Tagged: Green Arrow

‘The Graysons’ Fly to the CW

‘The Graysons’ Fly to the CW

  • News
  • October 1, 2008

Inspired by Clark Kent’s Smallville roots, the CW is launching a new DC hero-turned-angsty teen television series called The Graysons. According to Variety, the show follows the early years of Dick "DJ" Grayson before he becomes Robin. Smallville executive producers Kelly Souders and Brian Peterson are behind the series, as is Supernatural executive producer McG. The CW has committed to a pilot episode.

Variety is calling the show a potential replacement for Smallville should that series end this season as anticipated. The Graysons would also be a solid companion to Smallville should it return next year. Further, the move to bring another DC property onto the CW shows a sign of good faith from Warner Bros., who has a 50% investment in the network.

Fans of the character are familiar with Robin’s origin. Dick, a young acrobat, is orphaned when his parents are murdered by gangsters during their trapeze act. He’s taken in by Bruce Wayne and becomes Batman’s protege. The Graysons takes place before these events. Set in modern times, the hour-long drama will focus on young "DJ" as he faces tasks fit only for a hero of Robin’s caliber: first loves, young rivals and family. Ahem. Guess you can’t say Dick on TV?

Smallville grew out of the oroiginal producers’ desire to tell the story of yourn Bruce Wayne.  When Warner Bros. refused to let television have access to their movie franchise, they shifted gears and set their sights on Clark Kent growing up and discovering his powers.

Since then the eight seasons have seen a variety of DC heroes and villains appear, some with spin-off potential.  Among the characters already seen have been Oliver Queen (Green Arrow), A.C. Curry (Aquaman), Bart Allen (the Flash), Dinah Lance (Black Canary), Cyborg, and the Martian Manhunter.  Coming this season will be Plastique and the Legion of Super-Heroes.

In 2006, a pilot was produced for an Aquaman series much in the same vein as Smallville and the proposed The Graysons, but the CW decided not to air the program. Smart money says that even if The Graysons sees the light of day, the series won’t survive long. Part of Smallville‘s appeal is its unique spin on a superpowered adventure. Considering The Graysons is pre-Robin, it’s hard to imagine little Di–… sorry, "DJ" sharing in Clark’s success. Makes one wonder why they didn’t just go for a Bruce Wayne show. Maybe then Armie Hammer would actually have a job.

Baltimore: Bendis Vs. Kirkman

Baltimore: Bendis Vs. Kirkman

  • News
  • September 29, 2008

Over a month ago, Robert Kirkman (Invincible, Walking Dead) posted a video mission statement on the idea that many who work at DC and Marvel are there because they do not realize that creator-owned books can provide a stable living with healthy profit and that such titles are the way to enhance the industy.

Brian Michael Bendis immediately responded by saying that things weren’t that easy and that it was irresponsible to tell people that, speaking as a man who works on many Marvel titles and has had success with his creator-owned Powers series.

The two sides of the argument have been tackled, discussed and disected across the board on message boards, in comic stores, in bars, possibly even in secret lairs hidden beneath wealthy manors.

And so, at Baltimore Comic-Con, Bendis and Kirkman met to continue their debate and elaborate on their points before an interested audience.

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Power, by Dennis O’Neil

Power, by Dennis O’Neil

  • News
  • September 23, 2008

For a while now, I’ve been thinking that maybe Jonathan Lethem is the best writer of his generation. What prevents me from just coming out with it… Dammit, Lethem is the king! – is that I haven’t read many other writers of Lethem’s (and my son’s) generation. Maybe the Elvis Presley of prosemeisters is lurking out there someplace, with a birthday that puts him somewhere between 40 and 50, and I just haven’t heard of him. So let me be content with stating the obvious, that Lethem does his job well.

He writes novels and essays and, lately, comic books. But what I want to call your attention to and, incidentally, dub this week’s Recommended Reading, is his op-ed piece in last Sunday’s New York Times. It discusses the latest Batman movie and relates the film to what’s happening in our tortured nation. It’s a pretty gloomy bit of superb writing. But how could it not be gloomy? I said it was about what’s happening to the good old U. S. of A., didn’t I? Where could cheer come from? Maybe Johnny Mac’s flacks?

Yeah, the market imploded and some of it received a bailout from the Feds and who will eventually foot the bill? Ol’ tax payin’ you and me, that’s who. But that’s not what’s eating my lunch. I mean… economics! Finance! Who understands that stuff? Certainly not me. (I used to think that those boring old guys in suits, whose job it is to understand that stuff, did, in fact, understand it. Guess not, though.) But what bothers me for the next five minutes, or until I see another newspaper or watch CNN some more, is that according to one poll, 54 percent of the pollees think Sarah Palin is qualified to be president.

This gives me sadness, and a profound feeling of alienation, because nothing in Ms. Palin’s record, nor anything I’m aware she’s said since being anointed Johnny Mac’s running mate, indicates that she is even qualified for the governance jobs she’s already had, much less the biggest of the big leagues, and I wonder what they’re seeing that I’m not, my fellow Americans. Or do they want a leader who apparently believes the First Amendment has no more importance than the slip of paper in a fortune cookie? That denies the validity of evolution? That thinks the current military debacle is a mission from God… ? No point in continuing the catalogue… If my fellows know of these things and they don’t care about them, then the system is broken. If they don’t know… well. how could they not?

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Review: Smallville Season 8 Premiere

Get ready, Superman fans: this first episode back for Smallville certainly made a believer out of anybody who was sick of the constant relationship melodrama and relentless barn-scenes-with-a-bad-soft-contemporary-soundtrack of the past seven seasons, but before we get too far ahead of ourselves, let’s take a step back.

Smallville Season 8You can get an in-depth look at what exactly went down over the past seven years here, but for our purposes, all we need to know is this: Lex found out Clark is an alien, went to the Fortress of Solitude to control him, ended up destroying the place with both of them in it. Jimmy Olsen, originally agreeing to be Lex’s spy, betrayed him, which then forced Luthor to call the Department of Domestic Security (dumb name) and have Chloe hauled away, who now has the ability to heal and the brain smarter than a super computer. Lois Lane is currently on the hunt for her cousin, Chloe, and the Justice League (consisting of Green Arrow, Black Canary, and Aquaman) is on the quest for Clark. All caught up? Good.

This season kicks off with LuthorCorp’s newest CEO, Tress Mercer (possibly a hybrid of Lex’s comic bodyguard Mercy and movie girlfriend Ms. Tessmacher) stepping in as the new (evil) face of the company, now that Luthor is missing, and Michael Rosenbaum is only slated for a few guest appearances this season. The Justice League, along with their poor costume choices, are closing in on finding Clark in the Antarctic, who is actually in a prison camp in the heart of Russia (Red Son reference?), both human, and unshaven!! Chloe is under guard at the supposed D.D.S. (dumb initials) base, where scientists are running tests on her to find out the extent of her “super computer brain”.

The episode marks the feel of this season, which is finally branching outside the walls of Smallville, and going global. Lana’s dead (to us), so we don’t have anymore agonizing drama on that front. There is a moment of dread about 45 minutes into the episode where Clark goes back to his bedroom in the barn, but thankfully its only for him to “finally say goodbye to Smallville”. We get a great cameo from Martain Manhunter and even a nice little nod to former cast members John Schneider and Anette O’Toole. No sign of the “daddy issues with Jor-El” storyline either, which was a big letdown in the past.

This season is said to be more of a throwback to Lois & Clark: The New Adventures of Superman, having the duo work together at the Daily Planet, with Clark finding out that he needs to keep his identity secret from those around him, all the while falling slowly for Ms. Lane. This will hopefully end with him donning some sort of costume, instead of the blue shirt/red jacket that has unfortunately become his trademark (when I can buy the same thing at Old Navy, it shouldn’t be considered a superhero costume). We’re also expected to get a Doomsday storyline this season, which could prove promising, given the new writing direction.

This brings us to the biggest improvement by far from the past, which is the writing. Both in dialogue and storylines, there seems to be a newfound enthusiasm from the writer’s room, and it most definitely translates onto the screen. They also seem to have the chemistry between Clark and Lois down to a tee. The nods to comics are still there, including a possible Red Son reference, and even a throw to fans of Green Arrow (I won’t ruin that). They may fall back into their “freak of the week” slump again, but this episode has made the show as a whole worth getting back into, and I recommend it to any true Superman fan. RATING: 9/10

‘Smallville’ So Far

‘Smallville’ So Far

  • News
  • September 18, 2008

So this week we shall see the season premiere of Smallville. This is not only the eighth season of the series that depicts a young Clark Kent learning the lessons that will make him Superman, it is also likely the last — unless the CW decides at the last minute to change their minds.

Matt "Two-Fisted" Raub is going to regale you folks with a review of the season premiere soon enough. It is my job to recap what has brought us to this point. I’ll summarize what’s happened in the show’s major storyline so far, not bothering to go into detail of individual episodes or sub-plots that are never mentioned again. If you only want to be caught up on the latest season, just scroll down until you see the words "Seventh Season" in bold. Also, this isn’t wikipedia, so I’m going to be explaining things in the way that I think makes it easiest to understand, not just listing events in exact chronological order.

THE STORY SO FAR . . .

The series begins with business mogul Lionel Luthor (John Glover) arriving in Smallville, Kansas with his young son Lex. A meteor shower suddenly hits, causing hundreds of strange, glowing, green rocks to hail from the sky and create devastation across the town and its surrounding farms. Lex receives close contact with one of the meteor rocks and loses his hair as a result. Young Lana Lang loses her parents in the chaos. Meanwhile, elsewhere in Smallville, Jonathan Kent (John Schneider) and his wife Martha (Annette O’Toole, who portrayed Lana Lang in Superman III) find a rocketship in their field that has arrived along with the meteors. And inside, there is a baby.

Fast forward several years and we are introduced to teenage Clark Kent (Tom Welling), the adopted son of Martha and Jonathan. Clark is a good kid with a kind heart. He is best friends with Pete Ross (Sam Jones III) and Chloe Sullivan (Allison Mack), who has a deep-seated crush on him. He is also head over heels for his friend, cheerleader Lana Lang (Kristin Kreuk). Clark is interested in astronomy and often has his head in the clouds. He also has great speed, strength and resiliency to injury. Now a freshman in high school, Clark wonders about why he has these abilities and his father finally reveals to him that he was found in a rocketship that came with the meteors and thus is possibly an alien. Clark wonders about who he is and why he was sent away.

As Clark begins high school, Lex Luthor (Michael Rosenbaum, voice of the Flash from Justice League), now an adult, arrives in Smallville to take over his father’s LuthorCorp plant there. It’s supposed to be a test of responsibility and he hates it. Soon after his arrival, Luthor suffers a car accident and his life is saved by Clark Kent. The near-death experience makes Luthor decide that he must stop listening to his father and pursue his own destiny. He also declares that he and Clark are now friends, since Clark saved his life. Clark is glad to have a friend and is overwhelmed by Lex’s money and power and insistence on helping to make Clark’s life easier. Jonathan Kent is concerned that his son is spending so much time with Lex, especially when the Luthor boy continually espouses a belief that one should side-step rules of politeness and moral boundaries to get what you want sometimes.

As the seasons pass, Jonathan and Martha do their best to help Clark cope with his increasing abilities and his identity issues. The Kent boy discovers that the glowing green meteor rocks that are scattered in different parts of Smallville are somehow lethal to him and that their radiation has caused mutation in certain other people. As Smallville begins to be plagued by mutated super-villains (called "meteor freaks"), Clark secretly works to stop them and as the years pass on he discovers his powers increasing, gaining super-human hearing, telescopic/microscopic vision, heat-vision and X-ray vision. He even has dreams that he can fly. When solar flares later cause his powers to go haywire, Clark realizes that his superhuman abilities stem from his body’s absorbtion and processing of solar radiation.

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Siegel and Shuster Society tops $50K

Siegel and Shuster Society tops $50K

  • News
  • September 17, 2008

A total of $53,455 has been raised by the Siegel and Shuster Society’s fund raising efforts after just two weeks.  The $50,000 goal for exterior repairs to Jerry Siegel’s’ boyhood home was exceeded after week two’s auction haul of $18,996.  Two more weeks of auction will proceed while t-shirt sales will continue.  Once the auction ends, work will begin on both the exterior and interior of the home.

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Batman’s Comedy of Eros, by Dennis O’Neil

Batman’s Comedy of Eros, by Dennis O’Neil

  • News
  • September 16, 2008

Way back in the late 80s, or maybe early 90s, an inker working on one of DC’s superhero comics rendered a female form rather more like the Lord made female forms than the mores of the time allowed. The editor dealt with the problem by putting a color hold – a purple one, I think – over what some would have deemed offensive nudity.  Sex always wins. The lady’s charms shone clearly though the purple haze and a fuss ensued.

I remembered this anecdote when I saw, in the New York Times, an item about a Batman comic describing “a two page action sequence that is filled with foul language…uttered by (a) heroine…

“A black bar covered the blue words, but it was too transparent and allowed the text to be read.” Sex always wins and maybe “foul language” at least doesn’t fight fair.

According to the Times, the print run was destroyed. Having made more than my share of blunders when I sat in an editor’s chair, I know how easily goofs like this can occur and I hope the ensuing fuss doesn’t devolve on the editor, whoever he or she may be. As a certain Secretary of Defense said, stuff happens.

But I’m curious.  Did the creative folk always intend the offensive language to be covered? Surely not. Why go to the bother and expense of lettering copy that no one will read? Easier, one imagines, to simply do the black bars in the first place, though as a storytelling strategy, that would be questionable; why pull the reader out of the story while they puzzle over the meaning of the black bars?

Okay, the copy was meant to be seen? Didn’t somebody wonder if such language could cause trouble and…I dunno – ask around?

Maybe someone saw it as a free speech issue. If so, I’d demur.

I think the First Amendment is the crown jewel of the Constitution, and, personally, I can be a potty mouth. Much of my choirboy vocabulary was left on an aircraft carrier and much of whatever was left in the gutters of the East Village, pre-gentrification. But I think the way things are marketed creates expectations, and it’s not playing fair with the customers to thwart those expectations. Anything – and I do mean anything – should be allowed in the public arena, but if one buys a book bylined Henry James, one should not be subjected to a story by Mickey Spillane.

Comics have come a considerable distance in the few years since I left editing. Hell and damn, once verboten seem okay both in comics and on TV, and a few gamier locutions are beginning to pop up. But I don’t believe the medium – comics – has evolved to the point where authentic street lingo is expected.

A final consideration: The question in matters like this is always a simple one. Does it help the narrative? Is the vocabulary the writer is using his way of showing off, or does it serve a larger purpose? Any vocabulary that tells the story is almost certainly the right vocabulary, though I’d expect to get argument on this. In the case of the Batman comic we’ve been discussing, I don’t know, and probably never will.

RECOMMENDED READING: Redemolished, by Alfred Bester

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale in September, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too. 

ComicMix Six: Embarrassing Deaths

ComicMix Six: Embarrassing Deaths

  • News
  • September 15, 2008

The world of comic book super-heroes and costumed villains is a dangerous one. And sometimes, you don’t make it out alive.

We all remember the tragic loss of Bucky Barnes when he was blown up while trying to disarm a bomb (although he turned up alive again as a cyborg a few years ago). We can still recall the tragic loss of Oliver Queen, the Green Arrow (who was literally resurrected not too long ago). We’ve reminisced about the sacrifice of Barry Allen, who became one with the universe even as he saved it (and who returned from the dead a couple of months ago). And it was literally front page news when Captain America was assassinated (and he’s actually still dead).

But not all deaths in comics are noble moments you want to remember. Some are just down right … silly. So here are six of the most embarrassing deaths. NOTE: this is focused on super-villains and super-heroes, not just any characters in comics in general. Otherwise we would just be talking about Preacher all day.

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Waiting For The Phone To Ring, by Dennis O’Neil

Waiting For The Phone To Ring, by Dennis O’Neil

  • News
  • September 9, 2008

So here we were, writer/editor Jack C. Harris and myself, caught in a warp of eternity. Had we committed some hideous transgression to be doomed to this Purgatory? Well, no. What we’d done is agree to be guests on a radio call-in program about 30 years ago. Subject, of course: comic books.

We arrived at the small, shadowy studio early, earlier than the host, who breezed in a minute or so before air time and then, without notes, he was speaking into a microphone, introducing Jack and me, urging listeners to ask us questions and giving a phone number they could call if they wanted to speak to one or both of us.

We waited for that ol’ switchboard to light up. And waited. And waited. And waited. It seemed that nobody was interested in comic books, not that night in that city. We waited, and tried to make small talk, which I do not include in my skill set, and waited and waited.

Then there was a call! Hallelujah! Oh joy, oh happiness – a call! For us? Unfortunately, no. Some guy wanted to tout a community event of some sort, and fine, say I – more power to him.

There may have been one or two more calls – as noted, this was 30 years ago and I had no reason to cherish the memories – but basically, Jack, Mr. Radio Man, and I sat in that studio for two hours and then Jack and I left and I got on a train back to New York.

Got on the Amtrak, did I, little knowing that Jack, Radio Man and I were pioneers. What we’d done was fill up airtime without imparting any information, without saying anything anyone wanted or needed to hear

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Smith Wants Rogen as New Super-Hero

Smith Wants Rogen as New Super-Hero

  • News
  • September 8, 2008

Director Kevin Smith told Sci Fi Wire that he wants to cast Seth Rogen in an original superhero movie.

"First, I’m going to do a 180 turn and do a horror movie called Red State," Smith said while attending the Toronto International Film Festival. His latest film, Zack and Miri Make a Porno, screened their and stars Rogen along with Elizabeth Banks. "It’s going to be a total horror-political-psychological movie without a funny line in it. Then I’m going to do the science fiction super-hero movie. It’s going to be an original super-hero that I’ve created. It’s stewing right now. I want to do it, though, and, God willing, it will star Seth Rogen."

Rogen is also set to cowrite and star in Sony’s The Green Hornet film, coming in summer 2010.

The Wire report also quoted Smith as saying, "I haven’t written a comic book for about three years, but I am going to write a Batman soon." The project, Batman: Cacophony was a surprise announcement during the summer convention season and has already been solicited for release this November.  Artwork is said to be from Walt Flanagan with covers from Adam Kubert and Andy Kubert. The story promises the return of Onomatopoeia, his villain from his run on Green Arrow along with Batman rogues Mr. Zsasz and the Joker. One can only hope he’s actually started writing by now.
 

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