Tagged: comics

DAUGHTER OF DRACULA RETURNS!

Press Release:

AVAILABLE NOW!
DAUGHTER OF DRACULA
The Complete Script
By Ron Fortier
graphic novel cover

Writer Ron Fortier and Artist Rob Davis will be guests at this year’s Oklahoma Writer’s Federation Conference to be held in Norman, Oklahoma May 2-4.  Further details can be found at the organizations website.

Fortier and Davis will be presenting two 90 minute workshops on the creation of a graphic novel.  The primary example of their presentation will be their own 108 pg. erotic horror graphic novel, DAUGHTER OF DRACULA published in 2007 by Davis’ Redbud Studio.
The team will be using a visual power-point slide show to illustrate the various technical aspects writing comics and the artist interpreting a script and bringing it to graphic life.  Copies of the graphic novel will be on sale at the conference as well as this recently produced book version of the comic script. 
“It seemed like a natural thing to do,” Fortier explains.  “We thought writers having attended our workshops would benefit from not only having the graphic novel but the script from which it was derived as well.  This way they could compare pages from the scrip to the completed art in the comic thus underscoring the points we will be making in our presentations.”
This script book is available at Create Space – (https://www.createspace.com/4133786)
Redbud Studio Catalog website – (http://www.robmdavis.com/RedbudStudio/index.html)
Official OWFI page (http://www.owfi.org/)
THE 2013 OWFI Conference  
May 2 – 4, 2013
Embassy Suites Norman
2501 Conference Drive
Norman, Oklahoma 73069
Tel – (1-405-364-8040)

Marvel’s Original Sin

Sean Howe shows us proof that Marvel sold original artwork instead of returning it to the artists, or compensating them in any way.

Marvel began returning current pages to artists sometime in 1974, and eventually worked retroactively back a few months, to comics cover-dated from January 1974; among the earliest issues from which art was sent back were Avengers #119 and Amazing Spider-Man #128.

But a year earlier, Marvel sold the covers to these issues, cover-dated January 1973, to the Winnipeg Art Gallery. Seven covers, plus progressive proofs and color guides for each, for a total of $770.

Back in 1986, Irene Vartanoff (who began managing artwork return in 1975) told The Comics Journal that Marvel would occasionally send artwork to exhibits. But as far as I know, this is the only evidence that exists of Marvel actually accepting money for pages of original art.

It’s unclear if the gallery still possesses the pages; nothing comes up on their inventory database. But if Rich Buckler, Joe Sinnott, Barry Smith, John Romita, Sal Buscema, or Tom Palmer happens to read this, they may want to give them a call.

via MARVEL COMICS: THE UNTOLD STORY (Untold Stories: Marvel Sells Stash of Original Art…).

It has been long suspected that lots of comic art went out the door. But this is the first documented proof I’ve seen that Marvel did so and profited from it.

A quick guess puts the value of all that original art at $35,000 today. We wonder if the artists are ever going to see any of it.

Michael Davis: George Clooney And Nice Guys Named Mike

Davis Art 130121“Comics are full of nice guys named Mike.”

Either Mike Gold or Mike Grell said the above quote some 20 years ago. Considering I was just five at the time, please forgive me if I can’t remember who said what.

What?

Whoever said it was talking about the comics industry and the abundance of seemingly nice people in it. At the time we were all working on a comic called Shado: Song of the Dragon.

Mike Gold was the editor, Mike Grell was the writer, and I penciled and colored the book. We jokingly called the project, the Mike book.

It was my second major project and I was trilled as shit to be working with Mike Grell, who was (is) a nice guy. Mike Gold is a nice guy and I’m a nice guy.

Really, I’m a nice guy.

Most of the people I’d met in the comic industry have been really nice people.

I came to Hollywood in 1994 to run the film and television division of Motown Records.  Most of the work I’ve done since then has been in television. I’ve met a lot of people in Hollywood and let me tell you compared to comics, that industry is full of not so nice people.

And by not so nice I mean assholes.

Don’t get me wrong, there are plenty of really nice people in Hollywood. For example, George Clooney and Wayne Brady are two of the nicest people you will ever meet.

I’ve hung out a couple times with George and he’s a great guy. No, he’s not my friend (unless you are a really pretty Asian girl and that would impress you, if that’s the case then George and I are best friends) but every time I see George he treats me warmly and makes me feel genuinely like he’s glad to see me.

This kind treatment from one of the biggest stars in the world, how cool is that?

Now, Wayne is a dear friend and he’s as cool as cool can be and has been since the moment he and I met some five years ago. I don’t want to give the impression that Wayne and George are the only nice people I’ve met in Hollywood they are not…but I’ve met many and I mean many people in Hollywood.

And a lot of them are dicks.

I think I know why there are more dicks in Hollywood than there are in comics.

Respect.

For the most part people in comics meet you and at least try and get to know you. In Hollywood that’s not the case, in Hollywood if people meet you and determine you won’t make them any money then that, as they say, is that.

No, not everyone in Hollywood is a blood sucking, money grubbing parasite but yeah; I’ve met more than a few who are.

The San Diego Comic Con International is the biggest pop culture event in the world. Comic Con does not need Hollywood, Hollywood needs Comic Con.

My point?

I’m sick to fucking death of Hollywood thinking Comic Con is their event.

It’s not.

Every year at Comic Con I give a big party, every year a bunch of Hollywood players show up and I let them in. I won’t bore you with the “stars” that have attended my parties but take my word for it, it’s impressive.

But…

Every year, Hollywood gives parties at Comic Con and every year it seems that the comic book industry is shut out of those events.

That pisses me the fuck off to no end.

I think George Clooney is a wonderful actor and a really nice guy, I really, really do think that. But if George showed up at my Comic Con party at the same time Len Wein showed up and I could only let one of them in, it would be Len.

Why?

Because it’s Comic Con!

Len is part of Comic Con, like water is part of wet. Period.

Long story short, Hollywood, comics do not need you. You need us.

‘Nuff said.

WEDNESDAY: Mike Gold and the Great Comics’ Shell Game

The Point Radio: Big Stars Big Comedy In MOVIE 43

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It’s that movie you saw a trailer for – the one with Richard Gere, Halle Barry, Kate Winslet, Hugh Jackman and a bunch of familiar people. The one with the unusual names. It’s MOVIE 43 and our exclusive preview begins with the story on how the project actually came together, straight from director Peter Farrelly. And did you know there is;more of Robert Kirkman‘s comics-verse coming, plus FRINGE exits with a bang.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Marc Alan Fishman: The Anti-Big-Bang Hypothesis

Fishman Art 130119Welcome back everyone. It would seem that last week I ignited the Internet ablaze by admitting I’d not seen “Wrath of Khan” until the week prior. The fine people folks trolls at Fark.com labeled me an ignorant dork. Ignorant of what I don’t know. Dork? Agreed. But then one of the feistier folks in the thread scoffed “I bet this guy loves Big Bang Theory.” And it’s pretty clear that’s an insult.

Well, motherfarkers? I do.

Now, let’s be absolutely clear: I like the show. I don’t profess to say it’s anything more than exactly what it is, a network sitcom. And amongst it’s pre-taped, live audience laugh-track, script-by-way-of-a-writers-room brethren? It’s on par, or maybe slightly better at times, than the rest of the dreck it sits with. No, an episode of BBT will never be regarded as a game-changing piece of television. But when did it ever have those aspirations? Anyone who took time to watch more than five minutes of the show would realize that it’s cut from the same cloth as all other inoffensive PC drivel. To think that it somehow had the ability to rise above that line is a thought shared only by people whose optimism borders on the terrifying.

With all that being said, let me lament again: I like the show. Quite a bit. The show celebrates a culture I myself am very much a part in. The fact that between the traditional tropes, I’m getting legit winks and knowing nods to characters, stories, and knowledge only really appreciated by a subset of society is a boon. Just this past week, the ladies of the cast had a subplot about reading comics and getting into arguments about them. Could anyone here tell me 10 years ago we’d predict we’d have a popular television show that contains characters who argue over the semantic properties of Mjolnir? Moreover, would you then say that said argument would actually be qualified as “nerd-worthy?” Well, if you’re raising your hand, then your pants are on fire.

For those naysayers out there, and I know there is a rising crowd of them, I beg you to truly mull over the gripes you’re bringing to the table. The big one? “Big Bang Theory is offensive to nerds!” OK. Well, guess what, Internet? I must have not received my invitation to the official nerd message board where I would make my vote. I certainly must be amongst your ranks. I own unopened toys. Long boxes. DVD box sets of defunct cartoons. I know the frame count of Ryu’s hadoken and why being several frames shorter than Ken’s makes it a more effective special move in Street Fighter 2 Turbo. Certainly if that doesn’t allow me access to the secret nerd cabal, I don’t know what will. To imply that the show, which again is a mainstream situation comedy, is offensive to nerds is offensive to me.

Is it offensive because the laugh track is cued up to moments that laugh at the main characters’ foibles instead of celebrating them? Perhaps it is. Or perhaps it’s a motherfarking laugh track, meant to usher the masses towards the guffaws. And guess what, internet? The fact that Howard Wolowitz admits to playing D & D is in fact funny to the uninitiated. Did I laugh when he said it? No. But then again, I didn’t get up in arms because the people in the studio audience did.

Nor did I sound the flugelhorn of justice when the same jackanapes chortled over Leonard getting picked on, or Sheldon doing just about anything on the damned show. Simply put, the show is aimed squarely at the lowest common denominator. To bemoan this fact is to hold a mirror up to every other sitcom in existence and shake your fist in anger. You can then join your true brothers in arms – the offended handy men who watched Home Improvement, the spiteful OB-GYN’s and jazz musicians in a murderous rage over The Cosby Show, and of course the bewildered radio psychiatrists aghast over Frasier.

The fact is Big Bang Theory caters to the median pop-culture nerd. The person who is vaguely aware of comics, Lord of the Rings, and perhaps Doctor Who. The show was built around the predictable notes of countless other shows before it; all of which can be explained. To think that we as a counter-culture are owed a TV series that doesn’t laugh at us, but with us… need only look to all the shows we’re already watching. Doctor Who, Toy Hunter, Star Trek, Battlestar: Galactica, Face/Off, Adventure Time, and so forth. Simply put, there’s already a boatload of shows that cater to us as a culture. Stop crying over the one that dares to poke at us for being dorks. As they say: let your freak flag fly. Maybe even laugh once in a while.

The way I see it, Big Bang Theory is plenty nice to the main cast the haters feel are nothing but forever picked on. Over the course of several seasons, Leonard (and Raj) have boinked Penny, Howard has gone to space and found love, and even Sheldon has found a partner. And sure, the audience has had their fair share of yuk-yuks over the boys’ failure, but to imply that the show is anything but loving of their stars is laughable at best. And for those who would say that the show is somehow regressing the nation to hate the geeks, dweebs, nerds, and dorks of the world… I offer a shoulder to cry on. There there, it’s O.K. I know it hurts when the big bad jocks push you into your locker, citing that they wouldn’t do it, had it not been for last night’s episode. Wipe those tears off, nerdlinger!

Because if TV sitcoms have taught me anything? It’s that it’ll all be forgotten next week.

SUNDAY: John Ostrander

 

The Point Radio: Milo Ventimiglia Does Digital In CHOSEN

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Milo Ventimiglia is back in action in the new series, CHOSEN and this time he’s doing it digital. Milo gives us all the details on the new Sony web series from Crackle.com, plus  – SyFy cancels ALPHAS and are they serious about a GREMLINS reboot?

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Martha Thomases: Breaking The Four-Color Wall — Comics About Cartoonists

Thomases Art 130118-aComics About Cartoonists • Edited by Craig Yoe • 192 pages • $39.99 retail in hardcover • IDW Publishing, on sale January 22nd

The creative life has its own circle of hell. The blank page, the blank canvas, the empty stage, all exist to remind us of our failure. When one is a professional with a deadline, the taunting is even more painful.

For those of us in the audience, it can also be excruciating. I don’t like songs about how difficult it is to be a rock star. I don’t like novels about how misunderstood teaching assistants can’t get laid.

But then it can also be fun. The Stunt Man is a wonderful movie about making movies. My Favorite Year is a laff riot about writing television shows, and it’s one of my favorites. All That Jazz? It’s show time!

Thomases Art 130118-bAnd now, Craig Yoe has put together an anthology of comics about creating comics, Comics About Cartoonists. It collects sketches and finished stories, newspaper strips and comic book covers from some of the most celebrated creators of the last century.

The book has comedy, horror, and romance. It has work by Jack Kirby, Winsor McKay, Steve Ditko, Ernie Bushmiller, Jack Cole, Al Capp, Milton Caniff, Jerry Siegel, Joe Shuster, Will Eisner, Harvey Kurtzman, Charles Schulz and lots, lots more. It has deep personal insight into the real lives of working stiffs, and also what happens to cartoonists when aliens attack.

To meet this deadline, I read the whole thing in one sitting, and that’s not something I would recommend to you, Constant Reader. There are only a few plots. Cartoonist has no idea, so he fells asleep and his characters have an adventure. Cartoonist isn’t appreciated by his editor. Cartoonist stumbles on plans for an alien invasion. Beautiful girl doesn’t realize that the dumpy guy who looks like the cartoonist is beautiful on the inside. I’m sure I would have enjoyed these stories more if I read them one at a time, instead of in a lump.

And then, it has Basil Wolverton, with a story that not only exhibits his energetic wit and exuberance, but dialogue that is so much fun it should be read out loud. I would pay for Childish Gambino to record it.

My favorite comic stories about comics were the ones Cary Bates and Elliott S. Maggin wrote themselves into with the Justice League. Yoe also doesn’t include Grant Morrison’s appearances in Animal Man. The rights were most likely not available, and all of these are too self-consciously meta for the book’s shaggy-dog aesthetic.

On the other hand, the book’s endpapers are old ads promising to teach you — yes, you! — how to make big money and attract beautiful women as a cartoonist. “Cartoon Your Way to Popularity and Profit” says one ad that goes on to promise you a “Laugh Finder.” That ad alone is darker and more meta than anything on the market today.

SATURDAY: Marc Alan Fishman

 

Four Smurfs Arrested In Crime Spree

Four Smurfs Arrested In Crime Spree

Papa SmurfThis is seriously Smurfed up.

Proving that comics lead to juvenile deliquency, we have proof of the amazing things Smurfs will do to keep Smurfette in Smurfberries. And you thought Gargamel was in the wrong…

Four men dressed as Smurfs were arrested after attempting to steal a car and beating a man in Melbourne, Australia.

According to police reports, a 37-year-old man was walking out of a 7-Eleven just past midnight when he was approached by a man that looked like Papa Smurf, who asked for a cigarette. But the victim refused to light the cigarette before handing it over, and had to endure Papa Smurf’s wrath. He had also noticed that three other men, all similarly dressed as Smurfs, were attempting to simultaneously hotwire a car.

Australian police released the store’s surveillance video to find the four men responsible for the crimes. Three 19-year-olds and an 18-year-old came forward to admit to the crime and were promptly arrested.

via Australian Police Arrest Four Smurf Suspects for Crime Spree | TIME.com.

And it gets worse– Papa Smurf was arrested in New York.

Hat tip: Yog Sysop.

REVIEW: The Nao of Brown

The Nao of Brown
 By Glyn Dillon
206 pages, $24.95, SelfMadeHero/Abrams

the-nao-of-brownSomewhat lost amidst the affection showered on Chris Ware’s Building Stories was Glyn Dillon’s triumphant return to the comics form with the impressive Nao of Brown. Dillon began making a name for himself at Vertigo with a variety of works, notably the Egypt miniseries and then walked away to work in film. The tug of comics was strong enough to lure him back and commit nearly three years of his to producing this lengthy graphic novel.

Making his writing debut, he presents us with the story of Nao, a half-Japanese/half-English twentysomething who is yearning for a normal life and love but struggles daily with purely obsessional compulsive disorder, a secret she shares only with flatmate Tara. Her mind is filled with images of committing extremely violent acts and rates them on a scale from 1-10. As we open, she’s using Buddhist meditation to control her impulses and takes a job selling Japanese collectable toys at a small shop run by her friend, Steve, totally oblivious toward how he feels for her.

Instead, Nao is drawn to a large bear of man, Gregory, who repairs washing machines. Engineering a meeting, she damages the flat’s machine so he can come fix it. They begin to date, a tentative start at best given his own issues. He has some deep pain he masks with alcohol so we have two damaged souls looking for love and saving.

Throughout this beautifully illustrated work, Dillon presents a parallel story in Nao’s favorite Ichi style. While it features a protagonist named Pictor, who tries to rescue his family after being turned half into a tree by a being called the Nothing, it also has father figure Nobodaddy, who looks somewhat like Gregory. Here, Dillon shows his versatility, channeling the influence of Moebius and Miyazaki although the sequences don’t always work or really enhance the main story.

Tara, Steve, and the mothers to Nao and Gregory are fine, underdeveloped supporting characters. Contrasting the relations between the lovers and their mothers might have given this a little more substance but it’s nice to see positive familial relations and good friends in a story like this.

Nao-of-Brown-10Oct-2nd_71-350x492This is a slice of life style story as we meander from the shop to the flat to dates to Nao’s OCD and imaginary tale. We enjoy this because Dillon, younger brother to noted artist Steve Dillon, takes his time and makes us care about these characters. His naturalistic style emphasizes body language, setting, and mood through watercolor work that is a delight to look at.

He does not dwell at length on any of the themes raised in the story and this is far from a moral tale about OCD, despite the unique take on the mental disorder. He told The Comics Journal, “I was learning to meditate as well. In this meditation group there were other students saying how they couldn’t stop their minds from racing when they were trying to meditate, and there seemed to be parallels between that and OCD that all interested me at the time.” We get into Nao’s head and see what she gets out of meditation, what she sees in Gregory, and how she copes day in and day out. The coping and self-absorption, though, blinds her to other issues such as Steve’s infatuation or Greg’s personal demons, which eventually are thrown in her face.

As a tyro writer, though, he does not successfully build up to a strong climax, but let’s things happen and then we hurry through the crisis and then leap four years ahead for a too-tidy ending. A compelling character study, I find his overall message elusive. While entertained by the characters and enthralled by the art, the conclusion suddenly feels predictable, undercutting the rest of the book’s strengths.

Dillon’s return to comics is a most welcome one and if The Nao of Brown is an indication of what he’s interested in exploring, I‘ll be there to see what he uncovers.

Mike Gold: We Have Met The Enemy And He Is Us

PogoEarthDayPoster1970A great many idioms have their roots planted firmly in the comics media, and to the present generation there is none more vital than Walt Kelly’s famous phrase that occupies the headline space above.

Kelly, in case you didn’t know (and shame on you for that), was the cartoonist who created, wrote and drew the feature Pogo for comic books, newspaper strips, and miniature trade paperbacks starting in 1942 (Animal Comics #1, published by Dell). He continued working on Pogo until his death in 1973. Pogo was a funny, clever strip that was uniquely gentle in its political and sociological satire. The phrase “We have met the enemy and he is us” was used several times, usually in conjunction with ecological issues. Indeed, for Earth Day 1970 Kelly produced a lavish poster with Pogo looking at a beautiful forest littered with garbage; it employed this famous phrase.

A couple days ago I was reading a Pogo trade paperback released in 1972 titled “We Have Met The Enemy And He Is Us,” a collection of short… let’s call them graphic short stories. The eponymously titled story wasn’t about ecology at all. In point of fact, were it published today, January 16 2013, I suspect most people would think it was in reference to our extremely unyielding, highly polarized, and therefore do-nothing Congress.

I reprint it here (© 1972 Walt Kelly Estate. All Rights Reserved.) without further comment, except to note that I edited out two panels so that it would make sense without the surrounding story. Enjoy the brilliance of a true master of the form, but dread the reality it reflects.

Gold Art 130116

THURSDAY: Dennis O’Neil plays the Blame Game