Tagged: Green Arrow

DC Comics’ Texas Tidbits

DC Comics’ Texas Tidbits

  • News
  • November 10, 2008

WizardWorld Texas wrapped up yesterday and here are highlights from the various DC Comics panels:

Legion of 3 Worlds: Senior Story Editor Ian Sattler says the miniseries is essential in setting up events to play out across the DCU in the next three years.

Final Crisis: Matt Sturges and Freddie Williams will produce Final Crisis: Run, the last miniseries tie-in to their mega-event.  Said to feature a super-villain as the focal point, Sattler promised at least three cool moments per issue.

At several panels, the comprehensibility of Final Crisis itself was debated between panelists and the audience.  Clearly, Grant Morrison’s storytelling was daunting compared with most comics but the editorial team assured the fans that it will pay off with the final issue.

DC’s VP-Sales Bob Wayne aid the plans to collect the mini and its related tie-ins has yet to be settled.

Green Arrow will be the pivotal hero for 2009, according to Sattler.  Editor Liz Gehrlein countered she thought it would be Brainiac. Expect to see a prominent return of Lobo and maybe even the much-teased Aquaman reboot.

J. Michael Straczynski will have a second DC title, as yet unannounced, in addition to The Brave and the Bold.

Sales: When Newsarama asked about the economic downturn affecting comic book sales, Sattler replied “…It motivates us to turn out the best stories we possibly can.” A snarky audience member asked, “Does that mean you haven’t previously been trying?” Sattler replied, “It motivates us to try even more…”

Review: ‘Batman: The Brave and the Bold’

Review: ‘Batman: The Brave and the Bold’

Since his debut in [[[Batman: The Animated Series]]], Warner Animation has seen to it Batman gets freshened every now and then.  Animators swoop in, streamline the look and adjust the stories as time and tastes change.  The most recent Batman series was perhaps the worst as it veered further and further away from its comic book source material so we suddenly had a Rastafarian Joker who knew martial arts. That incarnation has been mercifully retired and in its place we have [[[Batman: The Brave and the Bold]]].

As the title suggests, this is a Batman team-up show and owes much to the title where Batman co-starred with other characters for over 125 issues. The designs puff up the Caped Crusader so he looks as if Carmine Infantino or Mike Sekowsky was doing the model sheets.

Fortunately, the resemblance to the 1960s more or less ends there as the storytelling is quick and adventurous.  This is a well-adjusted Batman who recognizes his place in the super-hero firmament.  For example, in the debut episode, which airs on the Cartoon Network this coming Friday night, he specifically asks Blue Beetle along on a mission to check him out.

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DC at the Movies

DC at the Movies

  • News
  • November 1, 2008

In keeping up with the comings and goings of DC’s comic book franchises that have plans to segue to the silver screen, here we have put together Warner Bros. more recent plans on making that adaptation for some of our favorite heroes, as well as some other characters and how close we are to seeing them in theaters.

Wonder Woman

In January 2001, producer Joel Silver approached Todd Alcott to write a Wonder Woman screenplay, with Silver Pictures backing the project. Early gossip linked actresses such as Mariah Carey, Sandra Bullock, Rachel Bilson, and Catherine Zeta-Jones to the role of Wonder Woman. Leonard Goldberg, speaking in a May 2001 interview, named Bullock as a strong candidate for the project. Bullock claimed that she was approached for the role, while Lucy Lawless and professional wrestler Chyna both expressed interest. Lawless indicated that she would be more interested if Wonder Woman was portrayed as a "flawed hero." The screenplay then went through various drafts written by Alcott, Jon Cohen, Becky Johnston, and Philip Levens. By August 2003, Levens was replaced by screenwriter Laeta Kalogridis (Birds of Prey).

In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film adaptation of Wonder Woman. Since Whedon was directing Serenity at the time, and required time to research Wonder Woman’s background, he did not begin the screenplay until late 2005. According to Joel Silver, the script would cover Wonder Woman’s origin and include Steve Trevor: "Trevor crashes on the island and they go back to Man’s World." Silver wanted to film Wonder Woman in Australia once the script was completed. While Whedon stated in May 2005 that he would not cast Wonder Woman until he finished the script, Charisma Carpenter (Angel) and Morena Baccarin (Firefly) expressed interest in the role.

Despite telling people, "It was in an outline, and not in a draft, and they [studio executives] didn’t like it. So I never got to write a draft where I got to work out exactly what I wanted to do." Whedon is known to have actually finished a screenplay that was not met favorably by Warner Bros. or DC.

In February 2007, Whedon departed from the project, citing script differences with the studio. Whedon reiterated: "I never had an actress picked out, or even a consistent front-runner. I didn’t have time to waste on casting when I was so busy air-balling on the script." Whedon stated that with the Wonder Woman project left behind, he would focus on making his film Goners.

A day before Whedon’s departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a script written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures. However, Silver has made clear that he purchased the script because he didn’t want it floating around in the industry; although it has good ideas, he doesn’t wish for the Wonder Woman film to be a period piece. By April 2008, Silver hired Jennison and Strickland to write a new (modern day) script that would not depict Wonder Woman’s origin, but explore Paradise Island’s history.

According to an August 2008 article in The Wall Street Journal, featuring Warner Bros. president Jeff Robinov speaking about their DC property films, a Wonder Woman film is among other super-hero films currently in "active development."
 

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Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

  • News
  • October 30, 2008

While The Dark Knight dominated the summer movie market, Marvel pulled off something incredible as well: creating the foundations for a Marvel movieverse. From Nick Fury mentioning The Avengers to Tony Stark’s cameo in The Incredible Hulk, Marvel Studios began a new era of crossover events that will culminate in The Avengers in 2011. Most fans are elated by this method, but there’s one guy who isn’t totally down with the concept, at least on his own franchise: Chris Nolan.

In the final portion of a three-part interview, The Dark Knight director Nolan tells The L.A. Times that "cross-fertilization" isn’t something that bodes well for his vision of the Caped Crusader.

"I don’t think our Batman, our Gotham, lends itself to that kind of cross-fertilization," says the filmmaker. "It goes back to one of the first things we wrangled with when we first started putting the story together: Is this a world in which comic books already exist? Is this a world in which superheroes already exist? If you think of Batman Begins and you think of the philosophy of this character trying to reinvent himself as a symbol, we took the position — we didn’t address it directly in the film, but we did take the position philosophically — that superheroes simply don’t exist. If they did, if Bruce knew of Superman or even of comic books, then that’s a completely different decision that he’s making when he puts on a costume in an attempt to become a symbol."

Nolan regards other super-hero films such as Superman Returns as coming from "a different universe. It’s a different way of looking at it. Now, it’s been done successfully, very successfully, in the comics so I don’t dispute it as an approach. It just isn’t the approach we took. We had to make a decision for Batman Begins."

  Warner Bros. unleashed the wrath of a million super-hero lovers when they unveiled their plans for Justice League: Mortal. The film would have been released prior to solo adventures for the majority of the team’s roster, including The Flash, Green Lantern and Wonder Woman. Another strike against the film was its alleged casting choices, pitting newcomers and undesired stars alike in the roles of fan favorite characters. Adam Brody (The O.C.) would’ve played Wally West, Common (Wanted) would’ve played John Stewart, and Megan Gale (Stealth) would’ve played Wonder Woman.

One of the biggest casting controversies came in the form of Armie Hammer. The 22-year-old actor, whose most high profile project to date is a guest stint on Desperate Housewives, was attached to the play Batman in Justice League. For fans of Nolan’s work, it was bad enough that Bale wouldn’t be involved in the team-up flick. Hammer’s involvement was the salt in the wound.

Some comfort can be taken in the fact that the WB announced a refocusing of their DC Comics properties, taking a cue from Marvel’s crossover agenda. To date, Green Lantern is moving forward with Hal Jordan as the hero and Green Arrow will headline the super-human prison escape flick Super Max. There’s already talk about a third Nolan-helmed Batman and active plans for a Superman relaunch, which Mark Millar is heavily lobbying for.

But despite all of this, the Justice League: Mortal actors are still attached to the project on IMDb, which is slated for a 2011 release date. Within the last few months, Armie Hammer has spoken about the film as if it’s still on the horizon. In the end, it might take a real life Justice League to ensure that Justice League the movie can match the inevitable success that The Avengers is poised to see.

‘Dr. Strange’ Makes Movie Magic?

‘Dr. Strange’ Makes Movie Magic?

  • News
  • October 22, 2008

Marvel Studios President of Production Kevin Feige tells MTV News that he wants to bring Dr. Stephen Strange to the big screen in the not too distant future.

When asked if he thinks the Master of the Mystic Arts would translate well on film, Feige answers, "Very much so."

"I’d say in the next year, year and a half, as we start putting together our film slate for 2012 and 2013, I would not be shocked if we saw Dr. Strange on those lists. I love the idea of tapping into the magical realm of the Marvel Universe, which is fairly significant and hasn’t yet seen life on screen. It’s something I’m very, very interested in."

For the detractors who say Strange is too, er, strange and obscure for a mainstream audience, Feige points out that it wasn’t long ago that Tony Stark was an obscure character himself.

"I remember two years ago at Comic Con, the cover of the ‘LA Times Calendar Section,’ red ‘Marvel calls out the B team’ and there was a picture of Iron Man," says Feige. "We don’t look at [these characters] as ‘B team.’ Dr. Strange? This is one of the best characters we have."

The good doctor is no stranger to appearances away from the page.  He has been seen in numerous animated series starting with Spider-Man and His Amazing Friends and at one point was being voiced by John Vernon (Animal House) who was the very first vocie artist for Iron Man back in the 1960s.

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Moustache Wax, by Dennis O’Neil

Moustache Wax, by Dennis O’Neil

  • News
  • October 21, 2008

My brother had a Sportsman McCain sticker on his car, but I wasn’t worried. The night before, a nice young man in a bookstore, a complete stranger, gave me a big peace button and with that pinned to my vest, I was pretty sure I was safe from the McCain vibes, even though we were in a red state.

I watched Sarah Palin on Saturday Night Live a few hours later, and although I thought she handled the comedy okay, and my dirty old man merit badge glowed just a tiny bit, I was and am not tempted to vote for her, no siree, and so I guess the peace button was potent even indoors.

Who might that nice young man have been? Merlin? Galahad? The ghost of Thomas Jefferson? Or, given that I was in St. Louis, land of the mighty arch and my childhood, the ghost of my own naïve, youthful dreams?

Ah well. No matter. What’s important is that the peace button/amulet did its stuff.

As a shield against the dark enchantments of McCain and Palin, it did its stuff. In other areas…not so good. At this moment, our luggage is somewhere between White Plains Airport and Dulles, or between Dulles and Lambert Field, or in a terminal or storage facility in one of those three terminals. This provides me with an absolutely unnecessary reminder of one of several reasons why I hate commercial flying. Or – could it be? – our bags are in a sub-basement of the Republican National Headquarters where Palin herself is squirting my moustache wax from the little tube, seeking the secret of how I resisted her SNL appearance. (Rest easy: she won’t find it. The peace button was in my carryon.)

And what, the inquisitive among you might be asking, has any of this to do with comics, popular culture, or even real politics, for it seems to be less concerned with any of those things than an Andy Rooney kvetch about how expensive goods are nowadays has to do with the Gross National Product. Fair question. Answer? Let me see…Okay, try this.

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Superheroes Come Home, by Dennis O’Neil

Superheroes Come Home, by Dennis O’Neil

  • News
  • October 14, 2008

I guess we’ll have to get our superhero fixes from comic books for a while, though I’m not complaining, because isn’t that the way it’s supposed to be? My glances through the various newspapers and magazines that come to this house tell me that there are no superhero movies coming to a theater near me, and the closest thing to a new superhero on television is those can-do wheels on Knight Rider, whose ancestor is the Batman utility belt of the middle-period comics and the early Green Arrow quiver; whatever the situation calls for…well, here it is – just the thing. Some of last season’s superdoers are back, and some of them will be on our living room screen, though the plot(s) of one seem to be unfocused and the future of another, The Sarah Conner Chronicles, seems to be iffy, which saddens me because one of the stars makes my dirty old man merit badge pulsate.

Superheroes and summertime seem to be yoked. As usual, commerce rather than aesthetics seem to be the reason. Until recently, and maybe even now, publishers felt that their comic book audience – kids – had more disposable income and more leisure during the hot months and so they saved their annuals and double-sized issues and important stories – Reed and Sue get married! – for the time when the young’uns lucky or unlucky enough not to have jobs didn’t recite the pledge of allegiance every morning.

(Ah, I can remember – or almost remember – the feel of the cool concrete of a front porch under my prone body as I looked at the funny book and wondered why his shirt was red if his name was Green Lantern and couldn’t his cape at least be green? Was there an editor in the making here?)

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Routh to ‘Return’ as Superman?

Routh to ‘Return’ as Superman?

  • News
  • October 10, 2008

The DC movie goodness keeps rolling in and for the second day in a row, Latino Review is spilling the beans.

At Monday’s Watchmen presentation in New York City, which you can read about here, the Web site’s Kellvin Chavez had the opportunity to speak with DC Comics President Paul Levitz. Over the course of the candid conversation, Levitz revealed something quite interesting about the oft-whispered Superman reboot.

According to the site, Levitz stated: "[Previous Superman] Brandon Routh has come around the offices in New York and Los Angeles as of late to talk about Superman and what we want to do."

This is the highest profile indication that the newest live-action Superman film would include members of the lukewarmly received Superman Returns. Chavez’s report continues to mention that "Mr. Levitz made it seem … that [DC Comics and Warner Bros.] loves Brandon Routh as Clark Kent and that he’s just a great guy."

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Smoke Gets In Your Brain, by Dennis O’Neil

Smoke Gets In Your Brain, by Dennis O’Neil

  • News
  • October 7, 2008

 

Smoke, smoke, smoke that cigarette / Puff, puff, puff until you smoke yourself to death. / Tell St. Peter at the Golden Gate / That you hate to make him wait, / but you just gotta have another cigarette. – Merle Travis 

I was getting ready to leave the office and walk over to NBC, where I planned to tape a reply to someone who had accused Batman of being in league with the Big Tobacco. It seems that in one panel Batman is standing on a roof, and in the background, on another roof, there was a billboard with a fragment of what might have been a cigarette ad visible. Our accuser said that putting Batman proximate to a cigarette image amounted to Batman – and his creators – endorsing tobacco products and advocating their use to children.

Well, no. Had I kept my rendezvous with the microphones and cameras, I would have probably observed that we agreed that smoking was bad and none of our characters ever actually smoked – Bruce Wayne abandoned his pipe early in his career – and, in fact, we had just done a pro bono anti-smoking ad for the American Heart Association. I might have taken my screed just a bit further and argued that we had always presented Batman’s turf as a realistic American city and – sorry! – urban areas are full of cigarette ads.

I didn’t have to do any of that. At the last moment, cooler heads prevailed and said that if I went on the air, our accuser would answer my answer and prolong the story’s life, whereas if we simply ignored it, the story would not survive into the next news cycle, which is exactly what happened.

One might ask why I allowed the billboard to appear in the first place. For the sake of realism? Or did I just miss it when I edited the artwork? Or did I see it and decide it wasn’t worth the hassle of a change? Humbling answer to all of the above: I don’t remember.

But this pretty inconsequential incident does raise another question: Where do the obligations of good citizenship and moral behavior end and the obligations to storytelling begin? Some kinds of people smoke and drink and take drugs and they’re not all hideous monsters, and some kids are influenced by what they experience through the media. I’ve heard recovering alcoholics say that the movie images of glamorous, witty sophisticates swilling booze prompted them to emulate the swillers and led, eventually, to badly damaged lives. But people do drink, and in a fictional world that mirrors the real one, shouldn’t drinkers – and smokers and druggies – be presented? Or does the potential harm of these behaviors outweigh aesthetic and narrative considerations?

I don’t know.

Sometimes, the coexistence of storytelling and responsible citizenship is painfully troubled, and sometimes I’m glad I no longer sit in an editor’s chair.

RECOMMENDED READING: The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, By Matthew Stewart. 

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale any minute now, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too.  

Artwork by Kim Roberson, from Underworld. 

‘Smallville’ Producers Talk ‘Graysons’

‘Smallville’ Producers Talk ‘Graysons’

  • News
  • October 3, 2008

News broke earlier this week that the CW was developing a new series based around the first Robin titled The Graysons. The show, set to focus on Dick "DJ" Grayson in his pre-Robin years, has been reported as a possible replacement for Smallville should Clark Kent’s pre-Superman adventures conclude at the end of this season.

Not so, say Brian Peterson and Kelly Souders, executive producers on Smallville and now hard at work behind the scenes on The Graysons. They issued a statement over at KryptonSite that clears the air of their intentions on developing the new series.

Says the pair:

"As news and rumors swirl around the development of The Graysons for the CW, we have every intention of letting you, our fans, be the first to know the reality. Never have we been so committed to the continuing success of Smallville as we are to seasons 8 and 9. While we are extremely excited to be working hand-in-hand with Wonderland, Warner Bros. and the CW to create the origin story of Dick Grayson, it has never been intended as a replacement for Smallville, as is speculated in some media. The cast, crew, writers and producers are all working full-steam ahead on a story-line for Clark that allows for seasons of further trials and adventures for our favorite hero. As always, we all have you to thank for achieving eight years of this amazing show that Al and Miles created, and we’re looking far beyond!"

This upcoming season of Smallville is sure to have plenty of DC heavy cameos to put any Superman lover into a fangasmic fit. Justin Hartley, who plays Oliver Queen (Green Arrow), has returned to the series as a regular this season, and will be joined once again by Justice League members Aquaman, The Flash, Black Canary, Cyborg and the Martian Manhunter. The Legion of Super-Heroes are set to join the fray this year, along with Plastique, introduced just last night. Most widely reported is the arrival of Doomsday, played by Sam Witwer (Battlestar Galactica). Doomsday famously killed Superman in the best-selling Death of Superman arc back in the nineties, leading to the creation of Superman replacements Steel, Superboy, Cyborg Superman and the Eradicator.

With Peterson and Souders stating they have plans for Smallville beyond season eight, might they be setting up a junior version of the Death of Superman and Reign of the Supermen stories? Holy kryptonite, that would be suh-weeeet.

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