Tagged: Green Arrow

‘Ciudad’ set up at Paramount

‘Ciudad’ set up at Paramount

Oni Press has sold the film rights to their forthcoming graphic novel Ciudad to Paramount Pictures.  Anthony and Joe Russo (You, Me and Dupree) wrote the comic and will pen and direct the screen adaptation according to Variety. The comic was drawn by Ande Parks (Green Arrow).

The trade describes the premise as “story centers on a weary hostage extractor who travels to Paraguay’s Ciudad del Este, a border town considered one of the world’s most dangerous and corrupt locales, to save a kidnap victim.”

The duo researched the story for years, traveling to South Africa and intend to return to their grittier filmmaking style.

Oni Press has optioned four other properties to Universal Studios where they have a first look deal.  Their Scott Pilgrim film begins shooting in a few weeks.

 

Turning Comics Into Manga, By Dennis O’Neil

Turning Comics Into Manga, By Dennis O’Neil

If you’re a student, or a teacher, you may not be reading this when Mike Gold posts it. Unless there’s a glitch he’ll be doing digital voodoo-hoodoo that I don’t understand – me and Johnny Mac, Luddites and proud of it – and making these words available to interested parties, if any, on Tuesday morning. The reason you’re not reading this on Tuesday morning, if you’re a teacher or student, may be that you’re in school and presumably putting your laptop to other uses. (I didn’t say “better.” I said other. Let’s not be judgmental.) Here in Rockland County New York, school begins early this year and unless the unforeseen happens, Marifran is, on the Tuesday-to-come, down the hill, beginning her forty-seventh year of teaching and I’m… oh, eating breakfast. Reading the paper. Sleeping. Something. I hope Mari didn’t wake me when she left.

For comics professionals, these fine, crisp September days are often a lull – an easy interval between the frantic, convention-going days of summer and the rush to finish and get to press the upscale books that publishers hope will be under a whole lot of trees on Christmas morning. Not much happening. The only items of interest that have come to my attention recently are the demise of one of the new comics publishers and Marvel’s announcement that it will tailor its superheroes for the Japanese market.

That market has been something of an enigma. The Japanese are, as a nation, the world’s largest comics consumers and have been for decades. Why? One theory is that experiencing narrative through the medium of pictures is natural to many Asians because their written language is pictorial – it may have begun as actual drawings and has evolved into a series of highly stylized glyphs. Neither a new idea, nor one restricted to comics: the great Russian director and theorist Sergei Eisenstein offered a similar explanation for Asia’s quick adoption of movies.

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‘Smallville’ Season 8 Preview

‘Smallville’ Season 8 Preview

Kristin Dos Santos at E!online provided fans of Smallville with a ton of information regarding the eight and final season of the CW series.  It returns to the air in September and leaves the farm community further behind as the action seems to be concentrated more and more on the Daily Planet in nearby Metropolis.

Darren Swimmer, one of the four executive producers trying to replace Alfred Gough and Miles Miller, explained, "[Clark]’s going to be seeking out the trouble, as opposed to reacting to trouble when it happens. One of his main motivations for going to the Daily Planet was to be somewhere where the information comes in."

As a result, not only does Clark now work at the DP, but Lois Lane (Erica Durance) and Jimmy Olsen (Aaron Ashmore) continue their employment.  In a nice twist, it’s Jimmy, not Lois, who starts to suspect Clark may be more powerful than a locomotive.  It’s his snooping around that makes Clark start to consider the need for a secret identity.

Lois and Clark meantime begin to see each other in a new light, as a maturing Clark recognizes it may be time to put his romance with Lana Lang behind him. "Erica Durance and Tom have such a great chemistry on camera together as Lois and Clark,” Swimmer noted. “I just love seeing the dailies. They’re going to be butting heads a lot, as usual. They’ll be teaming up on stories and getting into the typical hijinks together."
 

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Heroic Gloom, by Dennis O’Neil

Heroic Gloom, by Dennis O’Neil

Tuesday, August 26: 146 days.

They continue to dwindle down, the days, but maybe not fast enough. If Dennis Kucinich is right in a New York Times interview, Georgie just might launch an attack on Iran sometime between now and the election because…well, we don’t want to switch leadership in the middle of a military crisis and we have to be tough on terrorism, et cetera. And lest we think that this is lefty paranoia from a vegan who is, after all, a friend of Shirley MacLaine’s, just look at the last eight years…

But enough gloom on this fine pre-autumn day, at least enough political gloom. Let’s switch to some nice television gloom. This is not a good week for Okay, I’m gonna bust in here. In case we haven’t met before, I’m Randy Hyper, a fictional character that dweeb O’Neil made up ‘cause he hasn’t got the cojones to tell you about the stuff he’s doing that he wants you to know about. (And if there’s a bigger loser in comics, don’t tell me ‘cause I don’t feel like crying.) Anyway…what el dweebo wants me to tell you is that he’s again teaching a course in writing comics and graphic novels at New York University, beginning next month, September 24, and running until December 3 on Wednesdays from 6:20 till 8:40. Course number is X32.9372. Phone is 212-998-7171. I can tell that he’s looking forward to this gig ‘cause last semester’s group were what he might call “cool” which just goes to prove that even he isn’t wrong all the time. Now back to our regularly scheduled blather. so if you like sports, this is your week. The last gasp of the Olympics, preseason football, the big tennis matches, plus the usual baseball action – lots to keep you sports fans amused. As for the rest of us…not wonderful.

And if you’re a Lois Lane – a superhero lover – the season beyond this week isn’t awfully promising, either. As far as I can tell, there are no new superdoers on the television schedule and one of last year’s, the revamped Bionic Woman, won’t be returning. This despite the fact that the summer movie schedule was pretty superhero-intensive and two of the entries do for this kind of fantasy-melodrama what the films of John Ford, Howard Hawks and maybe John Huston did for westerns: mature them. No longer are the cape-and-tights crowd fit only to provide the airiest of light entertainment; they now have a claim on art, of maybe even Art.

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“Voltron” Film Moves Forward, “Robotech” in the Works?

“Voltron” Film Moves Forward, “Robotech” in the Works?

Variety reported earlier this week that the big-screen adaptation of the popular anime series Voltron: Defender of the Universe has been moved forward into the "turnaround" phase of production, bringing the project no one really expected to see in theaters closer to fruition. According to Variety, a Fox-based financing and production agency is looking to secure a moderate budget for the film, akin to a film like the recent adaptation of Frank Miler’s graphic novel 300.

The film’s producer, Mark Gordon Co., plans to attach a director within the next week to the script written by Justin Marks — a name which seems to be popping up on a long list of adaptations these days, Marks has also authored scripts for a film based on the DC superhero Green Arrow, as well as adapations of the He-Man cartoon and the Hack/Slash series published by Devil’s Due.

Marks’ take is described as a post-apocalyptic tale set in New York City and Mexico, where five survivors of an alien attack band together and end up piloting the five lion-shaped robots that combine and form the massive sword-wielding Voltron that helps battle Earth’s invaders.

Also of note is a mention at the end of the Variety article that Voltron was one of several "giant robot" stories optioned after the success of Transformers in theaters. Warner Bros. secured the rights to another 1980s anime series with a massive, loyal fanbase in North America, Robotech.

You can read a review of the Voltron: Defender of the Universe script over at The Latino Review, which gave Mark’s adaptation of the series amazingly high marks.

And just in case you’re feeling nostalgic, YouTube has the original opening from the 1980s Voltron series.

Oh, by Dennis O’Neil

Oh, by Dennis O’Neil

Sunday, August 17: 155 days left.

Our man the brush clearer is back in Crawford, taking it easy. Having already set a record for presidential vacation days, he’s obviously trying for a record that no future chief executive can possibly hope to break. This may not be how everyone would like to be remembered.

Back when I occupied the celestial throne that is the sinecure of all those noble beings known – here you may genuflect – as editors … make that Editors – this was the time of year when life got calmer. Big travel was done – no trips to distant cities to attend conventions – and the increased summer publishing load completed. We put out fewer issues in the fall because, conventional wisdom had it, the kids were too busy with school concerns to bother with funny books. The same logic dictated that during the summer we cram the newsstands because, presumably, the nation’s youth had nothing better to do with their long, humid days than to laze around getting massive four-color fixes and, besides, since they didn’t have to buy crayons or switchblades or whatever school kids bought, they had disposable income to spend on our productions. Which, of course, was why late spring and early summer demanded industriousness from editorial types. Those printing presses out there in the Midwest were maws…

All that was probably true once. But because the ways comics are marketed, and to some extent read, I doubt that it is true now. But I don’t know. Any editors – working editors, that is – care to enlighten the old man?

The point is, though I was a comics editor at the two major companies for about 23 years… I don’t know. I have a sense that the business has changed a lot in the seven years since I occupied the celestial throne mentioned three paragraphs ago (seven years already?). My skills might be more-or-less okay (though I’m not even sure of that), but my attitudes and assumptions would need work.

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Is Hillary Clinton Really The Thing? By Dennis O’Neil

Is Hillary Clinton Really The Thing? By Dennis O’Neil

I never talked to either Jack Kirby or Stan Lee about politics, so I don’t really have any idea where they stood on the subject. My guess would be that following their political spoor wouldn’t take you very far west and that they didn’t have much sympathy for the hippie-rebels of the 60s (and here allow me to blush and hide my face). After all, they and their parents (and my parents) fought for a place in the American mainstream because, finally, acceptance meant an increased chance of survival and for those outside the tribe, who suffered the Great Depression, not surviving seemed to be a real possibility. Then here came the snotty kids with their tie-dye and their girly haircuts and their wiseass slogans saying that a place in the tribe was not worth struggling for – in fact, the tribe itself was stinking of corruption.

Both generations were, in their own way, right; both had a piece of the truth.

Stan and Jack were – are – of the first of the two generations and so they were – are – probably politically a bit to the right of me and maybe you (and my parent and most of my siblings.) But events of the past week make me guess that their greatest creations were liberals. I refer to the Fantastic Four who, along with Spider-Man co-launched Marvel Comics, as one or two of you might have heard. True FF aficionados know, and perhaps relish, the tendency of the members of this supergroup to squabble among themselves. Two of the four, The Human Torch and The Thing, seem particularly apt to indulge in petty argumentation.

Remind you of any particular political group?

Yeah, right. Liberals. Witness the recent news: Ms. Hillary Clinton’s die-hard supporters are threatening to vote for John McCain, the Republican candidate, unless Ms. Clinton’s presidential aspirations are accorded full acknowledgement at the Democratic convention, which will be soaking up media time in about two weeks. This despite the fact that Ms. Clinton has already lost the nomination to Barack Obama, whose crew must be thinking harsh and uncharitable thoughts about the Clintonites.

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A Billion Dollars Worth Of Respect, by Dennis O’Neil

A Billion Dollars Worth Of Respect, by Dennis O’Neil

You saw the story, posted here on our own beloved website a couple of days ago: comic book movies have earned over a billion United States dollars this summer, despite an iffy economy that may or may not have something to do with those loveable funsters who frolick near the Potomac.

(I’m writing this Sunday evening. A hundred and sixty nine days. Tickticktick… And please excuse the digression.)

So the aspirations of those folk we mentioned last week – to be respectable and accepted and part of the mainstream – has been realized, though only a few of them are still around to enjoy whatever perks this brings.

Check it out. A billion-with-a-B-dollars! Oh sure, we comics guys have not had to hide our shame for quite a while now. There are the postage stamps and gigs at places like the Library of Congress and the Smithsonian and classes taught at major universities and whole sections of bookstores devoted to comics material and if you donate the graphic novels you won’t read again to your local library, they’ll probably be accepted, maybe even with a smile. But in our world, and in most others that I know about, material goods are the emblems of what the citizenry considers success. And that bil will buy a lot of material goods.

Someone – I have no idea who – observed that one of the ways to discern a society’s values is to look at its architecture: in the middle ages, in Europe, the cathedral was the biggest building in the burg. Now? Well, about a mile from where I’m sitting is the biggest, and some would say ugliest, structure in Rockland County and it ain’t a church, amigos, it’s a shopping mall.

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Speaking Up, by Dennis O’Neil

Speaking Up, by Dennis O’Neil

The comic book veteran was smiling as he leaned forward to read the lettering on the button fastened to my lapel: Let’s Legalize Pot. His mood changed instantly, to one of anger. He snatched the pin off my jacket, flung it into a wastebasket, and stalked from the room.

That was in 1965 and before I relate another incident from the same era, let me offer a quick clarification. I don’t like marijuana. Never have. The circumstances of my rather bumpy life have, at times, put me close to it and of course, like William Jefferson Clinton and maybe just one or two other pols, I sampled it and found it usually did little for me. Which is not to say I didn’t have addiction problems. No siree. My love of alcohol cost me a marriage and a job and a lot of dignity and some trips to the hospital. But pot? Usually just made me cough. That button? Well, although the evil reefer was not my drug of choice, I thought that if booze and nicotine were legal, evil reefer should be, too.

This was not conventional wisdom in 1965 (and still isn’t) and, although, as we discussed last week, comics guys like the man I outraged were outsiders, they were not rebels. No, they were outsiders by birth and circumstance, not choice, and their values were pretty much those of mainstream America. They wore suits and ties to work, they paid taxes and owned homes, went to church or temple, voted, behaved themselves. Many had served honorably in the war. They were patriots, they were good citizens. They knew, because they had not learned otherwise, that our nation was menaced by godless Communism, that elected officials were as honorable as they themselves were, that what was good for General Motors was, in fact, good for America, that the atomic bomb was an invaluable part of Liberty’s Arsenal and, oh yeah, that the Devil’s Weed would likely corrupt any youth who got a whiff of it. They were my parents, my relatives, and the folks in my old neighborhood.

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SDCC Interview: Justin Marks on the ‘Hack/Slash’ Movie [UPDATED]

SDCC Interview: Justin Marks on the ‘Hack/Slash’ Movie [UPDATED]

[EDITOR’S NOTE: Our original link to this interview didn’t play nice with the formatting of the film’s title, so I’ve fixed the link and reposted the article here on ComicMix. -RM]

Writer Justin Marks has come a long way as a Hollywood screenwriter in a relatively short span of time. After working as a producer’s assistant for several years, while writing scripts in his off-hours, Marks has achieved nearly A-list status by writing several high-profile screenplays including Streetfighter and He-Man. He’s also worked on Supermax, co-written with A-List scribe David S. Goyer, and featuring the DC Comics hero Green Arrow who, after being wrongly incarcerated, has to join forces with the very villians he put behind bars in order to escape.

Marks is also writing another big-budget Hollywood film, this one an adaptation of the very popular comic series Hack/Slash, created by writer and artist Tim Seeley and published by Devil’s Due Press. I caught up with Marks at the San Diego Comic-Con to talk a bit about the Hack/Slash film, what we might expect story-wise and the film’s current status.

COMIC MIX: Hey Justin, thanks for talking with me. How did you get involved in the Hack/Slash movie?

JUSTIN MARKS: It was a book that was given to me about a year or year and a half ago. at the time it was already set up as a movie and I thought that was great because I thought it would make an increadible movie. Actuallly, I was kinda jealous.

But then a few months ago I got a call, I was actually in Bangkok working on the Streetfighter movie, and the producers of Hack/Slash asks if I would be interested in working with Todd (Lincoln) the director on the script to sort of push it throuhg and get it ready for production.

So I got on a plane for seventeen hours back to LA to try and get that job.

CMix: It seems you really wanted the job?

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