Tagged: ComicMix

Ormes Society website launches!

As mentioned here on ComicMix back on February 12, Cheryl Lynn has been busy creating a new and very needed comics organization.  The website is now live and ready for your participation! 

The Ormes Society, named after the legendary pioneering cartoonist of color Jackie Ormes, is an organization dedicated to supporting black female comic creators and promoting the inclusion of black women in the comics industry as creators, characters and consumers.  In addition to their front-page weblog, the Society also has an active forum up and running. 

Cheryl is a real powerhouse so there’s bound to be tons of activity; get in on the ground floor!  The launch of the organization will be discussed in further detail at the New York Comic Con, where Cheryl will be a panelist on the Black Panel in prime-time, Saturday afternoon at 2 PM, moderated by ComicMix columnist Michael Davis!

Look for further updates on Ormes Society activities here in the near future!

From the ComicMix  mailbox

From the ComicMix mailbox

The great thing about suddenly being inundated with folks sending in introductions and announcement is all the cool stuff you find in the process!  Let’s get to the pass-alongs then, shall we?

  • Not only do the folks at Bonus.com have their own webcomic (The Paranormals, written by Mr. Raven Brown and drawn by Ronnie Werner), but visitors can try their hand at creating their own comics and avatars.  Time-sucker alert!
  • Congratulations to Robert Tinnell and Bo Hampton, whose graphic novel Sight Unseen (Bo’s first in eight years) tied in the voting for best horror comic/graphic novel for 2006 at Rue Morgue Magazine!
  • Richard Schenkman invites us to check out his current project, Jerome Bixby’s Man From Earth.  Neat website and intriguing plotline – I love me those immortal William Katts!

Got something you want to crow about?  Use our handy-dandy Contact Us form at the bottom of this page!

Elayne Riggs: Beyond Fifteen Minutes

Elayne Riggs: Beyond Fifteen Minutes

At my age (insert obligatory "hey you kids, get out of my store!, what do you think this is, a reading room?" here) the blasts from the past seem to blow with ever increasing frequency and velocity. I’m used to various elements of my past circling back on me, as my forays into pop culture hobbies always seem to result in intersecting circles of friends and acquaintances. A number of the same people who used to write for a zine I self-published twenty years ago probably (like me) have their own weblogs now, in an era where self-expression means you no longer have to spend a single cent to get your writing out to potentially millions of readers every day.

And yet, the more things around us seem to update and lurch into fast-forward, the more familiar they seem to me. No substantial difference, really, between passing around handwritten story pages to classmates or cranking out apazines or posting on message boards or blogging. It’s all one-to-many conversation, it’s all storytelling and essay-writing, it just comes down to a matter of scale and audience. The big difference is that nowadays, thanks to online archives and search engines, our stories are no longer so easily lost.

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John Ostrander: Why do I do this?

John Ostrander: Why do I do this?

Back in a previous life I was a very struggling actor in Chicago. One summer I was working with a small troupe that, among other things, did children’s plays outdoors and in various venues. This particular show we were doing was called Wiley and the Hairy Man, based upon a children’s book. I played the Hairy Man – a swamp-man/boogeyman  – and, while I kept getting chased offstage by the Wiley in the title, my character kept sneaking back in. It was not a part of particular subtlety but it did require some finesse. I was the monster in a children’s play which meant I couldn’t be too scary; just enough to produce the tinglies and a lot of laughs.

To be honest, I loved the role. In every venue, after Wiley would chase me away I would look for different places to come back at the required time through the audience. Even my fellow cast members were never quite sure where I would be coming from which kept it fresh for all of us. Sometimes I would pick up a child from where they were sitting in one part of the audience and deposit them somewhere else in the audience. My make-up was absurd, my costume had tatty fur glued on a work shirt, and it was a "Brian Blessed" roaring over the top performance – all in all, it may have been my finest role.

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The ComicMix podcast is in the air!

The ComicMix podcast is in the air!

The first ComicMix podcast is now available for your listening pleasure!

A three-times weekly feature here at ComicMix, broadcaster Mike Raub has produced our initial 12 minute program featuring news, features and interviews. A new podcast will be available every Tuesday, Thursday, and Saturday — today’s podcast includes a look at new comics that are available at your friendly neighborhood comics shop, and this will be a feature of every Tuesday program. Thursday’s programs will feature reviews and Saturday’s will include full-length interviews.

Also featured in today’s podcast are salient mutterings from Peter David, The Beatles, and ComicMix’s editor-in-chief, and a nostalgic look at comics and popular culture that people were enjoying this week, back in 1963 and 1971.  All this plus updates on Indiana Jones and The Flash.

We encourage you all to participate in our fun and games. Contact us with any questions or comments and when we’ve got our ComicMix message boards up and running, join Mike and the ComicMix crew in our online dialog!

Sight Unseen nominated for Rondo

Sight Unseen nominated for Rondo

Bo Hampton’s graphic novel Sight Unseen from Image is currently in the running for a Rondo Award in the best horror comic/graphic novel category. The writer of Sight Unseen is Robert Tinnell, who is writing EZ Street for ComicMix; Hampton and Tinnell are also co-creating Demons of Sherwood for ComicMix.

Mike Gold: The Editor Babbles

Mike GoldWelcome to ComicMix — well, phase one of ComicMix.

This is the part where I’m supposed to explain who and what we are. In order to do so, I’m going to have to do something I rarely do and generally avoid: I’m going to speak seriously.

I’d like to say "welcome to the 21st Century," but I’m seven years late and not quite that pretentious. So I’ll get down to the details. Phase one of ComicMix is a community based around news, information, opinion and blogging, covering the entire range of the comic art medium and those elements in the broader media that we all tend to enjoy. We add this because, contrary to old-time fan thinking, we do not live in a vacuum.

We post the news continuously, we post our columns daily, we post our information and background stuff incessantly, we post our all-new podcasts thrice-weekly (starting Tuesday, February 13th; as they used to say in Pogo, "Friday the 13th falls on a Tuesday this month"), and we run our blogs continuously and irrepressibly.

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