Tagged: Superman

Joe Staton Honored With Exhibit

Joe Staton Honored With Exhibit

  • News
  • April 13, 2008

Legendary comics ace Joe Staton will be honored with an art exhibit at at the Storefront Artist Project in Pittsfield, Massachusetts from August 2nd through the 31st.

Best known for his work on (please hold your applause until the end) Batman, E-Man, Femme Noir, Green Lantern, Guy Gardner, The Huntress, Jonny Quest, The Justice Society of America, Michael Mauser, Munden’s Bar, Power Girl, Rugrats, Scooby Doo, Superman, the Wild Thornberrys and about twelve thousand other creations, Joe’s most recent effort is the “new-look” Jughead four-parter that debuted in Jughead’s Double Digest #139 last week.

Joe’s online collaboration with writer Christopher Mills, Femme Noir, will be debuting as a pamphlet-form mini-series in June.

A long-time supporter of Manhattan’s Museum of Comic and Cartoon Art, The Art of Joe Staton is being produced by the Storefront Artist Project in cooperation with the Museum. A series of related free workshops and programs is also part of the deal.

In association with the exhibit, Joe will also be conducting a free day-long workshop on August 3 which includes a drawing demonstration, sketch-a-thon, and discussion. For more information contact the Storefront Artist Project at 413-442-7201 or go to their website.

It’s very, very hard to imagine a guy who deserves this more than Joe Staton. Congratulations, ol’ timer!

 

 

 

Happy Birthday: Linda Danvers, Supergirl

Happy Birthday: Linda Danvers, Supergirl

  • News
  • April 11, 2008

Kara Zor-El was born and raised in Argo City on the planet Krypton. The entire city survived the planet’s destruction, separating itself and floating to safety, but most of the inhabitants were soon felled by their homeworld’s remnants, now transformed into deadly Kryptonite.

Kara’s father Zor-El sent her to Earth for her own protection, hoping she would be found and protected by her cousin Kal-El, better known as Superman. Kara landed on Earth on April 11 and her cousin welcomed her with open arms. He also helped her create a secret identity — that of orphan Linda Lee.

As Linda, she was adopted by Fred and Edna Danvers, and it was as Linda Lee Danvers that Kara attended high school and college and later began several careers. Her Kryptonian nature gave her the same powers as Superman, however, and Kara often fought crime both at his side and on her own, becoming renowned and admired as Supergirl.

Sadly, Kara sacrificed herself during the Crisis on Infinite Earths, bravely giving her own life to protect her cousin and the rest of the multiverse.

Final Episode of ‘Sam & Max: Season Two’ Wraps

Final Episode of ‘Sam & Max: Season Two’ Wraps

  • News
  • April 10, 2008

That’s a wrap. Steve Purcell’s Sam & Max have just finished the second season of their episodic computer game series with the latest chapter, "What’s New, Beelzebub?" scheduled for release on Friday, April 11. Not only is it remarkable in its own right as one of the few successful examples of episodic content in videogames, but that Sam & Max has discretely become one of the best quality franchises in the realm of multimedia.

Originally a comic book released under various publishers, the dog and rabbit detectives took on hilarious cases with a unique outlook: Sam used wry observations, Max used psychotic threats of violence. Before long, they became a hit computer game in the DOS days of  computers, a television series and an Eisner-nominated webcomic.

The latest bit of multimedia stardom for the franchise has arrived via critically acclaimed episodic content videogames. In this format, smaller chunks of games are sold online and released on a shortened schedule as opposed to a single, standalone game release every few years. In the end, it’s like watching a television program season-by-season instead getting the boxed-set DVD. And just like television, episodic videogames have annual seasons that continue the adventures as long as the public wants them. And with storylines that involve assasinating the Lincoln memorial after it comes to life and decides to run for office, how could the public not ask for more?

You can download one of the episodes from the first season of Sam & Max absolutely free. (Psst… There’s a wickedly funny Superman joke contained within the game, comics fans.) If the first episode gives you the game bug, you can purchase more episodes or the Season One Collected Edition.

On a related note, Sam & Max producer Telltale Games recently announced that Season One would be coming to the Nintendo Wii system. However, in a little bit of ComicMix exclusive news, Marketing Coordinator Emily Morganti revealed that the rumored Xbox Live Arcade version of the episodic content would not be coming anytime soon, saying, "We’d like to bring Sam & Max to XBLA some day, but right now it’s not something we’re working on. We had a huge fan response to the idea of Sam and Max on the Wii, so it felt like the right place to start."

Since even the PC version is basically just pointing and clicking, we can hardly disagree that the Nintendo Wiimote is ideal for this kind of game. Just make sure the strap is on your wrist, because you might laugh enough to drop the controller.

Brian Bendis, Warren Ellis and Other Creators Reveal the Comic That ‘Hooked Them’

Brian Bendis, Warren Ellis and Other Creators Reveal the Comic That ‘Hooked Them’

  • News
  • April 10, 2008

As a reader of comics, there’s probably one book in particular that got you hooked in the first place and kept you reading. Whether it was Superman, Batman, Fantastic Four or, like it was for me, Captain America, you always remember fondly that first one. Successful comic book creators such as Brian Bendis, Warren Ellis and Jim Lee also have a first one that inspired them and over at Entertainment Weekly, they share which comic book was "The One That Hooked Me!"

Among the comics that inspired these creators are Fantastic Four #1 for Brian Bendis, Tarzan for Jim Lee and Countdown, a british comic series, for Warren Ellis. Some of the other artists and writers who detail their first comic book experiences include Robert Kirkman, who counts Amazing Spider Man #314 as the one that "hooked" him and Matt Fraction, who finds it interesting that his first comic book was Batman #316.

If you do read comic books — and lets’s face it, if you’re here at ComicMix, you probably do — what was the comic book that first "hooked" you?

The ‘Paper Comics Deathwatch’ Continues

The ‘Paper Comics Deathwatch’ Continues

  • News
  • April 6, 2008

In the recurring "Paper Comics Deathwatch" feature over at Flashback Universe, the blog’s authors chronicle the events they believe to be hastening the demise of comics in printed form. It’s an interesting read occasionally, and I can’t help but laugh at the way "PCDW Points" are assigned to each event.

Recent subject matter for PCDW includes all of the love publishers are showing MySpace around the comics scene, an analysis of Joe Field’s address at the recent Comics Pro retailers conference and the Wizard crew pimping an advertising partner’s scanner as "Comic Book Collectors’ Heaven."

Heck, they’ve found so much fodder for this feature that they’re taking art submissions for a PCDW logo and awarding some prizes for the winner.

(DISCLOSURE: Readers can always get free, online comics published every every day of the week here at ComicMix, so there’s a distinct possibility that we might be showing up in that PCDW feature at some point, too.)

In related news, Vaneta Rogers recently tackled the best ways to attract new readers to comics in her always interesting Q&A feature over at Newsarama. A variety of industry creators weighed in with their thoughts on how to get a foot in the door with readers outside of the hardcore comics scene.

Christos Gage offers up some of his thoughts:

Like, if you rented a film noir movie, then there would be an ad at the beginning of the DVD, just like you have ads for other movies, but it would be for Criminal by Ed Brubaker, or something like that. I’d like to see ads that tie-in not only with comic book movies — like if you enjoy the Iron Man movie, then you’ll like Iron Man comics. But something where it says, "Hey, if you like James Ellroy, you’ll like Criminal."

Chuck Dixon also makes a nice point:

I wish someone other than Archie would make a digest-sized comic for the "impulse" aisle at the supermarket. A Batman/Superman or Spider-Man or Star Wars comic would go nicely in the pocket recently vacated by the cancelled Disney Adventures digest in thousands of market checkout lines. Disney cancelled their book because it was only selling a million copies a month!

 

(semi-via Journalista)

Happy Birthday: Brainiac

Happy Birthday: Brainiac

Though not truly alive, Brainiac can date his creation to April 6, the day the Computer Tyrants of Colu created him. The green-skinned humanoid wreaked havoc across the galaxy, including shrinking several cities to subdue their populaces.

One of those cities was Kandor of Krypton. Years later, Brainiac encountered the man who would become his chief nemesis, Kal-el of Krypton—better known as Superman. It was a battle with Superman that forced Brainiac to destroy his original body and create a new, metallic skeleton form.

Brainiac has taken on several different forms since then, and his origin story has changed several times as well—sometimes he is an actual Coluan man instead of an android—but his twelfth-level intellect and his hatred for Superman continue unchanged to this day.

GraphicAudio Adapts Three ‘Justice League’ Novels

GraphicAudio Adapts Three ‘Justice League’ Novels

  • News
  • April 5, 2008

We’ve opined previously on GraphicAudio’s full-cast adaptations of DC Comics’ Infinite Crisis and 52. Well, actually, of Greg Cox’s novelizations adapting DC Comics’ Infinite Crisis and 52. They must have sold pretty well, as they’re expanding their offerings to include at least three more projects.

They’ll be adapting a trio of Justice League paperback novels from a couple years ago: Christopher Golden’s JLA: Exterminators, Alan Grant’s Batman: The Stone King and Roger Stern’s Superman: The Never-Ending Battle. These adaptations feature a full case with music and sound effects, not quite like Big Finish’s original Doctor Who offerings in the sense that the stories are driven by each book’s narrative voice. While they fall slightly short of being full-blown audio dramas, I’ve enjoyed their work on Infinite Crisis and 52 and I hope they are able to maintain the same cast members for these CD presentations.

JLA: Exterminators comes out in May; the others follow in two-month intervals. They are released on CD and mp3 discs and are readily available at Interstate truck stops. Previous DC adaptations were distributed by Diamond to knowing comics shops, so you might want to do a pre-order. Of course, they’ll also be available at GraphicAudio’s website, where you have the option of buying them as downloads.

The Rights Stuff, by Martha Thomases

The Rights Stuff, by Martha Thomases

  • News
  • April 5, 2008

This has been a stimulating week for any discussion of artists’ rights in the comics field. The courts awarded a share of the Superman copyright to the heirs of Jerry Siegel, and Warren Ellis left Marvel’s Thunderbolts series, saying, “It’s as simple as this – if I don’t own it, I’m not going to spend my life on it. Joe Quesada and Dan Buckley know that, they’re fine with that, and they hire me on that understanding.”

It’s my temptation now to brag, to tell you about the time I walked around the San Diego Comic Con with Joanne Siegel, how Warren Ellis is not only someone I know, but also my Facebook friend. Then you’d envy me for my fabulous life, and my weekend would be that much better. However, that’s not really a very good premise for a column. People haven’t worked so hard, risked being blackballed by major publishers and put their careers on the line just so I can feel better about myself (although, perhaps, they should consider doing so, since it would make me very happy).

The artists and writers in the comics community face the same trials and tribulations as the creative talents in any of the popular arts in this, our American capitalist society.

The blues musicians who created the tunes still used in popular music never received the copyrights for their work. If they were lucky, the assigned those rights (in contracts they never read) to the producers of their work. In that case, they at least got paid for their recordings. More likely, a white man heard the song and sold it as his own.

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The Race Card, by Michael Davis

The Race Card, by Michael Davis

  • News
  • April 4, 2008

I’m writing a book on race and…hey, I’m serious. I’m writing the book with my boy Rusty Cundieff, whose long list of director credits include the films Fear Of A Black Hat and House Party 2. Rusty was also the director of The Dave Chappelle Show. I came up with the project three years ago and Rusty came aboard two years ago. Why has it taken so long? It’s one of those projects that just takes the time it takes (hear that, O?). The book is called Every Thing You Wanted To Know About black People But Were Afraid To Ask.

I had a fair amount of interest from some publishers over the last two years but lately there has been a flurry of interest from many publishers. I have no doubt the recent focus on race in the presidential campaign has made the book a lot more relevant.

The book is written by two black men and is based on our experiences.

Now, what does that mean? It means that two black men are going to talk about our experiences as black men. We do not speak for every single black person. Rusty and I are also professional television writers who LOVE to write comedy, so you KNOW what that means…fun, laughs and WHITE WOMEN!

If you have the ability to read and reason then you must feel like I do about racism and that is that racism is just plain stupid. I just don’t get racism at all. It’s stupid, stupid, STUPID.

I mean to dislike someone just because of the color of their skin is nuts. The only thing dumber is hating on someone because of his or her religious beliefs. What’s next, hating someone because they eat apples and you like oranges?

The rest of the world should take a page from the comic book world. We don’t see color. I have been to hundreds of comic book conventions all over the planet and never felt even the hint of racism. Now there were some times in the convention city where racism was a real issue.

 

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April Fools Day Round-Up: Were You Fooled?

  • News
  • April 2, 2008

When it comes to April Fools Day on the ‘Net, I’m not sure where I stand. On one hand, I’m endlessly entertained by the creativity various companies show in their efforts to pull the digital wool over readers’ eyes. It’s also an amazing promotional opportunity, providing websites that normally wouldn’t be players in the viral marketing scene a chance to flex their creative muscles and attract new readers.

On the other hand, however, it’s an editor’s worst nightmare. Every story is likely to be a hoax, and it’s damn near impossible to break any authentic news due to the inherent skepticism of online readers for a 24-hour period.

It’s a bit of a personal hell for me, too. Every year, I wake up on April 1 and remind myself that anything I read that day is probably an April Fools Day prank. And every year, I end up getting excited about a story anyways, only to realize that it was just another joke — more often than not, this happens after I go public with my excitement, adding to the embarassment. In the end, I’m reminded of Charlie Brown trying to kick that football time and time again, even though he ends up on his back in the dirt every time he makes the attempt. I feel his pain.

So this year, I’ve put together a list of some of the highlights from this year’s April Fools Day on the Interwebs. It’s nowhere near a complete list, just some of my personal favorites from the world of comics and comics culture, as well as a few notable non-comics pranks. Feel free to add your own to the ‘Mix (pun totally intended) by adding a link in the comment section at the end of this article.

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