Tagged: Superman

Michael McKean voices egomaniacal Arkham Asylum psychiatrist Batman: The Dark Knight Returns, Part 1

  • News
  • September 1, 2012

Michael McKean just can’t stay away from the fanboy realm.

The versatile star of film, television and stage continues to deviate from his mainstream roles to appear in all forms of super hero entertainment, this time lending his voice to the egomaniacal Dr. Bartholomew Wolper in Batman: The Dark Knight Returns.

Frank Miller’s landmark graphic novel, Batman: The Dark Knight Returns, Part 1, is the next entry in the popular, ongoing series of DC Universe Animated Original Movies. The film arrives September 25, 2012 from Warner Home Video as a Blu-ray™ Combo Pack and DVD, On Demand and for Download.

McKean is a key member of a voice cast that features Peter Weller (RoboCop) as Bruce Wayne/Batman, David Selby (The Social Network, Dark Shadows) as Commissioner Gordon, Ariel Winter (Modern Family) as Carrie/Robin, and Wade Williams (Prison Break) as Harvey Dent/Two-Face.

McKean is best known for his portrayal of David St. Hubbins in This Is Spinal Tap, a role he’s been perpetuating along with his bandmates for more than a quarter of a century. McKean actually is a talented musician – he’s quite handy with a harmonica, guitar or keyboard. His honor role of movie credits include Best in Show, 1941, Planes, Trains & Automobiles and A Mighty Wind.

McKean initially drew the public’s adoration as the first half of the inimitable duo of Lenny and Squiggy on the 1970s favorite, Laverne & Shirley. He served as the self-centered, sex-driven boss Gibby on one of HBO’s first original sitcoms, Dream On; and he was a member of the core cast on Saturday Night Live from 1994-1995. McKean’s

prime time appearances number in the dozens on series like Friends, Curb Youth Enthusiasm, Law & Order (two different characters, eight years apart) and The X-Files.

Even within those roles, McKean found his way into fanboy fun – playing Perry White during a 1995 SNL. He would revisit the role six years later on Smallville. In fact, McKean is one of only seven actors to appear in both Lois & Clark: The New Adventures of Superman and Smallville – and the only one to also give voice to a character in a DC Universe Animated Original Movie.

McKean’s been to the Batcave before, too. The New York native voiced the 1950s Joker and a Mutant in the “Legends of the Dark Knight” episode of The New Batman Adventures, as well as voicing Sneak Peek for Batman Beyond. For Justice League, he voiced The Sportsman.

The DC Lineage dips into his personal life, as well. McKean is married to actress Annette O’Toole, who has the distinction of playing Lana Lang opposite Christopher Reeve in Superman III, and as Martha Kent for 10 years of Smallville.

McKean obliged us with a few minutes to chat about his latest animated role, and a few other subjects near and dear to fanboy hearts. Take a read …

QUESTION: How did you come to think of Arkham Asylum psychiatrist Dr. Bartholomew Wolper?

MICHAEL MCKEAN: Dr. Wolper is a very, very good shrink … if you ask him. He’s a guy who likes the sound of his own voice; he finds his ego very soothing, even though it seems a little ponderous from the outside. But he is convinced of his own genius, and definitely convinced that these poor, twisted souls who have been entrusted to his care are redeemable because he knows who the real bad guy is.

QUESTION: And that “bad guy” is?

MCKEAN: Wolper thinks that Batman is a social disease. He thinks that it is, in fact, Batman’s ego that is driving the crime wave in Gotham City. And he sets out to prove it. I don’t think he actually makes the case, but you can’t tell him that (laughs) … or anything else, for that matter.

QUESTION: How did you approach playing this character?

MCKEAN: My first impulse was Dr. Phil, but it didn’t work – it was too folksy. I think that a man whose ego is such a construct that it supersedes everything else around him, that’s kind of an interesting character to portray. There are some great examples in history. And I think a man who plays God – especially when it concerns human intelligence, human psyche, human emotions – he’s kind of like a prestidigitator. He’s the expert in the room, and when he tells you something is so, he expects you to believe it. And it’s only when he comes right up against the real world that it all falls apart.

QUESTION: In addition to acting, you also direct. And you’ve worked with Andrea Romano on a number of projects. What makes Andrea so good at what she does?

MCKEAN: Andrea Romano has a kind of a soothing, friendly personality, which of course masks a tyrant (laughs). Kidding, kidding. I think she’s an amazing talent and I trust her implicitly. Often if I’m directing, I’ll say, “Look, I won’t give you a line reading, but” and then I’ll try to make my case and get you to say what you’re supposed to say. As an actor, I actually ask Andrea for a line reading, because she knows exactly what she’s doing. She’s been doing it a long time, and she’s the best in the business. So I utterly respect her taste and opinion. And she’s also a great cheerleader – there’s never a time when I think “Geez, I don’t know what I’m doing here.” Even if I don’t know what I’m doing, she always convinces me that I do … and then she sets me straight (laughs). It’s kind of brilliant.

QUESTION: Does being part of a Batman film have any personal significance for you?

MCKEAN: When I was a kid, I adored the Bob Kane’s 1950s Batman. I liked the Superman comics and Justice League and Flash and the Atom – nobody does The Atom anymore, and that was a cool super hero – but I did love Batman. I loved the fact that they always found a way to stage the climactic scenes in a warehouse of gigantic toys, or huge oversized stuffed animals. And even as a kid, I sort of knew, “Well, (Kane) is sort of bored. He wants to draw something new other than just a street corner and a couple of guys fisting it out.” So I was a big comic book fan, and I loved the DC stuff.

When I went to college, the ABC series began airing. I was at Carnegie Mellon and I’ll never forget that everyone was looking forward to Batman and it was going to be the best thing ever. In those days, there was only one or two TV sets in the entire dorm. So we went down to the common room at McGill Hall and the show came on – and the minute the “pows” and “bams” and sound effects came on screen, the whole place went insane. Now these were all young men of ages 17 to 23, but suddenly we were all kids again. It was phenomenal. So it is kind of nice to revisit that (memory) by being in this film.

I also had the honor of playing the Joker in one of Mr. Timm’s episodes. Mark Hamill was doing the voice at the time, but they had a flashback to the 1950s, so I got to play the Joker in one episode. That was pretty exciting, too. And now it’s nice to be in a full-scale, class production like this.

QUESTION: With all your years of comic book reading, and your interest in the super hero realm, do you have a character you’d most like to play or voice?

MCKEAN: Comics actually taught me how to read. From the age of 3 or 4, my older sister would help me along with my reading lessons, telling me how to sound out words. Then I’d sit with my comics and really develop my reading. I remember that as I was reading comics, I had voices in my head for the characters. But I honestly don’t think I have one that I’d really want to take on. Maybe Bizarro Superman. That’d be fun to do.

QUESTION: You’ve carved quite the resume of film, TV and stage performances, and yet you find time for a lot of animation voiceovers. For you, is that additional work … or working fun?

MCKEAN: It is an awful lot of fun. The only time I don’t like voiceover stuff is if I have a ton of ADR work to do. I did a film called Short Circuit II, where I had a lot of scenes with a robot. And it was a real robot – it was operated off screen, but it really was a mechanical man. And, of course, they had the motors going at all times, Every move the robot made, there would be a noise with that movement. So every scene I had with this damn robot, which was about half the film, I had to loop everything. And that drives me crazy. But when you’re working with people like Rob Paulsen and Maurice LaMarche – I did a bunch of Animaniacs and a couple of Pinky & the Brain episodes – those guys make it such a great party atmosphere. They’re so funny and so smart – just amazing people to work with. That’s the best part of the job.

QUESTION: With so many memorable roles in your lengthy list of credits, what do people stop and ask you about the most?

MCKEAN: I guess Spinal Tap, just because we keep coming back. We made the movie 25 years ago and occasionally we “tour” and make TV appearances and put out product. So people know me from that. Occasionally somebody will come up and say “You’re Gibby from Dream On,” not very often, but sometimes. Laverne and Shirley – not so much. That’s a long time ago, and we’ve all changed (laughs). And, of course, the last few pictures I made with Chris Guest. People love Best in Show. People always say the same thing to me about that film – they say, “You know, you and your boyfriend had the best relationship of all the couples in the film.” And they’re so totally right (laughs). We were made for each other. So that’s a lot of fun, too.

QUESTION: Dr. Wolper is actually featured in both Part 1 and Part 2 of Batman: The Dark Knight Returns. Can you give us a little teaser of what to expect in the second half of the story?

MCKEAN: The Joker is kind of Dr. Wolper’s pet patient. He is the most irredeemable, as far as society is concerned, which Dr. Wolper takes as a challenge. He’s thrilled and delighted when he sees the Joker making such progress, and he thinks that he’s done so well that the next step is to bring him out into the public to kind of show off his own work. It doesn’t go well.

Martha Thomases: Don’t Try To Dig What We All Say

In my daily perusing of the Internets, I came across this post. A short post, it says (with one little snip):

“Dear Old People (and this includes me), the kids today are not hip to your cultural references. This is not a failure of education. Things change. The end.”

It’s not about comics or the movies or television. If anything it’s about Baby Boomers and how insufferable we can be. The popular art that moved us must move you, or you’re ignorant.

This is not a new attitude. My mother, for example, loved E. Nesbitt and J. D. Salinger, so she thought I should read them. My high school English teacher thought that Fitzgerald and Hemingway were the greatest writers of the 20th Century, and skewed their curricula accordingly.

None of this was as insufferable as my generation has been.

In Hollywood, my generation has minded the television shows of our youth into (for the most part) wretched movies. Car 54, Where Are You?, which was an entertaining glimpse of the 1950s Bronx, was made into a terrible movie that abused my beloved David Johansen. See also: McHale’s Navy (here and here), I Spy (here and here), and more. Exception: The Addams Family was genius, and so was equally transgressive movie.

We also made smug jokes. Do you know Paul McCartney was in a band before Wings? These days, if someone tells that joke, that person must explain what Wings was.

In comics, the insidious influence of the Boomers is even worse. Every attempt to reboot a character for a modern audience is eventually derailed by continuity geeks who insist that everything fall in line with the way it was when they were kids. Sometimes, I’m like this myself. I liked the Supergirl who hid her robot in a tree. I liked super pets. I think they made the world a better place.

You know what else made the world a better place? Me, being young and cute and hopeful.

We need to get over ourselves. The Flash doesn’t have to be Barry Allen (that re-reboot robbed my adult son of the Flash he grew up with). Superman doesn’t have to be in love with Lois Lane, nor Peter Parker with either Mary Jane or Gwen Stacy. Those stories exist, and we can read them whenever we like.

In the meantime, there’s lots of terrific new entertainment that us old farts could learn from. Off the top of my head, there’s Sherlock, a brilliant new way to look at a classic character. There’s Copper on BBC America, a blueprint for the way the GOP wants to rebuild American society. There’s Cosmopolis, a movie that analyzes modern life from the interior of a stretch limo. And, love him or hate him, Mark Millar is taking major risks as he creates his media empire.

Now, excuse me. I have to go and watch Nashville again.

SATURDAY: Marc Alan Fishman, Rob Liefeld, Scoot Snyder, and Burning Down The House

 

Mindy Newell: Sometimes A Great Notion Gets Beat

Gosh darn that Entertainment Weekly!

Curse you, Martha Thomases!

Damn those Republicans!

Off with your head, John Ostrander!

I’m the New York Giants’s Lawrence Tynes. I’m the place kicker here. I’m the one who gets the game going. Yeah, that’s right. Monday is the start of the week here at ComicMix. The calendar week may start with Sunday, but Monday is the real start of the week, isn’t it? As in first day of the work week and first day of the school week.

(BTW, what y’all thinking about the Giants first-round draft choice, running back Dave Wilson? I’m liking him. Yeah, that’s right. Football season is just about here. Deal with it. Go Giants!)

And here it is Monday, and I’m sitting here on Sunday afternoon without a thing to write about.

I was going to write about Superman and Wonder Woman sitting in a tree, k-i-s-s-i-n-g in a tree. Except that my pal Martha beat me to it. And superbly, I might add.

Then I was going to write about how life imitates fiction, even when events are too strange, too scary, too twisted, too cartoony to be believed. Except that my buddy John got there first. With an A+, of course.

This happens sometimes when you’re a writer.

Great minds thinking alike.

Okay, you can stop snorting in derision now.

But Ken Kesey’s Sometimes A Great Notion (great book, btw, highly recommended) gets beaten to the punch. So then what do you do?

Panic is the best – and first – reaction.

Going to the gym to clear out your mind (and burn off the fight-or-flight adrenaline) is the second thing you do.

Read all the comics that have been piling up in the kitchen in one sitting, praying that one of them will spark an idea.

Look at the clock and realize the deadline is looming and curse yourself for not writing the column earlier in the week when all the hub-pub hit the media, thus beating out Martha and John.

Panic again.

Cut open a vein and watch yourself bleed.

Or sit down in front of the computer and start writing from fear of Mike whooping your ass.

I love you, Mike.

Oh, and by the way:

Regarding Diana and Kal-El. I still maintain that Diana, considering her upbringing, would most likely look to her own sex for an adult relationship before venturing into anything heterosexual – meaning she needs to discover just where her sexuality lies. Hey, is that where Geoff Johns is going with this? Not that I believe for a second that DC and its corporate papa, Time Warner, would ever let Wonder Woman be gay.

Regarding Rep. Todd Akin (R-Missouri), Judge Tom Head of Texas, and State Senator Stacey Campfield (R). They only prove that the Repugnanticans have become truly asinine, ignorant, bigoted enemies of truth, justice, and the American way.

If only they were characters in a comic book.

TUESDAY AFTERNOON: Michael Davis and More Milestones

 

Dragnet, The Octopus, Operator Five, The Shadow, and More! ALL FROM RADIO ARCHIVES!

  • News
  • August 24, 2012

RadioArchives.com Newsletter

 
August 24, 2012
 

 

“The story you are about to hear is true. Only the names have been changed to protect the innocent.”
 
These words were just the beginning of the authenticity of one of the best remembered radio programs of all time. Although not the first to base its stories on real cases, Dragnet most assuredly was best in assuring that each program was as realistic as possible, from the first step heard to the last word spoken. This is evident in every episode featured in Dragnet, Volume 5 from Radio Archives!
 
Dragnet creator and star Jack Webb insisted from the moment in 1948 he was inspired to create the program that it would be as true to life as possible. After recording an audition, Webb approached the Los Angeles Police Department for its approval, which was given under certain conditions. Webb agreed to each one, even carrying his desire for realism farther than the police demanded.
 
Dragnet portrayed each procedure followed by policemen accurately, but took this accuracy even further. If a policeman read a description from a report, then listeners heard a page flip as descriptions were beyond the first page in an actual report. Steps from one office to the other or up the front steps of the police station numbered exactly the same as they did in real life.
 
Each episode on Dragnet, Volume 5 rings with the realism Jack Webb demanded and is restored to sparkling audio quality. Get ‘Just The Facts’ with Dragnet, Volume 5 from Radio Archives! Ten hours, twenty shows are available now for only $29.98 on Audio CDs!

 
In the late 1940s, Jack Webb created “Dragnet”, a straightforward, non-nonsense documentary style look at crime in the big city. First aired on NBC Radio, the series quickly became a massive hit and, in 1952, Webb brought it to television. One of the earliest and longest running police dramas, “Dragnet” quickly became a regular viewing habit for millions of American families each week. This set includes three episodes originally aired in 1952 and 1953:
 
Based on real cases from police and FBI files, the docudrama “Gang Busters” first aired on NBC in 1952, alternating weeks with “Dragnet”. This crime series sprang from the successful radio series that ran from 1936-1957 and featured narration by Phillips H. Lord and Chester Morris. In this collection, you’ll enjoy three broadcasts from 1952:
 
Regularly priced at $9.98, get all six television episodes on two DVDs for only $4.99, a 50% savings, only for the next two weeks. A perfect addition to our new Dragnet Radio Collection.

 
Digital Download Special Price Offer Extended
 
Due to the huge interest shown in the last two weeks, we are extending the special price for another Two Weeks. You can get Digital Downloads of any of our Old Time Radio sets for 50% off the regular Audio CD version price! Digital Downloads from Radio Archives gives you the same sparkling high quality audio content as our compact disc collections at a reduced price, Delivery immediately upon payment, and the ability to play them on your phone, computer, or portable device! Purchase the audio collections you love and enjoy them in a whole new way!
 

Rapid Fire Radio
A Column by Tommy Hancock
 

Reviews!
The Big Show, Volume 1 – The Best Stars, including Danny Thomas, Fred Allen, Fanny Brice, Bob Hope, Joan Davis, Ed Wynn, and more! Music directed by the fantastic Meredith Willson and his inimitable orchestra! Opera, Comedy, Popular music, Movie Previews! Take all that and top it off with Tallulah Bankhead as the ideal audacious hostess and you have one of the most enjoyable variety shows to ever air, not only on radio, but anywhere! Find out for yourself for only $29.98 on Audio CDs from Radio Archives!
 
Box Thirteen, Volume 4 – “Adventure Wanted.” That’s how the ad ran by Dan Holiday, as portrayed by Alan Ladd, started, the ad that threw Holiday and listeners to ‘Box Thirteen’ into action and adventure every single week. This volume contains the final 12 episodes of the series and clearly are some of the best recorded. Ladd hit his stride with the character and the formula flowed like well placed rabbit punches, making each and every story one full of suspense, mystery, and just the right touch of humor. Box Thirteen, Volume 4 is audio mystery and character portrayal at its best and can be yours for $17.98! Send us a note if you would like to see more Box Thirteen stories from Radio Archives and we’ll see what we can do.
 
Claudia, Volume 1 – This volume is one of an entire collection that any fan who enjoys good storytelling, engaging characters, and daily slices of living made funny, endearing, and interesting should own. Claudia follows the escapades of newlyweds Claudia and David as they adjust not only to being newly married, but being new parents as well and to a move from the big city to the countryside. Filled with fully realized, quirky characters and delivered in well written, tightly plotted fifteen minute episodes, Claudia put quite simply is a joy to listen to. You can enjoy it as well for only $29.98 on Audio CDs!

 

Character Spotlight!
Nothing makes a great adventure like colorful characters, complex storylines, and enough high seas action and swashbuckling blade to keep any landlubber on the edge of his seat. Add the fact that the title character in Afloat with Henry Morgan, Volume 1 is actually based on a true historical personage, then you have a larger than life hero that takes adventure to a whole different level. Morgan is a grand, almost incredible central character, a pirate and gentleman knee deep in the intrigue and conspiracy of the 17th Century. As he makes his way through the twists and turns of the story, he comes to life and reminds one of the sort of characters made popular on screen by Errol Flynn. Get ‘Afloat with Henry Morgan, Volume 1’ and ride the foamy waves with a truly awesome Pirate. Only $17.98 on Audio CDs!
 

 

 
 

One of the most bizarre pulp magazines ever published was titled The Octopus.
 
Released in 1939 by Popular Publications, it turned the formula of The Spider on its head. Instead of centering on a fearless avenger of crime, it focused on the master criminal himself!
 
His true identity unknown, The Octopus is a denizen of the underworld, bent on bringing America’s greatest city to its knees through a campaign of terror and horror never before seen.
 
Writers Norvell W. Page of Spider fame, backed by Edith and Eljir Jakobsson produced this weird epic under the name of Randolph Craig. Evidently they were attempting to duplicate the success of The Spider—with a weird twist. But there was more to The Octopus than an archfiend who dressed like a cuttlefish. Just as no pulp series can last long without a worthy villain, they understood that without a formidable foe, The Octopus would flop. So they created a hero with three identities. Jeffrey Fairchild is a wealthy medico. By day, he masquerades as kindly old Dr. Skull, treater of the sick in New York’s East Side slums. But at night, he dons a more sinister guise and becomes the sworn foe of all crime—The Skull Killer! Branding his kills on the forehead like the Spider, The Skull Killer takes on The Octopus and his purple-eyed minions in the wildly over-the-top story, The City Condemned to Hell.
 
Backing up this masterpiece of weird menace are three novelettes torn from the pages of the only issue of The Octopus ever published. This audiobook is narrated by the talented brothers of Doug Stone and Glen Stone.

 

 
You can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.
 

 

The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

In a hundred thousand homes, families sat down together at the supper table. A few hours later, those persons were dead — killed by poison in canned foods! Thousands of women used cosmetics, and acid made their faces forever hideously scarred. A master criminal, daring and clever, was ruthlessly slaughtering Americans to win immense illicit profits for himself. Only one man was powerful enough and wise enough to stop this wholesale murder — Richard Wentworth, champion of oppressed humanity, better known as the Spider. And the Spider was engaged in the bitterest battle of his career, fighting the Avenger, a false, wily crusader who was determined to destroy him! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

Richard Wentworth was playing the most dangerous game in the world — a man-hunter outside the law; a righteous lone-wolf avenger of the weak; a scourge of the evil, the wicked and the corrupt! Loathed by the organized armies of the underworld, hunted ruthlessly by the forces of the law, he was ever between two raking cross-fires… Seldom, however, had the Spider, Master of men, faced the odds which challenged him when the man called Aronk Dong summoned all the underworld to serve him in the most ghastly campaign of rampant crime and wholesale slaughter this country had ever experienced. Armed with a weapon which struck through stone walls at victims sleeping peacefully in their beds, it was small wonder that criminals everywhere hailed the new leader — and flocked in evil glee to his dark banner! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.

 

Oil — black gold — the blood of Mother Earth! America had squandered its precious reserves and a syndicate of skilled saboteurs was destroying the remaining store! With all National defense rendered helpless for want of it, bitter despair gripped the hearts of the country’s millions. Pillage, slaughter, and slavery — misery and death — threatened each American! And Jimmy Christopher, Operator 5 of the United States Intelligence, was gambling his life recklessly in a valiant effort to save his native land from extinction!
 
Jimmy Christopher, clean-cut, square-jawed and clear-eyed, was the star of the most audacious pulp magazines ever conceived — Operator #5. Savage would-be conquerors, creepy cults, weird weather-controllers and famine-creating menaces to our mid-western breadbasket… these were but a few of the fiendish horrors that Jimmy Christopher was forced to confront. Operator #5 returns in vintage pulp tales, reissued for today’s readers in electronic format. As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

 
From the archives of the mighty Ancients, Curt Newton brings back forgotten Denebian science to balk a greed-maddened schemer who seeks to loose unspeakable terror on the Universe! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.

 

Giants shrivel to doll-size in Death’s most horrible scientific coup! Washington is about to collapse! Jimmy Holm uses the sinister scientist’s own gory weapons to battle the learned monster. This saturnalia of science is filled with bloodshed and terror.
 
The maddest of the Mad Scientists — Doctor Death — starred in his own bizarre pulp magazine in early 1935. He consorted with demons, elementals, zombies, disinterred mummies, and other unclean denizens of Hell. Standing against him were the Secret Twelve, a band of the top U. S. civil and business leaders, headed by Jimmy Holm, a millionaire criminologist and occultist. One of the rare unabashedly supernatural series the pulps ever produced.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
by Tommy Hancock
 

There is nothing Pulpier than a strange, initially unseen menace that consumes steel and iron, eats bridges and battleships like kids eats cookies. Except for maybe a hero who, after encountering corrosive wielding henchmen, bomb dropping pilots, armed fugitive chemists, and masked masterminds essentially single handedly defeats evil and save America. There’s this and much more in The Melting Death, a wonderfully designed and formatted eBook from Will Murray’s Pulp Classics line from Radio Archives.
 
Operator #5 was a superspy before Ian Fleming ever cast the mold for James Bond. Not only that, but Jimmy Christopher, the man unknown to the world as the title spy, actually is the son of the man who held the honor of being America’s best operative before Jimmy. That’s the beauty of this concept as a whole. Operator #5 is not just another cookie cutter Pulp hero. He has a family, interacts with a cast of characters who double as teammates and friends, and saves America from some diabolical attempt at invasion. And this happens in every single issue.
 
The Melting Death opens with Operator #5 already on the job, trying to find an evil agent in America’s midst. This leads him to be present at the dedication of a sparkling new supposedly nearly invincible bridge that has some bearing on America’s safety. While trying to save the country, Jimmy finds himself in the midst of hellish chaos as the bridge literally begins to turn to dust. As people scream and die all about him, Operator #5 saves those he cans while learning the source of this consuming evil.
 
And that’s just the first chapter!
 
The Melting Death is non-stop, breakneck fast, mind blowing Pulp. All of the right elements are included, from the dashing hero to the mysterious villain and everything in between. Not only that, but this has the one thing that every Operator #5 story must have – a threat that could very well destroy the United States. Combine that with the easy to read, simply elegant formatting of the eBook itself and Operator #5 The Melting Death is aces all around and can be yours for only $2.99 from Radio Archives!

 
 

 

The Knight of Darkness wages battles to the death with two of his greatest superfoes! First, The Shadow becomes “The Devil’s Paymaster” to end the sadistic reign of The Prince of Evil in the violent conclusion of Theodore Tinsley’s most acclaimed storyline. Then, Lamont Cranston must die to crush a superfiend’s evil plots when “The Wasp Returns” in an action-packed thriller by Walter B. Gibson. Foreword by Michael Uslan, executive producer of the Summer Bat-Blockbuster, “The Dark Knight Rises.” This instant collector’s item leads off with one of Graves Gladney’s greatest covers, and also showcases all the original interior illustrations by legendary illustrator Earl Mayan, with historical commentary by Will Murray and Anthony Tollin. BONUS: The Shadow tracks down “The Comic Strip Killer” in a classic adventure from the Golden Age of Radio. Buy it today for $14.95.
 

The Man of Bronze returns in two tales of super-science that inspired classic Superman stories. First, a silvery stratospheric craft showers vapors of death upon a Texas town, while Cosmic Rays alter Long Tom’s mental makeup. Doc and Patricia Savage attempt to thwart the deadly plots of a red-hooded mastermind in “He Could Stop the World,” a pulp classic by Laurence Donovan that inspired an early Superman story by Jerry Siegel. Then, “The Laugh of Death” could change the outcome of World War II, in a Lester Dent thriller that introduced Doc’s new Fortress of Solitude that inspired the Man of Steel’s glacier hideaway. This double-novel collector’s edition leads off with a knockout cover by legendary paperback artist James Bama. and also reprints both classic color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray. Priced at only $14.95.
 

The Man of Bronze returns in two tales of super-science that inspired classic Superman stories. First, a silvery stratospheric craft showers vapors of death upon a Texas town, while Cosmic Rays alter Long Tom’s mental makeup. Doc and Patricia Savage attempt to thwart the deadly plots of a red-hooded mastermind in “He Could Stop the World,” a pulp classic by Laurence Donovan that inspired an early Superman story by Jerry Siegel. Then, “The Laugh of Death” could change the outcome of World War II, in a Lester Dent thriller that introduced Doc’s new Fortress of Solitude that inspired the Man of Steel’s glacier hideaway. This double-novel collector’s edition features both classic color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. Priced at only $14.95 
 

One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Laboratory Of The Damned” (1936), Poisoned! Struck down by a deadly assault from a mad murderer, the Spider finds his friend Stanley Kirkpatrick, Commissioner of Police, doomed to a stupor of living death. Nor is he the only victim… also stricken with the dread malady is Richard Wentworth’s fiancee, Nita van Sloan! The Spider battles both the Law and the Underworld to survive! Then, in “Hell’s Sales Manager” (1940), The Brand wields a weird new weapon that sucks everything in its path into a vortex of destruction! How can even the Master of Men fight an enemy that seems to simply vanish? While this reign of terror goes unchecked, the Spider finds his every effort hampered by a human bloodhound assigned to track down and eliminate him. These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 

Altus Press is proud to announce the release of the third volume in its acclaimed Wild Adventures of Doc Savage series, written by Will Murray and Lester Dent, writing as Kenneth Robeson.
 
Set in the Fall of 1936, The Infernal Buddha tells the epic story of Doc Savage’s desperate quest to control the Buddha of Ice, a relic of unknown origin—and what may become the most dangerous object on Earth!
 
When a mummy arrives at Doc Savage’s New York headquarters wearing the clothes of his missing assistant, engineer Renny Renwick, Doc, Monk, and Ham rush to Singapore where they get on the trail of a swashbuckling pirate who calls himself the Scourge of the South China Sea, in whose hands a piece of the infernal Buddha has fallen. The trail leads to Pirate Island, the fate of Renny, and a mysterious box containing a terrible, unstoppable power.
 
But that is only the beginning of the quest into which the Man of Bronze plunges—one that will take him to the upper reaches of the Yellow Sea and a series a wild ocean battles against the vicious factions fighting for control on the infernal Buddha.
 
Before it is all over, every human life on Earth will tremble on the brink of eternity, and Doc Savage will face his greatest test.
 
“This may be my wildest Doc novel to date,” says author Will Murray. “The Infernal Buddha is a fantasy epic full of corsairs, criminals and other culprits. The menace is planetary. The threat, extinction. Doc Savage has a reputation for saving the world. This time he does it on the greatest scale possible. I began this book back in 1992, working from an opening situation Lester Dent started in 1935. Together, we have produced a true Doc Savage epic. And it only took about 75 years….”
 
The Infernal Buddha features a startling cover painted by Joe DeVito, depicting Doc Savage as the Buccaneer of Bronze! This cover was painted from a still taken in 1964 of legendary model Steve Holland, and is a variant pose shot for famed illustrator James Bama’s classic cover to The Man of Bronze. There has never been a Doc cover like it! Buy it today for only $24.95 from Radio Archives.
 
 

By John Olsen

 
The appearance of strange disks of grayish metal, upon which are engraved a queer Chinese character, marks the return of Diamond Bert Farwell. The Shadow will once again engage in a battle of wits and strength with this formidable foe from his past.
 
This story, set three years after Diamond Bert Farwell had been incarcerated, finds him preparing for parole. The Shadow has been picking up signs that Diamond Jim Farwell is up to something. To get details on Diamond Jim’s plans, The Shadow has his good friend Slade Farrow enter Sing Sing as a fellow prisoner. Slade Farrow is a criminologist who takes pride in reforming criminals who want a second chance. Two of those were Hawkeye and Tapper. They both appeared in the earlier novel-assisting Farrow. In this story, they join the ranks of The Shadow.
 
Three other agents are added to the growing assortment of agents of The Shadow in this tale. Pietro, the pushcart vendor was a minor agent who is drafted here. Jericho Druke appears here for the very first time. When we first meet Druke, the giant African is running an employment agency in Harlem. Taxicab driver Moe Shrevnitz was the final agent added to The Shadow’s band of aides in this story.
 
As for regular characters, Burbank and Clyde Burke make appearances. Rutledge Mann and Cliff Marsland get a few good scenes. So does chauffeur Stanley. Joe Cardona is an acting inspector in this story, and his boss is Police Commissioner Wainwright Barth. At police headquarters we also see Detective Sergeant Markham.
In this story, The Shadow uses his rubber suction cups to cling to sheer surfaces. We visit the small room that Burbank uses, although this time Burbank is off duty and Harry Vincent is on duty. And we visit Chinatown several times; once to visit with arbiter Yat Soon, the other to track down Diamond Jim’s associate Tam Sook.
 
This is one heck of a Shadow story. It adds five new agents and there are gun battles, death traps and a sinister organization based in Chinatown. The Shadow is at his peak of power in this 1934 story, and he’ll need all his strength to do battle with his old nemesis, Diamond Bert Farwell. Do yourself a favor and read this top-notch Shadow pulp mystery. This and another full length Shadow tale can be found in The Shadow, Volume 2 for only $12.95 from Radio Archives.
 

Comments From Our Customers!
 
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Good companies create good customers. Thanks. Always a pleasure to shop here. Good stuff, good prices, good policies. You know I’ll be back.
 
Doctor Panic on Amazon writes:
I just finished reading the Kindle version of the Spider #22 Dragon Lord of the Underworld. I have read over twenty Spider stories and this was one of the best. The job that was done by Will Murray in the opening shows what great passion the guy has for not only his writing but the writing of other greats, and his thorough knowledge of such. His intro kick starts you before you even get to the first chapter The book was formatted with nice bold lettering that jumped off the pages and made it super easy reading. The way a book is lettered can add a lot to the reading experience, and this was accomplished well in this book, purposely using bold or italics, added a little something that the original pulps didn’t have. 5 happy stars, do yourself a favor and read this one!!
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

Martha Thomases: Superman, Wonder Woman, and Sex

According to Entertainment Weekly, we are about to see a romance between Superman and Wonder Woman. According to the illustration on the site, it looks to be an “adult” relationship.

In some ways, this is genius. DC won’t have to field questions about the Larry Niven issue, since Wonder Woman is invulnerable. Although I’ve always thought Niven’s premise is flawed. There are no holes in the Kent’s farmhouse from Clark’s wet dreams or wank sessions. Or from him spitting.

And, in the current continuity, Superman and Wonder Woman are both the (mostly) sole survivors of lost civilizations. They share outsider status.

In some ways, it’s just another stunt. Look, two of our flagship characters are having sex with each other! No Lois Lane! No Steve Trevor! This is not your father’s DC Comics!

(How desperate is that, since that ad campaign was aimed at your father when he was your age?)

I’ll be interested to see how they do this. The new Superman hasn’t particularly defined himself to me, at least not out of Grant Morrison’s Action Comics stories, which are supposed to be five or so years in the past. I find Wonder Woman a better-drawn character. So much better, in fact, that I can’t imagine how they will write her in a sexual relationship. With Superman.

I’ll be interested, but I expect to be appalled. Sex in mainstream comics is, for the most part, handled very poorly. It’s all about tits and ass, which are among my favorite body parts, but not all there is to sex. However, fighting and rescuing people and standing around talking in mainstream comics are also all about tits and ass.

There is also a really smarmy air to most adult relationships in comics. It is as if sex is such a rare thing that only really cool people can have it. Maybe this was true in high school, but it’s not true for real grown-ups. Grown-ups have sex on a regular basis, most often with someone they like.

In comics, sex is unusual and awesome. One cannot have a conversation of any kind with a sex-partner without referring to sex, whether that conversation is in the office, at breakfast, or in a fight with aliens. I felt like that when I first had sex (in medieval times). It seemed like an amazing secret among me and the people I slept with, like we were in the world’s greatest VIP section. But then I got over myself, and realized that millions of people are having sex at any given moment. It’s one of the things that makes us humans, or at least mammals.

True, not all of them can fly. Maybe that will make the difference.

SATURDAY: Marc Alan Fishman Lightens Up On Wizard World

 

Dennis O’Neil: Fantasize

First, check out John Ostrander’s column, found somewhere near the stuff you’re reading, and then imagine me shouting Amen into the Grand Canyon and listen to the seemingly endless echoes and finally consider this a small gloss on John’s work.

John cites the old how-to-write chestnut: Write what you know. Okay, first a slightly snarky hypothesis that’s not intended to insult, or even question, my pedagogical colleagues, just raise the tiniest bump in the dialogue: Maybe those who teach the aforementioned chestnut write what they know because that’s all they, themselves, can write. That’s not a knock: we’re all wired a bit differently and who’s to say that a talent for writing, if talent it be, doesn’t manifest in as many different ways as, say, a talent for music? No good or bad, just different. (Who’s your fave, Mozart or Bob Dylan? Oh – lucky you! – can you dig ‘em both?)

It seemed to me, back when I was giving this kind of matter some thought, that until recently there’s been a cultural bias against imaginative storytelling. “Realistic” (note punctuation) equals good: fantastic equals bad. So Hemingway is a good writer because he wrote about going down to the café in the afternoon to drink the good wine, and Bradbury is bad because he wrote about… Martians and stuff.

Second, a confession that, with any luck at all, will segue into an observation: Despite my having written 200 or so Batman stories, I have never waited on a shadowy rooftop for a heavily armed psychopath to arrive so I can give him such! a smack. I’ve never bent steel in my bare hands or changed the course of mighty rivers either, but I’ve written Superman stories. The Batman stories were easier and more fun.

Here we circle back to the chestnut. I think the reason I was more comfortable with Batman than with the undoubtedly estimable Superman has to do with writing… not what I know, but what I fantasize. Batman lives near my dreams: Superman, not so much. I’ve never daydreamed about having godlike powers – and let’s face it, Superman is a demigod, at least – but I could imagine, oh…running a marathon in 2:10? Punching out that bosun’s mate who clocked me solid at that bus stop in Cuba? We’re talking about feats that are difficult and even extraordinary – he was one tough bosun’s mate – but that are within human capabilities. Did you watch the Olympics this year?

Let’s revisit the chestnut one last time…No – let’s toss it out altogether and substitute a few words from Henry David Thoreau: Go confidently in the direction of your dreams.

Maybe Hemingway dreamed of those cafés. And Bradbury? All those wonderful Martians…

FRIDAY: Martha Thomases Flies Back

 

‘GOD WAR’ DEBUTS!

  • News
  • August 18, 2012

The latest volume of James Axler’s OUTLANDERS series, GOD WAR, is available now.

OUTLANDERS:  GOD WAR
The heroes are at their lowest ebb, mankind has reached its darkest hour, and all of free will hangs in the balance.  With their numbers depleted and their trusted colleague in the thrall of the enemy, the heroic Cerberus warriors are forced into a multidimensional war between men and would-be gods with Earth as the prize.  Before this day is over, history will be remade forever.
This volume of the modern-day pulp sci-fi series is written by Rik Hoskin and finally draws together the threads he’s laid out over the past four years/15 books.  New readers should not be daunted, however – the book can also be read as a stand-alone.
About the author:  Writing as “James Axler”, Rik Hoskin has been the primary author of the Outlanders series since 2008 as well as contributing several volumes to James Axler’s Deathlands.  He is also a comic book author and has written Superman for DC Comics, helped develop a successful Spider-Man series for Marvel Comics’ European licensor, Panini and currently writes for Star Wars: The Clone Wars Comic as well as several younger readers titles.
Martha Thomases Is Talking Dirty

Martha Thomases Is Talking Dirty

They say “shit” on cable now. And “ass.”

And not just pay cable where not only has this been going on for decades, but it’s often a selling point. Need proof? Watch the reruns of The Sopranos on A&E, where they bleep so much that it sounds like having the hiccups is a requirement for being in the Mafia.

I don’t know when things changed. So many people in my daily life say “shit” and “ass” (and lots of other things) on a regular basis that I don’t really notice. This is how people talk in 2012. It’s how people have talked for the last 50 years, maybe longer (my memory is limited to my lifetime).

Still, when Ellen Burstyn said “Shit” on Political Animals. I had to pay attention. I think it’s in her contract that she has to say “shit” at least five times per episode.

Next up, I noticed they say “shit” on Suits, a show I started to watch because Gabriel Macht struggled so nobly in Frank Miller’s The Spirit that I rooted for him. I don’t think anyone says “shit” in Don Quixote, but if someone did, he would sound like Macht.

I didn’t notice if they said “shit” on Common Law, but they do say “ass.” I wonder if there are rules on the USA Network that you can say one word formerly deleted on basic cable, but not all of them.

On Louis, I think I heard them say “fuck.” I also saw a scene set in my local drug store, so I may just be projecting the neighborhood ambiance.

All of these shows (except Louie) are on in prime time. Louie is on at 11. So is the Daily Show with Jon Stewart, but they are still bleeping “shit” and “ass” on that show. I don’t know why there is a difference.

It’s also possible that, on scripted shows, the writers insist that “shit” and “ass” are necessary for the artistic integrity of their work. I’d agree that it’s hard to imagine back-room politics, high-powered law firms, or Los Angeles police departments where such language isn’t used. And the life of a stand-up comedian is an f-bomb waiting to happen.

Comics are still following the old rules. If a writer wants to say “fuck,” there will be a “Mature Readers” warning on the cover. When I was publicity manager at DC, part of my job was to answer the letters from parents outraged that a bad guy in a Superman comic said, “damn.” I think I told that parent that it was a way to demonstrate the person was a bad guy.

I didn’t lecture the parent about how, if I was trying to protect my impressionable child against bad influences, I might be more upset that a character in Superman had a gun and shot at people. I might have started a discussion about Bruno Bettelheim and The Uses of Enchantment. I might have said that the word “damn” is in the Bible. Instead, I commended that mother for being so involved as a parent.

I was really good at my job.

The language on these shows is realistic, within the boundaries of the form. In real life, we use profanity, but we also talk aimlessly about the weather, politics, sports, and what we’re going to eat for lunch, none of which is normally found in television dialogue. Many brilliant scripts have been written without cussin’ (see Casablanca  for example), but, for the most part, I think writers should have as many tools at their disposal as possible to show character.

I can’t recall any discussion about this in the media, certainly no outrage. Perhaps these shows are so focused on their target demographics that those who fall outside that range don’t even know this is happening.

Frankly, my dear, I don’t give a damn.

Does anybody?

SATURDAY: Marc Alan Fishman

 

Michael Davis: Milestones – African Americans in Comics, Pop Culture and Beyond, Part 1

Michael Davis: Milestones – African Americans in Comics, Pop Culture and Beyond, Part 1

Starting in February 2013 I will have the honor of curating what I hope will be a wonderful exhibit of African American comic art and related pop culture. The show will run for a year at the Geppi Entertainment Museum and the Reginald Lewis African American Museum. I’m at a lost for words for just how proud and overwhelmed I am for being asked.

Helping me with the show will be many people and chief upon them will be Tatiana El-Khouri, John Jennings and the wonderful Missy Geppi. I wrote some thoughts down in advance of the show to try and give myself a reason and a scope from which to work from. What follows in my next series of ComicMix articles are those thoughts, reasons and insight as to why I think this is important, with the occasional rant so you don’t forget my boyish charm…

In 1956 the two-year old Comics Code Authority (CCA) tried its best to stop EC Comics from publishing a particularly offensive comic book. Founded in 1954, as part of the Comics Magazine Association Of America the CCA was created in answer to an uneasy American public fed up with gruesome, shocking images and stories in comics.

Simply know as “the code” within the field, the CCA took to the task of cleaning up the comic industry like the new sheriff in town taking to the task of ridding said town of whore houses so decent people could live in peace. The Comics Code just would not stand for America’s sons being subjected to the evils of comic books. EC Comics was among the top targets the moment the code was formed.

Pushing the limits of what at the time was considered obscene was nothing new to the publisher of explicit horror books. The mainstay content of EC was carnage, viciousness, crime and a productive heaping of gore thrown in for good measure.

To some, an above-reproach case could be made even today that EC was glorifying criminals and their actions as well as violence for the sake of such. This, years before we see the same argument being used against Rock and Roll and decades before we see it used against Rap and Hip Hop music. Crime and violence aside, the Comics Code also took great offense at sex. To be fair, what would the 1950s be without someone objecting to sex?

With the moral backdrop of the 50s and the onslaught on standards deemed obscene by mostly old white men regarding everything from juvenile delinquency to portraying married couples in the same bed on TV its no surprise there were senate hearings on comic books. Those hearings, spurred on in no small measure by Dr. Fredric Wertham’s book, Seduction of the Innocent, took place April 21, April 22 and again on June 4, 1954.

Wertham’s book said in effect that comics would lead America’s kids down a path ripe with crime, violence, homosexuality and a hated for all things patriotic. It was clear to Wertham and he made it clear to the rest of America, if your kids read comics they would most certainly end up anti-American queer murderous criminals.

Because of Wertham, his book and the Senate investigations less than three months after the hearings ended the comics industry decided to regulate itself in advance of Congress doing it.

So, enter the code.

What’s completely overlooked in the sanctification of the 1954 Senate hearings on comic books is how they dealt with race. The thunderous judgment most people took away from the hearings was the focus on sex, crime and violence.

Almost hidden in the interim report on Comic Books and Juvenile Delinquency was a passage on racial stereotypes.

The following passage from the Comics and Juvenile Delinquency interim report of the committee on the judiciary/ a part investigation of Juvenile Delinquency in the United States:

One example of racial antagonism resulting from the distribution of American-style comic books in Asia is cited by the former United States Ambassador to India, Chester Bowles, in his recent book, Ambassador’s Report. He reports on page 297 the horrified reaction of an Indian friend whose son had come into possession of an American comic book entitled the Mongol Blood-Suckers. Ambassador Bowles describes the comic book as depicting a-superman character struggling against half-human colored Mongolian tribesmen who has been recruited by the Communists to raid American hospitals in Korea and drink the plasma in the blood banks. In every picture they were portrayed with yellow skins, slanted eyes, hideous faces, and dripping jaws.

At the climax of the story, their leader summoned his followers to and attack on American troops. “Follow me, blood drinkers of Mongolia,” he cried. “Tonight we dine well of red nectar.” A few panels later he is shown leaping on an American soldier with the shout, “One rip at the throat, red blood spills over white skins. And we drink deep.”

Ambassador Bowles commented: The Communist propagandists themselves could not possibly devise a more persuasive way to convince color sensitive Indians that American believe in the superior civilization of people with white skins, and that we are indoctrinating our children with bitter racial prejudice from the time they learn to read.

13 Bowles, Chester, Ambassador’s Report, New York, 1954, p. 297.

It’s refreshing to see that some American lawmakers in the 50s were concerned about racial stereotypes, at least in principal if not in practice.

Ambassador Bowles statement really underscored that as Americans we would not tolerate any sort of racial bigotry. Yes, his remarks were hidden in the body of a report that focused on crime, sex and violence but they were there nevertheless.

Because of the public outcry caused by the hearings the CCA was enjoying major influence over the comics industry. When they began calling the moral shots in the comics business most publishers bent like a weed in the wind under the pressure. Some publishers simply adapted some cancelled books and a few went out of business altogether.

Above all else the CCA was intended to be a moral angel sent from above. The task made easier as this was that America after World War II, a country faced with many ethical dilemmas. The youth of America had returned from war but no longer were they young.

They were a hardened group of men and women who were determined to steer their children in the right direction in the choice between rather America would be a Heaven or a Hell for their children.

Heaven was the America they just fought for.

Baseball, Hot Dogs, Apple Pie and Chevrolet.

Hell was the impending darkness of the Communist menace.

By 1954 the Red Scare was firmly in the mind of the American psyche. The Red Scare with its focus (mostly imagined) on the United States of America being infiltrated and ultimately taken over by Communism. These were the issues that kept the good citizens of this great nation up at night. If they were not kept up all night dreading the coming apocalyptic death of the American Dream they would be as soon as they heard Senator Joe McCarthy.

McCarthy’s crusade against subversion and espionage within the United States government made him at one point arguably the most powerful man in America. Certainly the most feared.

At the height of the Red Scare, Julius and Ethel Rosenberg, a couple which at that moment in time were more hated than Adolf Hitler, were executed for selling the secrets of the atomic bomb to the Russians. If nothing else, the electrocution of two people who looked like your next-door neighbors certainly brought the message home. The event, based upon evidence many (but not all) find dubious, made the Communist menace a clear indication of impending disaster.

America had its hands full with impending doom, sex, crime and violence. They had to protect the kids by any means necessary.

Makes you glad that the 1954 is light years, and real decades from the what 2012 brings us. I mean who would cast that sort of McCarthy like crazy shit out there now a days eh?

Michele out of her fucking mind Bachman that’s who, but I digress.

See? There’s that occasional rant.

In 1954 this concentration on moral outrage did not leave a whole lot of time or interest to focus what many thought were second-class American citizens, African Americans. Funny, considering that treatment of African Americans was exceedingly immoral.

Yeah, I managed to use funny and immoral in the same sentence… and this is just part one.

Next week, part two.

WEDNESDAY: Mike Gold and Joe Kubert, Personally

 

MUTUAL, THE SPIDER, DIGITAL DOWNLOADS, AND MORE FROM RADIO ARCHIVES!

  • News
  • August 10, 2012

RadioArchives.com Newsletter

 
August 10, 2012
 

 

What would it take to recapture the glory of the golden age of radio and still incorporate the stars and even stories of a more modern time? This query was answered extremely well in 1980 by one program, 20 of its episodes collected in Mutual Radio Theater, Volume 2 from Radio Archives!
 
At a time when radio drama was attempting a comeback, The Sears Radio Theater made a move and name change to Mutual, becoming the Mutual Radio Theater. Mutual answered the age old question of blending the classic with the modern by doing just that. Producing a show that put legends of the Radio Drama era to work side by side with modern up and coming stars of television and film!
 
The Mutual Radio Theater featured stories written by radio greats such as Arch Oboler, Norman Corwin, and Elliot Lewis. These scribes brought their formidable talents to bear on this kaleidoscopic show, providing solid scripts for every genre the show represented five nights a week. Oboler’s atmospheric twists, Corwin’s realistic, often revealing takes on American life, and Lewis’ understanding of what made listeners laugh, cry, and cringe blended well with the work of modern storytellers to make Mutual Radio Theater an instant classic.
 
Presenting the entire run of Mutual Radio Theater in five collections, Radio Archives proudly presents 20 Stereo episodes in Mutual Radio Theater, Volume 2! Each show is presented in the highest quality and features writing and performances from the best of classic and more modern entertainment!
 
Priced at only $59.98, Save $20.00 for the next two weeks with our Introductory Price of $39.98! Volume 1 was one of our best selling radio sets in 2012. Make sure you get Volume 2 today. See below for a very special price on the download version.
 
 
Every week the Archives receives comments like this. “If Radio Archives begins offering download versions of its products, please let me know.” Radio Archives has been offering all of our audio sets in two formats for the last year. The very popular Audio CDs and MP3 Digital Downloads.
 
For well over a decade, Radio Archives has been known for our Sparkling audio quality of our Old Time Radio collections and it’s no wonder. We insist upon finding the absolute best quality masters, then carefully restoring them so that they retain all of the audio luster of the original recordings with none of the crackle, pops, hiss, or muffling so often heard in radio shows from other sources. Now, with Digital Downloads, Radio Archives gives you the same quality of work and restoration in each set. That’s why every classic radio collection you download from Radio Archives comes to you as a zip file containing each individual show, encoded as a mono 128 kpbs MP3 file with a sampling rate of 44,100. As audiophiles know 128 kbps Mono is the same quality as 256 kbps Stereo.
 
Some of you may be asking, “Just what is a digital download?” Put simply, it is a MP3 computer file. Digital Downloads from RadioArchives.com come to you as high bitrate MP3 files to ensure that you’ll enjoy the same sparkling audio fidelity as in our Audio CD sets. You receive the files in minutes, save postage, and you can play them on your computer, iPhone or Android phone, or on your favorite portable device. Whether you live in Seattle, Stockholm, or San Juan, each downloadable collection is available worldwide and you can carry hundreds of hours of our radio shows on devices that fit in your shirt pocket!
 
All new CD sets released by Radio Archives are available as downloads and most of our 200 Radio sets are available for download. If you find the odd set that isn’t available, send us an email and we will put that set next on the list to produce.
 
Digital Downloads make it easy for you to take the drama, comedy, music, mystery, and history of classic radio with you wherever you go. Solve mysteries along with Phillip Marlowe, Johnny Dollar, Boston Blackie and more as you make your morning walk. Laugh and chortle at the antics of Fibber McGee and Molly, Jimmy Durante, Amos and Andy and others while doing chores around the house. Tap your foot to the tunes of Jolson, Ellington, and the best of the big bands while driving, at work, anytime you want from the mobile device of your choice. Now all of these great sets can also be purchased as Digital Downloads – and at a price considerably lower than the comparable CD set! Just visit RadioArchives.com today, place your order, download your sets, and in just minutes you’ll be enjoying some great audio entertainment.
 

Buying Digital Downloads is just as easy as being able to take your favorite shows with you and we’ll show you how!
 
Let’s say you want to purchase the NEW Mutual Radio Theater, Volume 2 that was released today. First go to the Radio Archives Home page and click on the OLD TIME RADIO button on the left or use the handy Search tool at the top of the main menu. Or click on the product above in the newsletter.
 
Click on the Drama category and click on Mutual Radio Theater, Volume 2 image. You’ll be taken to the Liner Notes for the CD version of that collection.
 
 
Next to the Front Cover, you’ll see the pricing for the Audio CD version and it happens to be on sale today. Prefer the Digital Download version? Click the ‘Go to Download Version’ button and you’ll see the download version. Add the download version to your shopping cart, proceed with checkout, and you’ll instantly be able to download a ZIP file containing MP3s of all of the shows in the set. In just a few seconds, you’ll be listening to the ‘Mutual Radio Theater!’ This is one of the simpliest downloads available anywhere.
 
 
On the road, around the house, in the yard, wherever you are, Digital Downloads from Radio Archives means you can take the best of old time radio and pulp audiobooks with you every where.
 
We are proud of our Downloads and would love you to try one. For the Next Two Weeks, you can get Digital Downloads of any of our Old Time Radio sets for 50% off the regular Audio CD version price!
 
Take a look at the Old Time Radio section of the website and you’ll see just how much variety there is. Such long-time customer favorites as the classic police drama “Calling All Cars”, the western adventure series “The Cisco Kid”, the high-flying adventures of America’s favorite free-lance insurance investigator “Yours Truly, Johnny Dollar”, the fantastic musical numbers of shows like “ The Railroad Hour” and “Date with The Duke” and so many more can now be yours at the specially discounted price of 50% off the Audio CD version price for the next two weeks! TIP: Since the Audio CD version of the Mutual Radio Theater, Volume 2 is on sale, you also get the download version at 50% off the sale price, but only for the next two weeks.
 
Digital Downloads fromRadioArchives.com literally give you the best of everything- The same sparkling high quality audio content as our compact disc collections at a reduced price, Delivery immediately upon payment, and the ability to play them on your phone, computer, or portable device! Purchase the audio collections you love and enjoy them in a whole new way!
 
Still not sure if Digital Downloads are for you. 100% Satisfaction Guarantee. After trying the downloads and if it isn’t your cup of tea, we’ll refund your money in full, no questions asked. We think you’ll love it.
 

 
by Derrick Ferguson
 

The one thing you have do before listening to a Spider audiobook, any Spider audiobook is realize that what you’re going to hear is gloriously, outrageously, outstandingly nuts. There’s no other way to describe a Spider adventure. But it’s a good nuts. One that entertains like few other pulp heroes can. A Spider adventure is like a shot of turbocharged adrenaline injected directly into your brain. It’s always apocalyptic on an Old Testament level with a body count high enough that I frankly give up trying to estimate how many people, guilty and innocents alike get killed in a Spider adventure.
 
The Flame Master is no different in this respect as it features a bizarre opponent for The Spider to battle: Aronk Dong, who claims to be a prince from the planet Mars. If that wasn’t enough, Aronk Dong appears to be half-man, half-lion. The Spider thinks it’s some sort of elaborate make-up until he’s on the receiving end of Aronk Dong’s claws. From then on, Richard Wentworth isn’t so sure this character isn’t for real. And if that wasn’t enough, Aronk Dong can apparently cause lightning to strike whenever and whoever he wishes at will.
 
Like the other Spider audiobooks I’ve been entertained by, this one comes complete with music and sound effects that greatly enhance the drama and really helps to get into the headlong, non-stop pace of the story. I really enjoy Nick Santa Maria’s voice work as it sounds as if he’s right at my elbow, telling me this story as urgently as he can before he’s interrupted. Robin Riker voices Nina Van Sloan and I love it. I always prefer when women do the voices of women character in audiobooks as it really doesn’t work for me when a man does a women’s voice because that’s usually what it sounds like: a man trying to sound like a women. Here in The Flame Master, Robin Riker’s wonderful work helps greatly, along with the music and sound effects to the feeling that I’m listening to a drama.
 

I’ve gotten so spoiled by Radio Archives series of Spider audiobooks that I’m actually reluctant to read the books as I’ve gotten hooked on hearing the voices of the characters and listening to the excellent production values of these excellent audiobooks. The Flame Master is yet another jewel in the crown of Spider audiobooks and well worth your time. Enjoy.
 
By Visionsmyth on Amazon
 
Imagine if somebody had produced a Doc Savage radio serial back in the ‘30’s or ‘40’s. Then imagine if the surviving copies were clean, clear, and had stereo capability. These are just plain FUN, produced in the manner of old radio serials but with all the modern amenities available to current technology – at least, 1980s technology, which was pretty darn good.
 
This series captures the style of serials produced when the Doc Savage adventures were written, and the actor selection was terrific. Renny sounds like Renny, Monk sounds the way Dent described him, Pat sounds like Pat. Some of the “evil vilian” accents are fairly cheesy (sorry), but then, that would likely be true if they were produced in the 30s, so at least it’s authentic cheesiness.
 
One extra CD includes production commentary, which I really enjoyed. Another has examples of other radio productions, also great fun. I only wish the movie developers had approached their project with the same intent and respect as these radio producers. Are you listening, Hollywood?
 

 

The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

Fear stalked the corridors and offices on Capitol Hill, for it was from the ranks of the mighty — the rulers and lawmakers of America — that the Silver Assassins sought their victims! Singly, in pairs and in numbered groups they died, laying down their lives for their country — while panic spread, and the Spider, alone aware of the terrific catastrophe which impended, fought through black, bodiless shadows to reach and destroy the menace which festered underground! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

Hideous maniacal laughter shattered the dark silence of ghostly tenements. Sleepy-eyed men and women, stumbling through the dim halls of the building, found a sight that chilled their souls with terror. On a blank wall, spikes driven through her, hands and feet, blood coursing down her arms and breasts in tiny rivulets, a beautiful young woman was hanging, crucified, dying. Still another victim of the Torture Trust! And while panic spreads, while hundreds die victims of the Killers, the Spider is blinded, his faithful servants imprisoned, his friends dishonored! How can Richard Wentworth, desperate and alone, combat the powerful, well-organized Murder Syndicate whose gun hirelings hunt him down like a vicious mad dog? Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.

 

The news spread like wild-fire. A man had solved the problem of the ages — he was bringing the dead back to life! Operator 5, ace of the American Secret Service, recognized the grave menace. He realized the danger if the gigantic advances of modern science were employed selfishly by unscrupulous men. And that precisely was the danger facing his native land! The Master of Death, using the promise of life everlasting, was cunningly building an army of fanatic, half-mad followers, men who were burning, pillaging and slaying at the will of the man-monster they worshipped!
 
Jimmy Christopher, clean-cut, square-jawed and clear-eyed, was the star of the most audacious pulp magazines ever conceived — Operator #5. Savage would-be conquerors, creepy cults, weird weather-controllers and famine-creating menaces to our mid-western breadbasket… these were but a few of the fiendish horrors that Jimmy Christopher was forced to confront. Operator #5 returns in vintage pulp tales, reissued for today’s readers in electronic format. As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

 
Four powerful factions work at cosmic cross purposes in a game of system-wide stakes as Curt Newton and his staunch comrades set out to create a brand new planet to add to the family of the Sun! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.

 

Wholesale murder-madness gripped an entire city when mothers killed their own children and husbands slew the wives they loved! Only two people knew the dread cause of this charnel-house terror; one was the Scorpion, relentless crime-master who would ride to power on the red crest of the death-mania. The other was the honest little medico of mystery — Dr. Skull!
 
The Scorpion was the pinnacle of weird menace. He appeared once, in a single pulp magazine issue, and never appeared again. The magazine never made to a series, for some reason. It was over-the-top action and audacious horror-thrills.  A classic, the likes of which has never been seen again! One of the rare supernatural series the pulps, The Scorpion returns in this vintage pulp tale, reissued for today’s readers in electronic format.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
1 cent Spider eBook!

 
For a limited time you can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.comyou receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.

 

 

The Knight of Darkness wages battles to the death with two of his greatest superfoes! First, The Shadow becomes “The Devil’s Paymaster” to end the sadistic reign of The Prince of Evil in the violent conclusion of Theodore Tinsley’s most acclaimed storyline. Then, Lamont Cranston must die to crush a superfiend’s evil plots when “The Wasp Returns” in an action-packed thriller by Walter B. Gibson. Foreword by Michael Uslan, executive producer of the Summer Bat-Blockbuster, “The Dark Knight Rises.” This instant collector’s item leads off with one of Graves Gladney’s greatest covers, and also showcases all the original interior illustrations by legendary illustrator Earl Mayan, with historical commentary by Will Murray and Anthony Tollin. BONUS: The Shadow tracks down “The Comic Strip Killer” in a classic adventure from the Golden Age of Radio. Buy it today for $14.95.
 

The Man of Bronze returns in two tales of super-science that inspired classic Superman stories. First, a silvery stratospheric craft showers vapors of death upon a Texas town, while Cosmic Rays alter Long Tom’s mental makeup. Doc and Patricia Savage attempt to thwart the deadly plots of a red-hooded mastermind in “He Could Stop the World,” a pulp classic by Laurence Donovan that inspired an early Superman story by Jerry Siegel. Then, “The Laugh of Death” could change the outcome of World War II, in a Lester Dent thriller that introduced Doc’s new Fortress of Solitude that inspired the Man of Steel’s glacier hideaway. This double-novel collector’s edition leads off with a knockout cover by legendary paperback artist James Bama. and also reprints both classic color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray. Priced at only $14.95.
 

The Man of Bronze returns in two tales of super-science that inspired classic Superman stories. First, a silvery stratospheric craft showers vapors of death upon a Texas town, while Cosmic Rays alter Long Tom’s mental makeup. Doc and Patricia Savage attempt to thwart the deadly plots of a red-hooded mastermind in “He Could Stop the World,” a pulp classic by Laurence Donovan that inspired an early Superman story by Jerry Siegel. Then, “The Laugh of Death” could change the outcome of World War II, in a Lester Dent thriller that introduced Doc’s new Fortress of Solitude that inspired the Man of Steel’s glacier hideaway. This double-novel collector’s edition features both classic color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. Priced at only $14.95 
 

One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Laboratory Of The Damned” (1936), Poisoned! Struck down by a deadly assault from a mad murderer, the Spider finds his friend Stanley Kirkpatrick, Commissioner of Police, doomed to a stupor of living death. Nor is he the only victim… also stricken with the dread malady is Richard Wentworth’s fiancee, Nita van Sloan! The Spider battles both the Law and the Underworld to survive! Then, in “Hell’s Sales Manager” (1940), The Brand wields a weird new weapon that sucks everything in its path into a vortex of destruction! How can even the Master of Men fight an enemy that seems to simply vanish? While this reign of terror goes unchecked, the Spider finds his every effort hampered by a human bloodhound assigned to track down and eliminate him. These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 

Altus Press is proud to announce the release of the third volume in its acclaimed Wild Adventures of Doc Savage series, written by Will Murray and Lester Dent, writing as Kenneth Robeson.
 
Set in the Fall of 1936, The Infernal Buddha tells the epic story of Doc Savage’s desperate quest to control the Buddha of Ice, a relic of unknown origin—and what may become the most dangerous object on Earth!
 
When a mummy arrives at Doc Savage’s New York headquarters wearing the clothes of his missing assistant, engineer Renny Renwick, Doc, Monk, and Ham rush to Singapore where they get on the trail of a swashbuckling pirate who calls himself the Scourge of the South China Sea, in whose hands a piece of the infernal Buddha has fallen. The trail leads to Pirate Island, the fate of Renny, and a mysterious box containing a terrible, unstoppable power.
 
But that is only the beginning of the quest into which the Man of Bronze plunges—one that will take him to the upper reaches of the Yellow Sea and a series a wild ocean battles against the vicious factions fighting for control on the infernal Buddha.
 
Before it is all over, every human life on Earth will tremble on the brink of eternity, and Doc Savage will face his greatest test.
 
“This may be my wildest Doc novel to date,” says author Will Murray. “The Infernal Buddha is a fantasy epic full of corsairs, criminals and other culprits. The menace is planetary. The threat, extinction. Doc Savage has a reputation for saving the world. This time he does it on the greatest scale possible. I began this book back in 1992, working from an opening situation Lester Dent started in 1935. Together, we have produced a true Doc Savage epic. And it only took about 75 years….”
 
The Infernal Buddha features a startling cover painted by Joe DeVito, depicting Doc Savage as the Buccaneer of Bronze! This cover was painted from a still taken in 1964 of legendary model Steve Holland, and is a variant pose shot for famed illustrator James Bama’s classic cover to The Man of Bronze. There has never been a Doc cover like it! Buy it today for only $24.95 from Radio Archives.
 
 

By Dr. Art Sippo

 
Mysterious red monsters are boarding ships in the Atlantic Ocean and carrying passengers away with them into the sea. Once submerged, the hapless victims are never seen again. When Doctor Hugo Collendar is taken in this fashion from a ship bound to Cape town, his fate is made known to Doc Savage. The Bronze Man of Mystery along with his aides Monk, Ham and Long Tom.

 
They discover that the kidnappings all occur in the same area of the ocean. They examine the cabin from which Dr. Collander was abducted and discover 3 sets of fingerprints. One of those sets belongs to the famous deep sea diver Harry Day who disappeared at sea several months back when his ship exploded. He was presumed dead along with all of his crew. Now he appeared to be involved in the mysterious disappearances at sea. As Doc and his men dealve deeper into the mystery they are taken captive and dragged into the ocean depths by the Red Terrors.
 
What is the secret of the Red Terrors? Why are they kidnapping people? Where do they take their prisoners underneath the sea? How could Harry Day have survived underwater for all those months?
 
This is another highly imaginative story in the annals of Doc Savage and his crew of trusted companions. There is mystery, intrigue, weird menace, and a secret hidden for ages under the sea. Don’t miss this exciting adventure! Get it and another full length Doc Savage tale today in Doc Savage Volume 22 from Radio Archives for only $12.95!
 

Comments From Our Customers!
 
Richard Stone writes:

I am a lifetime Jolson fan and enthusiast and am thrilled and amazed by what you have just done. It’s not everyday that 36 Jolson shows surface in great sound!
 
Charles Power writes:
Keep at it. I’d love someday to have a complete electronic collection of the Spider.
 
Roger Lorette writes:
The quality of your product is excellent. Keep up the great work!!!
 
Steve Sher writes:
I greatly enjoyed Mutual Radio Theatre. Will there be any additional volumes in the future?

 
David Kunovic writes:
I really love the audio books. I listen more than I read now. Keep them coming. Is there any chance you can get the rights to do The Shadow in audio form ? This would be great. Love the Spider. Hope there are more to come.
 
Fr. Mike Phillips writes:
I grew up in the 40’s & loved the old radio shows. Your selections are the best I have ever seen. This is my first – but not my last – order. Many thanks.
 
Tracy Croffutt writes:
I would do away with my TVs if old radio shows came back on the radio. I’m 77 and listened every night when the programs started. I got my first radio when i was about 6. Loved every program. 
 

James Felder writes:
I’m so happy you’ve been doing the Spider ebook reprints. There were, I assume, unlicensed e-editions on Amazon in the past. I bought all of them (about 11) because I love the Spider. Yours are much better. I’m enjoying Operator #5 a lot too – surprised by the high quality of the writing in it.
 
Carolyn Andersen writes:
I thoroughly enjoy all 3 volumes of The Railroad Hour. As far as I am concerned they are magnificent! (And, goodness knows, they are ever so much better than what comes out today.)
 
William Blome writes:
Thanks. I am looking forward to adding this collection to my hundred or so Jolson 78’s, LPs, 45s, cassette tapes, and CDs. No 8-tracks. I’m not that crazy about him. Thanks for trusting me, although I suppose you know that anyone who likes Jolson is by definition an honest, superior, and all-around terrific person.

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items atRadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

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