find. For parents sharing the disc with their children, there is the optional Disney Intermission so you can pause the film and keep the kids entranced with  clips and activities.

REVIEW: Skyfall

Skyfall DVDSkyfall, now out on home video from MGM, is a sheer delight, holding my attention for the entire 2:23 running time, long for a Bond film but it felt just right. The four year financially-mandated layoff between the so-so Quantum of Solace and Skyfall is barely noticeable but the passage of time is an unspoken theme for the new entry.

Daniel Craig, not at all what Ian Fleming had in mind for 007, made the character his own through sheer force of will. When he helped reboot the series with Casino Royale, my biggest complaint was that he was too old to be an MI6 agent at the beginning of his career. With Quantum a direct sequel, we were still seemingly early in Bond’s career but I bought into it.

Now, suddenly, the third film deals with Bond being ready to be retired. We’ve clearly leaped ahead in this incarnation’s timeline, having totally gained M’s confidence to the point where she risks her career and reputation on him when England needs him most. But this is a wounded Bond, one who has been beaten down, who escaped death and seemed to have walked away from his responsibilities, swapping his Walther for a bottle and obscurity. Of course, when M and his fellow agents are threatened in the most heinous of terrorist acts, he has to come back.

We’ve seen Mi6 agents go rogue before, most recently when 007 exposed the perfidy of 009 in one of the Pierce Brosnan entries. But, this is the first time we’ve seen a truly frightening threat make it so personal. Javier Bardem steals the film with his turn as Raoul Silva, an agent M seemingly abandoned when she was the Hong Kong station chief back in the 1980s. His torture left him physically and mentally broken and now he is back to exact the most painful revenge possible.

After he makes M watch MI6 HQ blowup, Bond is back and unleashed after Silva but, being a wily opponent, it’s all part of a master plan. Not only will he beat M, he will make her suffer by breaking her current favorite, Bond. And here is my only quibble with the generally excellent script from Neal Purvis, Robert Wade, and John Logan (this almost makes me forgive him for Nemesis). Silva’s plan is so intricate that it is entirely reliant on split-second timing and not once does he miss a beat, making him too perfect. When our hero needs that same timing for success, it is sometimes hit, sometimes missed but Silva never seems to miss a beat, straining credulity.

Skyfall-0071-300x180After two films to restage the early days, this film nicely allows itself to be a formulaic Bond adventure starting with a breathtaking (and plausible) motorcycle chase across the rooftops of Turkey. The film opens with two musical notes that immediately suck you into the Bond experience and they hint at the Monty Norman theme until it’s time for Bond to be Bond, James Bond. The audience applauded at the sight of the Astin Martin and the film’s best line may be M’s, “Go ahead and eject me. See if I care.” The movie comes complete with a visually fun title sequence, owing plenty of Maurice Binder’s work, and ends with the traditional status quo re-established, but freshened for the future. We have Q (Ben Wishlaw), Moneypenny (Naomie Harris), and a new M (Ralph Fiennes). Then we get Craig in the gun’s sight, the blood and the Norman theme in full throttle. Bond is back and we’re promised will return.

It’s a thrilling adventure that critics say owes too much to the Bourne films but really, it’s the other way around. The Bond films have been setting the bar higher and higher through the years, challenging others to match or exceed the standard for adventure films. Thankfully, Barbara Broccoli and Michael G. Wilson, caretakers of the franchise, are now willing to work with a variety of screenwriters and directors to keep things fresh. I had no idea Sam Mendes had a flair for action and he was most impressive so it was inspired of a drunken Craig to offer the job to him and then tell the producers what he had done. They get credit for not dismissing the notion.  And with that, I get the sense that the franchise is in good hands and with Craig aboard for one or two more, the second half-century seems to be promising.

xavier-skyfall-readThe transfer to Blu-ray is sharp, with great color and sound. Cinematographer Roger Deakins’ work is nothing short of spectacular and the digital photography is well captured here for repeat viewings. The sound equally matches the visuals, well mixed and lush.

The armload of extras begins with Commentary with Director Sam Mendes where the director takes us through the scenes and discusses them in-depth. It’s interesting to hear how the actors helped shape his thinking and shooting so we can follow the evolution from concept to final shot. We’re reminded that Star Trek Nemesis director Stuart Baird is a terrific film editor as seen here. There’s additional Commentary with Producers Barbara Broccoli and Michael G. Wilson and Production Designer Dennis Gassner but they fawn too much and you learn too little.

Shooting Bond (59:24) can be seen in chapters or as a complete documentary and you can watch the film get made from every major aspect save Baird’s editing. The cats contributes to this so it’s fairly comprehensive and entertaining.

Skyfall Premiere (4:28) offers up snippets from the world premiere at the Royal Albert Hall, featuring interviews with Mendes, Craig, Harris, Bardem, and Fiennes. You also get the

Theatrical Trailer, Soundtrack Promotional Spot, and fifteen minutes of trailers for other films.

 

Marc Alan Fishman: Pulp Fishman

Fishman Art 130223I’m gonna take a slight detour off my normal path this week, kiddos. Mike Gold and I like to e-mail one another every now and again. It just so happened that today Mike name dropped the Djesus sketch from SNL from last week. I told him I’d not seen it, as I was waiting to see Django first. Turns out having a toddler makes for a pretty house-bound social calendar. In his retort, Mike lamented “Django is great, unless you don’t like Tarantino. Then it’s ‘Tarantino.’” Oh ho! Sweet Mikey G. Me and QT go way back.

Long before we were Unshaven Comics, Matt Wright, Kyle Gnepper and I were just bros. And prior to making amazing comics, we just read ‘em. Amidst the angst, part time jobs at local retail establishments and foodatoriums, we wasted our ample free time with movies, anime, video games, and comics all to help us find our way through the world. Nothing spoke to me in these tumultuous times more than the films of one Quentin Tarantino.

Somehow, his pop-culture drenched films permeated my mind in a wash of “too cool for school” attitude, and “fuck the system” structure. I wholly thank Kyle for introducing me first to Reservoir Dogs, QT’s take on a heist film. Here, I was left dumbstruck over the simplicity to it all. Over 99 minutes, we stay largely in a single location. There’s no massive chases, or hyperbolic action sequences. And best of all? No chicks getting in the way. OK, so it’s not a perfect flick. However, to a 16 year-old it’s practically soft-core porn. Everyone swears. Everyone has a gun. No one backs down. And Harvey Keitel suggests tacos. And it does it all with a wit and charm that required nothing more than snappy dialogue and expressive eyes.

I did not get to see Pulp Fiction in the theater. Knowing what I did about Dogs was enough; I promptly traded in some shekels for a VHS copy the second I could. In some weird way, I’d like to think this was exactly how Quentin would have wanted me to partake of his (then) magnum opus. I freely admit that I literally wore the tape out from watching and re-watching it. More-so than Reservoir Dogs, Pulp Fiction was visceral style etched on to magnetic tape. Strictly speaking of the story alone, a teenage me got ruthless mobsters, ass watches, defeated boxers, sexy women, Mr. Pink as Buddy Holly, and most important, a dose of story by way of character, not plot device.

To a point, yes, much of the film is a meandering tale of cause and effect. But better than the action-and-gangster driven drivel my young mind was accustomed to, Pulp Fiction (Jackie Brown and Dogs as well) was a universe unto itself. As Roger Ebert noted in his reviews “A lot of movies these days use flat, functional speech: The characters say only enough to advance the plot. But the people in Pulp Fiction are in love with words for their own sake.” In short? The characters of the film were me and my kind. And better than my other deity-of-the-day, Kevin Smith, each person in QT’s films were individuals with individual drives. And don’t worry, I’ll talk about my love affair with ole’ Kev soon enough. As Alton Brown might say, “That’s for another show.”

If there is a point here in my one man circle jerk session, it’d come right down to Ebert’s aforementioned point. Beyond anything I’d seen or read up unto that time (comics included), characters in my fiction were always essentially empty vessels I could place myself into. In comparison to those heroes of my childhood, He-Man, G.I. Joe, and even the animated Teenage Mutant Ninja Turtles were merely placeholders and plot movers. Tarantino’s films showed me a world where there was no room for me on screen. Vincent Vega was a cool, mysterious mob hit man who had come back from a vacation into a world of troubles. Mr. White was a hardened, loyal criminal with a past so chock full of vitriol, a lesser director would still be presenting us with prequels. And if you could find an inch of room to move inside the mind of Beatrix Kiddo? Well then you’re a better man than I.

In the post-modern world, I freely admit to the rafters that my own modern fiction was inspired first by Quentin Tarantino. And while masters like Waid, Morrison, Busiek, and Moore would soon lay claim to the rest of my influence CV, it was QT who started the big ball a rollin’ down the hill. His ability to fill worlds, to allow those worlds to breathe, and to realize that A lead to B, but not because the hand of God requires it… remains a breath of fresh air amidst rotting garbage. While I no longer need to proclaim him a lord of creation anymore, I can admit true admiration for a new-era genius of modern fiction. Tarantino mastered the art of homage, and proved that the stories that molded us can give birth to new creations unto themselves. Surely anyone looking at my own Samurnauts will see nothing more than a bearded QT-phile playing in the sandbox built by years broiling away under the heat of after-school cartoons.

Now I’m hungry. Let’s go get a taco.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Film Buffs get New Releases from Fox Cinema Archives

Warlock one sheetLOS ANGELES, CA (February 19, 2013) – Twentieth Century Fox Home Entertainment today introduced 23 new films to its manufacture-on-demand (MOD) series, Fox Cinema Archives. Designed for true collectors and film aficionados, Fox Cinema Archives goes deep into the studio’s vault each month to bring classic films featuring some of the biggest stars of the twentieth century to DVD for the first time.

Launched in 2012, Fox Cinema Archives has seen the release of more than 140 films from the Studio’s library. Movie lovers can purchase previously released and new films from the Fox Cinema Archives series at major online retailers and at www.foxconnect.com.

New titles available today include:

Warlock (1959), 122 min.

The town of Warlock is plagued by a gang of thugs, leading the inhabitants to hire Clay Blaisdell, a famous gunman, to act as marshal.

Clive of India (1935), 94 min.

In the mid-1700’s the East India Company has power over commerce with the blessings of the British government, and clerk, Robert Clive, is frustrated by his lack of advancement.

Wife, Husband and Friend (1939), 75 min.

Woman hopes to be a great singer and is encouraged by her scheming teacher. After she flops her husband, encouraged by an amorous professional singer tries opera and also flops. (more…)

New Ender’s Game Image Released

ENDER'S GAMEOf late, Orson Scott Card has been causing controversy for his work on a digital Superman storyline. However, the story that made him a bestselling author, Ender’s Game, continues production for release Novenber 1. Now we’re getting some of the first visuals, featuring Asa Butterfield and Hailee Steinfeld.

The film is being written and directed by Gavin Hood and also stars Ben Kingsley, Viola Davis, Abigail Breslin, and of course, Harrison Ford.

The official film synopsis reads:

In the near future, a hostile alien race (called the Formics) have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Hyrum Graff (Harrison Ford) and the International Military are training only the best young children to find the future Mazer. Ender Wiggin (Asa Butterfield), a shy, but strategically brilliant boy is pulled out of his school to join the elite.

Arriving at Battle School, Ender quickly and easily masters increasingly difficult war games, distinguishing himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School. Once there, he’s trained by Mazer Rackham, himself, to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

REVIEW: “The Completely Mental Misadventures of Ed Grimley” is as fun as fun can be, I must say.

God bless the deranged maniacs at the Warner Archives and their desire to not let anything be forgotten.  As part of their exponentially-growing manufacture on demand DVD program, they’ve added to their already impressive list of animated releases with a 2-disc release of Hanna-Barbera’s The Completely Mental Misadventures of Ed Grimley.

Martin Short has had a wide and varied career in comedy, and inamongst appearing on SCTV, Saturday Night Live and his film career, he created a character named Ed Grimley.  Formed from equal parts of sight gags from his SCTV days and a voice he used to do to annoy his wife, Ed caught on with America during Short’s SNL run.  When NBC and Hanna-Barbera looked for a way to compete with CBS’ Pee-Wee’s Playhouse, the hyperkinetic Mr. Grimley was tailor-made.

Featuring a mini-reunion of the SCTV gang, the series features Martin in the titular (a word you want to hear more often, and so seldom do) role, with Andrea Martin and Catherine O’Hara, with Joe Flaherty reprising his SCTV creation Count Floyd.  Jonathan Winters rounded out the crew, adding in his comedy genius.

The comparison to Pee-Wee is easy to make on the surface, but at its base, Ed’s show was a surreal take on a sitcom, as opposed to the kids show parody of Mr. Herman.  Ed has no desire to find adventures; he’s more than happy practicing his triangle and enjoying the company of his neighbors at the palatial Freebus Arms.  But adventure seeks him out, and before you can say “Uncle Balfour’s favorite Mantovani record” he’s running n a horse race or getting a new identity after testifying in a robbery trial or being whisked to Kansas via a hurricane.

Ed Grimley was one of the last shows made at Hanna-Barbera before their purchase by Turner, and was one of its last truly original works.  With character work and story direction by Scott Shaw! the show had a unique voice that stood above the sadly dying world of Saturday Morning cartoons.  It’s popped back up on Cartoon Network on occasion, but thanks to Warner Archives, fans can get their triangle on whenever they please.

The 2-disc set is available from The Warner Brothers Shop.

John Ostrander: Boldly Go

Ostrander Art 130210Like every other geek, I’ve seen the trailers for the next Star Trek movie, Star Trek Into Darkness. I even saw the extended preview when Mary and I went to see The Hobbit. I’ve seen J.J. Abrams relaunch of the Star Trek franchise and really enjoyed it. I’m a long time Star Trek fan although not to the degree many others are. For example, I have a nephew who groused that if he wanted to see Star WARS he would have watched Star Wars. And, of course, in about two years, he’ll be able to see J.J. Abrams actually directing a Star Wars film.

I’ve also read all the speculation about who the villain, played by Benedict Cumberbatch (memorably Sherlock Holmes in Stephen Moffat’s TV version), will be. The top contender is that he is a new version of Khan Noonien Singh played by Ricardo Montalbán in Star Trek II: The Wrath of Khan. That’s the movie that saved the Star Trek franchise after Star Trek: The Motionless Picture nearly ended it. Recently, Entertainment Weekly added to the fan frenzy by seeming to “leak” that Cumberbatch’s character is, indeed, Khan. Even that is disputed; Abrams has this thing about secrecy and is known to disseminate misinformation, leading the fans in one direction while he does something else.

The thing is – I hope it is misinformation. I don’t want or need a remake of ST:TWoK. Been there, saw that, thank you. I liked the first version just fine. Still works, as far as I’m concerned.

What I want is something new. The opening incantation of the original Star Trek series went as follows:

Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Strange new worlds. New life. New civilizations. To boldly go where no man (now no one) has gone before. Key operative words: New. Boldly. That’s what I’m looking for from Star Trek. Not a rehash. Not a remake. Not another re-imagining. Something new. Abrams’ first Star Trek movie did a fine job, so far as I’m concerned, of re-inventing and re-imagining the characters and the franchise. It’s an alternate timeline where things may not be as they once were. That made it fresh and exciting for me. They destroyed Vulcan. Uhura and Spock have a romantic relationship. They need to boldly go with things like that.

Other things in the trailers that I saw also bothered me. The most recent one had a shot of the Enterprise holed, smoking and (apparently) starting to crash. Been there, seen that. The franchise has blown up so many versions of the Enterprise over the years that it has no more shock value. One of the pleasures of the last film was a spanking new original Enterprise. The shock value at this point would be if it survives.

Another shot seems to replicate the famous climax of ST:TWoK. Spock has sacrificed himself for the ship and the crew; he is dying. He and Kirk both have their hands up to the transparent barrier that separates them, a gesture that defines their friendship and creates a real moment of pathos. Spock dies. He is brought back in the next film and restored to himself in the film after that but I don’t see how that will be possible in this version. Again, been there, seen that.

I may be falling for J.J. Abrams’ misdirection and I hope I am. I think there’s a better than even chance of it. What I want is for him to give me something new. No retreads, please. Boldly go where no fan has gone before, Mr. Abrams. Live long and… ah, you know.

MONDAY: Mindy Newell

 

The Point Radio: Constructing BEAUTIFUL CREATURES

PT020813
We begin our look at the new film, BEAUTIFUL CREATURES, first talking with creators Kami Garcia and Margret Stohl, then director Richard LaGravenese who moved the project from book to film and actor Jeremy Irons who steps into a key role. Plus Marvel tries its hand at the romance game and the JLA movie hits a road block.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Disney Unveils Find Your Way to Oz Chrome Experiment

EVANORA_DARK_GENERICYou won’t need magical powers to take a journey down the Yellow Brick Road; just point your favorite browser to the latest Chrome Experiment, “Find Your Way to Oz.” Developed in collaboration with Disney and UNIT9 in anticipation of the upcoming film, Oz The Great and Powerful, this experiment takes you through a dusty Kansas circus and leads to a vibrant land, following in the footsteps of the Wizard himself.

[youtube]http://youtu.be/_2iDDI6Stx0[/youtube]

Like any good circus, there’s plenty to keep you entertained: compose your own music, play with a fun photo booth and create your own movie with a zoetrope. The path to Oz also involves confronting an ominous tornado; surviving it completes the journey, enabling fans of the movie to watch an exclusive unreleased clip from the film.

Chrome Experiments like “Find Your Way to Oz” would have been impossible a few years ago. Since that time, the web has evolved and allowed developers and designers to create immersive beautiful experiences. For “Find Your Way to Oz” the 3D environment was built entirely with new technologies such as WebGL and CSS3. It’s enhanced by rich audio effects thanks to the Web Audio Application Programming Interface (API). The photo booth and zoetrope were built using the getUserMedia feature of WebRTC, which grants webpages access to your computer’s camera and microphone (with your permission).

For the best experience, you’ll need to use an up-to-date computer built to handle intense graphics. It also works best with a webcam and a modern browser that supports WebGL and WebRTC, like Chrome. The experience also works best on For tablet or smartphone users, we have a smaller scale yet equally enjoyable experience that you can try with the latest Chrome browser on your Android device, iPhone or iPad.

If you want to learn more, or run away and join the developer circus, you can get an explanation of the technologies used on the Chromium blog or in Google’s technical case study.

Start your journey towards the yellow brick road at www.findyourwaytooz.com.

Warner Home Video to Release The Hobbit on Disc in March

HBBT_BDComboBurbank, CA, February 5, 2013 – From Academy Award®-winning filmmaker Peter Jackson comes The Hobbit: An Unexpected Journey, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), arriving on Digital Download on March 12  and on Blu-ray Combo Pack, Blu-ray 3D Combo Pack and 2-Disc DVD Special Edition on March 19  from Warner Bros. Home Entertainment. All disc versions feature UltraVioletÔ and more than 130 minutes of bonus content. The first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, The Hobbit: An Unexpected Journey, which is nominated for three Academy Awards*, is an epic adventure that immerses audiences once again in the fantastical world of Middle-earth. The March 19 home entertainment release will be followed by an Extended Edition available just in time for the holidays.

In addition, Peter Jackson will host a live first look at The Hobbit: The Desolation of Smaug, the second film in The Hobbit Trilogy, on Sunday, March 24 at 3:00 p.m. Eastern/Noon Pacific. Content will be streamed live and an edited version will be archived on the Trilogy’s official website. Access to the live event will be limited to holders of an UltraViolet code available by purchasing The Hobbit: An Unexpected Journey Blu-ray Combo Pack, Blu-ray 3D Combo Pack or 2-Disc Special Edition DVD. Select digital retailers will issue access codes upon purchase of the film.  Visit www.thehobbit.com/sneak for more information.

Ian McKellen returns as Gandalf the Grey, the character he played in “The Lord of the Rings” Trilogy, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. Also reprising their roles from “The Lord of the Rings” in “The Hobbit” Trilogy are: Cate Blanchett as Galadriel; Ian Holm as Old Bilbo; Christopher Lee as Saruman; Hugo Weaving as Elrond; Elijah Wood as Frodo; and Andy Serkis as Gollum. The international ensemble cast also includes James Nesbitt, Ken Stott, Sylvester McCoy, Barry Humphries, Aidan Turner, Dean O’Gorman, Graham McTavish, Adam Brown, Peter Hambleton, John Callen, Mark Hadlow, Jed Brophy, William Kircher, Stephen Hunter, Lee Pace, Benedict Cumberbatch, Manu Bennett and Conan Stevens.

The screenplay for The Hobbit: An Unexpected Journey is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, The Hobbit: An Unexpected Journey. All three films in The Hobbit Trilogy, also including The Hobbit: The Desolation of Smaug, and the final film, The Hobbit: There and Back Again, are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

The Hobbit: An Unexpected Journey was released on December 14, 2012, with the second film, The Hobbit: The Desolation of Smaug releasing December 13, 2013, and the third film, The Hobbit: There and Back Again, slated for July 18, 2014.

The Hobbit: An Unexpected Journey will be available on 3-Disc Blu-ray Combo Pack for $35.99, on 5-Disc Blu-ray 3D Combo Pack for $44.95, and on 2-Disc DVD Special Edition for $28.98. The Blu-ray Combo Pack features the theatrical version of the film in hi-definition on Blu-ray, and the theatrical version in standard definition on DVD. The 3D Blu-ray Combo Pack features the theatrical version of the film in 3D hi-definition on Blu-ray, the theatrical version of the film in 2D high definition on Blu-ray and the theatrical version in standard definition on DVD.  The Blu-ray Combo Pack, Blu-ray 3D Combo Pack and the 2-Disc DVD Special Edition all include UltraViolet, which allows consumers to download and instantly stream the standard definition theatrical version of the film to a wide range of devices including computers and compatible tablets, smartphones, game consoles, Internet-connected TVs and Blu-ray players.*

SYNOPSIS

The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome Dragon Smaug. Approached out of the blue by the Wizard Gandalf the Grey, Bilbo finds himself joining a company of 13 Dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild, through treacherous lands swarming with Goblins, Orcs and deadly Wargs, as well as a mysterious and sinister figure known only as the Necromancer.

Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the Goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum.

Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities…A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

BLU-RAY AND DVD ELEMENTS

The Hobbit: An Unexpected Journey Blu-ray Combo Pack, Blu-ray 3D Combo Pack and DVD Special Edition contain the following special features:

  • Full Suite of Peter Jackson’s Production Videos. Enter Middle-earth of The Hobbit: An Unexpected Journey as Academy Award-winning Director Peter Jackson takes you behind the scenes, on location and amidst the star-studded cast in a series of video journals that puts you in the forefront of latest in filmmaking with more than two hours of additional content. Highlights of the journals include:
    • Start of Production
    • Location Scouting
    • Filming in 3D
    • Post-production Overview
    • Wellington World Premiere

DIGITAL DISTRIBUTION ELEMENTS

On March 12, The Hobbit: An Unexpected Journey will be available for download from online retailers including iTunes, Xbox, PlayStation, Amazon, Vudu and CinemaNow.

On March 19, the film will also available digitally in High Definition (HD) VOD and Standard Definition (SD) VOD from cable and satellite providers, and on select gaming consoles.

BASICS

PRODUCT                                                                            SRP

Blu-ray 3D Combo Pack                                                         $44.95

Blu-ray Combo Pack                                                               $35.99

2-Disc Amaray Special Edition (WS)                                     $28.98

EST Release Date:  March 12, 2013

Standard Street Date: March 19, 2013

DVD Languages: English, Latin Spanish, Parisian French

BD Languages: English, Latin Spanish,

DVD Subtitles: English SDH, Latin Spanish, Parisian French

BD Subtitles: English SDH, Latin Spanish

Running Time: 169 minutes

Rating: Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images

DLBY/SURR   DLBY/DGTL   [CC]

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