Tagged: ComicMix

NYCC: The New ‘Dark Knight’ Trailer

NYCC: The New ‘Dark Knight’ Trailer

  • News
  • April 20, 2008

It was Day 2 at New York Comic Con and fans were practically jumping out of their seats with excitement as DC Comics Prez. Paul Levitz announced they would be getting to see, for the first time anywhere, the brand-spankin-new trailer for Batman: The Dark Knight. Unfortunately, Levitz told us we can’t tell you what happened in it, who appears in it or pretty much describe it in any way, shape or form on penalty of severe punishment.

However, here at ComicMix, we have no fear — plus, other sites like Wizard Online have already posted info on the trailer —  so we’re going to give you at least something to make you wish you’d been here at the Jacob Javitz Center in New York to see it.

What we can tell you is that it contained footage not seen before featuring several characters that have not appeared in past trailers for the film. Also, it has a lot of action, fights, bad guys, good guys, politicians and several things explode in extra cool ways. Plus, there’s a certain white-faced bad guy who makes several more appearances in this new trailer and we also get to hear him speak a lot more as well.

All in all, a very nice addition to the current lineup of trailers and other info for the movie.

As soon as we can give you more details about the film and the trailer itself — which is scheduled to be released in about two weeks — we’ll bring it to you.

Batman: The Dark Knight is set to hit theaters July 18.

Prowling for “Sh! The Octopus,” by Michael H. Price

Prowling for “Sh! The Octopus,” by Michael H. Price

  • News
  • April 20, 2008

In his frank and provocative “Writing under the Influence” commentary at ComicMix, John Ostrander speaks of imitation as “the starting point for what you eventually become” as a storyteller: “Nothing is created in a vacuum,” John avers.

Writing may often seem the loneliest of professions – and certainly so, if one lacks a reality-check communion with one’s customers and kindred souls in the racket – but who has the time to wallow in loneliness when besieged by the insistent Muses of Narrative Influence? Derivative thinking can make for an ideal springboard, given an ability to narrow the onrush of influences and a willingness to seek new tangents of thought and deed.

I have spent the past several months – with a stretch yet ahead – on a 20-years-after return to a comic-book series called Prowler for ComicMix, starting with a digital-media remastering of the original Eclipse Comics stories (1987-1988), moving into a short-stack file of unproduced scripts and raw-material ideas from that period, and settling in at length with a new novel-length Prowler yarn that will tie up some raveled plot-threads from the Eclipse episodes and then head off in other directions.

The reunion of the primary creative team (Timothy Truman, John K. Snyder III, and Yrs. Trly.) re-summons the influences with which we had sought to develop 4Winds Studios’ 10 Prowler books as a Mulligan Stew of such persistent interests as ancient Hebraic Law and American frontier vigilantism; the Deep Southern blues and gospel-music traditions as a response to repressive social and economic conditions; the now-horrific, now-heroic irrationalities of Depression-era pulp fiction; and the bizarre extravagances of Old Hollywood’s low-budget horror-movie factories.

Tim Truman and John Snyder had defined two vigilante Prowler figures, each representing a distinct generation of indignant humanity, by the time I signed on with the project, late in 1986. While Truman and I were sharing a bookstore tour to promote our respective titles at Eclipse – Tim, with Scout and Airboy, and my ownself with the movie-history book Forgotten Horrors – Tim came up with the idea of twisting the plots of some of those 1930s-period Forgotten Horrors titles to accommodate the early-day exploits of the Prowler.

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Is Ma Kent Old?, by Martha Thomases

Is Ma Kent Old?, by Martha Thomases

  • News
  • April 19, 2008

As I sit here, it’s Monday. TCM is kindly running The Maltese Falcon and Casablanca so I have snappy dialogue in the background. The sun is bright, my blueberry bushes are full of flowers, and it looks like it’s going to be a beautiful week.

However, as you read this, a momentous event is occurring. It’s my birthday. I’m 55 years old. When I was a child (until I was 31, at least), I thought 55 was old. People I knew who were that age had grown children, and were either biding their time towards retirement or starting out on new careers. How could they do it, I wondered, when so much of their life was over?

It’s a good question. How can I do it? I don’t feel like I’m 55 (see Column #47). More to the point, I’m not sure what 55 feels like. I don’t know what it looks like. Do you see women of a certain age in the media? Yes, you do. However, most of them have had so much cosmetic surgery, or Botox, or hair-dye, or liposuction, that there’s no way to see what they really look like.

In fact, I don’t have the personal medical records of famous women my age. It may be that Katie Couric or Diane Sawyer, for example, just naturally looks the same as they did 15 years ago, with no gray hair and full cheeks, while Tom Brokaw gets white hair and laugh lines. For women, wrinkles prevent one from delivering the news. Goldie Hawn is older than I am, but you can’t tell by looking at her recent photos.

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NYCC Interview: Activision on ‘Spider-Man: Web of Shadows’ Videogame

NYCC Interview: Activision on ‘Spider-Man: Web of Shadows’ Videogame

  • News
  • April 18, 2008

One of Marvel’s most popular and beloved characters, Spider-Man has appeared many different media including movies, comics, TV and video games. Previously, Activision has released video games based on all three of the Spider-Man films as well as other Marvel tie-in titles like Marvel: Ultimate Alliance and many others.

Now, they’re set to come out with a brand new game featuring the web-slinger called Spider-Man: Web of Shadows — which we previously brought you news of yesterday. Today at the New York Comic Con, ComicMix caught up with the producer of the game, Graham Fuchs, to get more on this exciting new project.

COMICMIX: Graham, thanks for taking the time to talk with us.

GRAHAM FUCHS: Sure, no problem.

CMix: Okay, a new Spider-Man game. Tell us a little bit about it?

GF: New York City has been invaded and martial law has been declared, so you’ve got S.H.I.E.L.D. downtown trying to get civilians out of new York.

Luke Cage is making his last stand up in Harlem and Kingpin is hold up in his stronghold in midtown. You play as Spider-Man and you’re at the center of it deciding how it will all turn out.

CMIx: Is this story based on a movie or anything?

GF: Its an original story created by us set in the comic book universe but not based on any of the films or anything. It was actually nice to not have to follow the movie storyline and sort of come up with things on our own this time.

The comic book universe gives us the ability to tailer the game play and chioose the characters we chose and the events that happen to make a fun game.

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ComicMix TV: New York Minute #1 – Captain Action is Back!

ComicMix TV: New York Minute #1 – Captain Action is Back!

This weekend, beloved 1960s hero Captain Action makes a triumphant return to the comics scene courtesy of Moonstone Books and a big debut at this year’s New York Comic Con. Manhattan comics mainstay Jim Hanley’s Universe recently hosted the Captain Action creative team of Fabian Nicieza, Mark Sparacio and Ruben Procopio for a pre-convention signing and celebration of all things Captain Action.

ComicMix was on the scene with this report:

 

 

 

 

For more on Captain Action, read our ComicMix interview with writer Fabian Nicieza.

 

ComicMix Radio: NY Comic Con Day One – Here’s Your Ticket!

ComicMix Radio: NY Comic Con Day One – Here’s Your Ticket!

We kick off the day with a special broadcast filled with news and previews of today’s events at the NY Comic Con.  Press the button to plan your day, then check back throughout the weekend for audio and video New York Minutes direct from the con. Then watch The Daily Fix tonight here at ComicMix with full video coverage of Day One!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

Review: ‘The Un-Men’ and ‘Faker’

In a bit of a strange coincidence, Vertigo has two new collections out this week that both prominently feature futuristic science and genetic manipulation. The books couldn’t be more different, though, with The Un-Men ($9.99) shining a freaky spotlight on some minor Swamp Thing characters and Faker ($14.99) taking a more serious look at the intersection of intelligence of the natural and artificial varieties.

Let’s look at [[[The Un-Men]]] first, if for no other reason than it being the better of the two books. Writer John Whalen takes the largely forgotten mutated monsters and carves a perfect little niche for them – Aberrance, a town of genetic weirdos.

Without ever becoming self-serious, the story explores the rift that’s formed between those in charge of Aberrance and the lower class of freaks. When one of the protesters turns up dead, a federal agent (an albino, which makes him the normal guy) steps in to investigate. Wackiness ensues.

While the murder mystery never takes on any import, the book sludges along with constant splashes of the bizarre and disgusting, each chapter managing to out-freak the last. It’s spiced with some catchy dialogue, such as, “Rome wasn’t sacked in a day.”

The big conclusion doesn’t make a whole lot of sense and the art is a bit too ordinary for the subject matter, but The Un-Men is still one of the most entertaining and creative new series from last year.

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New York, New York, by Michael Davis

New York, New York, by Michael Davis

  • News
  • April 18, 2008

If you can make it there you can make it anywhere…

I hate Los Angeles.

I hate it here. I hate the food with its damn “tofu” slant. I hate the weather, always freaking sunny. I hate the girls (Asians girl exempt) and that ridiculous “Valley Girl” dialect. I hate the car culture, where what you drive defines you. I hate the stupid way they treat “stars” like these people walk on water. Listen, I enjoy Tom Cruise’s movies but unless Tom is writing me a check he and Katie can wait on line just like me at the airport. I hate gangs and would not shed a tear if they killed each other in a massive gang war.

But most of all, I hate the laid-back way they approach things in L.A.

Case in point, last week I had a severe migraine. I mean bad. I get them so bad sometimes that I go blind and my head feels like it will explode. Trust me, my description does not do the pain justice, let me put it this way, the only two times I have ever considered suicide is once when I was in such pain from a migraine and the other is when Bush won his second term. Anyway, I was sitting on my couch talking to Denys Cowan on the phone enjoying some all to brief relief from the pain when I heard my dogs barking from my backyard. I thought little of this as the barking could be from a number of reasons. Then the barking became crazed and I thought maybe there was a squirrel or something in my back yard then Mac (MY PIT BULL BOXER MIX) went ballistic! I asked Denys to hold on, then went outside to see what Mac and Dexter (my golden retriever) were losing their minds over.

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Review: Three More Books for Kids

Review: Three More Books for Kids

Here are three more graphic novels for readers of varied ages, gathered together for no better reason than because I read them all recently:

Gumby Collected #1
By Bob Burden, Rick Geary, & Steve Oliff
Wildcard Ink, 2007, $12.95

Bob Burden’s connection with Gumby goes back twenty years, to the great [[[Summer Fun Special of 1988]]] (illustrated by Art Adams), and he’s pretty much the dream writer for a modern Gumby comic. (Although Steve Purcell, writer of the equally-great Gumby Winter Fun Special, did a damn good job as well.)

But the idea that a big media creation – even an old and quirky one like Gumby – would actually end up being written by an oddball outsider like Burden, instead of some safe writer of corporate comics, is…well, it’s as unlikely as any Bob Burden story, which I guess makes it doubly appropriate.

This trade paperback – which has an ISBN and price only on the inside front cover, tucked away like an afterthought, so it may be difficult to track down – collects the first three issues of what is supposed to be an ongoing Gumby series. (It’s been late regularly, though, so it’s anybody’s guess how long it will continue. But this book came out, and that’s more 21st century Gumby comics than I ever would have expected to begin with.)

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