Tagged: Superman

New Gods Breakdown: An Illustrated Guide to Jack Kirby’s Creations

New Gods Breakdown: An Illustrated Guide to Jack Kirby’s Creations

  • News
  • August 4, 2008

[EDITOR’S NOTE: Back in June, comic book historian Alan Kistler provided ComicMix readers with a Countdown Breakdown, an illustrated guide to the 52-part event that preceded the Final Crisis storyline currently unfolding in the DC Universe. This feature was so popular that we convinced him to flex his creative muscles once again, and provide an analysis of one of the key groups of characters receiving the spotlight in Final Crisis: the Jack Kirby-created New Gods. Where do they fit in and what should you know about them in order to understand Final Crisis? Read on and find out! -RM]

Well, readers, some of you have no doubt been checking out DC’s crossover Final Crisis. Personally, I’ve been enjoying the heck out of it. But I can understand that some of it might not have as much impact if you’re relatively new to the DC Universe.

For instance, a major part of the crossover revolves around those Jack Kirby creations known as the "New Gods of the Fourth World."

So who are these New Gods? How are they related to the Greek gods who speak to Wonder Woman on a regular basis? What do they have to do with that powerful giant called Gog who’s been appearing in the pages of Justice Society of America? Why does Darkseid say he’s from the “Fourth World,” whereas Gog claims he’s from the “Third World?"

Well, look no further, faithful fans! ComixMix is here to oblige! So, because you folks requested it after seeing our illustrated Countdown Breakdown, here are the New Gods in a nutshell:

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Interview: Geoff Johns on “Final Crisis: Legion of Three Worlds” and his Favorite Projects

Interview: Geoff Johns on “Final Crisis: Legion of Three Worlds” and his Favorite Projects

  • News
  • August 1, 2008

Back in June, I spoke to superstar writer Geoff Johns about the return of Brainiac in Action Comics and all things Superman. With this month’s release of the first issue of Final Crisis: Legion of Three Worlds, I spoke to the writer about bringing back one of DC’s most beloved superteams, The Legion of Super-Heroes, as well as some of his favorite projects.

COMICMIX: What can you tell us about the Final Crisis: Legion Of Three Worlds miniseries?

GEOFF JOHNS: It’s a really complex, big story. But the simple premise is that it’s Superboy-Prime and The Legion Of Super Villains vs. Superman and The Legion Of Super-Heroes. Superboy-Prime is foreign to the future and through what happens when he first gets there he makes an attempt to destroy everything that Superman has inspired while utilizing the Legion Of Super Villains. So the Legion Of Super-Heroes, who are struggling to come back together, who are almost obsolete at this point in the eyes of a lot of the United Planets, have got to come back and rally together for this challenge.

I’m trying to focus in on character here. I’m trying to introduce these characters to people that don’t know them and for those that do, to see them go through new experiences and new challenges. My main goal in this series is to tell a gigantic, epic story that centers on Superman and The Legion Of Super-Heroes. It’s just like when I worked on Sinestro Corps War, I wanted to do an epic Green Lantern story. There is a lot of emotion behind everything in this. That’s what I’m trying to focus on: the emotion of the characters and what they’re going through. Why should you even care about a character like Lightning Lad, Sun Boy or Dawnstar? What makes these characters compelling? Why are they worth following? Why are they worth learning about? My main goal is to, by the end of it, have people say, “I love Dawnstar! I love Sun Boy! I like Lightning Lad" or "I like Cosmic Boy!"

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SDCC: Mortal Kombat Versus DC Universe Explained

SDCC: Mortal Kombat Versus DC Universe Explained

  • News
  • July 29, 2008

The biggest North American comic convention wraps up another show. The hall is closed and the lights are off. But the videos from the show floor live on. 

Way back when Mortal Kombat Versus DC Universe was first announced fans worried that Superman would be a horribly unbalanced character. A veteran reader of many Silver Banshee attacks Superman storylines, I speculated that since the Mortal Kombat universe was steeped in magic, this would explain how Sub-Zero could freeze Superman or Scorpion could set him on fire. Turns out I was right.

 

Midway has released the video shown (seen below) at San Diego Comic-Con where creator Ed Boon explained to fans how his guys can beat up their guys. And it looks amazing! The video also explains new in-fight mechanics: close combat and free fall combat. Also in the video were fights featuring Batman, Flash, and Catwoman.

 

No word yet if the villain from the Superman Returns movie shows up: A rock. A really big rock.

 


Comics at Harry N. Abrams

  • News
  • July 28, 2008

It went a bit overshadowed amid the madness of Comic-Con, but there was some big news out of New York last week as publisher Harry N. Abrams announced the creation of a new comics imprint, headed by Charles Kochman.

Kochman was recently promoted to be executive editor of the publishing company, and he told Publishers Weekly it was a natural fit to take on more comics.

Kochman will direct the new imprint, which will launch with four new titles: The Art of Harvey Kurtzman: The Mad Genius of Comics by Denis Kitchen and Paul Buhle; The Art of Jaime Hernandez: The Secrets of Life and Death by Todd Hignite, designed by Jordan Crane with an introduction by acclaimed cartoonist Alison Bechdel; Secret Identity: The Fetish Art of Superman’s Co-creator Joe Shuster by Craig Yoe; and Whatever Happened to the World of Tomorrow? by Brian Fies, the creator of the award-winning Web comic/book Mom’s Cancer.

Abrams publisher Steve Tager said launching a new imprint “made sense. We’ve published comics and pop culture titles in the past—we’ve sold half a million copies of the Art of Walt Disney—so Charles is building on a history that Abrams already has. But he brings a passion and experience in the category. He’s brought in more graphic novels and launching an imprint just makes sense in this marketplace.” Tager said the imprint will be able to cross-promote with Abrams’s children’s book line, special markets department and internationally—he noted that Kirby: King of Comics, Mark Evanier’s biography of comics artist Jack Kirby, is a bestseller for Abrams U.K. “We’ve been coming to Comic-con for several years now and our education in the category continues,” said Tager. “And our designers and sales reps all love Charlie’s books; he focuses on the little things and that’s what makes his books special.”

SDCC: Neil Gaiman Writing ‘Batman’

  • News
  • July 28, 2008

DC held out till the very end of Comic-Con to drop its biggest bit of news: Neil Gaiman is returning to the publisher for a two-issue Batman series with artist Andy Kubert.

Whatever Happened to the Caped Crusader? will serve as a transition point between Batman R.I.P. and whatever comes next. Dan DiDio shared a little with Newsarama:

Newsarama: Dan, obviously the title is a reference to Alan Moore’s Superman story, “Whatever Happened to the Man of Tomorrow?” Are there parallels between this story and that one?

Dan DiDio: There are a number of parallels to that. There’s a very particular reason why we call it that, and that information will be coming out later on, but with this, we wanted to get someone of that particular stature to tell this story, a story that will really define the years of Batman’s life.

And Gaiman has posted about it on his blog, though he’s even less forthcoming:

So I don’t have to write lots and lots of emails back to all the journalists:

1) Yes, I am writing a two part Batman story.

2) Yes, Andy Kubert will be drawing it.

3) Yes, it will be two oversized issues.

4) No, I don’t plan to say anything else about it until it’s all written and drawn.

(I just called my Visa card to fix something, and found myself being asked if I was the Neil Gaiman. I said yes, I was. "So," said the Visa person, "Are you going to be writing an episode of Dr Who?")

 

Shiny, Shiny Superheroes, by Mike Gold

Shiny, Shiny Superheroes, by Mike Gold

  • News
  • July 28, 2008

Despite the graphic to the right, this week’s column isn’t another screed against “everything you know is wrong and will be wrong again” superhero plotting. We’ve pretty well strip-mined that topic, and unless I get inspired by original thought I’ll wait for DC and/or Marvel to make the next move.

This column is in the wake of a lengthy and continuing series of conversations I had with my ol’ pal John Ostrander. Having such conversations is the best part of the job; really, if you like talking with knowledgeable and highly creative people, I strongly recommend you become a comic book editor. I can’t quote from these conversations – for one thing, you’ll be seeing some of the results right here on ComicMix, and for another, I understand the Wi-Fi reception down at Gitmo isn’t so good. But I can give you the gist.

We were talking about doing superheroes in 2008. John does a lot of ‘em; depending upon your view of GrimJack and Jon Sable, I don’t do all that much in the genre. But I like it. I’m an American comic book fan and I proudly admit I enjoy a good superhero story. But there’s that “relevance-to-our-times” thing.

Brand-new superheroes were created in two waves: the build-up to World War II (Superman, Batman, Sub-Mariner, Captain America, Captain Marvel) and the cold war build-up to Vietnam (Spider-Man, The Hulk, Iron Man, The Question). There wasn’t a truly successful superhero created in the ten years following World War II, and the only totally original superhero created in the post-Vietnam years that comes to mind is Len Wein and Herb Trimpe’s Wolverine.

It’s easy to understand the element common to each of these two fertile periods: the reader had an overwhelming need for security. In the early “Golden Age” we were in a devastating economic depression with unemployment hovering around 25% and surrounded by massive international inflation. Japan had invaded China, Germany was beginning to engulf its neighbors and nations historically friendly to us were looking to us for war material. We had a lot of unemployed people who could aid their, and later our, war effort.

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SDCC: Playing ‘DC Universe Online’

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  • July 26, 2008

A few lucky folks at Comic-Con have been able to test out the MMO DC Universe Online, and reports are starting to come in about the gameplay experience.

Over at Newsarama, the game gets a positive early review:

The character I was playing was called Rockslide, who had earth-based powers (similar to Terra from the Teen Titans), a staff and – my favorite part – super speed. The controls are similar to other Playstation games, where the buttons allow you to perform basic movies – two different attacks, jump and pick stuff up – while holding the R2 button and hitting the buttons lets you access your various super powers. I had a proximity attack that blew the earth out from under my enemies, I could fire boulders out of my staff and I could make crystals pop up out of the ground under my enemies, causing damage.

The coolest part, though, was when I hit the right joystick and turned on the Speed Force. Throwing rocks at my enemies and slamming them with my staff was cool and all, but you’d expect that in any superhero-based MMO. Having my character run through the streets of Metropolis at super speed, trailed by what looked like the Speed Force that all comic fans know from the comics? That’s the kind of detail this game needed to really set it apart. And from what I’ve seen so far, it has it in spades.

Meanwhile, Newsarama also reported extensively on the panel and preview for the upcoming Mortal Kombat vs. DCU game.

Superman battled Sub-Zero in a ruined Metropolis, slowing the icy warrior with his freeze breath. Batman battled Scorpion in hell, trading Batarangs and grappling spears. Catwoman used her agility to get in a few bloody scratches on Shang Tsung. Finally, the Flash darted around Soyna, leaving her spinning and dazed before running her off a cliff, the pair trading blows all the way down before the Flash got the upper hand and whipped his opponent into the ground, creating a small crater.

SDCC: Stan Lee and Grant Morrison Panel

  • News
  • July 26, 2008

Thursday morning at San Diego Comic Con, the marquee comics panel was Virgin Comics’  discussion featuring Stan Lee and Grant Morrison.

Before the discussion started, a brief video was screened showcasing Morrison’s MBX, a new motion capture cartoon that retells an ancient Indian Myth.

“I think today there’s an obsession with war,” Morrison said, as he explained that although MBX is a 10,000 year old Indian Myth, it will function as a lens through which to explore many of today’s pressing global issues.

The discussion was moderated by Sharad Devarajan, the CEO and publisher of Virgin Comics.

Morrison is known for being charismatic and engaging during discussions like this, but it was almost startling the degree to which Stan Lee’s presence overshadowed Morrison’s. Throughout  the panel Morrison gave due deference to the gravity of Lee’s body of work.

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San Diego Comic-Con: But enough about me… by Martha Thomases

San Diego Comic-Con: But enough about me… by Martha Thomases

  • News
  • July 26, 2008

Being the conscientious sort, I thought about writing my column early in the week so it would be finished before I had to leave for San Diego. That way, I’d have one less thing to worry about what with the packing, the schlepping, the hob-nobbing, the drinking.

At the same time, because I feel a responsibility to you, my readers, I thought you might appreciate my keen insights into the event that has come to define not only comics fandom, but also pop culture in America in the early parts of the 21st century.

Eventually, I decided my responsibilities as a journalist were more important than my personal desire for efficiency. (Also, I ran out of time before I left.) As I write this, the first full day of the show has ended, and the evening’s parties lie ahead.

What have we learned?

For starters, Wednesday night, which used to be the Preview night, primarily (it seemed) so exhibitors could check out the show, is now so crowded with people that it makes Times Square look like the dark side of the moon. Getting to a restroom was impossible, much less getting across the floor.

And while television and movie and game and toy folk have used the show for ages to promote fantasy, science fiction and action-adventure stories to fans, this year such distinctions are irrelevant. The Office has a booth. There are giant posters promoting Dexter everywhere. I think both of these shows are great, but they have nothing to do with comics.

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SDCC: Superman: Man of Tomorrow panel

  • News
  • July 25, 2008

DC Comics ran their first panel of the show on Thursday morning with DC: Superman: Man of Tomorrow.  The panel was moderated by editor Matt Idelson and featured writers Geoff Johns, James Robinson, and Sterling Gates along with artists Jamal Igle and Renato Guedes (who was provided with a translator, yet never spoke).

Johns kicked off the panel by asking how many in the crowd were reading Action Comics to a strong, but noticeably short of unanimous, ovation.  He then continued to explain that what they’re trying to do right now in the books is to create a cohesive universe for Superman so they can “start telling big excellent stories”.

As an example of a big excellent story Johns went on to explain the upcoming “New Krypton” story arc.  Coming out of the current Brainiac story Kandor will be restored to full size on Earth.  “100,000 Kryptonians come to Earth and say, cool this is New Krypton, and Superman’s like, ‘no it ain’t.’” said Johns.

The panel then turned towards the role of Supergirl in the upcoming stories. Gates expressed a desire to turn the book from a “B”-list title to a more marquee title.  Igle said of Gates’ first issue, “I was surprised at how good his script was.  I had to go back and read it twice.”

Johns went on to discuss the return of Cat Grant to the Superman titles and the relationship between her and Supergirl.  He said that one of the first thing she would do is publish an article called “Why the World Doesn’t Need a Supergirl.”  It was later revealed that this article would make up the first page of Gates’ run on Supergirl.

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