Tagged: Superman

DC at the Movies

DC at the Movies

In keeping up with the comings and goings of DC’s comic book franchises that have plans to segue to the silver screen, here we have put together Warner Bros. more recent plans on making that adaptation for some of our favorite heroes, as well as some other characters and how close we are to seeing them in theaters.

Wonder Woman

In January 2001, producer Joel Silver approached Todd Alcott to write a Wonder Woman screenplay, with Silver Pictures backing the project. Early gossip linked actresses such as Mariah Carey, Sandra Bullock, Rachel Bilson, and Catherine Zeta-Jones to the role of Wonder Woman. Leonard Goldberg, speaking in a May 2001 interview, named Bullock as a strong candidate for the project. Bullock claimed that she was approached for the role, while Lucy Lawless and professional wrestler Chyna both expressed interest. Lawless indicated that she would be more interested if Wonder Woman was portrayed as a "flawed hero." The screenplay then went through various drafts written by Alcott, Jon Cohen, Becky Johnston, and Philip Levens. By August 2003, Levens was replaced by screenwriter Laeta Kalogridis (Birds of Prey).

In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film adaptation of Wonder Woman. Since Whedon was directing Serenity at the time, and required time to research Wonder Woman’s background, he did not begin the screenplay until late 2005. According to Joel Silver, the script would cover Wonder Woman’s origin and include Steve Trevor: "Trevor crashes on the island and they go back to Man’s World." Silver wanted to film Wonder Woman in Australia once the script was completed. While Whedon stated in May 2005 that he would not cast Wonder Woman until he finished the script, Charisma Carpenter (Angel) and Morena Baccarin (Firefly) expressed interest in the role.

Despite telling people, "It was in an outline, and not in a draft, and they [studio executives] didn’t like it. So I never got to write a draft where I got to work out exactly what I wanted to do." Whedon is known to have actually finished a screenplay that was not met favorably by Warner Bros. or DC.

In February 2007, Whedon departed from the project, citing script differences with the studio. Whedon reiterated: "I never had an actress picked out, or even a consistent front-runner. I didn’t have time to waste on casting when I was so busy air-balling on the script." Whedon stated that with the Wonder Woman project left behind, he would focus on making his film Goners.

A day before Whedon’s departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a script written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures. However, Silver has made clear that he purchased the script because he didn’t want it floating around in the industry; although it has good ideas, he doesn’t wish for the Wonder Woman film to be a period piece. By April 2008, Silver hired Jennison and Strickland to write a new (modern day) script that would not depict Wonder Woman’s origin, but explore Paradise Island’s history.

According to an August 2008 article in The Wall Street Journal, featuring Warner Bros. president Jeff Robinov speaking about their DC property films, a Wonder Woman film is among other super-hero films currently in "active development."
 

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You’ll Believe a Routh Can Fly

You’ll Believe a Routh Can Fly

If there’s one thing that’s certain about Superman, it’s that you can never count him out of a fight. Same goes for Brandon Routh, who played the Man of Steel in Bryan Singer’s Superman Returns a few years back. Despite doing mediocre business (which, when it comes to Supes, is terrible business), the WB is still planning on resuming the franchise, albeit with a totally new direction and creative team. But Routh, as it turns out, might not be part of the cleaning house equation. The actor tells Web site IESB.net that he’s still involved, as far as he knows.

Says Routh: "[The] most recent conversation I had was with Paul [Levitz, President of DC Comics] when I was in New York and we talked about what … Warner Bros. were thinking and what the situation was and obviously, thankfully, he is still wanting me to be a part of it and I certainly want to be a part of it."

The story is corroborated by Latino Review‘s report earlier this month stating Levitz’s continued interest in Routh as Superman.

The most recent Kent, other than TV’s Tom Welling, says that he’s unaware of any story details other than what he reads in the media. Given that, he’s not exactly thrilled with the idea of a "dark Superman."

"I don’t think the character necessarily has to be darker," says Routh. "I think he is kind of dark in a sense, emotional dark, in Superman Returns, and the movie as a whole was slightly dark, they could have had more prowess in it I suppose, and I think that’s one thing that can be done in the sequel, so I don’t know how much darker you want to make it necessarily. You make the stakes higher, you make the villain darker, I think that’s a way to do it. But I don’t think Superman himself needs to be darker. He definitely has to struggle, how does Superman be a part of the world? And does he have to make sacrifices to be a part of that world? To fit in and what purpose does he really play in the world? Those are all kind of dark places to explore. But, I don’t think Superman should ever be dark and brooding, that’s not [his] nature. And that’s [not] what people [want] to see."

As for a villain for the next chapter, Routh has an idea: Brainiac.

"I think it would certainly be interesting, I think there are a lot of things you could do with Brainiac," Routh muses. "He’s been given a lot of power and a lot of different abilities over the years in the comics, as far as I understand. I know that DC is working on a Brainiac storyline that they are excited about and I think combining the two and have that flow between the comics and the movie would be a nice thing. I honestly think there are a lot of interesting things you can do with Brainiac. Controlling people, controlling technology, a lot of cool things."

It’s a widely shared sentiment that a Brainiac driven Superman film has a lot of potential. Combine Routh’s desire to see the green-skinned villain in the sequel and his indication that DC’s also on board, plus with original director Richard Donner’s plea to give Geoff Johns a shot at the screenplay, and you can bet that Mark Millar’s locked himself away in a dungeon taking the pen and eraser to his planned eight-hour Superman epic.

Routh also talks a bit about another upcoming comic book film he’s working on. He’ll be playing Dylan Dog in Dead of Night, an adaptation of Tiziano Sclavi’s Dylan Dog. According to Routh, filming should start soon.

"Well, I think we are actually going to make it now (laughing)," says Routh. "I’ve never said that before, but I will now, all the paperwork is being finalized finally and  we are looking really strong for a January, mid-January start I believe, in New Orleans. And, [director] Kevin [Munroe] and I are looking at the script again and he’s got his draft and I am excited about it."

Millar Talks ‘Superman’ Pitch

Millar Talks ‘Superman’ Pitch

It’s no secret that Mark Millar wants in on Warner Bros.’ announced Superman relaunch. He’d hoped to write what ended up being Superman Returns, but was held back due to an exclusive contract with Marvel Comics. Recently, Millar put himself back in the mix for Kal El’s next adventure, alleging the attachment of a "big Hollywood action director" to his vision.

Empire Online has an interview with the Superman: Red Son writer about his take on the character’s film future. Millar hopes to film an eight hour saga, split over three years ala Lord of the Rings.

He unveils details of the would-be film, describing it thusly:

"I want to start on Krypton, a thousand years ago, and end with Superman alone on Planet Earth, the last being left on the planet, as the yellow sun turns red and starts to supernova, and he loses his powers.

"It’s gonna be like Michael Corleone in the Godfather films, the entire story from beginning to end," Millar continues. "You see where he starts, how he becomes who he becomes, and where that takes him. The Dark Knight showed you can take a comic book property and make a serious film, and I think the studios are ready to listen to bigger ideas now."

Millar says he understands what Bryan Singer went for with Superman Returns. "[Singer was going for an] homage to Richard Donner’s original vision," he says, "but I think you should pay homage by doing something completely different."

Unsurprisingly, Donner was tickled pink at Singer’s tribute to the 1978 Superman. However, in the face of an inevitable reboot, Donner agrees that a comic book writer should tackle the character… just not Mark Millar.

"I’d like to see Geoff Johns take a crack at Superman," Donner told the L.A. Times earlier this month. "I think he would be startling. Did you read his comics? There it is. It’s there on paper."

Johns, who previously worked as an assistant to Donner, collaborated with the filmmaker on a string of Superman comic book arcs, including "Last Son" and "Escape From Bizarro World." Clearly, then, he’s biased on the situation, but can he be blamed? Johns has written some truly excellent stories in Action Comics, most notably his recent "Brainiac" five parter that re-killed John Kent and leads into the current "New Krypton" arc.

Maybe it is Johns who should tackle the Man of Steel, but by all accounts, it sounds like Millar’s first on line. Who do you think would be the better man for the project? Sound off below!

Crisis on Infinite Mortal Kombat

Crisis on Infinite Mortal Kombat

We’ve seen a lot of cool gameplay footage showing the combat, villainous fatalities, and heroic brutalities for Midway’s upcoming Mortal Kombat Versus DC Universe. But we’ve only heard scattered reports about the story, which was massaged by comic writers Jimmy Palmiotti and Justin Gray. Well an official trailer has been released.

It bears a striking similarity to DC Comics’ Crisis on Infinite Earths and Infinite Crisis. Mysterious force is causing two universes to merge. Champions and villains team-up to protect their reality but try to figure out what is going on. But really, is there any other way to do an inter-company crossover without the corny ‘pretending they’ve lived in the same universe all along’ route? “I’ve heard of you. Surprised we haven’t crossed paths before.”

Superman addresses the power difference problem some fans questioned. After getting kicked by Scorpion he mutters distastefully, “Magic.”

Also a nice sequence showing Superman laying the smack down on Chinese thunder god Raiden. Best watch your mouth Thor, unless you want some of that.

Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

While The Dark Knight dominated the summer movie market, Marvel pulled off something incredible as well: creating the foundations for a Marvel movieverse. From Nick Fury mentioning The Avengers to Tony Stark’s cameo in The Incredible Hulk, Marvel Studios began a new era of crossover events that will culminate in The Avengers in 2011. Most fans are elated by this method, but there’s one guy who isn’t totally down with the concept, at least on his own franchise: Chris Nolan.

In the final portion of a three-part interview, The Dark Knight director Nolan tells The L.A. Times that "cross-fertilization" isn’t something that bodes well for his vision of the Caped Crusader.

"I don’t think our Batman, our Gotham, lends itself to that kind of cross-fertilization," says the filmmaker. "It goes back to one of the first things we wrangled with when we first started putting the story together: Is this a world in which comic books already exist? Is this a world in which superheroes already exist? If you think of Batman Begins and you think of the philosophy of this character trying to reinvent himself as a symbol, we took the position — we didn’t address it directly in the film, but we did take the position philosophically — that superheroes simply don’t exist. If they did, if Bruce knew of Superman or even of comic books, then that’s a completely different decision that he’s making when he puts on a costume in an attempt to become a symbol."

Nolan regards other super-hero films such as Superman Returns as coming from "a different universe. It’s a different way of looking at it. Now, it’s been done successfully, very successfully, in the comics so I don’t dispute it as an approach. It just isn’t the approach we took. We had to make a decision for Batman Begins."

  Warner Bros. unleashed the wrath of a million super-hero lovers when they unveiled their plans for Justice League: Mortal. The film would have been released prior to solo adventures for the majority of the team’s roster, including The Flash, Green Lantern and Wonder Woman. Another strike against the film was its alleged casting choices, pitting newcomers and undesired stars alike in the roles of fan favorite characters. Adam Brody (The O.C.) would’ve played Wally West, Common (Wanted) would’ve played John Stewart, and Megan Gale (Stealth) would’ve played Wonder Woman.

One of the biggest casting controversies came in the form of Armie Hammer. The 22-year-old actor, whose most high profile project to date is a guest stint on Desperate Housewives, was attached to the play Batman in Justice League. For fans of Nolan’s work, it was bad enough that Bale wouldn’t be involved in the team-up flick. Hammer’s involvement was the salt in the wound.

Some comfort can be taken in the fact that the WB announced a refocusing of their DC Comics properties, taking a cue from Marvel’s crossover agenda. To date, Green Lantern is moving forward with Hal Jordan as the hero and Green Arrow will headline the super-human prison escape flick Super Max. There’s already talk about a third Nolan-helmed Batman and active plans for a Superman relaunch, which Mark Millar is heavily lobbying for.

But despite all of this, the Justice League: Mortal actors are still attached to the project on IMDb, which is slated for a 2011 release date. Within the last few months, Armie Hammer has spoken about the film as if it’s still on the horizon. In the end, it might take a real life Justice League to ensure that Justice League the movie can match the inevitable success that The Avengers is poised to see.

Review: ‘Captain Action’ #1

Review: ‘Captain Action’ #1

I know way too much about comics. Far more than is healthy. But there are, understandably, a few characters here and there that I either know very little about, either because I never really came across them or I did but found them terribly uninteresting and so dismissed them, soon forgetting what I had learned.

[[[Captain Action]]] happens to be such a character. I remembered he first appeared in the 1960s, wore a costume that resembled a futuristic police officer’s with a chest symbol that reminded me to recycle, and was based on an action figure. And that was it. I remembered nothing else. So when I was asked to review the first issue of the new Captain Action series, on sale today, I thought “Perfect. I can truly look at this as a first-time fan and objectively judge if this would be interesting to someone who has no previous knowledge of the character.”

I read it and found it to be a strange mix of too much information at once and not enough.

We begin with a [[[Superman]]]-like character called Savior. His narration explains who he is and reveals that he secretly blew up a place called A.C.T.I.O.N. Directorate. On page two, we find out that half of what we just read is a lie. This is not Savior, but a person disguised as Savior. This is our hero, Captain Action, who crashes into a statue of his father and proceeds to unleash a massive information dump on the readers in a very awkward monologue.

Apparently, there was once a hero called Captain Action (the original guy from the 1960s). The shape-shifter we’ve just met is his son, the new Captain Action, who has the ability to look like other people and copy their abilities, but only for a short time. Exactly how long he can disguise himself and how long afterward he has to wait before he mimics someone again is not made clear.

The new Captain Action wanted nothing to do with the life of a super-hero, despite his powers, but now feels forced to act since his father was killed by a group of super-heroes that an organization called A.C.T.I.O.N. had “created” to defend the Earth. What “created” means is not fully explained. The new Captain Action informs us that these heroes, Savior included, were somehow turned into sleeper agents, thus why they went rogue later. Exactly how they became sleeper agents is not explained, though a group called Red Crawl is blamed. Apparently, Red Crawl was defeated long ago and everyone believed they were dead, except for the original Captain Action. Now they’re back and causing trouble.

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Growing Out Of Comics, by Mike Gold

Growing Out Of Comics, by Mike Gold

It was the very end of summer, I had just turned 11, and – heaven help me – I was just beginning to tire of comic books.

Not that I was considering getting that four-color monkey off of my back. My enthusiasm was waning. The Superman books were beginning to get silly, the Batman titles had already become silly, and Julie Schwartz’s books like The Flash and Green Lantern were beginning to feel repetitious. I had exceeded the five-year point in my comic book reading life, that moment when the publishers felt you were on your way out, trading comics for sports, girls, and/or life. Being a precocious reader, I was at that portal at an age somewhat younger than the norm, but there was no doubt about it, comics weren’t quite as exciting to me as they had been.

At that time, DC had the market on super-hero titles lock, stock and barrel. Few new titles were launched; indeed, DC’s two debut books – Showcase and The Brave and the Bold – often recycled previous unsuccessful attempts like Cave Carson: Inside Earth and the original Suicide Squad to give them another shot at the marketplace. Each run generally consisted of three issues, so at best there would be four debuts each year, and most of those (like Cave Carson and Suicide Squad) were not of the super-hero genre. Today, of course, we get four such debuts a week.

So when it came time to drive my sister to college, my father did something unique. He stopped at a drug store – one of those places that actually had a massive wooden rack plus two comics spinner racks exclusively dedicated to comic books – and told me to pick out a few for the ride, in the hope that I would not be a bother. He then dashed across the street to pick up a dozen bagels at Kaufman’s, the original one on Montrose and Kedzie in Chicago. They boasted the best bagels in the country, and they were right.

When he returned to the drug store, I had nothing. Absolutely nothing. I had read each and every superhero title in the vast expanse of rack space. Even Lois Lane.  Even the war comics, about which I was ambivalent at best, although I was not ambivalent about Joe Kubert’s art.

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ComicMix Six: Coolest Darkseid Moments

ComicMix Six: Coolest Darkseid Moments

The first sentient race of the DC Universe eventually became nearly-immortal beings of celestial energy, beings now known as the Old Gods. Eventually, there came a time when the Old Gods died and their planet, the "Third World", was destroyed. After many ages, the remnants of this world formed into two new planets, collectively called the "Fourth World." There was the peaceful and beautiful New Genesis, watched over by Izaya the Highfather, and the dark, desolate world of Apokolips, where lived the dark prince Uxas.

Uxas started a life of evil early on. When his brother Drax attempted to master a cosmic energy known as the Omega Force, Uxas decided he wanted the power for himself. In one fell swoop, he disrupted Drax’s plans, becoming master of the Omega Force and leaving his brother for dead. With his new power, Uxas renamed himself Darkseid the Destroyer. Later, he killed his own mother Queen Heggra, partly in revenge for the fact that she had killed the woman he’d loved, and assumed leadership of Apokolips.

Bent on universal domination and motivated by his quest for the Anti-Life Equation, a mathematical formula that proves life is hopeless and can rob any life form of their free will, Darkseid has made many enemies, including the heroes Lightray and Mr. Miracle and his own son Orion, the "dog of war." Darkseid’s attentions later turned towards the planet Earth when he became convinced that human beings held different parts of the Anti-Life Equation hidden in their minds. This brought him into conflict with many super-heroes as well.

Until recently in Final Crisis, he was never successful in conquering Earth, true. But that didn’t mean he never got the better of a hero ever before.

Here then are six moments where Darkseid got to laugh at the failure of his enemies and his own dark power.

 

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Interview: Todd McFarlane on the State of Comics

Interview: Todd McFarlane on the State of Comics

Yesterday, the first part of my interview with Spawn creator Todd McFarlane focused on issue 185 of the long-running comic and the changes in store for readers as he returns to active creative duty with Whilce Portacio and Brian Holguin.

Since part one ran, it has been announced that the shipping date has slipped a week and the issue, complete with previously unannounced variant covers, will now be in stores on October 29.

In the second part of our discussion, we chatted about approaching the big 200 mark, the comics landscape overall today and what it might look like in the future, as well as a few Spawn-related surprises.

ComicMix: With issue 200 on the horizon and the “end of Spawn” being teased, will Spawn continue past issue 200?

Todd McFarlane: Yeah, [Issue] 200 we’re already planning for. We’ve thrown enough ripples out already and that people will sort of go ‘whoa’ and have to pay attention to keep pace with it. And 200 will allow us to get to one of the big notes and it’s all sort of a Pandora’s Box; you close one door and another one opens. We’ll have a nice compelling story for 200.

CMix: The comic landscape has changed and continues to change in a lot of ways with all kinds of different formats on the shelves and walking into bookstores now with full sections devoted to trades and original graphic novels, as well as the rise of webcomics and digital formats on the Internet. What are your thoughts in general on these trends and new directions in comics as a medium?

TM: The medium of comic books, which is a combination of words and pictures, I don’t think that medium is ever going to go away. I believe what will evolve over our lifetimes and it’s been a slow evolution, is the delivery mechanism. Is it possible that some day everybody who reads a comic book will turn on a computer? I guess, but it’ll still be words and pictures, it just happens to be in digital form. The basic form of what a comic is will never die. The delivery mechanism, to me, is less important. If people want them in trade paperback, in book form, on their computers, on the back of cereal boxes, I mean, whatever, but it’d still be a comic book. So I’ll let the consumer tell us where they want to get their fix on this medium and then we’ll hopefully not be too far behind the curve and we can give it to them.

CMix: Do you see the monthly pamphlet format headed for extinction at some point as some people have suggested?

TM: It’s possible as long as someone can offset it with another business model that gets it to the consumer. Again, as long as you give people an option as to where they can get it. Change for change’s sake doesn’t make much sense. At some point, there might be an economic tipping point where you look at sales and see you’re selling 51% or more doing something a new way rather than the old way so you start putting all of your resources behind the new way like the transition from VHS to DVD at Blockbuster where [DVD] was 5% and then 10% and then it took over. If we’re going to go in that direction, I sort of see it being the same as other business models where it’ll simply be a slow transition.

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‘Star Trek: Countdown’ Begins in January

‘Star Trek: Countdown’ Begins in January

IDW has released details about the prequel comic book miniseries leading into next May’s Star Trek reboot. Entitled Star Trek: Countdown, it will focus on Nero, the villainous Romulan played by Eric Bana and said to be seen at the film’s beginning set in Trek’s present before the time travel elements kick in and we see the familiar crew of the U.S.S. Enterprise unite for the first time.

The miniseries will be written by Mike Johnson (Superman/Batman) and Tim Jones from a story crafted by Trek director J.J. Abrams and screenwriters Roberto Orci and Alex Kurtzman.  Art will come from Italian draftsman David Messina who has previously drawn for IDW’s Trek line.

Countdown launches in January and will run for four monthly issues with the trade collection already announced for April 29, just a week prior to the May 2 release of the feature film.

“[Star Trek: Countdown] is about how you connect the Next Generation era to our continuity, inspired by when we last saw Mr. Spock in ‘Unification’,” Orci told TrekMovie.com.

“I can assure you that we all (IDW and Bad Robot) are at work in order to be faithful to the spirit of Star Trek!” Messina enthusiastically posted at the site. “…and believe me, you can’t imagine how huge and picky is our ‘pre-production’ work for this book! Mike and Tim are great Star Trek fans, while even if I’m not a Trek’s guy, I’m a really great lover of Sci-Fi… I really hope that you’ll like our book, we are at work on it with great passion.”