It’s that time again… okay, it’s a little past that normal time, thanks to the Mix March Madness wrapup, but here are the preview materials for DC Comics releases for July 2012.
What’s on tap this month? More of the Before Watchmen books, with the debut of Ozymandias from Len Wein and Jae Lee, the conclusion of the Court of Owls storyline and crossover in all the Bat-books, and the debut of the done-in-one book, National Comics, featuring the New 52 Debut (coming right at you) of Eternity.
And in the white elephant of desire category, there’s the $300 statue showing the climactic scene from The Dark Knight Returns.
Once more, into the breach? Banzai!
As always, spoilers may lurk beyond this point. (more…)
So how’s the resurrecting going in your neighborhood? Despite a very warm March, it’s pretty much on schedule here in Rockland County. Oh, most of the trees are still barren, but here and there, some of them are getting beleaved; the dogwood in the front yard is growing buds and wow! – the forsythia bush in the back is covered with bright yellow flowers. So fecundity is returning to southern New York and I guess Gaia will make it through another growing season.
I’m thinking of death and resurrection partly because I’m typing this the day after Easter – a real holiday, this, because it acknowledges and celebrates something real and vital, the aforementioned fecundity. The proof, I guess, is that it – the return of the fecund – is reflected in a lot of myth/religion, the area in which we humans often attend to stuff like this. Give a quick Google to Persephone, Osiris, Adonis if you doubt. (Am I leaving a name off that list? An obvious name? Ummmm….) And don’t forget that the word itself – “Easter” – is derived from the name of a pagan goddess of fertility, Eostre.
For a while now, I’ve had an unparsed and maybe dunderheaded notion that the history of comics recapitulates the history of religion (the way ontogeny is supposed to recapitulate phylogeny?) Maybe I’ll someday do something with the idea, maybe not, but for our present purposes I’m happy to remind you that resurrection is not a stranger to comic books, though sometimes it has been more reincarnation than resurrection. I have (he said, thrusting out his chest) personally presided over the demise of Jason Todd, a.k.a. Robin The Second and, editing Marvel’s Daredevil when Frank Miller was doing the title, the very thorough scragging of Elektra and behold! – both characters are back in business, seemingly unharmed by their stays in the afterlife.
Superman is probably comics’ best known resurrectee. His fans know that, in a long, much-crossed-over storyline that appeared in the early 90s, our favorite Man of Steel was put down by the villainous Doomsday and later revived by a visit to the regeneration matrix in his Fortress of Solitude. (Should I have prefaced that last sentence with a spoiler alert? Sorry…)
Superman may be the numero uno returner-to-life in the DC Comics universe, but there are others, including Green Arrow, the Flash, Donna Troy, Elongated Man, Green Lantern…You might want to complete the list yourself.
Across town, in Marvel’s universe, the death of Jean Gray, known as Dark Phoenix, was a big deal in the X-Men saga and generated some pretty a deluge of fan mail from – brace for it! – die hard fans. I’ve already told you about Elektra. Again, the list can undoubtedly be amplified.
There are pros and cons to this reviving the dead and they might be worth a longer discussion. Maybe later. For now…get your nose out of the damn comic book and look out the window. The dogwood’s blooming!
RECOMMENDED READING: The Superman stories mentioned above are available in book collections that your comics shop or online book purveyor will be happy to sell.
FRIDAY: Martha Thomases Takes Us From To Kill a Mockingbird to Mein Kampf
What has gone before – the quick and dirty recap. 1999: I pitched and sold what I consider the greatest idea I’ve ever come up with to DC Comics. Before I pitched the idea I checked with three of the best writers in the industry, Keith Giffen, Lovern Kindzieski and David Quinn. They all thought it was a great idea. Keith Giffen called it one of the greatest ideas he’s ever heard.
After hearing praise from those guys I ran the idea pass Dwayne McDuffie. Dwayne liked the idea so much he said he wanted to write it. It was with that in mind I pitched the idea to Jenette Kahn who was running DC Comics at the time.
Jenette loved idea and said “Let’s do it.”
Jenette Kahn is no longer head of DC. She makes movies now. Big movies. Jenette produced the Clint Eastwood film Gran Torino.
Like I said, big movies.
From the moment I met Jenette, I liked her. I’m glad to say she liked me also. We hit it off right away. We talked about anything and everything. One day, Jenette and I were talking about fine artists and she asked me if I knew the work of William T. Williams. I did. In fact, I knew his work so well Jenette was impressed. I knew more about his work than Jenette and at one point she remarked that I must be a huge fan. “I’d better be.” I told Jenette. He’s my cousin.”
Jenette said she would like to meet him so right then and there I made a call and in a few days Jenette was being given a studio tour by my cousin. In my entire life I’ve only asked my cousin to give two people personal studio tours. Jenette was one of them.
That’s a big deal because my cousin is a huge artist.
How huge?
He’s in the Janson History Of Art, the definitive book on art history.
That’s how huge.
My cousin is my mentor and my surrogate father. He and my mother quite literally saved my life while I was growing up. I’m fiercely protective of my cousin. Every mofo with a serious bank account asks me to hook them up once they find out William T. Williams is my cousin.
Nope.
He’s too important as an artist and as my family for me to make a call on anyone’s behalf just because they can drop a million bucks or more (yes, you read that right) on some art. So I’ve only made that call twice and Jenette was one of them.
I made that call because Jenette is simply a wonderful person and I knew my cousin would enjoy meeting her as much as she would enjoy meeting him.
Some years before that, Jenette and I had talked about me coming to DC as the first black editor. As cool as I thought that was I couldn’t do it. Frankly, I couldn’t afford the pay cut. What I did do was make a list of some people whom I thought would be great choices. Jenette thanked me for thinking of that and actually someone from that list was hired. No, I didn’t get them the job nor do I know if anything I said had anything to do with him getting the job. What mattered to be was DC comics had a black editor.
I tell you the history with Jenette and I because of the importance of what happened to the project I sold to DC. The project I considered the greatest idea I’ve ever had.
Project X was green lit by Jenette and assigned to an editor at DC.
Me not being an idiot, asked Dwayne McDuffie to write it based on my overview and I was to handle the art. Dwayne said yes and I was doubly excited. The editor chosen, loved the idea, and couldn’t wait to do it.
I’d done it.
I’d sold the greatest idea I ever had. This would be an important project, written by an important writer, published by an important publisher with art by an artist with something to prove. I’d had two big projects before this from DC. ETC, the first series ever published by DC’s imprint Piranha Press and Shado, a four issue mini-series written by Mike Grell.
Neither of those projects were my finest hour.
Although, believe it or not I still get fan mail from France on ETC. Two months ago I received an email from a comic club in France asking if I was coming to France in the future. I just so happen to be going to France this September on some business and the club asked if they could take me to dinner and talk to me about ETC.
Damn. The French must do a lot of meth… and coke… together.
Back to Project X.
I was on cloud 9! I was about to begin work on what I still consider the greatest idea in the history of comics! Yes, I’m well aware it’s not the greatest idea in the history of comics but to me it certainly felt that way.
So don’t send me comments about how there is no way I could have come up with the greatest idea in the history of comics. As I said, I know I didn’t.
It’s a close second…
So, let’s recap.
I’d sold the second greatest idea in the history of comics to one of the greatest publishers in the business. It was to be written by one of the greatest writers with art by a guy who was going to make sure this time he got it right.
Whenever my old employer, DC Comics, reprints some of my ancient work, it’s gratifying, particularly if what’s reprinted is one of the “socially relevant” stories Neal Adams and I did in the early 70s, but it can be a little disheartening, too.
The problem is, the stories are for the most part still relevant, and what does that say about the state of the nation? Environmental upset? Yep, still got it. Racism? The folks down in Florida could tell you about that. Addiction? That lovely singer is no longer with us. Overpopulation? Hasn’t improved. American Indians? Some of the nation’s worst poverty is found on reservations that don’t house casinos.
As one of Bill Maher’s guests said on his show last week, it seems unbelievable that birth control could be a factor in presidential politics in the in the twenty first century. I mean…birth control?
But occasionally a glimmer of light shows through the gloom. So let us smile and extend a salute to Batwoman.
Digression: Batwoman and I go way, way back. Fact is, I killed her 40-something years ago. Why? Don’t remember, exactly. Her demise was almost certainly a plot point in the days when comics stories were largely plot-driven, and she must have seemed to be good cannon fodder: a character who, although she was in the continuity, hadn’t done much in a long time and if we needed a snuffee, and I guess we did, she was a good candidate. I do regret ending her offstage; she probably deserved a death scene at the very least.
End of digression: Batwoman is back. Wait – make that a Batwoman, who has the same name(s) as the original, but a different lifestyle. She’s a redhead and…oh yeah, a lesbian. Big deal? In our world, it kind of is since, from the beginning of mass-marketed comics, redheads were forbidden.
Just kidding: it’s gay people who could not grace our little sagas and in this we were one with most other media. In television and most movies, sex of any kind was antiseptic – all those cardboard kisses! – and gay sex was way outside the limits. And if gayness was an element in a story, as in some of Tennessee Williams’ film material, it was no more than hinted at and its practitioners were going to suffer plenty before the last reel.
In comics? Well, one of the characters John Byrne created for his series Alpha Flight was gay, but not too obviously; John’s editor knew of Northstar’s orientation, but I’m not sure anyone else in the editorial department did, not at first. (I’m informed that later creative teams pulled Northstar further out of the closet.) And a couple of years back, Marvel let us know that the ol’ rannie from the western titles, the Rawhide Kid, was gay, news that managed not to shake any foundations. But on the whole, the Kid and Northstar and a few others, including the revamped Question, in private did icky stuff that wasn’t mentioned, except, maybe, in he gutters.
Now, Batwoman. Last week she received a media award from the Gay & Lesbian Alliance Against Defamation and nobody’s making any secret of the recognition.
Call it one of those glimmers I mentioned earlier. And be grateful for it.
I’m convinced that there comes a time in every creator’s career when he or she has that one project that becomes the project. Be they a writer, artist, photographer, director or whatever, there comes a time when said creator realizes without a shadow of a doubt that they have created their baby.
Their triumph. Their masterpiece.
This is the project that they will not compromise on. There will be no quarter given creatively; there will be no major changes to the premise no matter what.
At the many Static Shock pitch meetings at major television networks we were asked if we would consider many changes to the original bible, which I wrote. Some of those changes bothered me, like Static’s mom being killed in a drive-by. How fucking stereotypical was that shit? But as bullshit as I thought that was it wasn’t a deal killer.
At one high level network meeting the question was asked “How about if we make Static…white?”
I said, “How about I bang your wife?”
True story.
OK… almost a true story. I did not actually say the part about his wife. But the network executive did suggest we make Static a white kid, which to me was just as fucked up as me asking to bang his wife. I did think about responding to him with the wife thing but he had a photo of her on his desk and lets just say…ugh.
Many changes were made to the original Static bible. Some I thought were good many I thought sucked. The show was a different story. I thought the show worked on every level regardless of my personal feelings towards the changes to the original bible. Static Shock was handled wonderfully and I have nothing but good things to say about the show.
But Static Shock was not just my baby and I had little to do with the show once it was on the air. But, I do have a baby.
Actually, I have three babies…damn I’ve got the perfect black father joke but I’m going to let it pass… like child support.
My first baby is a project called The Adjuster. I created the Adjuster over ten years ago and twice it came very close to becoming a reality. I refuse to let the Adjuster go just to get it made. Nope. The deal has to be right. The company has to be right.
My second baby is called The Underground. It’s a Dark Horse project and has been for a few years. If by chance Mike Richardson is reading this I will have the book finished this year. It’s a major undertaking and I’m as anal as I am black so it’s been a labor of love and frustration for the last couple of years. But, Mike, to be fair, you took a while approving the story…and I’m still traumatized by the Comic Con incident. You know the one…
Those are my babies and I’m blessed to have the Dark Horse deal and excited about the future of The Adjuster but there is one project which I consider my masterpiece. I won’t mention the title as it’s currently being considered at a major publisher but I will share with you its journey that is a festinating one. I’ll call it Project X.
In 1998 I had a vision of what I thought was the greatest idea I’ve ever had. The idea was so good it scared me. It scared me because those types of “great ideas” usually suck. It’s never a good idea to think that your idea is a great one.
People lie and the one person people lie to the most are themselves. You may not think it’s lying when you convince yourself that something is a good idea but if you have to convince yourself then to me that’s a lie. But this idea was such a good idea and I was convinced it was great. So, clearly I was lying to myself.
Clearly.
Or was I?
I decided to ask three of the best writers in the industry if they thought it was a good idea. I asked Keith Giffen, Lovern Kindzieski and David Quinn.
They all said it was a great idea. Not a good idea, a great idea. Keith Giffen called it one of the greatest ideas he’s ever heard.
That’s Keith Giffen who said that.
Keith Giffen.
THEKeith Giffen.
After telling those three guys, I ran it past Dwayne McDuffie. He said it was such a good idea he wanted to write it. Not bad eh?
So, with all that love from four of the best in the biz I decided to pitch the idea to DC Comics and I did. And…I sold the idea.
With X-Men vs. Avengers hitting the shelves this past week, fans are speculating just what the “shattering conclusion” hinted at in several teasers will be. Well, if the ramblings of a former Marvel graphic designer are to be believed, we’re in for something.
Mike Rifchin, an associate letterer was recently let go as part of Disney’s forced scaling back of staff, blogged major plot points coming up at the tail end of the summer blockbuster.
In his “…and a big F%#! You to Mickey” post dated March 29th, Mike let loose the following potential spoilers:
(SPOILER ALERT!)
Wolverine will betray his school for the Avengers, citing “I’m the best I am at what I do, but I know when it’s time to stick to the winning side.”
Cain Marko will resurface to claim his Cytorak gem. Red Hulk tosses it to him after defeating Colossus in the middle of Times Square. “Here you go kid, go make trouble for someone somewhere else.”
Cyclops will face off against Captain America as expected, but don’t expect a lengthy battle. Panels into their big blowup, Cyclops pulls off his visor, and releases a “Four page optic blast.” Steve Rogers isn’t seen after that.
And the biggest spoiler of them all: After Hope decides to keep the Phoenix Force within her, Uatu leaves his post as a Watcher. “Hope is lost.”
And with it, so does the 616 universe. Uatu reveals his possession over the forgotten cosmic cube. What follows is a yet-to-be announced Flashpoint-esque universal reset. Due to the increased sales from DC’s relaunch back in August of 2011, Disney ordered the House of Ideas to match the success. According to Rifchin, the plans have been in place to reset things a bit. “Face it, with all the crap going on in Spider-Man, and all the different X-teams, and no real rise in sales over the last year? It doesn’t surprise me they’re playing the same weaksauce DC did – LAME!”
Rifchin’s blog has since been shut down by Disney and their team of mouseketeer lawyers.
Due to recent events in Florida, Warner Bros. has decided to put its foot down. With the first promotional image for the new CW drama “Arrow” debuting a few weeks back, some were questioning how politically correct it might be to have a hero donning a hood to fight crime.
DC President Diane Nelson held a press conference this morning to disway the rumor mill:
“DC Comics wants to make it clear that we have been, and will always be at the forefront of fashion for our original licensed creations. But our heroes exist in a very real world… one that reacts to all of today’s issues. Given the recent tragedy in Florida, we’ve decided to make some improvements across the board to ensure the utmost sensitivity to everyone affected. Simply put, a good guy can’t wear a hoodie.”
With that being said, it was learned that DC will be reshooting “Arrow” with a new to-be-released costume, as well as make several changes to existing characters. The new Shazam will have his costume altered once again. Co-Publisher and lead costume designer Jim Lee noted “Shazam will now feature baggy cargo shorts, a red and gold short sleeve tee-shirt with white long sleeve shirt underneath, and his new trademark Kangol hat. We felt it was time to really bring the character into today’s marketplace.” In addition to that, copies of Superman: Earth 1 will be recalled, and have it’s cover replaced, as it features DC’s flagship character donning the aforementioned fashion faux-pas. Also, Static Shock will be removed from continuity completely, and any mention of him will be disavowed.
“Ultimately we have a responsibility to our readers to reflect the common values everyone shares. At this time, this means having to ensure no character is dressed in an offensive matter. In any event, it will not keep us from delivering the finest product in the marketplace we can.” Nelson concluded.
This week, the ESO crew hurls themselves into the void and travels to the planet Mongo to discuss the adventures of Flash Gordon. Can our intrepid heroes of Mike, Mike, and Bobby with guests Dan Johnson and Scott & Debbie Viguie, help Flash save the universe? Or will they face the mercy of Ming? Tune in to the next episode of Earth Station One to find out! Plus, Chris Hardwick and the Nerdist crew came to Atlanta and Christine Hoffman gives us a full report! All this, plus the usual Rants, Raves, Shout Outs and Khan report!
Table of Contents 0:00:00 Intro / Welcome 0:07:07 Rants & Raves 0:55:06 The Geek Seat w/ Dan Johnson 1:11:39 Flash Gordon 1:57:27 Khan Report w/ Christine Hoffman 2:29:29 Shout Outs 2:38:34 Show Close
If you would like to leave feedback or a comment on the show please call the ESO feedback line at (404)963-9057 (remember long distance charges may apply) or feel free to email us @ esopodcast@gmail.com
Next week on Earth Station One… the ESO crew is hanging out at the Quick Stop with Jay and Silent Bob as we dive into the world of Kevin Smith at http://www.esopodcast.com/ – We assure you, the ESO station is open for business.
I just read the penultimate issue of Marvel’s Fear Itself miniseries. This means that next month, April, should maybe possibly mark the end of their big 2011 crossover event, also titled Fear Itself. It started a year ago. Longer, if you add the event implants.
The Fear Itself storyline has several epilogues – the Shattered Heroes books, sundry miniseries as well as this particular 12 part miniseries. It ends next month, right in time for the Avengers vs. X-Men event. In total, if you wanted to read the whole thing, you’d be reading something in the neighborhood of 135 separate comic book issues.
All this leaves me with one question: does anybody give a damn?
Like the overwhelming majority of big event crossover series, Fear Itself was pretty lightweight. Yeah, yeah, death, resurrection, worlds shattered, nothing will ever be the same again, and Ben Ulrich updates his résumé. Blah blah blah. If you haven’t read any of this and you are undaunted after considering this task, let me make two suggestions.
One: You do not pile all these books up on your lap. Particularly the hardcover editions. They will crush you, physically and spiritually.
Two: You might want to consider reading the Esperanto edition of James Joyce’s Ulysses instead. You only have so much time in life; go for the gusto.
O.K. I’ve been railing against endless phony dull event stunts for over a decade, but even if Fear Itself was among the best, it went on far too long. We have entered the era of the never-ending event, where one seamlessly segues into the next. Not only are these stories trivial and redundant (Norman Osborn’s back? Really? Next you’ll tell me they didn’t kill off Captain America or the Human Torch!), they no longer deserve the honorific “story.” A story has a beginning, a middle, and an end. A story has at least one climax, and a payoff that justifies your participation. These are qualities that are now lacking in mainstream event comics.
More fool I. As I’ve stated, I’ve been bitching about this for a long time. Yet most of these never-ending tales start off quite well and I get sucked in. Probably the best part of DC’s New 52 is that it wipes out or ignores most of their previous events. Probably the worst part of DC’s New 52 is that, eventually, they’ll do their own big event series – undoubtedly under the pretense of explaining everything that they “decided” not to explain in the individual 52 titles.
If history is any guide, in this they will fail miserably. I’m not knocking the abilities of the writers, artists, editors and editorial directors involved: the odds are overwhelmingly against them. It’s like writing a completely original episode of The Simpsons: after 500+ episodes, good luck with that. However, I am knocking the abilities of the publishers and the marketing executives who take such a short-term view of their bottom line.
I’ve said it before, and unfortunately I’ll have to say it again: What do you say, guys? Let’s try going back to simply producing great stories! You know, it just might work!
This is not the biggest problem in the world. It’s not the biggest problem in the world of entertainment. It’s not even the worst problem in comics.
But it bugs me. And I have this space every week, and I plan to use it to raise your ire as well.
The new issue of Supergirl out this week (#7) features a new team of adversaries for the Maid of Steel. They are the Worldkillers, four creatures taken as embryos from different worlds, then grown on Krypton, enhanced with terrible, world killing abilities.
They are shown to be four very different species. One is humans, one catlike, one like a dog or bear, and one that appears to be some kind of lizard. All are female.
Because they are all female, when they are grown and fight Supergirl they wear scanty little costumes. These costumes show off their breasts. Even the dog’s, who, rather refreshingly, doesn’t seem to have any.
The lizard, however, does. Her name is Perrilus (which confused me, since the -us ending in Latin means the noun is masculine) and she wears some kind of corset which pushes up her breasts.
Breasts are used by mammals to feed their young, who are born live. Lizards are reptiles, cold-blooded creatures who lay eggs and don’t nurse their offspring. There is no reason for Perrilus to have breasts.
I suppose that the Kryptonians could have given her breasts as part of her enhancements, along with her ability to “generate viruses,” but if that’s the case, we are never shown their use in combat.
And maybe she is flat-chested and, like so many high-fashion models and drag queens, has learned how to use the plastic pads, affectionately known as “chicken cutlets,” to push up the tissue in her chestal area to resemble breasts. Again, if this is the case, we are offered no explanation,
Perhaps these breasts are to distract the enemy. They certainly distracted the letterer, who, on page 10, twice refers to the gang as “Wordkillers.”
As Mindy Newell said a few weeks ago, a lot of women got into comics as girls because we enjoyed the Supergirl stories. She was powerful but not threatening, someone we could want to be like. Someone we could believe would like us. DC wastes a real opportunity when they don’t use a title like this to attract a new generation of young girls to superhero comics.
I’m not saying that tits on a lizard is a deal-killer for girl readers. I’m not sure anybody but me (and now, I hope, you) would notice. But in a week when Katniss Everdean flexes her smarts and her abilities with a bow and arrow in The Hunger Games, it seems like even DC Comics would realize they have to be a little bit smarter to attract that kind of audience.
It’s that time again… okay, it’s a little past that normal time, thanks to the Mix March Madness wrapup, but here are the preview materials for DC Comics releases for July 2012.
With X-Men vs. Avengers hitting the shelves this past week, fans are speculating just what the “shattering conclusion” hinted at in several teasers will be. Well, if the ramblings of a former Marvel graphic designer are to be believed, we’re in for something.
Due to recent events in Florida, Warner Bros. has decided to put its foot down. With the first promotional image for the new CW drama “Arrow” debuting a few weeks back, some were questioning how politically correct it might be to have a hero donning a hood to fight crime.
