The problem with being a trendsetter is that if you’re successful, you get imitated time and time again. Such was the fate that befell Edgar Rice Burroughs’ pulp heroes Tarzan and John Carter. The thriller-seeking readers of pulp magazines were enthralled by ERB’s pulse-pounding, straight-forward prose, which was strong in ideas and weak in word craft. A century ago, Burroughs, writing as Norman Bean, serialized his first Martian saga in All-Story between February and July 1912. It found an eager audience and was later collected in book form as A Princess of Mars. Through the years, there came more adventures with and without Carter set on the red planet natives named Barsoom.
I discovered the stories through the compelling Frank Frazetta covers on the Science Fiction Book Club editions and thought the stories were interesting. Clearly I was not alone because time and again, people in comics tried to adapt the stories with varying degrees of success. Similarly, Bob Clampett in the 1930s and then others tried to mount a screen adaptation. While Barsoom proved inspirational to countless writers, artists, and filmmakers, the planet remained elusive. Over the last century, many a story has been set on Mars — from swashbuckler pastiche Gulliver of Mars to Philip K. Dick’s “I Can Remember it for you Wholesale” (a.k.a Total Recall) – meaning our celestial neighbor has been well-mined. (more…)
Hard to believe it’s been thirty years since that magical summer when tons of great films were released including Steven Spielberg’s E.T.: The Extraterrestrial. The film will celebrate the occasion with several events beginning with an exclusive airing Friday on The Hub on at 9 p.m.
It’s the season of Spielberg, it seems, as first Jaws, then E.T. and the Indiana Jones films finally make their Blu-ray debuts. The sea thriller will be out in August while the other two are scheduled for October releases.
Here are the E.T. release details from Universal Home Entertainment:
Universal City, California, May 30, 2012 – E.T. The Extra-Terrestrial, Academy Award®-winning director Steven Spielberg’s magical adventure, celebrates its 30th Anniversary with its first-ever release on Blu-ray™ this October. Featuring an all-new, digitally remastered picture that delivers six times the resolution of DVD, as well as all-new 7.1 surroundsound, the E.T. The Extra-Terrestrial Anniversary Edition Blu-ray™ Combo Pack includes the 1982 theatrical movie, an all-new interview with director Steven Spielberg, and “The E.T. Journals” featuring never-before-seen footage from the set of the film. The Blu-ray™ Combo Pack also includes UltraViolet™, a DVD and a Digital Copy of the film, offering fans a chance to relive the mystery, laughter and wonder of the iconic movie anytime, anywhere on the platform of their choice.
George Newbern makes his triumphant return as the voice of the Man of Steel in SUPERMAN VS. THE ELITE, the latest DC Comics Premiere Movie coming June 12 from Warner Home Video.
Newbern put all the resounding tones of truth, justice and the American way into the commanding vocals behind the animation of Superman in both the Justice League and Justice League Unlimited television series. He last reprised the character’s voice for the DC Showcase original animated short, Superman/Shazam! The Return of Black Adam.
Newbern is a constant on primetime television, appearing on current hit series like NCIS, The Mentalist, Castle and Grey’s Anatomy, to name a but a few. He’s widely recognized for his starring turn opposite Steve Martin in Father of the Bride, and for the NBC series Providence. His latest projects include a recurring role on the new ABC hit series Scandal.
In SUPERMAN VS. THE ELITE, Superman’s effectiveness as a super hero comes into question when a new group of super powerful crusaders, known as “The Elite,” appear on the scene. As super heroes, the Elite know no bounds, and are more than willing to kill, even on a massive scale, to stop villainy — putting them on a collision course with the ever-ethical and decidedly non-lethal Man of Steel.
Newbern is joined in the core cast by NCIS star Pauley Perrette as Lois Lane and versatile voice actor Robin Atkin Downes (Babylon 5) as Manchester Black, leader of The Elite. David Kaufman (Justice League: Doom) also reprises his Justice League TV series role as Jimmy Olsen.
Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated film arrives June 12, 2012 from Warner Home Video as a Blu-ray™ Combo Pack and DVD, On Demand and for Download. Both the Blu-ray™ Combo Pack and DVD will include an UltraViolet™ Digital Copy.
Newbern offered a few thoughts about playing Superman in a short chat following his final recording session for the film. (more…)
This Means War, out now from 20th Century Home Entertainment, had all the makings of a unique and fun romcom that instead turned out to be a dreadfully dull and predictable film that fell flat for audiences, critics and did dismally at the box office. The basic premise has Captain Kirk A and Shinzon as buddy spies vying to win the heart of Elle Woods, which meant they took the eye off their mission with horrible results.
McG is clearly a visually director who cares little about characterization or story structure which is a shame because with some effort, this could have risen above the obvious and been a modern day action romance along the lines of True Lies. In Los Angeles, CIA field operatives played by Chris Pine and Tom Hardy are the best of friends and have been for some time. But we’re shown how lonely they are and both coincidentally use the same online dating service at the same time.
Meantime, Product focus group facilitator Reese Witherspoon has also been out of the dating game for too long and is urged by her best friend Chelsea Handler to try online and guess which site she uses? Sure enough, she and Hardy, who is unhappily divorced from Abigail Spencer, agree to meet and find a spark. By sheer coincidence, she then meets Pine at the video store and there’s another unexpected connection. (more…)
I’ve encountered quite a few things in my Hollywood journey. Some great some not so great and some that really sucked.
Really sucked.
I once sold a show on a Monday morning and by Monday night the show was gone and so was my deal.
I once had a great idea for a reality show. I took the idea to a huge Hollywood player with the intention of making him the host of the show. He loved my idea. He loved my idea so much he tried to sue me and take the show. The show I created and asked him to be a part of.
One of the fun things about Hollywood is finding project financing. That’s always the highlight of any deal…not.
My partner in one particular deal was the fantastic writer, TV producer and now huge young adult novelist E. Van Lowe. E (yes, I call him E) and I spent a weekend in San Francisco securing funding for this great project.
We were a well-oiled money getting machine that weekend. We pitched the project like major league all stars and the money people were so impressed we had a yes before we left to go back to L.A. In fact, the meetings went so well that after we sold the idea and spent the rest of the weekend in the city by the bay just hanging out and celebrating our new fully financed deal!
Monday morning bright and early we boarded our flight secure in the knowledge that we were about to make television history!
When we touched down in LAX all was right in the world. E dropped me off at my house and before he left he took a phone call.
The deal was dead.
Dead like Lincoln. What happened? Or in hood speak, What had happened? Why hood speak? Because this is an article about blacks in the entertainment field and unless I throw in some hood speak many in Hollywood won’t take this seriously.
I know, I know. It’s pandering but you have to understand there are some in Hollywood that thinks my Ph.D. stands for pretty hard dick.
Well, continuing hood speak, what had happened was a third partner had decided she had not contributed enough to the closing of the deal so while E and I were happily flying to L.A. that bright Monday morning, she who must not be named was having a talk with the investors at breakfast.
Neither E nor I had any idea she was having this talk, and what a talk it was. She talked us right out of the deal.
Ah yes, there’s no business like show business!
I’ve got more horrible yet uplifting to my enemies stories but I’d best get to the point. In the blah blah years I’ve been doing the Hollywood thing I’ve had some great experiences and some (obviously) not so great experiences. Rather great or sucky I’ve never had a deal go south because I was black.
You would think that the way some in Hollywood react to black properties that would be the standard issue rejection.
Dear Michael Davis,
Thanks for coming in to pitch Negro Stories: Stories about black People.
Unfortunately, although we loved the concept, we could not help but notice there were many segments about black people in your pitch.
We completely understand the need for more diversity on TV but we are a business and everyone knows that black does not sell.
Sorry, homie.
Sincerely,
Ian White
Executive, Fox Studios
I cannot tell you how many times I’ve heard that black doesn’t sell or black is death and many more asinine statements regarding black properties in the entertainment business.
Think about this for a moment. There are people running studios, networks and comic book companies in 2012 that think that black doesn’t sell. These people think that America will not pay to watch black people entertain them.
That’s as stupid as thinking that just because I’m a black man I have a huge peni…nope, wrong example. That’s as stupid as thinking global warming is a myth. Global warming has been proven without a shadow of a doubt. Those people who refuse to believe in it despite the overwhelming evidence to the contrary do so, in my opinion, because they simply don’t want to believe it.
Who denies facts? Well the GOP for one, and many in the entertainment business for sure.
Black doesn’t sell?
Really?
Here’s a news flash, Hollywood. Young people drive Hollywood revenue. Young people decide what’s hot and what’s not. Pop culture is a young person’s playground.
Here’s the kicker. Black culture is youth culture. Let me be clear, African American culture is youth culture all over the world.
It’s our swagger that drives pop culture. That’s our music your kids are listening too. That’s our style of dress you kids are wearing, that slang you don’t understand comes from us. That’s us who dominates sports, that’s our dance your daughter is trying to do…badly.
The film Heaven’s Gate was made for what was in 1980 an unheard of budget of 50 million dollars. That’s like 75 billion dollars in 2012 money. OK, maybe I’m a tad off but it’s not a stretch to think that in 2012 dollars that 50 million would be upwards of 300 million or more even.
Heaven’s Gate made three million dollars.
Damn! That, as they say in the hood, is ghetto!
Now that would be bad enough if the lost was just 47 million but the lost was much more. The budget was 50 million to make the movie. The adverting and marketing costs added millions more to that sum.
Result?
Heaven’s Gate just may be the worst box office disaster in the history of the world…that and The Spirit. Sorry, Frank.
Using the Hollywood formula applied to black movies that box office performance should have prevented another western from being made for years and years. When a black movie fails Hollywood loses its mind and then it’s years before another black movie is made because black means death and black doesn’t sell.
Here’s what I think, when any movie fails, black or white it’s because the movie could not find its audience for whatever reason… or perhaps it’s because the movie sucked.
George Lucas wrote a $58 million dollar check to produce Red Tails, an all black film about the Tuskegee Airmen. He said in an interview that Hollywood did not want to fund the movie because they did not know how to market it.
Translation: black equals death.
The movie did not do well. Here’s my guess why that was. It wasn’t a great movie.
Duh.
I wanted to like it but there were too many plot issues for me and the film seemed a bit contrived. The movie was the problem, not the racial element.
According to some in Hollywood, when a black movie fails its because it was a black movie – when any other movie fails it’s because of a zillion other reasons.
If that’s not the world is flat thinking then I really don’t know what is.
I’m amazed at the sheer idiotic thinking of some in Hollywood.
Black doesn’t sell?
Will Smith.
Black doesn’t sell?
Oprah Winfrey.
Black doesn’t sell?
Tyler Perry.
Black doesn’t sell?
Blade.
Black doesn’t sell?
Hancock.
Black doesn’t sell?
Jamie Foxx.
Black doesn’t sell?
Spawn.
Black doesn’t sell?
Denzel Washington
Black doesn’t sell? Bullshit, Mr. Hollywood, simply bullshit. The above list is a very short one to be sure but I think it makes the point rather well.
I think the problem is not that black doesn’t sell Mr. Hollywood but rather you don’t know how to sell black.
End, part 3.
TUESDAY AFTERNOON: Emily S. Whitten wants stuff!
WEDNESDAY MORNING: Mike Gold takes on Secret Identities!
The challenge in producing a teen-centric horror television show is that it will inevitably be compared to Buffy the Vampire Slayer. Joss Whedon was note perfect with the casting and theme of high school is a horror movie. It takes a brave showrunner to come up with a variation that avoids duplication and can withstand the comparison. MTV, once the home for teen centric music videos, has gone from reality television to scripted series so it made sense that sooner or later they’d dip a claw into the horror genre. What few expected was how successful they would be.
The 1985 Michal J. Fox comedy Teen Wolf was a largely entertaining film capitalizing on the actor’s immense popularity from NBC’s Family Ties and certainly had a theme worthy of adaptation into weekly television. In both the film and the series, a teen encounters a werewolf and becomes one. The world knows they exist thanks to countless movies so his presence isn’t necessarily as shocking as one would expect. The transformation also allows the lead character to explore his true nature as he suddenly goes from lacrosse-playing social outcast to exceptional guy. Still, he keeps his hairy alter ego a dark secret.
The series focuses on Scott McCall (Tyler Posey), a Beacon Hills High School student who becomes a werewolf and keeps it a secret with the exception of sharing the news with his best friend “Stiles” Stilinski (Dylan O’Brien). Together, they spend the first six episodes dealing with what this means and trying to find a cure, leading them to the poorly named Dr. Lycos. Meantime, they learn there is another werewolf lurking on the outskirts of town, Derek Hale (Tyler Hoechlin), with secrets of his own. The second story arc involves a threat from the beast known as the Alpha which explores the werewolf pack mentality which is a fresh take. (more…)
This past weekend I decided to place my vote (that’s “Dollar Bills” to DC’s Bob Wayne) for The Avengers for a second time. I did it first and foremost to teach Liam Neeson a lesson: If you don’t know the movie adaptation of a board game is a bad idea, maybe you need a new agent. Second to that, I personally wanted to see the film again to revel in Mark Ruffalo’s performance as the Hulk. If there were to be a single break-out star (pun intended) of the film, Bruce Banner certainly was it. For many who saw The Avengers, this is a shared sentiment. So, this begs us to ask the dudes at the House of Mouse… What’s next for the spinach-hued smasher?
If we are to believe the internet (and when has that ever led us down the wrong path?), The Hulk will next appear on the small screen via ABC. The network is pursuing a reboot of the once powerful series starring Bill Bixby and Lou Ferigno. If this is to be true… I throw myself on the mercy of Mickey. Don’t do it.
Simply put? The Hulk begs for bigger and better treatment. The old series did last five seasons, and featured a few TV movies (co-starring Daredevil and Thor no less!), but this was long before the days of CGI. Long before the Hulk decimated Harlem. Or flew into the upper atmosphere on the nose of a fighter jet. Not that the recent movie Hulks have been perfect mind you, but they put poor old Lou out to pasture pretty quickly when it comes to conveying the size and power of the Incredible Hulk.
If Marvel/ABC ponies up enough dough to downsize the Hulk to the boob tube, it would certainly provide the interest of advertisers and the public at large to watch. But even with an HBO budget for a series, could today’s special effect houses handle the behemoth? In a word… no.
The fluidity of the Hulk within the Avengers was, as many fans agree, the first time the character didn’t feel entirely too fake to enjoy. Ang Lee’s monstrosity lumbered around the fabricated sets like a big baby throwing a tantrum. Louis Leterrier’s Hulk (who obviously did way more cardio than Ruffalo’s) fared better, but was more Max Headroom than Golum by comparison to the most recent iteration. While CGI and effect houses have certainly improved their efforts on TV, do yourself a favor: Watch the best episode of Heroes, Smallville, or Sharktopus Vs. Crocasaurus. Then go back and watch the Avengers. I’ll wait for you. Go on. Done? Now tell me that the scene-eating Hulk would be done any justice on a fraction of the budget that went into creating him on the big screen.
Don’t get me wrong, kiddos. For the chance to see Mark Ruffalo take the character on in a weekly serial, I’d be DVR’ing that series faster than Jeph Loeb could crap out a comic book. And while a TV show would obviously focus on Banner more than the titular titan, when it would come time to Hulk out, we’d get only a poor representation of what we know the character could be. And if they were to regress back to hiring a bodybuilder to smash cardboard walls? Well, who amongst us would not scoff as we wrote anonymous hatespew across the message boards?
If we can agree that Ruffalo’s Banner is following the Incredible Hulk movie of 2008, then we must know that there was an amazing set-up left for the sequel. Samuel Sterns was shown at the end of the film getting dosed by Banner’s blood/chemical sludge. His head began to throb and pulsate, and a creepy smile crawls across his face. Obviously meant as a wink and a nudge to the Leader, one of the Hulk’s better villains. With Ruffalo’s Banner perfectly balancing the line of intelligence and pent-up rage, only the movie screen can truly do the character justice in a battle with another gamma irradiated foe. Relegated to a lesser medium (in terms of only the effect work mind you), the Incredible Hulk might only come across the Credible Hulk.
I say make S.H.I.E.L.D. the TV show, and let Hulk continue to smash the box office.
BURBANK, Calif. (May 22, 2012) – Step out of the theater and become immersed in the world of Brave with Adventures by Disney’s first-ever Pixar-inspired itinerary, “Scotland: A Brave Adventure.” Disney•Pixar’s Brave tells the tale of the courageous Merida, the film’s headstrong teenage protagonist, who defies ancient tradition and challenges destiny to change her fate. This 9-day, 8-night quest through Edinburgh, the Isle of Skye, the Isle of Lewis and Inverness takes families through the rugged Highlands, allowing them to experience first-hand the history, culture, nature, legends and lore of Scotland that inspired Merida’s story of bravery.
Adventures by Disney is a leader in the group guided-tour industry – sharing the stories of the world through 20+ international itineraries. For “Scotland: A Brave Adventure,” Adventures by Disney’s trip-planning specialists worked directly with the expert storytellers on Pixar’s Brave production team to incorporate the castles, landscapes and legends that inspired the lush settings and memorable characters in the film – creating a Scotland experience that could only come from Disney. Guests will discover locations that inspired Pixar’s creative spark during visits to the historic Black House of Arnol and the Gearrannan Blackhouse Village, both of which served as reference for the Witch’s cottage, and Dunnottar Castle, one of the inspirations for the DunBroch family’s home. (more…)
All too often, super-hero origin stories happen to one person and we follow their journey. On rare occasions, usually involving Jack Kirby creations, we have a handful of people gain extraordinary abilities and we see how that alters the dynamics. In film, the focus has tended to be on singular characters so it’s somewhat refreshing to see Chronicle attempt something different. Effectively a YA super-hero novel brought to film; director Josh Trank explores what it might mean if three teen boys suddenly gain telekinetic powers. He has merged this familiar coming of age tale with the film trope of “found footage” (see The Blair Witch Project, Cloverfield) keeping things fresh and interesting. Thanks to Max Landis’ script, the film and its characters feel contemporary and relevant.
There’s little wholly original about the movie – now out on home video from 20th Century Home Entertainment — as you feel elements of other similar tales so it all comes down to the execution and here, the film succeeds. It tells its story, makes its point and ends, leaving the audience entertained and largely satisfied.
The footage comes mainly from Andrew Detmer (Dane DeHaan), a high schooler trying to find meaning in life. He has a mother slowly dying from cancer and an alcoholic father, making him feel isolated, alone, and powerless. Some of life’s meaning is explained by his cousin Matt (Alex Russell), a philosopher quoting Jung and Schopenhauer, conveying the film’s message in a not-so-subtle manner. When they and class president candidate Steve (Michael B. Jordan) wind up underground, they are exposed to an unexplained red-glowing crystal, they all gain telekinetic powers. Being teen guys, they pull the expected pranks on one another from tossing balls to raising skirts (reminding us of the similar 1980s comedy Zapped!). (more…)
The Hunger Games stunned the Hollywood prognosticators when it opened with huge box office numbers back in March. Its stunning success has been easily eclipsed by The Avengers but the adaptation of Suzanne Collins’ best-selling YA novel remains a noteworthy success story. Now they are trying to seize the spotlight once more with a clever marketing scheme for the home video release late this summer. Here are the details:
SANTA MONICA, CA, May 23, 2012 –Lionsgate’s The Hunger Games juggernaut will arrive on home entertainment at 12:01 A.M. on Saturday, August 18, as the first film in Lionsgate’s (NYSE: LGF) The Hunger Gamesfranchise, which has already grossed nearly $400 million at the North American box office and is approaching $650 million at the worldwide box office, debuts on 2-disc DVD (plus digital copy), 2-disc Blu-Ray (plus digital copy), VOD and digital download with three hours of previously unavailable bonus materials in the biggest home entertainment launch in Lionsgate’s history, the Company announced Wednesday. (more…)
The problem with being a trendsetter is that if you’re successful, you get imitated time and time again. Such was the fate that befell Edgar Rice Burroughs’ pulp heroes Tarzan and John Carter. The thriller-seeking readers of pulp magazines were enthralled by ERB’s pulse-pounding, straight-forward prose, which was strong in ideas and weak in word craft. A century ago, Burroughs, writing as Norman Bean, serialized his first Martian saga in All-Story between February and July 1912. It found an eager audience and was later collected in book form as A Princess of Mars. Through the years, there came more adventures with and without Carter set on the red planet natives named Barsoom.
