John Severin, Eisner Hall of Fame winner and one of the last of the legendary EC artists, died Sunday in Denver, Colorado. He was 90.
Severin was among the greatest draftsmen of the EC crew. He was especially well known for his western comics and war comics, but worked across many genres, including a 45 year stint drawing for Cracked magazine, doing numerous parodies and creating the definitive version of the company mascot, janitor Sylvester P. Smythe.
In recent years he had continued to work, with his last new material coming from Dark Horse last year on Sir Edward Grey: Witchfinder.
His family has released a statement:
Internationally acclaimed illustrator-cartoonist, John Powers Severin (1921-2012), passed away Sunday, February 12, 2012 at his home in Denver, Colorado with his family by his side.
He was 90 years old.
Throughout his sixty plus year career in comic illustration and cartooning, Severin gained world-wide notoriety and is regarded by many fans, friends, historians, and colleagues as a truly distinctive and brilliant artist.
Long-time friend and former president and chairman of Marvel Comics, Stan Lee states, “He had an art style that was uniquely and distinctly his own.The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn. Not only was his penciling the very finest, but his inking, too, had a distinctive Severin touch that made every strip he rendered stand out like a winner”.
It’s that time again… here are the preview materials for DC Comics releases for May 2012.
As you can see, DC is clearly getting excited about the imminent arrival of The Dark Knight Rises with new movie statues showing Anne Hathaway, Christian Bale, and Tom Hardy, the return of Grant Morrison and Chris Burnham’s Batman Incorporated and the long awaited arrival of Batman: Earth One by Geoff Johns and Gary Frank, and the Talon appearing in every single Batman book this month… and even All-Star Western?
Plus, with the return of Earth One, we also get the return of Earth Two– and the return of the World’s Finest.
Shall we get into it? Let’s!
As always, spoilers may lurk beyond this point. (more…)
In the commercial arts there’s always been a fine line between tribute and theft, even when it’s called homage. These days, that’s a word that gets lawyers excited. But we are free to imitate the underlying concept or genre. When Harvey Kurtzman produced Mad #1, he didn’t invent humor, nor did he invent satire or parody. Anybody can try to be funny, and let’s be honest: comics publishers, then and now, aren’t trying to imitate somebody else’s comic book – they’re trying to imitate somebody else’s comic book success.
This rarely happens.
After EC knocked one out of the park with Mad, just about every publisher with an eye to staying in business (except DC and Quality; Fawcett had pretty much given up on comics by this time) came out with their own Mad clone… including EC. And EC was hip enough to satirize both of these facts. While some of the art in these would-be doppelganger publications is borderline superlative, they lacked the sharpness, the outrage and, simply, the sheer funny of Kurtzman’s Mad.
But there is certainly enough decent material to fill a tribute trade paperback, and that’s just what Fantagraphics did in their book [[[The Sincerest Form of Parody]]]. Edited by John Benson (of Witzend and Squa Tront fame). Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch (by old, I mean we first met in 1968), this book is a welcome addition to any comics library.
Not that I minimize Benson’s task. I had a friend who got an entry-level editorial position at Playboy magazine back when the earth was still cooling, and his first assignment was to “edit” the party jokes page. That meant he had to open about a zillion envelopes a week, read all the so-called gags, and pick the “best” couple dozen for publication. If you’ve ever read Playboy’s Party Jokes, you can only imagine what all those other “jokes” were like. It’s a wonder he didn’t climb the tower and start shooting anybody wearing skinny ties and horn-rim glasses.
I imagine Benson was faced with a similar challenge. If not for the artistic endeavors of Norman Maurer, Jack Kirby, Joe Maneely, Bill Everett, Ross Andru and Mike Esposito, and Howard Norstrand, John might have climbed that tower himself. Lou Cameron and Bob Powell are missing from this column; both are missed.
As Benson points out, few of the Mad imitators survived more than four issues. Then again, four issues was a pretty standard run for comics in the crowded newsstands of the pre-Code 1950s: it took at least three months after off-sale to get decent circulation numbers, so after the loser first issue got its report card the publisher was faced with the prospect of pulling the third issue at the printer or maybe printing off the paid-for inventory in issue four… give or take. That’s why so many interesting early 50s titles such as Danger Trail and Tor were cancelled in their first year of bi-monthly publication.
So, if nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out; order it from your comics retailer or from an online service. It’s scheduled for publication in March, and it’s already off-press.
The Sincerest Form of Parody, Fantagraphics Books, $24.99 in trade paperback.
(Maxims: Political, Philosophical, and Moral, by Edward Counsel)
Except in comics.
I was doing a search for quotes about death when I found this one, which is so apropos. I never heard of Edward Counsel; did a Google search, but couldn’t find him?? Found a reproduction of his book on Amazon; the original was published before 1923. All I can gather is that he was an Australian who was born before 1900. Anyone who has more info is welcome to let me know in the comments section.
The reason I was looking for a quote about death – of which there seems to be milllllllllions – is because all us comic fans are buzzing about the YouTube video The Death and Return of Superman, by Max Landis (son of John Landis), who stars in The Chronicle. I was going to post it here, but Martha (Thomases) beat me to it three days ago – which amazingly points out that DC actually thought Tim Drake’s/Robin’s new costume was more of a P.R. event than Supe’s kicking of the bucket – so I won’t do that. All I can say is that, if by any chance you haven’t seen it, do so at once. You have my permission to stop reading this column, go watch it (it’s about 16:00 long) and then come back. It is bitingly hilarious, and exceptionally on the mark!!!! (Major kudos to Landis and his fellow actors btw!)
SPOILER ALERT!: Okay, I’m going to assume that you have either already seen the video or have taken the 16:00 to watch it before returning here, because I’m going to give away the ending here.
Landis concludes his short film by stating that Superman’s death and return opened the floodgates for other comic characters to die and then resurrect. In other words, said resurrection cheapened the dramatic impact of said death, and ended the ability of readers to mourn the loss of the character, because the reader knew the character would eventually return. Cynics like me will always point out that the death of a character in the comic book world is always due to (1) marketing; and (2) the dictates of Hollywood – as Martha ably points out in her column concerning Lois And Clark: The New Adventures of Superman.
As a comics writer, a editor, and a reader, the “make-believe” of death in comics really pisses me off.
I’d like to point out that the ability of fiction (any fiction, from comics to television to movies) to help children understand and cope with finality of death is incredibly important. J. M. Barrie understood this, as he has Peter Pan say “To die will be an awfully big adventure.” And of course, J.K. Rowling did not flinch from the meaning of death in the Harry Potter And The novels; it was one of the themes of her “magnus opus” – beginning with the main character. Need I remind you that Harry was an orphan?
Okay, young readers of comics are scarce these days. We all know that. But they are still out there; my eleven-year old niece Isabel being one of them. And children are curious about death. About six months after my husband left me, the family was out to dinner. Right in the middle of the laughter and the eating, Isabel, six years old at the time, said to me, “Is John dead?” (That was a conversation stopper, let me tell you.) Of course her parents had explained what had happened. But obviously Isabel couldn’t grasp the concept of marital separation and divorce, so all she knew was that John was gone, which in her thoughts equaled death… because, as her mom told me later, she had just seen a movie – I don’t remember which one, it might have been one of the Harry Potter’s – in which one of the characters died. And she was trying to wrap her young mind around “death.”
Which I think is good; our society tends to put death into a dark, dusty corner where it molders and mildews and mutates into something unbearably monstrous. Remember the uproar over Terry Schiavo? How about the Republican bullshit of equating Obama’s healthcare bill with death panels? And as a registered nurse in the operating room, I can’t tell you how many times I’ve seen terminally ill or extremely aged patients subjected to the stress of unneeded or useless surgery or treatment because the family insists on it because they can’t deal with the impending death of their loved one.
Death can be welcomed as an end to unending pain and torment. Death can be aggressively fought against with all the tools of modern medicine. Death can be sudden, or it can be stretched out into nanoseconds.
But death is real.
I’m still reeling from the death of Kara Zor-El – Supergirl – in Crisis On Infinite Earth. Don’t talk to me about the reboots.
The Very Short List of Comic Book Superheroes Who Have Died And Returned: Alfred Pennyworth, Aquaman, Aunt May, Big Barda, Bucky, Captain America, The Doctor, Elektra, Fahrenheit, The Flash, Firestorm, Green Arrow, Green Lantern, Hawkgirl, Hawkman, The Human Torch, Jean Grey, Moon Knight, Negative Man, Punisher, Robin, Supergirl, Superman, The Thing, T.H.U.N.D.E.R. Agents (many if not all), Wonder Man, Wonder Woman, Yellowjacket.
TUESDAY: Michael Davis. Sponsored by the Bacon Council.
Growing up, I always recognized that Ramona Fradon’s artwork was different, curvier and softer in many ways than Gil Kane or Carmine Infantino. But you couldn’t help but like her open, appealing storytelling and characters. Her artistic touch on Metamorpho and later Super Friends were perfect while she was badly miscast on things like Freedom Fighters and even selected issues of The Brave and the Bold.
From the legion of writers and artists working in the first two generations of comics, Ramona was one I had never had the chance to meet or speak with. It was therefore serendipitous when Dynamite Entertainment invited me to edit The Art of Ramona Fradon which is a visual showcase for her work and was an extended conversation between the artist and fellow creator Howard Chaykin. Chaykin spoke with her on numerous occasions and the raw transcript needed to be shaped which is what I did. But in researching her career, I realized there were pockets of work Howard never explored and other gaps that needed filling in. (And speaking of Chaykin, my overdue The Art of Howard Chaykin retrospective is finally on press and should be out in the spring.)
I was tasked with calling her myself and conducting a supplemental interview so I found myself spending about ninety wonderful minutes with Ramona last year. She was gracious and displayed a pretty good memory so those gaps filled in nicely.
It was easy, then, to take the various transcripts and edit it into a pretty coherent chronology of her life and career. The book took time to assemble given the hunt for illustrations from across her career but the work is done and I see it now being solicited in the current issue of Diamond reviews.
If you grew up on her work and want to get to know the artist, I strongly suggest you get this for yourself. I’m certainly proud of having worked on this, honoring Ramona and her work.
After the cut is the complete press release with additional details.
Long time fans of Metamorpho, Aquaman, Aqualad, Plastic Man, The Fantastic Four and Super Friends are quite familiar with the work of legendary artist, Ramona Fradon, but not until now will they know the whole story of Ramona’s incredible career in comics, as Dynamite Entertainment is pleased to announce the upcoming The Art of Ramona Fradon in stores on April 2012!
For the first time ever! The DEFINITIVE retrospective of Ramona Fradon’s career will be presented in The Art of Ramona Fradon. The Art of Ramona Fradon will be a hardcover book that highlights the magnificent career of the artistic legend, plus never-before-seen sketches.
Interviewed by legendary creator Howard Chaykin and featuring a forward by Walt Simonson, Fradon talks about her artistic career, accomplishments and creations from her early days at DC in the 1950’s to her later work on Marvel’s The Cat and Fantastic Four and DC’s Plastic Man, Freedom Fighters, Super Friends and more!
“I’ve never liked to see my work in print, but the way it’s presented in this book makes me feel proud,” says legendary artist Ramona Fradon. “The drawings are arranged so attractively on the pages that the not-so-good ones look good and the good ones look really good. It covers so much of my career that there are things I barely remember doing, starting with an unpublished story strip I practiced on before I got into comics. It’s nice to see I’ve improved since then.”
“In an era when 99.99 % of American comic books were produced by a male talent pool, and very few women worked in the field–mostly as writers, and mostly producing work of no particular interest or engagement,” says Howard Chaykin. “The truest exception to this reality is Ramona Fradon, an original, not to say eccentric talent, whose approach to comics was so idiosyncratic as to make her stand out from her peers, men and women alike–and it should be noted that her work, as influential as it’s been over these many years, remains personal, individual and inimitable.”
“I have known Ramona and loved her work forever. I started with Aquaman in the 1950s when I was a kid,” says Walt Simonson. “Ramona’s art wasn’t like anybody else’s work back then. Her design of the human figure, her slightly abstract and expressive faces, her crisp line, and her clear storytelling stamped her work with an individuality that was instantly recognizable.”
“It is an honor that we are able to present the life and art of Ramona Fradon in The Art of Ramona Fradon,” adds Dynamite Entertainment President and Publisher Nick Barrucci. “Ramona Fradon’s work has touched many creators, and I personally am a huge fan of her art. Ramona’s conversation with Howard Chaykin about her life’s-work makes this book a must-read for any Ramona Fradon fan and any fan of comics history!”
Ramona Fradon is an American comic book and comic strip artist. Her career began in 1950, when it was even more unusual for women to illustrate superhero comics. Fradon entered cartooning just after graduating from the Art Students’ League. Comic-book letterer George Ward, a friend of her husband (New Yorker cartoonist Dana Fradon), asked her for samples of her artwork to pitch for job openings. She landed her first assignment on the DC Comics feature Shining Knight. Her first regular assignment was illustrating an Adventure Comics backup feature starring Aquaman, for which she co-created the sidekick Aqualad.
Following her time with Aquaman, and taking a break to raise her daughter, Fradon returned to co-create Metamorpho, drawing four issues of the series. Her other work includes Super Friends, Freedom Fighters, Plastic Man, a variety of mystery stories, and an issue of the Fantastic Four!
In 1980, Dale Messick retired from drawing the newspaper strip Brenda Starr, and Fradon became the artist for it, until her own retirement in 1995. Fradon was inducted into the Comic Book Hall of Fame in 2006.
Join the conversation on Twitter with #RamonaFradon and on Dynamite Entertainment’s twitter page at http://twitter.com/DynamiteComics
The Internets (by which I mean, mostly, Facebook) buzzed this week with a YouTube video, The Death and Return of Superman. It’s really funny, written, directed, and starring Max Landis, son of one of my favorites, John Landis, and also the writer of this week’s box-office champ, Chronicle.
I like everything about this but the premise: that the powers-that-be at DC Comics decided to kill Superman because it was an easy way to draw attention to their flagship character and thereby increase his popularity.
Not true. If anything, in 1992, Superman was more popular than he had been since the John Byrne relaunch.
If DC was going to pull a stunt to make Superman more popular, they would have done it when I was first hired to be publicity manager at DC, in the summer of 1990. I remember going to a meeting about upcoming story lines, and being told that the big event for that fall was that the new Robin (Tim Drake) was going to get a new costume. Not just any costume, but one with a design actually approved by Tim Burton.
Oh, and Clark Kent was going to ask Lois Lane to marry him. And then she was going to say, “Yes.”
“That’s a much bigger story,” I said.
“No one cares about Superman,” I was told. “But the fans will want the first issue with the new costume. Push that story.”
I pushed them both, but, as instructed, I devoted more resources to Robin. I spent thousands of dollars having a costume made and finding an actor to wear the costume for a press conference. I got approvals up and down the Time Warner hierarchy.
For Superman, I sent out a simple press release. And that story exploded.
Over the next two years, Superman became more and more popular. The public followed the stories about Clark and Lois like they were Kardashians (only really in love). The wedding became such a hot story that Warner Bros. television wanted in, and created a series, Lois & Clark: The New Adventures of Superman.
There’s more money in television than in comics. The wedding would have to wait.
Here’s the part I didn’t know about until years later. The powers-that-be at DC needed a reason to stop the wedding. To their credit, they turned the problem over to the editors, writers and artists who worked on the series. Why would the wedding be postponed? Could Clark and Lois fall out of love?
No, that wasn’t in character. Even though they hadn’t taken vows, they were going to be together until death did them part (or, as fate would have it, The New 52). The only way to stall a wedding would be for one of them to die. Whose death would be more dramatically interesting?
The Death of Superman was never about killing Superman. It was about setting up the next storyline, World Without a Superman. These stories showed how the world went on without the Man of Tomorrow, and how he continued to have an impact on our lives.
We know Superman came back, and Landis does a great job of pushing the more ridiculous aspects to their (il)logical extremes. It’s funny stuff, and it’s funny because he actually knows something about comics.
Still, twenty years later, we’re still talking about it. The stories remain in print. Whether or not you liked it, the fact remains that the stories resonated with readers.
We all remember where we were when we first heard that Superman died.
When I was a kid around 12 years old I met another kid around the same age while at the library. This was a big deal because I was black and he was white and I had no white friends, so at the time this was an historic meeting for me at the time.
We were both at the same table at the library both working on a book report. We regarded each other only with sly looks while trying to avoid eye contact with each other. I lived in a housing project and I just knew that David lived in the real nice houses that were not to far from the projects in distance but light years away in lifestyle. For about an hour we played that cat and mouse “look, don’t look” game.
We played that game until David put away his notebook and replaced them with a stack of comics that could choke a horse. I’d never seen that many comics outside of my home. Never had I seen anyone carry that many comics around.
Then I noticed something incredible. All the comics were brand new. I’ve carried comics around with me on many an occasion: grandma’s house, dentist’s office, car trip (which I only did once because I can’t read in a car; it gives me the worst headache, even now) or to a friend’s house to trade.
Whenever I’ve carried comics around, they were never a stack of new comics – never. At 12 I don’t think I’ve ever brought more than three comics at one time. Not that I didn’t want too; I just could not afford it. Now, here in front of me were at least 30 brand new comics that this snot nose white kid was showing off.
I did not want to stare but I could not help it. I was mesmerized by the wealth of comics this kid had in his possession.
I hated that kid.
I hated that I had one comic on me that had no cover.
We’ve got more with TV‘s original BATMAN cast including Adam West weighing in the upcoming DARK KNIGHT movie, Burt Ward on creating that catch phrase. Plus DC whores out WATCHMEN in a big way and Marty McFly may be landing on Broadway.
Take to the Skies with Captain Midnight and Commander X: New Comic Book on the Horizon from Moonstone Books and Nemo Publishing
At the end of this year, Nemo Publishing and Moonstone Books will publish a cross-over one shot comic book featuring the legendary Captain Midnight and Commander X from Nemo Publishing’s “The Undersea Adventures of Capt’n Eli” graphic novel series. This 28 page, full-color book will be written by longtime DC Comics writer and editor Brian Augustyn. Artwork and co-plotting will be by Jay Piscopo, author and illustrator of “Capt’n Eli.”
“When real life casts long shadows over us and time seems to be running out, that’s the time to look to the skies for the antidote to modern worries,” said Augustyn. “I couldn’t be happier to be working with Moonstone, Nemo, and my great friend Jay Piscopo on this thrilling and timely project.”
This new book will feature guest stars from other Moonstone books, including Airboy and the Air Fighters, and will pay homage to the great heroes of yesteryear, particularly aviation heroes.
“I’m a huge fan of Captain Midnight and what Moonstone has done with the character. I see this as an opportunity to introduce new fans to this once very popular hero from American pop culture,” said Piscopo. “Working with a friend and a creator I admire so much and to team up with Moonstone is a dream come true.”
Captain Midnight is relevant today because he existed in a time similar to our own when the United States was in the midst of economic upheaval and the world was at war.
Augustyn noted “Captain Midnight has been a multimedia legend for 70 years and remains as vital today as when he first took wing. As ever, Cap delivers sky-high adventure and heroism in the classic style. Commander X is completely in sync with those ideals and will be the perfect partner in crime-fighting. Featuring the Air Fighters only makes it all that much more thrilling.”
Piscopo think it’s perfect timing to reawaken these WWII era characters and see what made them strong and interesting. “These characters stood for ideals; particularly the ideals of freedom, equality and fighting against fascism. The superhero genre blossomed during WWII because this is what they stood for.”
More about Moonstone Books: Moonstone publishes fine and distinct comic books, graphic novels, and prose featuring classic and new heroes in thrilling tales of adventure, mystery, and horror including wayward thriller-adventure heroes like Kolchak the Night Stalker, Buckaroo Banzai, Captain Action, The Green Hornet, The Avenger, The Spider, The Saint, The Justice Machine, Domino Lady, Zorro, The Phantom, Operator 5, G-8, The Green Lama, Honey West, Sherlock Holmes, Airboy, Zeroids, Secret Agent X, The Phantom Detective, and more. www.moonstonebooks.com
More about Brian Augustyn: Augustyn is an award-winning comic book editor and writer. He got his start in the industry in 1984 as an editor for Tru Studios’ “Trollords.” He then edited “Syphons” and “Speed Racer” for NOW Comics. In 1987, he joined DC Comics, starting out as a co-editor on “Action Comics” during its period as a weekly title. He then went on to edit “The Flash,” “Justice League” and the “Impact Comics” line of titles. Augustyn was recognized for his work in the industry with the Wizard Fan Award for Favorite Editor in 1994.
More about Jay Piscopo and Nemo Publishing: Piscopo is the author and illustrator of Nemo Publishing’s “The Undersea Adventures of Capt’n Eli” graphic novel series and “The Sea Ghost #1: The Sea Ghost in the Machine” comic book. Captain Midnight and Commander X are similar and unique in that they both were created as a vehicle for advertising a product. In the case of Captain Midnight, it was Ovaltine in the 1940s. Commander X is part of the Capt’n Eli universe of characters tied to the Capt’n Eli’s line of hand-crafted sodas from Portland Maine. Capt’n Eli is the namesake of real-life World War II veteran Eli Forsley who was also the inspiration for Capt’n Eli’s soda. Read the story behind the story at this link. On the web atwww.captneli.com and www.theseaghost.com.
This summer, DC Entertainment will publish all-new stories expanding on the acclaimed WATCHMEN universe. As highly anticipated as they are controversial, the seven inter-connected prequel mini-series will build on the foundation of the original WATCHMEN, the bestselling graphic novel of all time. BEFORE WATCHMEN will be the collective banner for all seven titles, from DC Comics.
“It’s our responsibility as publishers to find new ways to keep all of our characters relevant,” said DC Entertainment Co-Publishers Dan DiDio and Jim Lee. “After twenty five years, the Watchmen are classic characters whose time has come for new stories to be told. We sought out the best writers and artists in the industry to build on the complex mythology of the original.”
Stepping up to the challenge is a group of the comic book industry’s most iconoclastic writers and artists – including Brian Azzarello (100 BULLETS), Lee Bermejo (JOKER), Amanda Conner (POWER GIRL), Darwyn Cooke (JUSTICE LEAGUE: NEW FRONTIER), John Higgins (WATCHMEN), Adam Hughes (CATWOMAN), J.G. Jones (FINAL CRISIS), Andy Kubert (FLASHPOINT), Joe Kubert (SGT. ROCK), Jae Lee (BATMAN: JEKYLL AND HYDE), J. Michael Straczynski (SUPERMAN: EARTH ONE) and Len Wein (SWAMP THING).
John Severin, Eisner Hall of Fame winner and one of the last of the legendary EC artists, died Sunday in Denver, Colorado. He was 90.
![[Bloglines]](http://www.comicmix.com//wp-content/uploads/2012/02/bloglines1.png)
![[del.icio.us]](http://www.comicmix.com//wp-content/uploads/2012/02/delicious1.png)
![[Digg]](http://www.comicmix.com//wp-content/uploads/2012/02/digg1.png)
![[Facebook]](http://www.comicmix.com//wp-content/uploads/2012/02/facebook1.png)
![[Fark]](http://www.comicmix.com//wp-content/uploads/2012/02/fark1.png)
![[Faves]](http://www.comicmix.com//wp-content/uploads/2012/02/faves1.png)
![[LinkedIn]](http://www.comicmix.com//wp-content/uploads/2012/02/linkedin1.png)
![[MySpace]](http://www.comicmix.com//wp-content/uploads/2012/02/myspace1.png)
![[Propeller]](http://www.comicmix.com//wp-content/uploads/2012/02/propeller1.png)
![[Reddit]](http://www.comicmix.com//wp-content/uploads/2012/02/reddit1.png)
![[Slashdot]](http://www.comicmix.com//wp-content/uploads/2012/02/slashdot1.png)
![[StumbleUpon]](http://www.comicmix.com//wp-content/uploads/2012/02/stumbleupon1.png)
![[Technorati]](http://www.comicmix.com//wp-content/uploads/2012/02/technorati1.png)
![[Twitter]](http://www.comicmix.com//wp-content/uploads/2012/02/twitter1.png)
![[Windows Live]](http://www.comicmix.com//wp-content/uploads/2012/02/windowslive1.png)
![[Yahoo!]](http://www.comicmix.com//wp-content/uploads/2012/02/yahoo1.png)
![[Email]](http://www.comicmix.com//wp-content/uploads/2012/02/email1.png)
