Tagged: IDW

Roy Thomas and Walt Simonson Speak!

Roy Thomas and Walt Simonson Speak!

As we pack up our ComicMix t-shirts and check our lists a few more times, The Big ComicMix Broadcast is ready to fly west to San Diego ComicCon International 2007 — but we have a LOT to leave you with.

This BIG Big ComicMix Broadcast has news on a new face for The Punisher, new voices for some of DC’s biggest stars and great stuff to grab in San Diego. Plus we talk to Walt Simonson about saying goodbye to Hawkgirl, listen to Roy Thomas tease us on the future of Alter Ego and still have time for a visit to one of the best loved amusement parks of the midwest, circa 1968!

Press The Button and tell the flight attendant we need more snacks!

Behind The Big ComicMix Broadcast

Behind The Big ComicMix Broadcast

As the days roll by, I have two stacks of paper here on the Big ComicMixBroadcast Desk. One is labeled “Before San Diego,” the other is marked “Whenever.” That pretty much stands as a metaphor for things here right now as well. However, that doesn’t mean I have lost ANY of the notes I need to share with you from the week:

  •  If you are looking to (*ahem*) familiarize yourself with the actress cast as the new Supergirl on the CW’s Smallville, I found the best place to be here. It is much better than sitting through My Mom Has A Date With A Vampire – trust me!
  • The “test version” of Disney’s new free (with ads) gaming site can be seen here,  but BE CAREFUL. There are still links up fore the old subscription based site.
  • You can get info on all the deals offered & the creators appearing at SDCC from Penny Farthing Press here. A lot of these books can be ordered right from the site, too.
  • If that editorial job offered by IDW Press sounds interesting, you can get a jump on this by going here for more info.
  • You can see samples of Breaking Up by Aimee Friedman and Christine Norrie, you can go to Christine’s site. You get treated to a LOT of Christine’s other work – a real bonus!

Back at you in a couple of days as we continue to edge closer to the San Diego ComicCon, marvel at Harry’s magic boxox office and clear off the shelf for a big pile of new comics and DVDs!!

RIC MEYERS: Hard Dorm

RIC MEYERS: Hard Dorm

It’s about time I got around to Tartan – specifically Tartan Asia Extreme, since they’ve been inundating the DVD market with every Japanese, Chinese, Korean, and Thai “horror” movie they can get their well-manicured hands on. I put horror in quotes, because, in reality, many of their releases are actually episodes of The Twilight Zone and Tales from the Crypt with delusions of cinematic grandeur – essentially familiar ghost revenge sagas pumped and/or padded to feature length. I also say “well-manicured,” because, whatever the overall quality of the film they’re presenting, Tartan’s packaging is uniformly classy.

On the one hand, if you’ve yet to have Tartan’s special editions of South Korean director Park Chan-wook’s “Vengeance” trilogy (Sympathy for Mr. Vengeance, Sympathy for Lady Vengeance, and Old Boy), acquire them with all speed (and watch them in the aforementioned order, despite their actual release dates). On the other hand, I showed eighteen hours of Tartan’s other Asia Extreme releases at last year’s World Science Fiction Convention and didn’t see a single film that rated above “okay.”

So warned, let’s judge some of their latest releases from the special features perspective. First, there’s Dorm, a Thai award winner that strives to be like Guillermo del Toro’s The Devil’s Backbone. Both concern what happens to a young man in a creepy private school, and while del Toro connects the ghosts to the Spanish Civil War, director Songyos Sugmakanan weaves it within the universal loneliness of an outcast new student. It’s a well-made mood piece more than anything else, and a fine one, but, as previously mentioned, it would have been well-served as a ninety minute (or less) chiller, rather than the 110 minute saga it is.

Tartan attaches an interesting audio commentary with Songyos and some of his cast, in addition to a “making of” (which is really a ten minute on-set home movie of the complications that come of making a film with a pre-teen cast), a “behind the scenes” (which are actually a bunch of short prevue pieces detailing the cast and plot), fittingly eerie deleted scenes, a special effect featurette, and a welcome “character introduction,” which is like a visual program book. All in all, it’s a satisfying job.

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SDCC Has No Ticket To Ride?

SDCC Has No Ticket To Ride?

We slam into the weekend with our usual Big ComicMix Broadcast fun! We reveal the toughest thing to find at the upcoming San Diego ComicCon (and we’re not just talking about the cool Alex Ross Goodies), explains why New Universal is going into a second "season," tells how the Dreamland Chronicles hits 2,000,000 readers and gets itself compiled, and uncovers lots of television and popular culture events, and helps IDW open up its employment line! Meanwhile in a world of Giant Robots and Magical Chaos, we found a little FUN summer reading– plus we look at the guy who truly should have been the "Fifth Beatle!"

All you’ve gotta do to make it happen is click the button! 

MIKE GOLD: My All-Time Favorite Comic Book Cover

MIKE GOLD: My All-Time Favorite Comic Book Cover

They don’t draw comic book covers like this any more. And, well, that might be a good thing.

These days, we’re in a phase where covers are particularly boring. When it comes to the great American staple, the heroic fantasy comic, most are over art directed and too posh for their own good. Few actually have anything to do with the story inside; they are simply generic poster shots. When I stare at the big Wall-O-Comics at most shops, my eyes quickly glaze over. They generate little enthusiasm and manage to completely ignore the sense of wonder that makes comics magic. At best, I walk away from the Wall thinking “gee, that Captain America cover sure would make a swell statue.”

Yes, I still use the word “swell.” I’m trying to bring it back.

Look at a few of the really great covers. If you’re at all interested in the genre, how can you pass ‘em up? They are exciting, intriguing and most of all, they appeal to the sense of wonder.

 

Yeah, they’re all ancient. But don’t try to tell me they’re childish. Putting on a mask and fighting crime and/or evil as the result of some event that wouldn’t even cut it in Greek tragedy is childish. We’re simply negotiating the price.

However, some covers were simply wonderfully absurd. They are so far over the top you’ve just got to check them out. In fact, there are so many of them that there’s an entire website devoted to the topic, run by cartoonist Scott Shaw!. It’s called Oddball Comics and you’ve got to check it out. He’s got about a trillion such covers there. But I don’t know if he’s got my all-time favorite comic book cover.

 

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Happy 30th Anniversary, KISS comics!

Happy 30th Anniversary, KISS comics!

Thirty years ago today, Marvel released the debut of Marvel Comics Super Special #1 featuring Kiss, where they squared off against (who else?) Mephisto and Dr. Doom. The issue was printed with ink that had blood added from each of the band members, a feat not surpassed until Mark Gruenwald’s ashes were mixed in with the trade paperback of Squadron Supreme.

Kiss would later star in a second Super Special, a 31 issue run of Kiss: Psycho Circus with Image in the 90’s, guest star in Howard The Duck, and made an announcement back in February of the creation of the Kiss Comics Group.

Gene Simmons is a huge comic book fan, reportedly taking the heavy metal salute of index and pinky fingers extended (pictured below) straight from Doctor Strange, and publishing some of his own titles with the Simmons Comics Group, such as Gene Simmons’s House of Horrors, which will be out in July from IDW.

And Simmons noted in his autobiography that the character he most identifies with is Jon Sable. Boy, is he going to be happy soon…

MIKE GOLD: The Darknight Contrarian

MIKE GOLD: The Darknight Contrarian

I used to have a reputation for sometimes being kind of negative. That comes with the career in radio and “journalism,” and I’ve worked at overcoming it. But, like most childhood pleasures, not using a skill doesn’t mean you no longer know how to use it.

For example. I have come to the conclusion that the Paris Hilton affair has become a legitimate news story (it didn’t start out that way), and that she got screwed.

After listening to a bunch of experts and pundits and reporters, it seems pretty clear to me that Hilton is doing time for being Paris Hilton – people in similar situations, and, sadly, there’s no shortage of them – would be given community service or pay a fine or be under house confinement. Being locked up at the taxpayers’ expense for such a violation is nearly unheard of. And, yes, in California as well as most of the rest of these United States the sheriff is charged to run his prisons as he sees fit.

Hilton was busted for violating her plea agreement. As such, she was real stupid. Hilton is despised for being an “artificial” celebrity, as if there’s any other kind, and for being a whinny spoiled brat. I understand; she is a whinny spoiled brat. But that’s not against the law; if it were, I’d have a much, much easier time going shopping here in Fairfield County Connecticut.

So Hilton is serving time not for breaking the law but for being a high-profile stupid whiny brat. She has my sympathy; fair is fair and, as she said while she was being hauled off to the slammer kicking and screaming for her mommy, this is not fair.

For example. Everybody seems bent out of shape about the conclusion to The Sopranos, including ComicMix’s own John Ostrander.  I think the ending was fine. Not great, not awesome, but exactly on the money.
 
This is a show that lost its raison d’être the moment actress Nancy Marchand died, back in 2000. Her character, momma Livia Soprano, was the story’s anchor. Without her, the plot never was as compelling, nor was it as understandable. It was reduced to its core element: Ozzie and Harriet Nelson, the family of Made Men.

And that’s what the ending was all about. It didn’t matter if Tony got wacked in the restaurant in front of his family. If it didn’t happen then, if could just as easily happen the next day or the day after. Being a mob boss is not a “safe” job – Al Capone ran his mob for about seven years, and was only a functioning operative in that mob for a total of about a dozen years.

Here’s the proof: midway through that final episode, Anthony Junior became Christopher Moltisanti, which, as we all know, is what his father should have wanted all along. He got the mob-connected job in the film business, he got the mob-connected car, he’s always had the mob-connected father but now daddy finally delivered for him. Life goes on with the Nelson Family of New Jersey, and what goes around stays around. Nothing changes.

And, sadly, that’s what The Sopranos had been about.

For example. George W. Bush.

I’ve got nothing.

And, come to think of it, neither does George.

Mike Gold is editor-in-chief of ComicMix.

MARTHA THOMASES: Daddy’s Home

MARTHA THOMASES: Daddy’s Home

My husband really liked the column I did on Mothers’ Day (Brilliant Disguise #4). My stepmother also liked it. As a result, I feel a huge amount of pressure this week, as Fathers’ Day approaches.

Perhaps this is as it should be. Fathers, at least in literature, exert pressure. So do mothers, but fathers are much more stern about it, and send out much more of a mixed message. Zeus’ father ate him, for crying out loud. Jesus’ father sent him to die for our sins. Lear punished the only daughter who dared to tell him the truth. Jor-El proved his love by sending his son a universe away.

Fathers are stern. Fathers are cruel but fair. Fathers are distant. Tony Soprano? Please. Even today, on television, the best father, on Everybody Hates Chris, proves his love by working so many jobs he’s only home long enough to sleep and offer a bit of advice, if he’s lucky. In comics, the kindly fathers (or father figures) of Ben Parker and Thomas Wayne are all dead, inspiration only or motive for revenge. Jonathan Kent is the exception that proves the rule, depending on which continuity you’re in.

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REVIEW: Fantastic Four Two

REVIEW: Fantastic Four Two

OK, so here we go: it’s the official midway point between the first and latter half of the Summer of Blockbusters. With last week’s box office flop consisting of Ocean’s 13 and Hostel Part 2, a sequel to a film nobody was all that psyched about to begin with has got failure written all over it, right? Wrong. Of the films I have caught this summer, FF2 has got to be my favorite, which is probably the highest honor I can give it. From titles to credits, I only complained once, and even that wasn’t totally worthy of complaint. But I’m getting ahead of myself, we’ve done this enough times for me not to deter from format, of course we have to break the film down and throw in a few obscure comic references, or else it just wouldn’t feel right.

Starting off with the acting, I was more than happy with everyone’s performances in the film, including Alba’s, who I bitched and moaned about in the previous film. This movie has got enough content jam-packed into 89 minutes that her flickering eyes and blank stare were almost as invisible as the character herself.

My favorite part of a superhero sequel is that we’re beyond the need for introductions and origins, and we can get to the grits of the character. There were a few things I wanted in the first film that were delivered with bells on in this film. Those being: more Johnny and Ben camaraderie, less “will they or won’t they” with Sue and Reed, and a whole lot less of Julian McMahon looking somber. While we got much more of the first, the second two still had their moments, but again with a film that primarily shifts the focus on a brand new character, the little problems like that get lost in the cracks. We also get a reprise of Stan Lee, unsurprisingly, but this time he doesn’t come back as Postman Willie Lumpkin, but another, very special character. I won’t give it away, but I’ll drop a hint: He’s old.

The next section of course being the special effects of the film. And I’m somewhat jaded in this category, because for years, the only Fantastic Four I knew of other than ink on paper was from the Roger Corman epic, and those of you who remember that also remember a lot of clay-mation stretchiness and I Dream of Jeannie camera tricks for the invisible effect. So comparing it to the two new films is like holding a candle up to the sun. The effects started off pretty poor, but then came to blow me away by the end of the flick. This is where we touch on the giant purple elephant in the room, Galactus.

I’m going to put an end to the rumor right now and admit that Yes: Galactus is a cloud, BUT! It’s completely pulled off in this picture. I was the first webgeek to bitch and moan that I wanted a giant purple dude like we’ve always known the Devourer of Worlds to be, but when you consider the impact of a twister three times the size of earth coming to literally eat the world, the image is haunting, and even us original geeks get a nod from the crew towards the end of the picture. Again, I don’t want to spoil too much, but during the final battle, look directly into the “belly of Galactus” to see an old face.

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Rabbi Harvey Comes To Comics

Rabbi Harvey Comes To Comics

The Adventures of Rabbi Harvey
Written and Drawn by Steve Sheinkin

At Book Expo this year, I was surprised by the number of publishers producing graphic novels.  Your classic comics publishers were there, your Marvel and your DC, your Fantagraphics, Drawn & Quarterliy your IDW, Dark Horse, Viz, TokyoPop and so on. There were publishers such as Simon and Shuster, Harry Abrams, Houghton Miflin and other literary publishers with an eye on a growing market.

But Jews?

Now, I know that Jews pretty much invented the comics business in general and super-hero comics in particular.  I knew this even before I read Gerard Jones’ great Men of Tomorrow:  Geeks, Gangsters and the Birth of the Comic Book.  And I’ve always felt this makes sense, that the Jewish people, with their history of hiding from exposure and keeping their identities secret, were the models for the genre.

Still, I never thought I’d see a Jewish publisher create original comics to tell religious stories.  We’re the Chosen People.  We don’t preach, nor do we attempt to convert.  We are not Jack Chick. So I was surprised to see  that Jewish Lights Publishing had a graphic novel in their line.  What will the goyim think?

I need not have worried.  The book, The Adventures of Rabbi Harvey, is adorable.  The story of a Rabbi in the fictional Elk Springs, Colorado, during cowboy times, follows the rebbe in question as he dispenses his wisdom to his flock with "the best advice west of the Mississippi."  Everyone (with one brief exception) is Jewish, including the outlaws, who have names like "Big Milt" Wasserman, Danny "The Lion" Levy and Moses "Matzah Man" Goldwater.

There’s no gunslinging, no cattle rustling, no showdowns at any corral.  Instead, Sheinkin uses a very simple style to retell some of his favorite folk-tales of rabbinic wisdom.  I loved these stories when I was a kid, and it’s wonderful to have these versions to share with the kids in my life.

Jewish Lights also publishes Stan Mack’s The Story of the Jews: A 4,000 Year Adventure.