Tagged: IDW

2011 Eisner Award nominations announced

2011 Eisner Award nominations announced

201104071920.jpgThe 2011 Eisner Award nominations have just been announced.

Heading the 2011 nominees with five nominations is Return of the Dapper Men, a fantasy hardcover by writer Jim McCann and artist Janet Lee and published by Archaia, with nominations for Best Publication for Teens, Best Graphic Album–New, Best Writer, Best Artist, and Best Publication Design. Two comics series have four nominations: Morning Glories by Nick Spencer and Joe Eisma (published by Shadowline/Image) and Locke & Key by Joe Hill and Gabriel Rodriguez (published by IDW). A variety of titles have received three nominations, including the manga Naoki Urasawa’s 20th Century Boys (VIZ Media), John Layman and Rob Guillory’s series Chew (Image), Daniel Clowes’s graphic novel Wilson (Drawn & Quarterly), and Mike Mignola’s Hellboy titles (Dark Horse).

The creator with the most nominations is Mignola with five (including cover artist), followed by Spencer and Hill, each with four. Several creators received three nominations: McCann & Lee, Rodriquez, Urasawa, and Clowes, plus writer Ian Boothy (for Comic Book Guy: The Comic Book and other Bongo titles) and cartoonist Jimmy Gownley (for Best Publication for Kids plus coloring and lettering on his Amelia Rules! series). 15 creators have two nominations each, a new record.

Ballots with this year’s nominees will be going out in mid-April to comics creators, editors, publishers, and retailers. A downloadable .pdf of the ballot will also be available online, and a special website has been set up for online voting. The awards will be presented at a ceremony on the evening of Friday, July 22 at Comic-Con International.

Congratulations to all the nominees!

(more…)

ComicMix Six: Stories We Thought Were April Fool’s Jokes But Weren’t

Another April Fool’s Day has come and gone, leaving in its wake a trail of confusion as comics news sites posted fake news article after fake news article in an attempt to hoax their audiences into believing things that couldn’t possibly be true.

Naturally, ComicMix condemns all such shenanigans as juvenile and unworthy.

All the same, now that we’ve had a day or two to process, there have been six recent happenings in the comics world that stood out as so weird, so unlikely, that we were completely floored when they turned out to be true. But don’t take our word for it, take a look below.

Stan Lee and Arnold Schwarzenegger are teaming up for The Governator, a comic and TV show detailing the adventures of the ex-Governor of California, ex-King of Aquilonia as he teams up with a precocious pre-teen hacker to fight crime. This is a thing that’s going to happen. Not a joke. We couldn’t believe it either. You’d think after Peter Paul and the Clintons Stan would stay clear of politicians.

Twitter Updates for 2011-03-26

Twitter Updates for 2011-03-26

How Are We Going To Save The Comic Industry? Flashpoint Buttons!

Dateline: Dallas. The ComicsPRO Annual Membership Meeting. Improving comic stores and growing the market were the themes at this year’s ComicsPRO Annual Membership Meeting. Comic book retails descended upon Texas to meet with over 20 sponsors… including top comic publishers and distributors. This year’s topic? “Ideas for marketing and metrics to improve efficiency in comic book store sales.” Simply put: How do we get our asses out of the fire, just a little bit longer?

Many notable names and faces spoke, including Spawn’s creator (you do remember Spawn, don’t you?) Todd MacFarlane, IDW’s CEO Ted Adams, as well as DC big-wigs, Dan Didio and Jim Lee. While we won’t bore you with all the details… suffice to say? We’re not holding our breath for a revolution. As tablets become prevalent with hipsters and the Beiber-clan, so will digital comic distribution. And while the big boys have made a few comments regarding integration of digital comic purchasing THROUGH comic stores… face it. If you can buy comics in your underwear in mom’s basement, or have to actually put on pants… we’re betting at  least SOME people will choose to stay home. That’s less business for the stores. With 2010 comic sale’s down from the year before, and many stores facing diminishing returns… it was DC’s marketing initiative that caught our eye.

So, what did DC bring to the table to help the local comic store drive the unwashed masses to their brick and mortars? Buttons! Glorious Flashpoint buttons! Less plastic then those Blackest Night rings you all died to get… But perhaps with a pointy end, allowing you to proclaim to the world your love of Cyborg,  or Casino-Batman via your trendy messenger bag.

This is supposed to drive us back to the stores in droves? This is what will save a dying comic store from shutting it’s doors? 2 cents of plastic and tin, with nifty logo celebrating yet-another-crossover we’ll likely mock and or forget by next year? Well ComicMixers… what do YOU think?

ALL PULP PRESENTS-A BOOK A DAY!!! RESEARCH SPOTLIGHT!

ALL PULP PRESENTS-A BOOK A DAY!!! RESEARCH SPOTLIGHT!

This is the day for new ALL PULP features!!  A BOOK A DAY will cover a title that pulp writers and creators may find useful as a reference tool or for research.  These books can also add to the knowledge base of pulp fans, making their enjoyment of pulp even better!   If you have books that need to be here, then email to allpulp@yahoo.com with a title, description, and if possible, an image of the book and ALL PULP will make sure its A BOOK A DAY!!  Now, for our first book guaranteed to improve knowledge/provide great information/be a rollickin’ good time!!

From Bear Manor Media- http://www.bearmanormedia.com/

Chicago Jazz and Then Some:
as told by one of the original Chicagoans, Jess Stacy
by Jean Porter Dmytryk

JessStacy_cover_2.jpg

       Jess Stacy was the kindest, sweetest, most generous man to grace this Earth. It was my lucky day when I decided to buy a house in Laurel Canyon, and my husband felt the same. After years of living in Los Angeles and working the Hollywood studios, circumstances took us all over the world and we had sold our Bel Aire home. Children gone, it was just the two of us. Lookout Mountain Ave. was the street we fell in love with, and the neighbors were a bonus! Jess and his darling wife, Patricia were our closest. Jess was a regular guest (their star) in all of the best and biggest jazz festivals. Eddie and I tagged along.
           
What a great part of our lives!

We celebrated Jess’ 90th birthday together and we could see that he was losing strength… but he still have that twinkle in his eyes…’til the very end… and then some.
Jean Porter Dmytryk

“The world of jazz has created a community all of its own. “Chicago Jazz and Then Some, as told by one of the original Chicagoans, Jess Stacy” looks into the history of Chicago Jazz through the eyes of Jess Stacy. Writer Jean Porter Dmytryk tells Stacy’s stories of the old days of Jazz and gives readers an exciting and thought provoking history of the music’s scene over the decades. “Chicago Jazz and Then Some” is a must for any Jazz fan or Chicago music fan”
– Midwest Book Review

Sex! Comics! Oboy!!

“I learned the mechanics of sex from Carl Barks. He was known as the good duck artist (for his work on Donald Duck and Uncle Scrooge), but for me he was the good fuck artist.”

Craig Yoe said that last night at the opening of Comics Stripped, an exhibition at the Museum of Sex in (where else?) Manhattan. Yoe is best known out in the real world as the man behind Yoe! Studios, a design outfit that was highly influenced by its founder’s fondness of comics art. The former creative director of the Muppets workshop, in our fannish conclave Craig’s best known as the historian who feverishly documents the relatively hidden nooks and crannies that weave their way through our beloved art form. His more recent books have been published by IDW and Fantagraphics.

Yoe was referring to Bark’s esser-known semi-erotic work, none of which was published by Disney. Unca Carl wasn’t the only major comics creator who drew on the wild side. He was joined by Dan DeCarlo, Jack Cole, Wally Wood, Willy Elder, Joe Shuster and others, all of whom – except Barks – represented in the Comics Stripped exhibition. They are joined by a wide range of artists including Robert Crumb, Jessica Fink, Spain Rodriguez, Eldon Dedini, Eric Stanton, Colleen Coover and a great many other cartoonist legends.

Yoe curated the exhibit and some of the work represented came from his own collection. Classic mid-30s “eight-pagers” were well represented, as were publications ranging from Capt. Billy’s Whiz-Bang and Ballyhoo to more contemporary publications such as Glamour, Screw and Jiz.

Those extremely well-versed in comics history and lore might not learn all that much but they will happily join the rest in gawking over all that beautiful original art.

The Comics Stripped show has an open-ended run at The Museum of Sex, 233 Fifth Avenue (at 27th Street) in New York City. Admission is $16.75 plus tax. More info: click.

Diamond Suspends Book Shipments To Borders Due To Non-Payment

According to an email obtained by ComicMix, Diamond Book Distributors has suspended further  book shipments to Borders stores because Borders suspended payments to its suppliers earlier this week. Diamond handles distribution for Image, Oni, Dark Horse, Dynamite, and IDW, which distributes trade paperbacks to ComicMix.

The email (with redacted email addresses) follows:

Date: Wed, 12 Jan 2011 17:08:22 -0500
From: “Tom Sadowski”
To: “Tom Sadowski”
CC: “Bill Schanes”, “John Wurzer”, “Roger Fletcher”, “Kuo-Yu Liang”, “Joshua Hayes”

January 12, 2011

Dear Diamond Book Distributors Client,

This email is to confirm reports in the news that Borders is suspending
payments to its suppliers, inclluding [sic] Diamond. As a result, we have made
the difficult decision to stop shipping them and put their account on
hold, as of last week, until such time as they are able to resume payment.

DBD is actively seeking a resolution to this issue and will work with
Borders to get shipments moving again provided that we can craft a
solution that proves to be in the best interests of both DBD and our
publishers.

If you have anyy [sic] additional questions or concerns, please feel free to
drop me an email or give me a call.

Sincerely,

Bill Schanes
Vice President of Purchasing
Diamond Comic Distributors, Inc.

Borders has been in trouble for a while, with many of their current problems stemming from a 2005 $250 million stock buyback. The chain confirmed on December 30 that it was delaying payments to vendors while it works on restructuring its debt. On New Year’s Eve, Calvin Reid of Publishers Weekly reported that “at least one of the “big six” New York houses has suspended shipping books to Borders, a troubling sign for the company as it attempts to find lenders to refinance its debt and provide enough liquidity to get the national book retail chain through to early 2012. Borders carries about $450 million in trade payables on its balance sheet and many publishers are anxiously waiting to see which houses will be paid and which will not be.”

There are 509 Borders superstores and 168 Waldenbooks stores in the U.S., making Borders a significant segment of the retail market;  ICv2 estimating that over 20% of manga sales in the bookstore channel are through Borders.

For those industry people who remember the LPC bankruptcy in 2002, back when LPC was the exclusive distributor of trade paperbacks and graphic novels into bookstores for Image, Oni, Dark Horse, Top Shelf, Tokyo Pop, Drawn and Quarterly, Highwater Books, Alternative Comics, Humanoids Publishing, CrossGen, and AiT/PlanetLar, which helped bankrupt CrossGen and nearly took out Top Shelf, this is turning into a very nervous time.

PW reports that tomorrow Borders and publisher representatives will be meeting, hoping to hear “about the retailer’s new finance and turnaround plan from the Borders’ team. Publishers were unimpressed with the presentations made by Borders last week and the sense is that if Borders expects publishers to accept their proposal for publishers to exchange missed payments for notes, they need to hear a much more robust plan.” Borders also confirmed that it will officially shut its LaVergne, Tenn. warehouse by mid-July, cutting 310 jobs. Of course, by the end of tomorrow we could be hearing about a lot more jobs being lost…

INTERVIEW WITH ‘WEEK IN HELL’ AUTHOR J. WALT LAYNE!

J WALT LAYNE-Author
 
AP: Thanks for being with us! Can you tell us a little about yourself and how you became a writer?
JWL: First thank you for the review and the interview. It is difficult for the novice to learn marketing and you guys are great to work with.
Y’know everyone says they started writing as a kid, and I know that’s true for me. I started telling and then writing stories as soon as I could hold a pencil. I learned to read and to write very early, and was reading a lot of classic literature late in elementary school. I used to drive my English teacher crazy with this very literary stuff when all she wanted was a theme about my weekend adventures. I wrote my first screenplay in Sixth grade, it was an episode of The A Team, it was terrible… Through High School I wrote a lot of Sci-Fi and combat stuff, war fiction and the super soldier stuff was big in the late 1980s. I didn’t write much when I was in the Army, but I did put on a lot of mileage.
By maybe 1999 or 2000 I was looking at taking it to the next level but I wasn’t quite sure what that was… I was writing a lot of very over the top stuff, but you don’t really know how to write anything beyond a few thousand words until you do it. My first real book project was an editing and rewriting gig with an old friend who was into mythos fiction. After that I was cranking out a lot of flash fictions and short stories over at www.zoetrope.com. It was one of those flash fiction contests that prompted my first novel.

AP: Who were some of the early influences on your writing style?

JWL: Good question, because I believe in a lot of ways you are what you read. I wasn’t allowed to play sports as a kid, so I spent a lot of time in my books and in my head. I read everybody from Judy Blume to Emile Zola. I loved comics, particularly horror and detective stuff. I read my way through Burroughs, Tarzan was my favorite. Robert Heinlein was and is a favorite, matter of fact I’m reading Glory Road right now. I discovered pulp in a box of comics and detective magazines bought for a dollar at a garage sale in the mid 1980s. It was racy stuff compared to David Copperfield. I still remember reading Paul Cain’s One, Two, Three for the first time. Wow.

When you’re a kid though, there’s a certain pressure to have an eye on what’s popular at the time, even if you’re not particularly concerned, and so I got into the fictional accounts and history of the Vietnam War. I read Platoon, Hamburger Hill, and Deadly Green, but the one that hit me hardest and still resonates is Body Count, by William Turner Huggett. He was writing a contemporary, gritty, war novel, but it was graphic in both its language, and depiction. He was a year out of Vietnam when he wrote it, the war hadn’t sat on his shelf long enough to mellow and age. In the service I read a ton of biographies about military people, all the bigger than life generals anyhow.
In the last 10 years or so it has been a mixed bag, Spider Robinson, pulp anthologies, Becky Benston, Bobby Nash, and the dystopian stuff like Fahrenheit 451.

AP: Your first book, Frank Testimony, was released in 2006. Can you tell us a bit about what it’s about and how readers can get ahold of it?

JWL: Frank Testimony is a legal thriller set in 1950s Mississippi. I didn’t even know that book was inside me until it sort of exploded. It was about this time (December 29, 2005) when I was gearing up for the weekly flash over at Zoetrope. As it turned out there was no regular contest because of the holiday weekend. Another regular poster who hosted a site called The Redrum Tavern, posted a prompt, ‘Death’. The very second I started writing I knew something was up because it was just pouring out on the page. 40 days and 144,000 words later I had something that I had a sense was very special, to me at least. It wasn’t until I started getting reader feedback that I realized that I’d turned a corner as a writer.

Frank Testimony is the story of jealousy gone bad. Frank Burchill is implicated in the murders of his would be sweetheart Mae Whitaker and her father. If it was up to Sheriff Cobb, the prosecutor and other good ol’ boys Frank would have a one way ticket to the gas chamber. But Judge Hull smells a rat, a big one named Bobby Lee Russell who is almost genealogically predisposed to criminal mischief, Klan violence, and just being generally hateful and nasty.
It is a big story, big characters, with a pretty good recipe for pulled pork and gatorbacks. Available at www.createspace.com/3352654

AP: A Week in Hell is your newest release and is the first in the Champion City series. What led to the development of this novel and how will future books carry the story forward?

JWL: Spade, Marlowe, and Hammer are all detectives in big cities, Gothams, Metropolises, everyone knows those places are dens of scum. Thurman Dicke is a big Slavic/German cop in a dying Midwestern blue collar city. Champion City is a big bowl of the low parts of Americana. It has a Tammany-esque political machine, restrictive ethnicity in neighborhoods, both Irish and Italian organized crime, dying industry, and dirty business. There are varying degrees of justice and as the top cop says: There’s a right way, a wrong way and the CCPD way.

The series will chronicle Thurman’s rise to glory, his fall from grace, and his redemption. Thurman won’t always be a beat cop, he won’t always work for CCPD, and there will be points when his white hat turns a very dark gray. He’s a bigger than life guy, and thus his highs are higher and his lows will be catastrophic. He isn’t a one man army, but he does what he has to do to get things done. I hesitate to say that each book builds on the last building up steam for the big finish, but the last book is already written, not set in stone… But I pretty well have it.

AP: The language and situations in A Week in Hell are pretty mature — was there ever a point when you were writing the story where you felt you were pushing the envelope too far?

JWL: It is a bit more than edgy. I count the book as a victory, but in the future my narrative can be accomplished with much more ferocity with less explicit display. I don’t think it oversteps its bounds much more than any of the so called Neo-Pulp, but I’m trying to do something more traditional that loosing a hedonistic gorilla on an idyllic hamlet. The masters of the style got it there without the use of such devices and I should endeavor to do so.

AP: What do you think about the modern pulp revival? What role do you think the hardboiled genre has to play in its resurgence?

JWL: I think it’s about time. There was so much great stuff written that laid the ground work for people who are writing now. I think the best stuff is yet to come, and there’s some guy or gal out there writing right now, something that will get passed on by a big house that will turn the pulp community on its ear, just like pulp did to so called polite society 70 years ago.

I think that when a lot of people think of pulp they think of the hardboiled genre. They don’t consider that it was ever about Heroes, Villains, or Characters other than those considered on the fringe. I guess I fall in that camp also because I equate the hardboiled style to a language and landscape painted in shades of noir with the good guys and the bad guys being varying shades of gray, and evil being true black.
I think that hardboiled stories are going to be an introduction to pulp for a lot of people. A resurgence or renaissance of traditional pulp is a great thing, and opened the genre for a brand new generation of readers and writers, ushering in a new era. I think that there are also some negatives, depraved things that masquerade as pulp that aren’t are where warning labels and censorship will come into play.

AP: What’s next for you?

JWL: Rewriting and editing the second book in the Champion City Series. Then I have a WWII story that I am very interested in, that came to me first as an April Fools shaggy dog in a small town newspaper. I’m a history nerd, and the story of Operation Pastorius is an excellent foil for plausible deniability, gets good mileage for the war effort, and makes great conspiracy… Fiction with firm foundations in real history make for very gripping stories…
There’s also an opportunity to write another pulp horror story. A hardboiled mythos thing. Not sure of a lot of detail about that at this point its still written ona napkin with a coffee ring…

AP: If readers want to find out more about you and your work, where can they do so?

JWL:I’m easy to find, Author J Walt Layne on facebook. I’m being pushed to relaunch my blog at www.championcityontheweb.blogspot.com but I don’t know that I have enough going on to devote an entire blog to it.

IDEAS LIKE BULLETS GOES HOLIDAY!!!

IDEAS LIKE BULLETS GOES HOLIDAY!!!

Design by Ali

It is the time of year that thoughts most often turn to good will, generosity, sugar plums, what you’re gonna get from under the tree, and just how many sales you can hit.  But for a pulp writer, especially one like me who sniffles and comes up with an idea, it’s a time ripe for thinkin’, creatin’, and reimaginin’.  Christmas provides a lot of fodder for that.

And who am I to turn down free fodder??

Let me state that this is one of those ideas that I am only posting on here because I do not have time to do it right now.  If someone comes along and wants to pitch a story within the universe I’m going to briefly touch on here or wants to write this story or this in this version (you’ll see why I specify in a minute), then I will want to at least plot and probably co write with them, simply cuz, this is one I want to give some attention to when time allows.  So, having said that, this idea is copyright me today and thereforth and hencewhen.  This is my intellectual property, but wouldn’t mind someone hollerin’ at me for permission to play with it.

THE ADVENTURES OF NICHOLAS SAINT

That’s right…I did it….I went and turned the fat guy in the red suit and rosy cheeks into a Doc Savage pastiche.  Yup, you heard me…I mean, come one, he practically IS Doc if you look at him just right and besides, I’m not the first to go this particular direction…. Let’s review the key points.

First, in this version of the world, as in any other I’ve ever read, there is an eternal struggle going on between good and evil.   As this struggle has been eternal, members of both sides of the fight have come into being that are representative of legends, myths, and stories passed from generation to generation, people to people.  By the 1930s, these heroes and villains, though largely considered story and fable, are alive and well and still fighting.  The most vigilant and diligent of the heroes in this massive war, the one who stands on guard 365 days a year even though he is associated most notably with one particular day, the one who, even though the world doesn’t know it, gives the gift of justice and security every minute of every day.  That’s right…Nicholas Saint, The Man up North.

Nicholas Saint is the world’s foremost inventor, engineer, explorer, scientist, you name it, this guy standing just over six feet tall and weighing in at a muscular 300 pounds can do it.  He also has so much mental and physical control of his body that he can actually shrink himself a few inches, reposition his muscles to give him the appearance of a bigger belly, and even will his cheeks to be rosy and his normally close trimmed white beard to grow a bit if given a few minutes.  That’s right, kids, if he’s ever caught out in public, he just converts to look like jolly old St. Nick…or another disguise if that’s more appropriate. 

Hailing from nowhere in particular, Saint makes his headquarters up near the North Pole.  Using technology of his own design, he conceals a vast complex of workshops, research facilities, and other structures almost in plain sight on the snowy terrain.   Lending him assistance are his ‘elves’, actually members of the Pantunuik tribe, a long lost Eskimo people believed to be legends themselves, largely because they are all diminuitive, no more than four feet tall. 

Saint also has a bestiary up there at the Pole, one containing long thought extinct and even mythical creatures and then some of his own experiments into genetic engineering.  Yes, this includes most notably a herd of reindeer with many abilities, including flying.  He even has one reindeer that gives off a phosphorescent light, although all everyone seems to see is his muzzle.

He is married to Eva, a woman of human origins who found herself drawn to investigate cases of  a strange hero coming and going and finally finding herself both in love with and taking on a part of his essence and mission, therefore being as long lived as he is.

As far as how long they live, they are not immortal.  They can be harmed by extraordinary means, such as magic, massive explosions, lightning…or they can be harmed very easily at the hands of another like them, another legend taken life that represents good or evil. 

The first story in my head is directly related to Christmas, although all of them will not be.  Nick can be saving the world on a daily basis, even when it’s not Christmas.  He often just hides in plain sight and people say, ‘Mom, look, he could be Santa if he were fatter.’

The first story in my head is entitled ‘The Adventure of the Children Christmas Forgot’ and would involve a small midwestern town, the one case Nick Saint considers his failure, and a clash with an evil seducer of children who calls himself Mr. Hamlin. 

There ya have it, a brightly decorated red and green idea shot once again like a bullet from Yours Truly!  Have a Pulpy Christmas!!

ALL PULP FLASHBACK-ARTIST GALLERY!!!

Welcome to ALL PULP’S  PULP ARTIST’S SPOTLIGHT GALLERY!!!  Moving this from its own page to the front page like everything else is to increase the visibility of all those we cover and to help ALL PULP clean its site up a bit…Enjoy our previous Artist Spotlight Galleries and get ready for more!!

FEATURED ARTIST-MARK MADDOX

FEATURED ARTIST-PEDRO CRUZ

FEATURED ARTIST-ROB DAVIS

FEATURED ARTIST-VER CURTISS

FEATURED ARTIST-LAURA GIVENS



FEATURED ARTIST-JAMES BURNS



FEATURED ARTIST-TERRY TIDWELL

FEATURED ARTIST-TIM SALBER
(http://www.magentazephyr.com/)

FEATURED ARTIST-KELLY EVERAERT (http://www.members.shaw.ca/kelticstudios/Keltic_Studios.htm)

                                                 



FEATURED ARTIST-TOM FLOYD (http://www.captainspectre.com/)