Tagged: X-Men

Brett Ratner Likes ‘Guitar Hero’

Brett Ratner Likes ‘Guitar Hero’

Brett Ratner is no stranger to bringing pop culture icons to the screen.  After all, he directed the third X-Men film and is attached to bringing Valiant’s Harbinger to the screen.  He’s even handling the big screen adaptation of the video game God of War. But…Guitar Hero?

Ratner told MTV News, "I would love to do a Guitar Hero movie, if Activision would ever let me. I’m trying to convince them. It could be about a kid from a small town who dreams of being a rock star and he wins the Guitar Hero competition."

Ah, something unpredictable and surprising.

Meantime, the newest iteration of the global phenomena, Guitar Hero: World Tour, complete with microphone and drum kit, will be unleashed this fall in the $200 price category.
 

‘X-Factor’ and Event Fatigue

Though you can’t go to a comics convention panel without hearing some fan decry crossovers, it’s readily obvious why they keep appearing and tying up comics series: Crossovers sell.

As editors and creators quickly point out, slapping an event label on a comic cover can immediately boost sales by a healthy margin. And when books are struggling for readers, those opportunities are hard to pass up.

But for those who closely follow a particular series, crossovers certainly have the potential to seriously gum up the works, which is made evident with perfect clarity in the two issues of X-Factor released last week.

The issue from the main series has the main team in Detroit, sort of teaming up with She-Hulk to take down a Skrull attacker. The other, a Layla Miller special, has that character still stuck in the future, having some very strange adventures and knowing stuff.

The series proper has been one of my favorites since it started up again a few years ago, with Peter David knocking out  some of the best superheroics seen this decade. His scripts are smart, funny and well crafted, and continued reading makes clear how good he is at plotting stories out in the long term.

But the past two Secret Invasion tie-in issues have been easily the worst of the run, in part because of sub-standard art and in part because the Skrull situation feels as forced as it is. Even Jamie Madrox’s patented monologues lack their usual flair.

This is then highlighted (or perhaps lowlighted) by the brilliant Layla Miller issue, which is clearly Miller in more unadulterated form. Layla — herself a deus ex machina from House of M, another event/crossover — has been a driving force of X-Factor. But for now she’s relegated off to an alternate future, not coincidentally by the last X-Men crossover, Messiah Complex.

All told, the past year and a half of X-Factor has seen it cross over with three events (Civil War being the only one I haven’t mentioned yet). For fans of the series, all we can do is wonder what the book might have been if David had been left to his own devices.

Manga Friday: Lawless, Winged, and Unconfined

Manga Friday: Lawless, Winged, and Unconfined

Poking through the stack of manga to be reviewed, earlier this week, I noticed several books featuring characters with wings of one kind or another. Quick to sense a theme, I dragged them together, and here they are:

Koi Cupid, Vol. 1
By Mia Ikumi
Broccoli, April 2008, $9.99

Koi Cupid is an all-ages series about cherubs-in-training – yes, cute little girls in white outfits, running around making people fall in love. It’s not quite as kawaii (cute, often cloyingly so) as it could be, though, so I came to think of Koi Cupid as actually fairly restrained.

(Of course, that’s by manga standards – recalibrate your cuteness detectors from American settings, or you’ll be instantly deafened by the alarm.)

Anyway, the story focuses on three cupids-in-training: Ai, the cheerful one; Koi, the shy one; and Ren, the way-ahead-of-the-others one. They’re taught by a full cupid named Rin, who is deferring her own promotion to Guardian Angel to continue to mentor them. Kou actually is a guardian angel who pops in for added firepower now and then; Sister Yuuri is a winged, talking cat who supervises the cupid training program, and Lizette is a sneaky demon who tries to foil their work, but whom Ai wants to be friends with.

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Origin of Magneto in New Marvel Knights Series

Origin of Magneto in New Marvel Knights Series

I really enjoyed previous Marvel Knights projects Spider-Man: Reign and Silver Surfer: Requiem, as the pairing of writers, artists and subject matter of each miniseries seemed to really catch lightning in a bottle. I’m not sure that these series fit in with past titles falling under the "Marvel Knights" banner, but I know that they felt like a fresh look at both characters — and that’s saying a lot, given the saturation of Spider-Man and Silver Surfer stories the past few years.

I mention all of this because I can’t help but look forward to next month’s debut of X-Men: Magneto Testament #1, which pairs writer Greg Pak (World War Hulk) with artist Carmine Di Giandomenico, whose work I really enjoyed in Daredevil: Battlin’ Jack Murdock. The five-issue series promises to take a look at the early life of Magneto, and I’m itching to see if the MK crew can capture the same vibe of Reign and Requiem in this one.

Pak told Marvel.com, "Like so many classic Marvel characters, [Magneto] has to grapple with the typical problems of any scrawny outsider: family problems, schoolyard bullies, and first crushes…But every little conflict takes on a terrifying, new dimension as the scope and inexorable advance of the Nazi menace becomes clearer."

The first issue hits shelves September 10, and I’ve posted the Marko Djurdjevic cover to #1 here, with larger versions of the cover and pages posted after the jump.

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Interview: Greg Weisman on “The Spectacular Spider-Man” Animated Series

Interview: Greg Weisman on “The Spectacular Spider-Man” Animated Series

Early in July, I spoke with Greg Weisman about the acclaimed Gargoyles animated series he created and the new comics that continue the storyline of that project (and feel free to check out that interview, by all means). Afterward, I had the opportunity to speak with him about the Kids WB animated series The Spectacular Spider-Man, which I reviewed a few weeks ago. Weisman developed this new cartoon series for television along with Victor Cook (Hellboy: Blood and Iron, Darkwing Duck) and which features voice talents such as Josh Keaton, Lacey Chabert, Josh Lebar, John Dimaggio, Phil Lamarr, Robert Englund, Clancy Brown, Jeff Bennett and Vanessa Marshall.

Taking place a few short months after Peter has gained his powers and learned that "with great power there must also come great responsibility," the cartoon showcases a 16-year-old superhero who is still learning the tricks of the trade when folks like the Green Goblin, Electro and Dr. Octopus start showing up. When he’s not web-slinging, Peter spends his days trying to change how people at his high school view him, since his super-abilities have given him the confidence to stand up for himself rather than just be the nerd who’s picked on. But it’s not easy — and even when he’s surrounded by people who love him, like longtime friend Gwen Stacy and his doting Aunt May, Peter still feels alone, unable to trust anyone with the secret of his double-life.

Here’s what Weisman, the series’ Story Editor and Supervising Producer, had to say about the first season of the series.

COMICMIX: As Story Editor, how did you approach the development of the series and the character himself?

GREG WEISMAN: When I got the job, I went and bought the first seven volumes of The Essential Spider-Man and re-read them. I’d read them as a kid, I grew up on Stan Lee and John Romita, Sr. and later went back and read the original Stan Lee, Steve Ditko stories. So, I re-read them and took copious notes and tried to get the voice of those early stories.

COMICMIX: Of course, you’re still putting your own spin on some of the origins and the costume designs.

GREG WEISMAN: Right. With the new series, we wanted to create something that was coherent, cohesive, contemporary and classic. Those are the four Cs we always go back to. We’re retooling and redesigning things for the modern day but we want the characters to still be iconic. We want you to see our updated version of the Vulture and still say “yep, that’s the Vulture” and “yeah, that’s the Green Goblin.” It’s a contemporary version but the changes aren’t there just for the sake of making changes. It’s still true to what Lee, Ditko and Romita did.

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Maximum Ride To Movies And Manga

Maximum Ride To Movies And Manga

Look for the adventures of Max, Angel, Fang, Iggy and the rest of the flock to hit the big screen in 2010 as Columbia Pictures acquires the rights to James Patterson wildy successful young adult series, Maximum Ride. Steering the transition is producer Avi Arad, no stranger to the genre coming off Marvel films such as Spider-Man, X-Men and Iron Man.

The Maximum Ride stories are spun-off from characters from two of James Patterson’s successful his adult novels, When the Wind Blows and The Lakehouse. These human/avian hybrids, which have been genetically engineered are all close to their teens, and not too dissimilar from the basic elements that are the core of the original X-Men. There are currently four Maximum Ride titles in print: The Angel Experiment, School’s Out Forever, Saving the World and Other Extreme Sports and The Final Warning. Book Five, Waterwings, is scheduled to hit shelves in March 2009.

Starting next year, there will also be a series of Maximum Ride graphic novels in manga form from Yen Press. A 22 page preview was released earlier this year on Free Comic Book Day.

When ComicMix met James Patterson in 2007, we asked him how long he planned for the series to last, Patterson told us that he would "keep going (with series) until (the characters) don’t have anything else to do." Patterson is also strongly involved in efforts to get children reading; you can see his latest efforts here.

 

 

Stan Lee and Hioryuki Takei’s “ULTIMO” Manga

Stan Lee and Hioryuki Takei’s “ULTIMO” Manga

Attention, true believers! Next month’s issue of manga magazine Shonen Jump will feature the premiere of Stan Lee and Hioryuki Takei’s Ultimo, which was announced back in April during New York Comic Con.

While the series is old news for readers in Japan (the issue has already been out for a few months over there), North American readers will get their chance to pick up a copy of the debut story in September.

Here’s what to expect from the series, according to the press release (which is posted after the jump):

High above Farmless City, citizens are stunned by the sudden appearance of two floating figures. Are they human boys, monolithic robots, or something much more strange? As the battle ensues between them, destruction and devastation falls on the hapless city. One figure is Vice, and seems to be as evil as his name implies. The other is Ultimo, intent on trying to stop Vice from wreaking more havoc. But who are Vice and Ultimo really? Where did they come from? A new mystery begins with the fate of the world possibly hanging in the balance!

My favorite part of the PR? The quote from Stan Lee about the project that is so very, well… Stan Lee. Check it out:

“Wow! This is just what I’ve been waiting for!” says an excited Stan Lee. “For the very first time I’m able to create superheroes in the fantastic Japanese manga style thanks to my lucky partnership with the great Hiroyuki Takei. What a kick it’ll be to join Hiroyuki-san in offering brand new, action packed stories to an army of readers in both the Eastern and Western worlds!”

Can’t you just hear him saying it in your head? Keep an eye out for the September 2008 issue of Shonen Jump for the first chapter of Ultimo.

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San Francisco Media Examines the New X-Men HQ

San Francisco Media Examines the New X-Men HQ

SFGate, the website for the San Francisco Chronicle, has put together a pretty interesting analysis of the recent relocation of the X-Men from Westchester County, NY, all the way out to the West Coast in X-Men #500.

According to X-Men Editor (and Bay Area native) Axel Alonso, San Francisco’s often controversial status as a "sanctuary city" made the move long overdue for Marvel’s most persecuted superteam.

"Anyone who looks at the X-Men, the analogy is right there: If you’re different in any way due to race or sexual orientation or just being nerdy, there’s an X-Men character for you. They’re about being different and finding strength in that weakened position."

In order to get accustomed to basing the team’s adventures in the new city, Marvel staffers will be brushing up on their West Coast savvy in the coming months.

Marvel Comics artists will be visiting San Francisco frequently to get a feel for the fashion, architecture and even the way residents walk and talk. There are no cable cars in the first issue, but the artists did include a KRON TV news truck and a panel where the iconic mutant Wolverine walks through Noe Valley. The heroes make their base in the concrete bunkers beneath the Marin Headlands and join the protest of a controversial art installation at the San Francisco Museum of Modern Art.

While Marvel Editor-in-Chief Joe Quesada hesitated to comment on the permanency of the X-Men’s new home, the article goes on to provide a nice roundup of parallels between the mutant superteam and the real-life groups that have found sanctuary in San Francisco over the years.

Brett Ratner Makes “Harbinger” Adaptation a Priority

Brett Ratner Makes “Harbinger” Adaptation a Priority

In a Variety article discussing director Brett Ratner’s recent move to Paramount Pictures, the man who helmed X-Men: The Last Stand name-checked an adaptation of Valiant comics’ Harbinger series as one of his first priorities with the new studio. We previously reported on the series being optioned by Paramount back in March.

As producers, Ratner and Stern are teamed with producer Alexandra Milchan on "Harbinger," an adaptation of the Jim Shooter-created comic series published by Valiant Comics.

Ratner said after directing "X-Men: The Last Stand," he was eager to build a superhero franchise from the ground up. The studio will set a writer shortly.

Ratner described Harbinger and his planned Beverly Hills Cop 4 project as "mainstream tentpoles" for the studio.

“Venom” Spin-Off Film Moves Forward?

“Venom” Spin-Off Film Moves Forward?

The Hollywood Reporter recently indicated that Spider-Man spin-off project Venom could be moving forward, with the Sony hoping to revive the web-slinger’s movie franchise much like the upcoming Wolverine spin-off looks to accomplish with the X-Men film franchise. The article also notes that the attention Heath Ledger’s Joker is receiving with regard to The Dark Knight has made studios rethink the viability of a villain in a lead role.

Of course, first they’ll have to get past a few pesky details… like, for instance, deciding on a script and a lead actor.

The studio had commissioned a draft of the script from Jacob Estes, a writer of the specialty film "Mean Creek," released several years ago by Paramount Classics. He’s also attached to the Plan B drama "The Gifted."

But the studio is considering going in a different direction from Estes’ script and is seeking writers for a new draft.

Casting also is no simple matter. Topher Grace played the character in the film, but agents have been eyeing the role for their clients, as Sony is not yet convinced the actor can carry a tentpole picture.

Well, all I can say is that it really can’t be any worse than the Daredevil spin-off, Elektra… can it?