Tagged: X-Men

DOC WILDE RETURNS!

ANNOUNCEMENT: The Return of Doc Wilde!!!

 

In a young adult book market crowded with the depressing and the dour, Tim Byrd’s Doc Wilde swings in on a jungle vine to raise the flag high for adventure. Infused with pace, fun, and all the two-fisted action a reader could ask for, Wilde lovingly riffs on situations straight out of the old pulps, even while making them fresh for a new generation.
— Zack Stentz, screenwriter, ThorX-Men: First Class

In 2009, Penguin/Putnam released my book Doc Wilde and The Frogs of Doom, an adventure novel for all ages, my homage to the great pulp adventure stories of the thirties and forties. I conceived it as the first of a series, but Putnam waited to see how it was received before committing to more books.
The reviews were great, and the sales very good. As a result, Putnam asked for two more books. But, as regular readers of this blog know, I went through some rough times that delayed completion of the second book, and in the time since Frogs was released there has been a great deal of change in publishing. Thanks to digital distribution, the rapid rise of ebooks, and print on demand, the options for authors are much better than they used to be.
So, today, I’m excited to announce that Doc Wilde is going indy.

Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures. A tale ‘terrifying and dark, of indescribable horrors and eldritch mysteries,’ this is sure to be Wilde-ly popular, and readers will anxiously await future installments.                                                     —Kirkus Reviews

Putnam treated me well enough, but I was largely underwhelmed with my experiences with them. The  money was relatively lousy (and usually delivered months after it was contractually supposed to be), they did no promotion, and I thought they failed to take advantage of important opportunities. At no point did I get the idea that my input was valued, except insofar as delivering a printable text was concerned. And they allowed the hardback to sell through its print run and fall out of print before even scheduling a paperback printing, meaning the book’s effective shelf life and opportunity to find new readers was less than two years. In other words, I was treated like most authors are treated by the Big 6.
The thing is, I want to make a living at this, and unless the series really took wing, I was never going to do that under standard publishing terms. Everybody in publishing makes a good living, with benefits, except the folks who write the books. Going independent is a gamble, but honestly, if it doesn’t work, I’m not out much income, and if it does (and I expect it will) I’ll at least be able to keep the roof over my head.
So this is the year of Doc Wilde.

Doc Wilde and the Frogs of Doom is an adventure yarn in the old tradition. It gets that reading is an intellectual activity, and that an adventure, to be really good, has to engage the reader’s brain. I love a smart book!
—Daniel Pinkwater, author of The Neddiad and The Yggyssey

The fact that Putnam allowed Frogs to fall out of print turned out to be a great thing, because it allowed me to retrieve the rights and I can start the series anew, the way I want to. There were things I wanted to do with the books that I wasn’t getting to do with Putnam, and now I can.
One of those things is working with Gary Chaloner. As I’ve written before, well before I finished writing Frogs, I tried to find the perfect artist to depict the Wildes, and Gary was my choice. Not only was he a gifted graphic storyteller with a distinctive style, he was also a huge fan of pulp adventure and had an instinctive understanding (and love) of the material. Together we decided to produce lavishly illustrated books, and he put a lot of time into honing his designs to match my vision of the characters. (To see some of his early designs, go here.)

The Wildes à la Chaloner

When I signed with Putnam, they completely disregarded my wishes. The resulting book had a really nice cover, but I never got so much as an email consultation from the artist and I have a few minor issues with some of its details. There were no lovely illustrations inside. Instead, there were some goofy typographical effects that (I felt) distracted the reader and made the book look like it was meant solely for very young readers, rather than for young and old as I intended.
Well, Gary’s back on board, and we’re doing the books the way we originally envisioned.
Here’s the plan:
Doc Wilde and The Frogs of Doom will be released in its new edition in June, in both ebook and paper. It will offer my preferred edit of the novel, along with a new short Doc Wilde adventure, and (like future books) will have a new cover and be fully illustrated by maestro Gary Chaloner.
In the next few weeks, I’ll be putting together a Kickstarter project so folks can help us with the relaunch and get assorted boons ranging from being named in the acknowledgments to autographed limited editions and other exclusives.
Then, in August or September, the long-awaited second adventure will finally appear, Doc Wilde and The Mad Skull, in which the Wildes face a mind-blowing mystery and a truly bizarre villain. Book 3, to be named soon, will follow in November.
Had I remained with Putnam, by year’s end there would have possibly been a paperback of Frogs of Doom, and The Mad Skull might have seen print some time next year, though more likely it would have been in 2014. Doing things this way, you get the first three books by Christmas, with more to follow next year.
This is all very exciting for me. Going indy will allow me not only to produce nicer books, not only to make more money (at less cost to readers), but to have a more organic and personal relationship with fans. It’s a great time to be a writer.
Stay tuned for more news, including the details of the Kickstarter project…

A true delight…Tim Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H.P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as the young adult readers. It is an over the top at times, rip roaring adventure that returns us to the days of yesteryear and leaves us wanting more.
—Barry Hunter, The Baryon Review

(Note: At the time I post this, Putnam’s ebook version of Frogs of Doom is still available online. The wheels of publishing grind slowly, and they haven’t yet gotten around to removing it as they’re supposed to. If you’re interested in the book, I encourage you to wait for the new version later this year. It will be a much better edition, will cost you less, and I’ll benefit a lot more from the sale.)

Al Rio: 1962-2012

alriophoto-244x350-7007349Bleeding Cool reports that Al Rio, best known for his work for Wildstorm, Marvel, and Zenescope, died this morning in an apparent suicide. He was 49.

Al Rio, born Alvaro Araújo Lourenço do Rio on 05/19/62, was raised in Fortaleza, in the northeast of Brazil. Al began his career in Rio de Janeiro, Brazil, as an artist in the early ’90s, illustrating books for a local English School.

After working as animation director at this same company, Al became an animator in Brazil for Disney, working on such properties as the syndicated Aladdin animated series.

Upon joining the comics-centric international art agency Glass House Graphics in the mid-’90s, Al began working for DC Comics, though his “big break” came from succeeding J. Scott Campbell on Wildstorm’s Gen 13. From there, Al, best known for his versatility and his ability of drawing some of the sexiest women in comics, went on to draw for Marvel, Vertigo Press, Dark Horse, Chaos! Comics, Avatar Press, Crossgen, Zenescope, Image, and more — drawing titles such as his own series Exposure, as well as Captain America, DV8, Voodoo, Purgatori, Lady Death, X-Men, New Mutants, Spider-Man, Vampirella, and Star Wars, among many others.

via Remembering Al Rio by David Campiti | Bleeding Cool.

Al is survived by his wife Zilda and their three children, Rene, Adrielle, and Isabel.   His funeral will be held on Wednesday, February 1st, on Cemitério São João Batista, in Fortaleza, Brazil. Contributions may be made to his family on his behalf through Kickstarter, and condolences may be sent to his family through terry@alrioart.com.

Real Steel’s Hugh Jackman Talks Boxing Bots

charlie-coaching-300x200-1649725Hugh Jackman stars in Real Steel, out on home video this week, and the native Australian is best known to ComicMix fans for his work as Wolverine in  X-Men, X2 and X-Men: The Last Stand before spinning off into X-Men Origins: Wolverine and cameoing as the canucklehead in X-Men First Class.

In the fall of 2009, Jackman made a return to Broadway in the Keith Huff-penned A Steady Rain.

On February 22, 2009, Jackman took on the prestigious role of hosting the 81st Annual Academy Awards live from the Kodak Theater, he wowed those in attendance and helped ABC score a 13% increase in viewership from the previous year. Previously, Jackman served as host of the Tony Awards three years in a row, from 2003-2005, earning an Emmy Award for his 2004 duties at the 58th annual ceremony and a nomination for his 2005 appearance at the 59th annual ceremony.

In 2008, Jackman was seen in Twentieth Century Fox’s Deception opposite Ewan McGregor and the romantic action-adventure epic Australia, directed by Baz Luhrmann.

Jackman has also starred in Darren Aronofsky’s The Fountain, Christopher Nolan’s The Prestige and Woody Allen’s Scoop. He has lent his voice to the animated features Happy Feet and Flushed Away. Other films in which he has had leading roles include Someone Like You, Swordfish, Van Helsing and Kate and Leopold, for which he received a 2002 Golden Globe nomination.

For his portrayal of the 1970s singer-songwriter Peter Allen in The Boy From Oz, Jackman received the 2004 Tony Award® for Best Actor in a musical as well as Drama Desk, Drama League, Outer Critics Circle and Theatre World awards.

Previous theater credits include Carousel at Carnegie Hall, Oklahoma! at the National Theater in London (Olivier Award nomination), “Sunset Boulevard” (for which he won a Mo Award, Australia’s Tony Award) and Disney’s Beauty and the Beast (Mo Award nomination). (more…)

Summit Entertainment Unveilsd 2012 Line-Up

Summit Entertainment wants to ensure we know they are responsible for more than those annoying Twilight movies. Here’s a look at their 2012 release schedule although release dates are subject to change.

SUMMIT ENTERTAINMENT Presents

A di BONAVENTURA PICTURES Production

MAN ON A LEDGE

Directed by ASGER LETH (GHOSTS OF CITÉ SOLEIL)

Written by PABLO F. FENJVES

Produced by LORENZO di BONAVENTURA (RED, SALT, TRANSFORMERS: REVENGE OF THE FALLEN) and MARK VAHRADIAN (TRANSFORMERS)

Starring SAM WORTHINGTON (AVATAR, CLASH OF THE TITANS,

TERMINATOR SALVATION), ELIZABETH BANKS (THE NEXT THREE DAYS, W., THE 40-YEAR-OLD VIRGIN), JAMIE BELL (KING KONG, BILLY ELLIOT), ANTHONY MACKIE (THE HURT LOCKER, MILLION DOLLAR BABY, 8 MILE), ED BURNS (27 DRESSES), TITUS WELLIVER (THE TOWN), GENESIS RODRIGUEZ, KYRA SEDGWICK (TV’S THE CLOSER) and ED HARRIS (NATIONAL TREASURE: BOOK OF SECRETS, A HISTORY OF VIOLENCE)

From the ledge of the 25th floor of a NYC skyscraper, where one wrong step means death, a cornered Nick Cassidy (Sam Worthington) must orchestrate a dangerous plan to prove his innocence for a crime he didn’t commit.

Rated PG-13.  In theaters January 27, 2012. (more…)

MICHAEL DAVIS: Why I Still Like the New 52!

Because Marc Alan Fishman doesn’t.

A few days ago Marc wrote that he doesn’t like the New 52 and he took me to task over a few things I wrote in my Why I Like The New 5 article last week.

It seems that Marc, or he who is Dead To Me, or simply Dead To Me as I now call him, doesn’t think DC went far enough with the reboot.

I said in my article that I liked a lot of the books but what I really liked about the New 52 is that DC had the balls to do it in the first place. I also said that as fans of the DCU it would be hard to satisfy everyone with the massive undertaking.

A lot of people hate the New 52. I get that. It’s easy to hate from the sidelines. I do it, you do it, everybody does it. My point was, love it or hate it you have to respect the people that put it all on the line to do it. A lot of people don’t think that matters because to them it sucks and it will always suck because change is bad.

Change sucks. The DC comic reboots sucks. I suck for liking the DC comic reboots. And let me not forget to the GOP, Obama sucks.

Mar…  I mean Dead To Me, thinks the reboot was an easy out. He thinks DC didn’t go far enough.

Really? Let’s see how you would have rebooted the DCU. You who are Dead To Me. Here’s how I would have done it.

Batman

I’d make Batman black and call him Black-Man. He became Black-Man because his parents were shot in a drive-by on their way to Yale where they were both professors of Black History. Oh, I bet you thought his parents were walking in the projects looking for some drugs or some other stereotypical black bullshit storyline.

No! In my DCU there will be no stereotypes.  So Leroy Washington son of Ray Ray and Shaiqua Washington becomes Black-Man!

The Justice League

I’d make the Justice League black and call them the Malcolm X-Men.

Hawkman

I’d make Hawkman black and call him Black Hawkman.

Black Canary

What do you think I’d do? I mean, duh.

Green Lantern

I’d make GL black. His name will be John Stewart and his secret identity will be a talk show host.

The Flash

I’d keep the Flash white. I mean a black guy with super speed? Ron Paul would have a field day with that. “If you have ever been robbed by a black teen-aged male, you know how unbelievably fleet-footed they can be.” Ron Paul said that. Now just imagine if the Flash was black. Nah; I’m keeping Barry Allen a white guy but I’m making him a teen-age criminal who robs people and runs away.

Aquaman

He would stay white too. Everyone knows black people don’t swim…duh.

Wonder Woman

I’d make WW my flagship book. Why make it my flagship book? To make it clear Michael Davis’ DCU avoids racial and any other stereotypical depictions.For my reboot, I’d make Wonder Woman black. Hell ,in my book she’s already a black woman. She doesn’t take any shit and she’s got a banging booty.

So, Dead To Me, where is your DC reboot? My reboot only features classic characters and it’s taken me 10 years to come up with this new universe. Yes, I started 10 years ago when it was crystal clear to all in the industry that I was going to become head of DC.

After waking up I decided to work on the universe anyway and I’m glad I did because it has certainly come in handy today wouldn’t you say? Yes, 10 years of hard work, research, toil and trouble. I lost a wife with my unwavering commitment to redoing the DCU. Well, actually I was going to call it the MDCU but that’s beside the point.

The point is this type of universe building or rebuilding takes some serious balls not serious eggs like you wrote in your column when you thought you were being clever and used Spanish…wrongly.

It’s obvious you don’t regard research as something you need to do when you create something.

Eggs? Really?

So. I await your universe. If you think it’s so easy let’s see you put the time and effort into it and in 10 years we can talk about it. Or you can knock something out by next week because you don’t have the discipline to take the time to do it right.

I’ll leave you what I would do with DC’s biggest character and the biggest challenge for any DC universe do over, the Man Of Steel…

Superman

I would make Superman black and call him Icon.

WEDNESDAY: Mike Gold kicks it up a notch

MARC ALAN FISHMAN: X-Men vs. Avengers? Pray for a Reset…

MARC ALAN FISHMAN: X-Men vs. Avengers? Pray for a Reset…

So we’ve all heard the news, right? The next big thing to be constructed by the architects of the House of Ideas is a doozy. “X-Men Vs. Avengers” touts the titular teams of the 616 waging war against one another in hopes of quelling Hope and her potential Phoenix Force powers. Now this may be putting the cart before the horse… so let’s go to the official release:

“The Avengers and X-Men have learned that the all-powerful embodiment of both death and rebirth known as the Phoenix Force is on a crash course for Earth… and it needs a new host to unleash its immeasurable power. But what is the shocking decision tied to the Phoenix’s return that will pit the Avengers against the X-Men? And when good friends become bitter enemies, what does this mean for the future of the Marvel Universe?”

Since I’m a betting fellow, and love to stick my foot in my mouth… I’m going to answer those questions. At best? I’ll nail what all of you are already thinking. At worst? I’ll piss the lot of you off, and Axel will send a goon squad to my house to cap me off at the knees. Let’s roll them bones!

What is the shocking decision tied to the Phoenix’s return that will pit the Avengers Vs. The X-Men? Well, most people round the interwebs believe it will tie to Hope Summers. For those (like me) who don’t know Hope from Adam, Wikipedia was kind enough to enlighten me. You see, the short and sweet synopsis says that when Scarlet Witch went bananas back in Disassembled, she reduced the mutant population down to 198 lucky losers.

The first mutant born after this mass de-powering was Hope. Immediately after she was born, Cable and Bishop came a calling. Cable said she was the Messiah. Bishop said she was a crazy cracker who would eventually murder over a million people. Herman Cain came forward to say he didn’t harass her. A whole bunch of convoluted continuity happened after that. Suffice to say all these prophecies, in line with the well-documented return of the Phoenix Force, can safely answer the question; Hope is most likely the target of the celestial upgrade. Let’s assume the X-Men think she’s gonna save humanity. The Avengers assume another crazy bitch gonna get some shiz. Let the mini-series unleash itself!

And when good friends become bitter enemies, what does this mean for the future of the Marvel Universe? Well this isn’t such an easy answer now, is it? I think there are two schools of thought. The conservative true believer might postulate that this will draw harsh lines between certain X-people and certain Avengineers. There will be many hard fought battles.

Since it’s hero on hero action, let’s assume some villains will try to get away with evil while the do-gooders pound each other on the street. Wolverine will have to choose a side. Cyclops will go toe-to-toe with Cap in a battle for who adds the perfect amount of starch to their unitards. Colossus will pound the Red Hulk in the middle of a well-populated area, causing millions of dollars of collateral damage.

What does a car insurance policy look like in Marvel’s Manhattan anyways?

At the end of the day, the conservative epic will end with more questions than answers. Hope will undoubtedly get the force within her. She’ll see all the fighting, and perhaps will sacrifice herself out in space or maybe shack up with Galactus. He’s got to be lonely, right? The dust will settle, and the heroes will be mad at each other. 15 new books will cover the epilogue. 12 new X-Teams and 459 new Avenger teams will emerge.

Now, let’s say Marvel’s been paying attention to the competition lately. What if they take a more ballsy approach? A universal reset might not be the worst ending, now would it? As we all know, Bendis is hanging up the Avenger cloak of writership after all of this hoopla. Marvel’s losing the battle at the stands (barely) to DC. DC is all fresh and new and shiny. Marvel is shoulder deep in crazy continuity. Maybe a Phoenix-level razing of the universe could become a Flashpoint to significant change? See what I did there… And while this is merely wild speculation, I for one would love to see Marvel do something this jarring. Picture it. One More Day? Gone. Age of Apocalypse? A faded memory. Secret War? A secret we can all forget. Now, of course a TON of Marvel backstory is simply amazing and untouchable. So is DC’s…and it didn’t stop them. The numbers don’t lie. Sometimes a big risk can garner big rewards.

Marvel’s mega-bucks in the multiplexes have meant a generation of kids are savvy to their characters; But still they may be queasy at coughing up the coin to catch up to convoluted continuity. With Hope decimating the universe, there’s a chance to keep the good stuff, forget the bad, and catch a whole new crop of fans wanting an easy jumping on point. After all the fighting over her, the X-Men and Avengers witness Hope rise above them. “Enough!” She’ll scream. We fade to white… and in the wake, the 617?

Now, if I were to wage a bet on this, I’m no fool. This crossover is like so many before it; An excuse to make extra mini-series, epilogues, prologues, tie-ins, et al. The series itself will be an excuse to the same excesses we’re used to by now. The book itself will be well drawn, sharply written, but ultimately a fluffy complicated plot to move the next batch of editorial mandates forward. Don’t believe the hype kiddos. Stick to the main book… enjoy the battle scenes, and pray Cable unleashes a gun that fires other guns (tip of the hat to LBFA). When the dust settles, we all know what it’ll really mean for the Marvel Universe.

Another epic event in just six months!

SUNDAY: John Ostrander’s New Year’s Thrills!

“X-Men Origins: Wolverine” pirate gets a year in prison

“X-Men Origins: Wolverine” pirate gets a year in prison

Cover of "X-Men Origins: Wolverine (Singl...

One wonders if somebody at Marvel is thinking about doing the same thing to comic pirates…

A New York man has been sentenced to a year in federal prison for illegally uploading and distributing a copy of “X-Men Origins: Wolverine” before the movies premiere.

Forty-nine-year-old Gilberto Sanchez was sentenced Monday in Los Angeles federal court. The judge also imposed a year of supervised release and numerous computer restrictions.Sanchez pleaded guilty in March to one count of uploading a copyrighted work being prepared for commercial distribution.

Prosecutors say he admitted uploading a “workprint” copy of the 2009 film about one month before it was released in theaters, then publicizing the upload on two websites.Prosecutors said in court documents that the film proliferated like wildfire throughout the Internet, resulting in up to millions of infringements. Sanchez has a prior conviction for a similar offense.

via NY man gets 1 year in prison for X-Men piracy – Yahoo! News.

Marvel Adds Three More Season One Books for Summer 2012

Marvel: Season One, a line of all-new graphic novels, just got bigger as Marvel is pleased to add three titles to the highly anticipated line-up with Ant-Man: Season One, Hulk: Season One & Doctor Strange: Season One! These all-new complete stories offer fans a chance to immerse themselves in the Marvel Universe like never before. Journey into the unknown with Ant-Man, learn about the mystic arts with Doctor Strange and find out how Hulk balances humanity and monstrosity as each of these graphic novels offer new revelations for long-time fans and give new readers a fresh introduction to the character. With modern retellings of the world’s greatest super heroes seminal origins by some of the most critically acclaimed creators in the business, no fan can miss this! Each of these graphic novels also include a code to download each book for free, via the Marvel Comics app, making them must haves for every fan.

“As a result of the great response from fans and retailers, we realized we couldn’t just stop with one wave of titles” said David Gabriel, Marvel SVP of Sales. “We’re showing our continued support for this line by insuring that fans have a reason to come back into comic shops month after month to get the next volumes in the Season One line of original graphic novels.”

The complete second wave of Season One graphic novels includes:

  • Ant-Man: Season One by Tom DeFalco (Spider-Girl) and Horacio Domingues (Incorruptible), on-sale in July 2012
  • Hulk: Season One by Fred Van Lente (Alpha Flight, Herc) and Tom Fowler (Venom), on-sale in August 2012
  • Doctor Strange: Season One by Greg Pak (Astonishing X-Men, Red Skull: Incarnate) and Emma Rios (Osborn, Spider-Island: Cloak & Dagger), on-sale in September 2012

Whether you’re picking up a comic for the first time, or looking to add more to your comics reading experience, then it’s time to discover the world’s greatest super heroes all over again in Marvel: Season One!

MARC ALAN FISHMAN: What I’m NOT Thankful For

I hope everyone’s Thanksgiving holiday was amazing. I myself hosted festivities for the first time in our new home. It was here, in 2011 where Marc Alan Fishman finally graduated from the kiddie table. Looks like all it took was making a meal for 10 people, in my own home. But with the assistance of my fantastic in-laws, and even more fantastic(ly pregnant) wife… we done pulled off a doosy. After last week’s lov-in, I unbuckled my belt, let my gut out, and took stock in those things that didn’t quite make me a happy camper. Sure, my initial articles covered some of those (The X-Men, Barry Allen, and Hal Jordon to name a few)… but here we are, nearing the end of the year. What exactly happened that cause my beard to stand on end? Let the hatespew begin!

Epic Events of Extremely Excessive Inanity

To be truly fair, I could spend the entirely of this editorial tearing DC and Marvel both for their predilection to create crappy crossover events. But let’s boil it down to the brass tacks, shall we? Simply put, these money-sucking whores create bloated wastes of ink and paper, all based on the idea that “everything you know will change.” This of course, preys on our fan-boy fear of being left behind. And it would seem over the course of the Aughts, such as they were, the Big Two have perfected their scheme:

Create a main book where all the bullet point action takes place. A few not so significant people will die. One or two major ones might kick it too. A great evil rises up. It looks insurmountable. Then a legion of the most marketable heroes get some brilliant form of upgrade, or a lost and forgotten hero comes back from the dead, or some other deus ex machina reveals itself in the nick of time for one last issue of double page Photoshopped explosions. What follows is generally seven to twenty seven epilogues setting up the next six months of editorial mandated character changes.

But it’s never just that one main title now, is it? These mega-loads of mega-suck bleed into the entire continuity of issues. Soon every book you’d normally pick up features the event-du-jour’s nom de plum across its masthead. What follows is generally exposition taken from bullet point A before bullet point B from the main series. Not reading that series? Well, I guess it sucks to be you. I was loving, L-O-V-I-N-G Matt Fraction’s Incredible Iron Man series until Fear Itself. And for four issues straight, all the world building he’d done was cast aside so I could follow Tony into Asgard to get drunk, swear, and make some action-figure-waiting-to-happen weapon variants for random heroes to use. Did I follow Fear Itself? No. Thanks for wasting my time, money, and love of the Iron Man book.

Don’t think for a second DC skates by here either, kiddos. Those cash-craving carnivores did one worse; they let the deus ex machina implode their entire line of comics. Flashpoint, by and large, will sit in my collection next to Countdown to Final Crisis as a testament to everything wrong with comic books today. “But why did you keep buying them, if you hated them so much?” Well… One – I’m a masochist. Two – the series promised to feature at least one or two characters I’d normally not get to read about. Three; – I didn’t want to come out of the other side confused as to why everything changed. Flashpoint even had the nerve to release wave after wave of mini-series to take us around this “Age of Not Quite Apocalypse.” And while Batman: Knight of Vengeance delivered an amazing Elseworlds tale, it was just that… An Elseworlds tale. Slap any title card you wanted on the cover, Dan, Geoff, and Jim. We all knew it should have said “Flash Point Over There and Distract The Fanboys While We Hit The Reset Button.”

4/5ths of the DCNu

And since we’re on the subject… the next thing that ground my gears was the rebooting of the DC Universe itself. I give credit where credit is due. It was a bold move that in fact did raise awareness, sales, and general levels of hope amongst the comic book readers of the world. But by and large, it was all smoke pellets and Mirror Masters.

Let’s face facts. Superman, Wonder Woman, the JLA, and Aquaman all got the reboots needed to make them matter again. Batman and Green Lantern may have gotten shiny new #1s on their books, but didn’t reboot a damned thing. Batgirl got to disappoint the handicapped community (not that the book is bad mind you, but still…), and a plethora of bad ideas were hurled out with hopes any of it would stick. What we’re left with is a mangled mess of a few fantastic books littered amongst total garbage. All the solid character-building moments that gave DC a strong legacy and continuity were thrown out with the bath water in hopes that a #1 and a power-cycle would somehow make comic books appeal to the masses who aren’t reading comic books. Guess what? Sales may have increased, but not by that much. Walk out on the street today, and ask a passer-by who OMAC, Voodoo, or Captain Atom are. Don’t be surprised when they need to Google it.

It’s still too early to say exactly what impact this reboot is going to make. Suffice to say, I hardly believe I’ll be telling my son “Oh yeah, in 2011, it all changed. DC created the new paradigm by which all comic books were created.” More likely? “Oh yeah, in 2011 DC rebooted everything, because they figured they’d move more issues if they had #1 on them. Superman turned out really good. I kind of forgot everything else.”

The Fallacy of Death in Comics

If 2011 has taught us nothing else, then we should all learn this: Death is meaningless in comic books. In the long-long ago, in a time and place far far away from here… dying meant dying. No mysterious body swaps. No time-bullets. No psuedo-science backtracking. Dead meant dead. In 2011, Marvel iced the Human Torch, Bucky Barnes (again…), and Thor (again, again). Human Torch didn’t even stay chilled long enough to be missed. With Fantastic Four #600, his mighty resurrection (as predicted by just about everyone) came to pass. In Fear Itself, Bucky and Thor each bit the dust. Who here is man enough to say they’ll stay that way for 365 days? With The Avengers movie hitting megaplexes next summer, I doubt Mr. Odinson will be resting for even a fortnight. Oh, and it looks like the Phoenix force is coming back too. As it stands, I can’t even tell you for sure who is alive and who isn’t. Only Ultimate Peter Parker seems to be the most likely candidate for a spot next to Gwen Stacy of the 616 in the land of the “neva’ coming back.” And thanks largely to Flashpoint, DC was able to kill off whole portions of their catalog, with the promise to thaw them out the second sales dip. Did someone say JSA?

Goodbye 2011. May 2012 boast less deaths and less events. See you next week, when my column resets back to #1.

SUNDAY: John Ostrander

‘Avengers vs. X-Men’ is the Next Marvel Comics Event

‘Avengers vs. X-Men’ is the Next Marvel Comics Event

The next major Marvel Comics event has been announced: Avengers vs. X-Men. Teaser art has been hinting at the return of the Phoenix Force since New York Comic Con in October, and USA Today confirmsthat the storyline will indeed feature the return of the nigh-omnipotent cosmic deity of destruction and rebirth who most famously possessed Jean Grey.In Avengers vs. X-Men, a twelve-issue series that launches in April 2012, the heroes of the Marvel Universe learn that the Phoenix Force is making its way back to Earth, prompting yet another conflict over Hope Summers, the young girl considered both the messiah and the harbinger of doom for the mutant race. Long heralded as the the next host of the Phoenix Force — and possibly, a reincarnated Jean Grey — Hope sparks a conflict between the X-Men and the Avengers, who have different ideas about how to protect both Hope and the entire world from the deadly and incredibly powerful entity.

Marvel has promised to reveal more details about the event today in a live news conference at 3 PM EST with Matt Fraction, Brian Michael Bendis, Jason Aaron, Ed Brubaker and Jonathan Hickman. Marvel will also make the creators available through Google+, and suggests that fans use the hashtag #AvX to discuss the event on Twitter.