Category: Reviews

Review: Manga Sutra Volume One – Flirtation

Review: Manga Sutra Volume One – Flirtation

 
It used to be, if you wanted to reach for the comic art form for your sex education you had to send a couple bucks to those want ads in the back of the cheesy magazines for “Comics – the Kind Men Like!” That stuff was a bit distorted; well, in the case of the ones that featured [[[Popeye]]], I’d have to say they were quite a bit distorted.
 
Trust the Japanese to get real. After all, they’ve been using the comic art form to foster all kinds of truly educational venues: business, economics, history, language, and so on. You’d figure sex ed would be a no-brainer. 
 
Be that as it may, doing sex ed comics in the form of a genuine story with a plot and character development is uniquely Manga. And TokyoPop brought the first volume of this series, Katsu Aki’s (Futari H) [[[Manga Sutra]]], to American shores. 
 
Manga Sutra is a sweet and sensitive series that focuses on the psychological aspects of sex as much as – actually, more than – the mechanics. The story is about a young couple, Makoto and Yura, who met through an arranged “marriage meeting.” This is sort of a counseled dating service, but one where the ultimate intent of marriage is upfront. The two 25 year olds dated, liked each other, got married, and only then discovered they were both virgins with a lot of understandable insecurities and a lack of any clue.

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Review: Locke & Key #1

Review: Locke & Key #1

You can understand why Joe Hill waited so long to publicly acknowledge that his father is famed writer Stephen King. For several years, Hill used that shortened version of his name (Joseph Hillstrom King in full) so that he could test himself in the fantasy/horror writing world without the spectre of his father lurking about.

Now jumping into comics for the first time with the new series Locke & Key ($3.99), Hill saw that experience affected by the elder King even before Locke & Key #1 hit shelves. While publisher IDW didn’t promote the famous father angle, it didn’t stop some such as Rich Johnston from playing up that lineage as a bit of comics speculating.

Those who actually read the book and didn’t just seal it away in plastic to put up on eBay at a later date were treated to a very good first issue that succeeds in areas a lot of novelists-cum-comics writers fail. That is, Hill clearly understands the medium. He knows when to rein in the verbiage and let artist Gabriel Rodriguez drive the story. 

The narrative is split in three parts: the teenaged protagonist Ty witnessing his father’s murder, sobbing through the funeral and relocating to a spooky house in the ominously named town of Lovecraft, Mass. Aside from a few awkward transitions, the story runs seamlessly.

First issues, of course, are incredibly difficult to do well, making it all the more surprising that in his first 32 pages of comics, Hill establishes a great deal of depth to his characters and lays out a handful of intriguing plotlines to follow. The last few pages are particularly effective, as Hill takes what was previously a down-to-earth story and shifts to a more supernatural paradigm.

It’s a series to watch, even if you aren’t just looking to make a buck.

Review: Crossing Midnight, Vol. 2

The news of Mike Carey writing a fantasy/horror comic set in Japan sounded too good to be true, and when Crossing Midnight debuted more than a year ago it struggled to live up to that promise.

Carey created a deep and supernatural world to backdrop his story of mystery: Two twins, Toshi and Kai, were born on either side of midnight, leaving each with an otherworldly power and putting them at the mercy of dark forces. But Jim Fern’s stiff art and some uneven storytelling held the series back. When sales weren’t strong, the rumors of a looming cancellation kickstarted.

After the so-so showing of that first arc, I gave up on the series. But, when Vertigo sent over a copy of the second volume (the cover seen at right is from DC’s website, but isn’t the cover on the actual book), Crossing Midnight: A Map of Midnight ($14.99), I realized I just didn’t give the series enough of a chance.

The volume picks up with Toshi, the female twin, struggling as a slave under an apparently evil spirit. She must fly through Japan at night, cutting unpleasant memories from people’s dreams and collecting them for some unrevealed purpose.

Following the archetype of most stories featuring children, Toshi’s impudence puts her and others into danger as she squares off against one of death’s faces. Perhaps because of the more fantastical nature of the content in this volume, Fern’s art loosens and adeptly adapts an ethereal tone. Later, Eric Nguyen takes over on art and, if anything, is an improvement.

Meanwhile, Kai stumbles onto a group of “telephone club” girls — early teens working essentially as prostitutes — and must help save them from an evil spirit that’s on the prowl. While this storyline feels a bit tangential to the larger theme, it is easily the high point for the series. Carey clearly has strong opinions of such clubs (he denounces them in a postscript) and how deplorable it is that they operate uncensored.

It is only then that the book goes farther than dipping a toe into Japanese culture, and Carey unleashes his horror-writing instincts. Sadly, the series seemed to be finding its footing just as the rug was being pulled out from under it. As Carey wrote on his Web site, [[[Crossing Midnight]]] will be wrapped up at issue #19.

Carey wrote that he knew a cancellation might happen, and all the plot threads will be wrapped up in that final issue.

Review: ‘Confessions of a Blabbermouth’

Review: ‘Confessions of a Blabbermouth’

Mike Carey is a noted writer of both comics and prose – Lucifer, The X-Men, the “[[[Felix Castor]]]” novels – but, one might ask, what does he know about being a teenage girl? Probably not a lot…but he does have a secret weapon on his side: his daughter Louise is a teenage girl, and she’s the co-writer of this particular project.

Confessions of a Blabbermouth is the most recent publication of DC Comics’ Minx arm, which aims squarely at teenage and tween girls. (You remember: the audience that never, ever would read comics, so it was no use ever trying to get them interested – no, really, it’s just not worth it…until Sailor Moon ignited the manga boom and suddenly American comics companies were sitting on the sidelines watching those girls buy billions of dollars of Japanese comics? That audience.)

I’ve reviewed Minx comics twice before for ComicMix – Re-Gifters and Clubbing last August, and The Plain Janes and Good As Lilly in September. And the book that was most successful out of those four was Re-Gifters, written by one Mike Carey (without any assistance from anyone in the target audience), so I had high hopes for [[[Blabbermouth]]].

 

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Early Review: ‘Justice League: New Frontier’

Early Review: ‘Justice League: New Frontier’

 

Like many of you out there, a bad taste was left in my mouth coming off of Superman: Doomsday, so of course I was wary of DC’s next direct-to-DVD flick. I wasn’t a huge fan of the graphic novels (Isn’t that what we call thick comic books these days?), but I am certainly a fan of the [[[Justice League]]] and its animated counterpart. 
 
I’ll start with a warning to those who aren’t totally familiar with The New Frontier and its universe, but ARE fans of the established animated DC universe: this is a whole new direction from shows like Justice League Unlimited and others, but it is full of exciting DCU fan favorites. In fact, my biggest complaint about [[[Superman: Doomsday]]] was that there were no outside DC heroes, even though they were all over the original story. But I digress.
 
Looking at the animation first, I was very pleased that Bruce Timm (main creator of the animated DCU) and Darwyn Cooke (wirter/artist of The New Frontier graphic novel) were able to find a happy medium between the already established look of the animated Justice League and the very stylized look of Cooke’s art, thought I do think the eye-slits works much better for Superman than the baby blues. The entire artistic feel practically beamed with that golden age look, which is what attracted me to the books in the first place.

 

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GRAPHIC NOVEL REVIEW: Del Rey Manga Round-Up, Part Two

GRAPHIC NOVEL REVIEW: Del Rey Manga Round-Up, Part Two

Welcome to the second week of Manga Round-Up! This time, we have four more books from [[[Del Rey Manga]]] – all first volumes in series, as new-reader-friendly as it’s possible to be – which are aimed at a slightly older audience (sixteen and up) than the books I looked at last week.

And you know what “older audience means,” don’t you? That’s right – gore! (Did you think I was going to say “sex?” That’s the 18+ manga, which none of the publishers have sent me yet.)

Leading off the parade of blood-spattered stories is Hitohi Iwaaki’s Parasyte, in which alien spores drift down to Earth and creep into people’s ears to eat their brains. The parasites, who have no name for themselves – no culture or language of any kind, actually – then eat other humans, in very violent ways. It’s hinted that this is possibly a reaction by someone or something to save the Earth from us horrible humans. (But only hinted, at the beginning, and not brought up again.)

Our viewpoint character is a teenage boy named Shin, saved from having his brain eaten because he had his earbuds in while he was sleeping. (Possible life lesson #1: never, ever stop listening to music. Possible life lesson #2: don’t sleep on the floor, as the Japanese do.) Unfortunately, the parasite still got into his body – it just took over his hand instead. Shin names the parasite Migi (since it is his right hand, and that’s the Japanese word for “right”), and tries to live with it. But the parasites are utterly amoral and protective of their secrecy, so the mere fact that Shin knows they exist means that other parasites (the ones that ate brains, and so control whole bodies) want to kill him as soon as they learn about him. And getting along with an amoral, alien right hand that can transform instantly into whirring engines of death is not easy.

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GRAPHIC NOVEL REVIEW: Postcards edited by Jason Rodriguez

GRAPHIC NOVEL REVIEW: Postcards edited by Jason Rodriguez

Everyone has a story – at least one. Every human life could be told in some way, to illustrate a point, or evoke an emotion, or just entertain an audience. Postcards attempts to tell some of those stories, or to create stories based on tiny pieces of real people’s lives, almost randomly – to invent stories out of the smallest of seeds.

Jason Rodriguez, author of the Harvey-nominated Elk’s Run, gathered up a bunch of vintage postcards, sent them to various artist-writer teams he knew, and asked for comics about the people who sent the postcards. In theory, it’s a great idea. (Of course, everything is wonderful in theory.) In practice, this particular collection of postcard-inspired stories are nearly all sad, depressing tales, and the relentless one-note gloom keeps any of the stories from really standing out. It’s not clear whether Rodriguez’s instructions were responsible for this, of if the choice of creators led to the unremitting bleakness, or if it was just bad luck. Rodriguez’s prefaratory notes to each story do make him seem like a micro-manager, though, with explanations that he gave this postcard to this person expecting X, and that he was sure another artist would be just right for another postcard because of Y.

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Graphic Novel Review: Del Rey Manga Round-Up, Part One

Graphic Novel Review: Del Rey Manga Round-Up, Part One

Let me be honest: I don’t know all that much about manga. I’ve read a few series (going back to Area 88 and Kamui, twenty years ago during the first attempt to bring manga to the US), but I’ve never really gone really deeply into the field. Well, I’m hoping to remedy that now. I’ve got a big pile of first volumes of various manga series, and I’ll be doing weekly reviews of about four of them at a time. (I’m aiming for Fridays; let’s see if I can hold to that schedule.)

We’ll start off with some books from Del Rey (all originally published by Kodasha in Japan), mostly aimed at young teenagers. (At least, all but one of these is marked “Teen: 13+,” but, from the content, I suspect the real Japanese readership, and possibly the American readership as well, is tweens to young teens.) This week’s batch also are primarily aimed at girls — I think.

First up is Shugo Chara!, which translates roughly to “Guardian Characters.” It’s by two women who work under the name Peach-Pit, and it’s about a fourth grader who discovers three eggs in her bed one morning.

Okay, I have to back up already. Amu, our heroine, is explicitly in fourth grade — we’re told that several times — though the structure of the school, and the maturity of the characters, would seem to put them more naturally in middle school. (Trust me; I’m the father of a fourth grader.) And, from an American perspective, it’s really bizarre that a story about fourth graders would be marketed to teens – or even tweens, as I suspect is actually the case here. In the US, kids generally only want to read about other kids their own age (maybe) or, preferably, a few years older. Fourth and fifth graders read stories about middle schoolers, middle schoolers read Sweet Valley High and the like, and high school students either stop reading for pleasure entirely or read stories about people in their twenties. Maybe, like so much else, that’s different in Japan – there is the well-known love of the small and cute there

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Graphic Novel Review: The Best American Comics 2007

Graphic Novel Review: The Best American Comics 2007

With two years of The Best American Comics down now, it’s clear just how much the individual editor can influence the choice of comics. Last year, Harvey Pekar leaned towards autobiographical comics and towards long, complete works. For this second year, Chris Ware similarly goes where we’d expect him to go and picks a lot of formalist stories — but also a lot of autobiography, particularly the overly-serious type. It’s dangerous to compare annuals in any case, especially when they change editors, but I have to admit that I thought 2006 was a stronger book than 2007; this year’s edition contains a batch of “experimental” comics that I found pointless and a pure waste of space.

And there’s also the meta-question of what are the “best comics,” since even the “100 Distinguished Comics” list in the back matter — from series editor Anne Elizabeth Moore, and which also apparently served as the first cut of stories from which Ware built this anthology — lists only a tiny handful of stories from the major comics publishers. So this series is essentially for the best American independent comics — not superheroes, or adventure stories of any type from the big companies. Perhaps future volumes will challenge that idea, but, for now, there’s no sign that Best American is open to anything more fantastic or adventurous than Charles Burns’s great horror comic Black Hole.

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Graphic Novel Review: Akira Club

Graphic Novel Review: Akira Club

You can tell how popular any particular media event or personage is by how many ancillary products emerge. Something really popular will metastasize into toothbrushes, sports cars, sleepwear, foodstuffs, architecture, and so on – the specifics depend on what the original piece was, and who the audience is, but the number of those products is a good guide to the popularity of its original.

Akira Club, thus, shows that Otomo Katsuhiro’s epic comics story [[[Akira]]] is at least moderately popular, at home in Japan and here in the USA. Akira was turned into a movie and had the usual small flood of licensed goods, and it was also thought worthy of a book to document all of the odds and ends – both the bits of art from the original serialization that didn’t make it into the collections, and some records of those many ancillary products.

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