Tagged: film

New Alan Moore zine, free Charles Vess, submit to Viz, and Gravel to film: ComicMix Quick Picks for 10/9/09

New Alan Moore zine, free Charles Vess, submit to Viz, and Gravel to film: ComicMix Quick Picks for 10/9/09

All the quick news while shooting at the moon and waiting for stories from Baltimore Comic-Con to come in…

  • Alan Moore is launching Dodgem Logic, “the 21st century’s first underground magazine
    from his home town of Northampton, a community that is right at the
    geographical, political and economic heart of the country; one which
    has half its high street boarded up and is at present dying on its
    arse, just like everywhere else.” Josie Long, Graham Linehan, Kev O’Neill, Melinda Gebbie, Steve Aylett, Leah Moore and John Reppion will be contributing. (Hat tip: Cory Doctorow.)
  • Dark Horse Comics just announced that, in honor of their imminent publication of Drawing Down the Moon: The Art of Charles Vess
    in December, they are offering the entire book online for free viewing for an indefinite time. All two hundred-plus pages of Drawing Down the Moon can be found on the Dark Horse website.
  • VIZ Media is now accepting submissions and pitches for original comics. Interesting. I think this is a change in policy and direction.
  • I almost don’t believe this story from Superhero Hype and Variety about Legendary Pictures picking up the film rights to the Warren Ellis series Gravel, just because I would automatically assume Bleeding Cool would have that story first. Tsk, tsk… Rich is slowing down. (Warren: we have just the guy for the role for you. Honest.)
  • And in case you didn’t hear, Archie’s an imaginary bigamist.

Anything else in the news? Consider this an open thread.

Review: ‘Pixarpedia’

Review: ‘Pixarpedia’

Pixarpedia
300 Pages, $40
DK Publishing

I doubt there has been a studio to start out with as long a streak of consecutive hits as Pixar. Not only have they succeeded beyond anyone’s wildest expectations, but they have helped rewrite the rules for family entertainment and created an armload of pop culture characters that are likely to endure for decades to come.  The secret, it seems, has been to take iconic themes and figures and distill them down to their essence then tell engaging stories that never lose sight of character.

You are reminded of those relatively simple and obvious lessons while reading DK Publishing’s [[[Pixarpedia]]], which was released some weeks back.   Written with their core audience in mind, it’s geared for 9-12 year old readers and is a treasure trove of information about every feature and short film they have produced along with details on each character seen in the films.

The book is divided into thirds with the bookend sections about the studio. You can trace their progress from a small company owned by George Lucas to its sale to Steve Jobs and its explosive growth. The final third, Behind the Scenes, provides cast and crew credits and assorted trivia tidbits about each film along with sidebars spotlighting members of the company with career capsules.  It’s amazing how many shout outs there are for beloved movies and people) especially Mickey Mouse) hidden in each film. You are shown many, but certainly not all, of them in this section.

The largest third is the movie by movie section that provides information about the major and minor characters. Unlike too many DK books, the visual design is clean and colorful, easy to read and chock full of detail. Sprinkled throughout are “Did you Know?” bullets with factual information that supplements each film. You get a plot summary, character descriptions, lavish looks at the sets and lots of fun reading.

Paging through the oversized book is a treat and overall, you come away with a greater knowledge about the characters than you might have imagined possible. At the end of this portion, there are pages dedicated to the themes that carry through the films and its their dedication to these simple dictates, like “You’ve got a Friend in Me”, that places their output head and shoulders above the competition.

Review: ‘Snow White’ on Blu-ray

Review: ‘Snow White’ on Blu-ray

Truth be told, I was never a big fan of Snow White and the Seven Dwarfs. A lot of that has to be ascribed to my dislike of Adriana Caselotti’s voice as the title character. The songs remain wonderful and the animation a delight. I do have to give Walt Disney a lot of credit for ignoring the nay-sayers who felt people would never sit through a feature-length animated film. Of course back then, people were still figuring out what audiences would or would not do. Back then, no doubt, some still regretted adding sound.

The basic children’s fairy tale was simplified for the 1937 film, starting with the excising of Snow’s mother in favor of just presenting the wicked stepmother. When the Queen tries to do away with Snow White, it took her three attempts which Walt cut down to just the poisoned apple. On the other hand, Walt’s idea of having the Prince’s kiss wake her up is superior to a piece of apple being dislodged from her throat. It would have been nice if the Queen was forced to watch her step-daughter happily marry the Prince, wearing red-hot iron shoes as her punishment.

Wisely, Walt simplified the story to fit it in the constraints of then-current film-making. Additionally, he played up the part of the Seven Dwarfs, giving each a distinctive personality that have become memorable. In the story, after she sought shelter in their home, they agreed to let her stay with them in exchange for her services as cook, maid, and, laundress.  Instead, Snow here takes it upon herself to do the cleaning first, ingratiating herself to the dwarfs before meeting them. Of course, that allows for the animators to let the forest creatures come to her aid set to song.

Still, it’s a charming story, simply told; an experiment that paid off handsomely, catapulting Walt’s studio ahead of all other animators.

Now, the studios’ crown jewel is coming to Blu-ray, going on sale tomorrow. The Blu-ray edition has two discs, one for the film and one for the copious extras. Also included is a standard DVD version so this combo pack is the one to buy for now and the future. While the standard disc contains extras, the supplemental Blu-ray disc has them and much more.

The original film has been meticulously restored and the lush color and design has never looked better. The sound is crisp and the imagery a wonder. Clearly, this is the best the film has ever looked.

Blu-ray owners will enjoy having the Magic Mirror act as the Disney Smart Navigation interface. The mirror guides you through both discs and has enough intelligence ot know if you’ve played this before and whether to resume where you left off. BD Live adds to his functionality and practical use such as time and weather information.  If you don’t like the letterbox bars, you can switch to Disney View which features new art extensions prepared by Toby Bluth, complete with some new information about their creation.

Extras include Backstage Disney: Hyperion Studios, an exhaustive look at the original home for Disney and his animation team complete with virtual tour of the first house that Walt built. A ton of archival material has been unearthed for presentation to diehard fans with every department well represented. Along the way you will watch two Silly Symphony cartoons from the early days and be treated to commentary and tours from current animators including Pixar’s Andrew Stanton. You learn much about how it all began through a series of short features but it requires effort to poke and prod through every doorway and department within the virtual studio.

Snow White gets its due in “The One That Started It All” that offers up some new information and insights.

One of the more interesting featurettes is Snow White Returns. Recently uncovered archival material indicates Walt may have been toying with a sequel and we spent nearly 9 minutes reviewing the data. Deleted scenes include the “Soup Eating Sequence” and the “Bed Building Sequence”.

Resurrected from previous editions are “Dopey’s Wild Mine Ride” game, “Heigh-Ho”, a karaoke sing-along and “Disney Through the Decades”, “Animation Voice Talent” (featuring Caselotti). Unfortunately, some of the 2001 edition features are absent.

This belongs in every videophile’s library and under the Christmas tree of children from coast to coast. The charm and whimsy endures as witnessed in this beautiful collection.

Review: ‘X-Men Origins: Wolverine’ on Blu-ray

Review: ‘X-Men Origins: Wolverine’ on Blu-ray

X-Men Origins: Wolverine kicked off the summer season and much of the film review that follows originally appeared on my blog. This past week, 20th Century Fox Home Entertainment released the movie on DVD and Blu-ray, both containing a digital copy as has become standard these days. Since his introduction in 1974 through 2000, people were fascinated by Wolverine. He was a feral, edgy character at a time few other costumed crime fighters were. There was a tragic element to him since he could not recall his past. Through the years, writers teased us with bits and pieces about him, letting us know he was long-lived and had gotten around. But, just where did this Canadian come from?

After the success of [[[X-Men]]] in 2000, it became apparent there would be other mutant movies and the issue of Logan’s origin was no doubt going to be addressed. In 2001, Bill Jemas said the time had come to tell the origin. Better Marvel control the origin elements rather than some unfamiliar screenwriter so in many ways, his miniseries, [[[Origin]]], was a pre-emptive strike. And maybe it was just time.

The Paul Jenkins version beat out several others and became the one Andy Kubert drew in his gorgeous style. This is now the origin, like it or not, that every licensee is obligated to follow. All of this sets the stage for X-Men Origins: Wolverine, a solo project that invited movie audiences to see where Logan came from and how he had his skeleton covered in adamantium.

Good thing there was a roadmap to follow because the changes from the comic showed that in other hands, telling his origin could be disastrous. Far too little is spent setting up James Howlett’s life in Canada before his claws first popped out. The family dynamic is given such short shrift that it felt sketched rather than written. I was particularly bothered by the decision to make Howlett and Victor Creed brothers, an unnecessary and overused Hollywood trope.  Yes, Sabretooth is Wolverine’s great comic book nemesis but he had nothing to do with the origins and shoe-horning him here doesn’t fit.

We know they’re both mutants, both feral in nature, something not well explored by the script. The title sequence successfully shows us how they stayed together, reached adulthood and seemingly stopped aging, but continued to sate their natures by going from war to war. Why they left Canada for America is unexplained nor are we properly shown how they began drifting apart and why Victor relished fighting while James had more of a conscience.  Had the movie taken the opening montage and really delved into his origin, we would have had a more dramatic character-driven origin rather than this testosterone-fueled film overstuffed with extraneous mutants.

James and Victor wound up as part of mutant military brigade under the command of William Stryker. We get to see some mostly familiar mutants including Wade Wilson, whose jabbering was perfect. Anyway, James reached his limit with the squad’s brutality and walked on them, and his brother. In the intervening six years, he found a quiet job as a lumberjack along with the love of a good woman, Kayla Silverfox, until his past came back to haunt him.

Stryker has manipulated James so he agrees to undergo the transformation into a living weapon. A military reason for the Weapon X program as opposed to the evil scientific cabal is another Hollywood cliché that was irritating and Stryker as the mastermind never seemed smart enough or motivated enough to be a real threat.

Bonded to adamantium, James Howlett has now rejected his past, adopting the name Logan and the codename Wolverine (the animal name came from that other Hollywood touch, a story told by his lover in the scene before she is killed). Now seeking Creed, who killed Kayla under Stryker’s command, the second half of the film becomes a revenge tale. (more…)

Newsarama has a virus?

Newsarama has a virus?

Yep– looks like they’ve picked up a virus somewhere. If you visit the film section at newsarama.com/film (no, we aren’t linking) you’ll potentially be exposing yourself to viruses and malware. Of the 6 pages Google tested on the site over the past 90 days, 2 pages
resulted in malicious software being downloaded and installed without
user consent.

So far, the comics sites are clean.

If their status changes– in either direction– we’ll let you know.

Disney Teams Up With Guillermo Del Toro – is this how Dr. Strange will appear?

Disney Teams Up With Guillermo Del Toro – is this how Dr. Strange will appear?

Put the pieces together: Guillermo Del Toro was talking with Neil Gaiman about doing a Dr. Strange film as far back as February 2008. Now Del Toro is cutting a deal with Disney… and Disney now owns Marvel, which of course is the home of the good Doctor. Sounds like the stars are aligning… but we already had a recent animated Doctor Strange

Press release via Nikki Finke: Disney Toons Up With Guillermo Del Toro Under “Disney Double Dare You” Label

Anaheim, California — September 11, 2009 — The Walt Disney
Studios, in collaboration with acclaimed filmmaker Guillermo del Toro
(“Pan’s Labyrinth,” “The Hobbit”), is launching a new production label
called Disney Double Dare You, to create new animated films full of
chills and thrills for audiences of all ages, it was announced today at
the D23 Expo by Dick Cook, chairman of The Walt Disney Studios. All
films will be produced under the guidance of del Toro, who originated
the concept and the design of DDY and who will also direct certain
projects. The first project in development for the new label is called
“Trollhunters,” an original del Toro story which he will produce.

Commenting on the announcement, Cook said, “Guillermo is a brilliant
and visionary filmmaker, and we’re excited to be launching this new
label with him. His knowledge and appreciation for Disney films, along
with his penchant for creating worlds of fantasy, presented a great
opportunity for us to explore a whole new genre of filmmaking for
moviegoers of all ages. We have admired Guillermo’s imaginative
approach to filmmaking for some time, and now we’re proud to be working
with him to create films full of imaginative delights and lots of
thrills at the same time.”

Del Toro added, “As a director, I love to take audiences into
fantastic new worlds and provide them with some anxious moments in the
process. It is part of the Disney canon to create thrilling,
unforgettable moments and villains in all their classic films. It is my
privilege for DDY to continue in this tradition. To partner up with The
Walt Disney Studios, with the support of Dick Cook and John Lasseter,
is to belong to a storytelling partnership that I admire deeply. It is
a true honor. I look forward to coming up with fresh and original
stories that will take Disney films in a whole new direction. The
emphasis is on fun, and we have some great ideas already on the
storyboards.”

Del Toro’s Pan’s Labyrinth received six Academy Award® nominations
in 2007, including one for his original screenplay, and went on to win
three awards. That film also received a BAFTA Award for Best Film not
in the English language. His other directing credits include “Hellboy,”
“Hellboy II: The Golden Army,” “The Devil’s Backbone,” “Cronos,” and
“Mimic,” among others. Del Toro is currently directing back-to-back
feature film adaptations of the Tolkien classic, “The Hobbit,” for
release in 2011 and 2012.

(Hat tip to Arne Starr for the art, and Patrick Dempsey for the modeling.)

The Point Radio: James Cameron On Making AVATAR

The Point Radio: James Cameron On Making AVATAR

Years in the making, the anticipation is building for AVATAR, James Cameron’s 3-D epic. In our exclusive talk with James, he tells us how the process of creating the effects for the film began. Plus Tom Arnold explains his connection with MYSTERY SCIENCE THEATER 3000 and the Summer Box Office whimpers to a close.

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The Point Radio Inside WAREHOUSE 13

The Point Radio Inside WAREHOUSE 13

It’s a little like that last scene in INDIANA JONES, but really so much more. SyFy’s newest hit is WAREHOUSE 13 and we begin our backstage tour with actors Eddie McClintock & Joanne Kelly. Plus what’s Warren Ellis up to these days, is there really a MAGNETO movie in the works and a film based on Facebook?

PRESS THE BUTTONto Get The Point!

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24/7. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



Review: ‘Sunshine Cleaning’ on DVD

Review: ‘Sunshine Cleaning’ on DVD

Most times, we read our comics and watch our movies and television programs and come in at the beginning or during an act of gruesome violence. Often, we then see the crime scene investigators do their thing and then leave. But what becomes of the crime scene afterwards?

Answering that question is the moving Sunshine Cleaning, an independent film starring Amy Adams and Emily Blunt. The well-received film comes out on DVD this Tuesday from Anchor Bay Entertainment.

Adams plays Rose Lorkowski, a single parent stuck in a dead end job, trying to raise her young son. Raised by her failed salesman father (Alan Arkin), it fell to Rose to raise her younger sister Norah. Rose was once on top of the world, captain of the cheerleading team, but there she is, a decade-plus later and she’s still sleeping with the quarterback (Steve Zahn), despite his being married to someone else. She aspires to more, maybe real estate, but life keeps dragging her down.

The quarterback turned police detective suggests try her hand at the lucrative crime scene clean up business.  Rose convinces the hapless Norah to join her in this new venture and [[[Sunshine Cleaning]]] is born. We watch them figure out what the business is all about, stumbling on their own, until they meet up with Winston (Clifton Collins, Jr.), proprietor of a cleaning supply company who provides advice.

For a 91 minute film, there are many themes touched on in Megan Holley’s debut script. Love and loss, taking responsibility, struggling to raise a child and sister and father, missing a dead mother and more. Everything is intertwined as the story progresses but it’s not all neatly tied up by the end. Life’s a messy business, the tag line tells us, and director Christine Jeffs does a nice job showing us exactly that. While Rose is serious and trying to do right by her family, she does so at the cost of her own freedom and happiness. Norah is directionless and gains her first taste of adulthood by working with Rose and by trying to befriend the daughter of a victim. Meantime, we’re left uncertain as to what is wrong with young Oscar (Jason Spevack) – is it ADD, a closet genius or something else. He’s also just trying to get by while being looked after by his grandfather and aunt.

The performances are somber and dead on. Adams, normally gorgeous and perky, allows herself to look dowdy and sad while Blunt, more of a chameleon actress, fully inhabits Norah. Arkin plays Arkin, a man past his prime, terrified of disappointing his family yet doing it again and again as his schemes to make a buck fail. The core cast is ably supported, notably by Collins in an understated part.

The movie comes in both widescreen and full screen, which is a somewhat unnecessary option. The sole unique extra is a wonderful 11 minute featurette interviewing two older women who really do this sort of work. They show where the film was dead on and where it took some liberties, plus showed how they did some of their work.

Review: ‘I Sell the Dead’

Review: ‘I Sell the Dead’

Are you looking to round out your Summer with a campy “horror” movie? Look no further than [[[I Sell the Dead]]]. This amusing film, written and directed by Glenn McQuaid, follows the recollections of a young grave robber named Arthur Blake (Dominic Monaghan) on the eve of his execution.

Set in 18th century England (some of our group thought Ireland), the general campy tone of the movie is hinted to early on when Father Duffy (Ron Perlman) is on his way to hear Blake’s confessions and passes what appears to be the skeletal remains of a chihuahua in the dungeon. In recounting how he became a grave robber, we are treated to humorous flashbacks of how Blake became a grave robber and, later, a “ghoul” – one who acquired and sells the undead. We soon discover that Blake and his grave robbing partner, Willie Grimes (Larry Fessenden) are up against a rival gang of brutal ghouls who are happy to use any means necessary to get their hands on the undead.

The film is chock-full of vibrant (and often drunk) characters. It is also well-stocked with monsters and over-abundant artificial fog somewhat reminiscent of classic campy horror films. I Sell the Dead does not fail to deliver the laughs they seem to be aiming for. The film also uses a very stylized method for changing scenes, wherein the end of a scene goes still and is then inked over to have the look of a scene from an old pulp comic. If you are looking for a modern, action-packed horror movie with a lot of shock and gore, this is not the film for you. Fans of Dominic Monaghan will enjoy getting to see him on screen again, and his comic timing is excellent as always. Those who prefer classic horror films or who want a break from the ordinary will find I Sell the Dead clever and amusing. If you are planning to see a fun and different flick with a group of friends, check this one out!