Tagged: ComicMix

Online Comic Book Reader Gets a Redesign at ComicMix

Online Comic Book Reader Gets a Redesign at ComicMix

Last Friday, with no fanfare, we released the first major upgrade to our ComicMix online comic book reader since we launched our free online comics last October. We have done small upgrades every month or two — like adding the ability to link straight to a specific page, remembering what zoom level you like and remembering that you always want two-page spreads. But this upgrade was significant.

First, we eliminated those little page number links at the top of the screen. We were only using about 30 pixels for that strip, but vertical space is already limited by all the toolbars and junk in your browsers, so why waste any more? Since computer screens are almost always wider than tall, we put the page navigation on the right — the same way that applications like Adobe Acrobat, Apple’s Preview app, Quark and Pagemaker do.

Do you need to click on those little page thumbnails to flip through our comics? Of course not.

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The Weekly Haul: Reviews for June 5, 2008

Quite a top-notch week in comics, all in all. We had another Secret Invasion entry and the debut of DC’s Trinity (I’ll be doing separate weekly reviews of that one), as well as strong outings from other series.

There seemed to be a viral outbreak of silliness, though, as a handful of comics pushed the goofy too far and suffered for it. Only a couple of outright stink bombs, which are helping me kick off a new section for these reviews: The Dregs. Now, the reviews…

Book of the Week: Secret Invasion #3 — First, let me say there continue to be some serious problems with Skrullapalooza ’08. The series is not even remotely self contained, so any casual fan is probably going to be quite lost, there are a few too many unclear moments (lost either in script or art), and the Skrull invasion force still looks like they were designed by Toys R’ Us.

That out of the way, this issue merits top billing for a few big reasons.

First, the story actually moves ahead after stagnating in the Savage Land. Second, there are some huh-yuge fights, and Leinil Yu takes a bellows and pumps them full of hot air. Third…

We need a big SPOILER WARNING for this. Third, we learn the biggest reveal in modern comics memory, that this colossal, inconsistent prick of Tony Stark who has embroiled the Marvel Universe isn’t really Tony Stark. Gasp. He’s a Skrull.

Runners Up:

Abe Sapien: The Drowning #5 — This series ends with a graceful if unsatisfying issue, filled with more sparsely worded craziness (giant flying eel?!?) and Abe continuing to wonder how he stacks up. "You aren’t Hellboy and you never will be," he tells himself. But, like Hellboy, he learns the crucial lesson that guns usually don’t stop supernatural forces.

The shining light of this series is artist Jason Alexander, who lends everything a perfect ephemeral, abstract air. The good news is he’s going to be doing more BPRD work.

Omega the Unknown #9 — Jonathan Lethem and Farel Dalrymple’s bizarre cerebral odyssey is nearly at an end, and this penultimate issue brings the Omega and robot forces to a head in a big way, with the world at stake. Still, things are never too heavy, and despite a dramatic death it ends up being the most rambunctious issue yet.

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Crossing the Line, by John Ostrander

Crossing the Line, by John Ostrander

I’ve been in this comics business for umpty-bum years now. Its not that I’m ashamed of the number; I just keep forgetting it. Ah, the joys of aging! It’s more than a quarter century since I started as a full-time writer; I know that. I’ve been a comic fan even longer. I’ve watched the occasional villain become… well, if not a hero, then something like one. Magneto, over in X-Men Land, for example. He’s gone from being the arch-enemy to our merry mutants to metamorphosing into an ally, to sometimes becoming their leader, and then back. Batman periodically gets darker until it’s hard to tell him apart from his foes.

Occasionally, this happens in real life.

Today, June 5, 2008, Ian Paisley steps down as First Minister of Northern Ireland.

Brief background, in case you don’t know: Northern Ireland is not a part of the Republic Of Ireland. It’s a constituent county of the United Kingdom and comprises the six counties that chose to remain a part of the U.K. when the Government of Ireland Act in 1920 created Home Rule in Ireland, formerly directly ruled by England. The Republic of Ireland, the South, with its capital of Dublin is (nominally, at least) largely Roman Catholic. Northern Ireland is largely Protestant but with a large Roman Catholic minority. In general, the Protestants regard themselves as English (they’re considered “Unionists”) while the Roman Catholics consider themselves Irish although, in fact, a citizen of Northern Ireland born before 2004 could claim citizenship in either or both the U.K. and Ireland.

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Review: Out of Picture, Vol. 2

Review: Out of Picture, Vol. 2

Out of Picture, Vol. 2
no editor credited
Villard Books, June 2008, $tk

No one will admit to editing [[[Out of Picture 2]]], though they seem to be proud of it – buried deep on the copyright page is the “produced by” credit I’ve pulled out for the bibliographic information above, but that doesn’t necessarily mean those were the editors. Ah, well – someone was in charge of this book, even if we’re not sure who that was.

Out of Picture 2 is the second book from a group of animators and illustrators connected to Blue Sky Studios – the first Out of Picture was published by a French house, caused a stir at some conventions, and was reprinted by Villard in December. (And I reviewed it then.) Basically the same crew is back for this volume, though they don’t all work at Blue Sky anymore.

And I see, looking back at my review of Out of Picture 1, that it was a gorgeous book, but a bit lacking in the story department – somewhat obvious and clichéd. I’m sorry to say that Out of Picture 2 is the same kind of thing – amazing art, reproduced fantastically well on large pages of nice paper…but telling stories that aren’t all that special.

This time, we open with Jason Sadler’s wordless “[[[Sub Plotter]]],” a cute little story about the effects of sneezing on a gigantic war-map of an ocean. It seems to be set during WWII, and it’s quite visually inventive, using the space of the large pages very well and popping up with more insets than I would have thought possible. But the story told is a silly little vignette, and, even more so, it’s a vignette that would probably be better animated than in its current form.

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‘The Incredible Hulk’ Xbox 360 Game Achievements Detailed

‘The Incredible Hulk’ Xbox 360 Game Achievements Detailed

While I try to stay videogame platform neutral here at ComicMix, I’ll admit that I’m very, very excited to see the Xbox 360 achievement list for the upcoming videogame based on Incredible Hulk film.

If you’re not familiar with the Xbox 360 "achievements" system, it’s a method for giving gamers recognition for completing certain tasks in games. The accomplishment is recorded by the Xbox LIVE online service for fellow gamers to see. Basically, it’s Facebook for videogames. Hardcore gamers furiously try to get them all.

The digital bragging rights have proven very popular and similar schemes have been launched for PCs via the Steam network, while Sony announced a "Trophy" system coming soon for the PlayStation 3.

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Review: ‘Starman Omnibus Vol. 1’ by James Robinson and Tony Harris

The true measure of James Robinson’s Starman is how, 14 years later, the series remains fresh and invigorating. The story of Jack Knight reluctantly taking his father’s mantle as Starman and protecting Opal City is endlessly inventive, an odd and challenging riff on the superhero.

Now is a perfect time to appreciate the series again, as DC is somewhat surprisingly collecting the entire [[[Starman]]] run into six omnibuses ($49.99 each). The first holds 17 issues, each filled with Robinson’s elaborately labyrinthine narration and plotting.

The first three issues are a perfect example of Robinson’s creative approach. In one night, Jack’s brother, who had assumed the Starman mantle, is killed amid a massive attack launched by an old Starman foe. While it’s a flurried and violent opening, Robinson stretches the story, mining each angle of the fight for richness.

Through that gradual unfolding of Jack taking up the cosmic rod, his character becomes immediately rich and deep. That, no doubt, helped the book to become such a lasting success.

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Review: ‘Drawing Words and Writing Pictures’ by Jessica Abel and Matt Madden

If you pay much attention to news about comic books, you know that the industry is seeing a boost in popularity that’s translated into comics becoming an accepted field of study at venerated institutions like Stanford and elsewhere.

As comics make the transition into classrooms it only makes sense that a formal textbook would soon follow. Fittingly enough, it’s a pair of comics creators and instructors — Jessica Abel and Matt Madden, who are also married — that created the first textbook, Drawing Words and Writing Pictures (First Second, $29.95).

The 280 pages of advice on creating your own comic is largely an introduction to comics newcomers, with explainers on basic concepts and terms. From there it progresses into fundamental skills, from page layouts to creating characters to creating finished quality art.

There’s a world of information the book never gets to, but then it’s essentially a course book for Comics 101. It does have tons of references to more advanced learning materials, though, which comes in handy.

While the book is designed to be used in the classroom, Abel and Madden have crafted it so that anyone getting into comics can gain a lot from it. Just on my own, I had a lot of fun going through their exercises and picked up more than a few new tricks. It’s also very well designed and exceptionally visual-friendly.

I wouldn’t call Drawing Words the Holy Grail of comics, but it’s an excellent place to start, a great primer on a terribly complex medium.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

White Viper: It All Begins Today!

White Viper: It All Begins Today!

Today on ComicMix, the legendary art team of Dick Giordano and Frank McLaughlin begin a new series, White Viper, with scripts by Erin Holroyd.  A mother abandons two bundles in the snow.  A rapacious gang of bandits is following her.  They find one.  What happens to the other?

Credits: Erin Holyrod (Writer), Frank McLaughlin (Inker), Dick Giordano (Penciller), Lovern Kindzierski (Colorist), Mike Gold (Editor)

More: White Viper

 

Review: ‘The New York Four’ by Brian Wood and Ryan Kelly

[EDITOR’S NOTE: This is the third in a series of reviews of the five books coming out from DC’s Minx imprint this year. Previously, Van Jensen reviewed Rebecca Donner’s Burnout and Cecil Castellucci’s Janes in Love. -RM]

Brian Wood is a very good writer. Ryan Kelly is a very good artist.  That makes the failure of the duo’s new book from Minx, The New York Four ($9.99) all the more disappointing.

Wood, who has shown a masterful understanding of NYC in his series [[[DMZ]]], shifts his focus here to NYU and a quartet of freshmen, each with their quota of baggage. At the center is Riley, who had a sheltered childhood and finally experiences some freedom.

Not a bad premise, but Wood doesn’t really do much with it. The girls sort of bounce off each other in one low-key scene after another, and their problems are never substantial or interesting enough to invest in the plot.

The characters come alive (one triumph of the talented creators), but even they seem underwhelmed by the mundanity of their lives.

There’s also an air of forced hip-ness to the book, which tosses in little elements like character bio-boxes, New York factoids and half-baked Real World-style confessional moments. And the lesson, as always, is that you can’t fake the funk.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

Review: Hellboy Franchise Hits #8 With ‘Darkness Calls’ and ‘Killing Ground’

Review: Hellboy Franchise Hits #8 With ‘Darkness Calls’ and ‘Killing Ground’

In the last few weeks, both of Mike Mignola’s related series for Dark Horse have hit their eighth collected volumes. So, while the second movie – prominently advertised on both covers – is still forthcoming, let’s see what’s going on with the Hellboy of the printed world.

Hellboy, Vol. 8: Darkness Calls
Written by Mike Mignola; art by Duncan Fegredo
Dark Horse, May 2008, $19.95

Hellboy has been wandering alone for about six years now — as one character remarks helpfully, late in this volume — since he walked away from the Bureau of Paranormal Research and Defense. He’s hasn’t particularly been looking for trouble, unlike his [[[B.P.R.D.]]] days, but trouble and [[[Hellboy]]] are never that far from each other.

After some adventures and a shipwreck on the coast of Africa — in the last volume, [[[The Troll Witch and Others]]] — Hellboy has turned up at the home of his old friend Harry Middleton, who was part of the old B.P.R.D. team of the ’50s with Hellboy and Professor Bruttenholm. Hellboy is hoping to rest, but how likely is that?

Meanwhile, a minor villain named Igor Bromhead attempts to harness the power of the witch-goddess Hecate — who Hellboy beat up, but didn’t completely destroy, several books ago — and the witches of the world plot their own revenge against Hellboy. These two separate sub-plots are more connected than they first appear to be, of course…

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