DENNIS O’NEIL: Who knows what evil lurks…? Part 1
Meet Anthony Tollin.
I did, more than 30 years ago, at DC Comics. Anthony was tall, friendly, didn’t look like a New Yorker, and wasn’t. He came to Manhattan from Minneapolis in 1973, worked a couple of jobs, and then landed at DC, where he stayed for 20 years, proofreading, color-coordinating, helping Jack Adler manage the production department – necessary chores, done well away from the spotlight, that transform the raw materials of artwork and script into a printed artifact. Along the way, Anthony got married, and divorced, moved to another state, and when he retired from DC, settled in Texas, where he lives and single-parents his lovely and gifted daughter, Katrina.
If you talked to Anthony much, you soon discovered that he had a number of pop cultch enthusiasms, not the least of which was comic books. But his real passions – I don’t think the word is too strong – were always The Shadow novels, mostly written by Walter Gibson under the pseudonym Maxwell Grant and published in the 30s and 40s in the pulp magazine format, and old radio shows, particularly the crime and adventure programs that were the first cousins of the pulps and comics. If ever I had a question about either of these subjects, Mr. Tollin was always my first go-to guy. I never needed a second.
Those passions are still part of the Tollin gestalt, and now he’s found a new way to both share and make a living from at least one of them. Since July, a company Anthony started has, in partnership with something called Nostalgia Ventures, been issuing reprints of The Shadow books. The price is $12.95, quite modest considering that in one volume you get two novels and reprints of the original illustrations, a feature that’s both unusual and, I think, a real value-adder. The book that’s on the desk next to my computer would certainly be mistaken for one of the old pulps – same size, same kind of cover and font – until you picked it up and found that, in fact, both the cover stock and the interior stock are considerably better than anything that bore the original work. Inside, there are the novels, plus a couple of pieces by Will Murray, another expert and go-to guy, and an adaption of a Shadow radio show.
And as a comics fan you should care… why?
I like Martha Thomases’ idea of 365, as reported on ComicMix yesterday. A full-length comic book story each and every day for a year. Now that would be an event.
I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.
Publishers Weekly’s 
I’m not the man I used to be. But comics aren’t what they once were, either.
