Tagged: review

Pulp Fiction Review and the Big Clear

  • Uncategorized
  • June 24, 2013

New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at The Big Clear by Christopher Harris.

THE BIG CLEAR
By Christopher Harris
Short Cypher Press
275 pages

Mason “Dub” Storm was a Special Forces sniper in the first Gulf War and then worked in East African locales such a Somalia with an elite secret platoon.  In the end Storm began to question his own justifications for his assignments and just who his puppet masters really were.  Ultimately he left the service and returned to his home base of Austin, Texas to pick up the pieces of whatever remained of his soul.

As the book opens, Dub, is a two bit stoner working, whenever he can get a customer, as a private investigator.  Because of his drug connections, he comes in contact with Angela Easley, the strung out youngest daughter of one of the richest men in Texas.  Her three year old son, Hunter Parsons, has been kidnapped and she begs Dub to find him for her.  Well aware he is venturing into a world as alien to him as the foreign battlefields of his past, the weary private eye agrees to help out until the police take over.  It all seems easy enough.

Right. Until Dub recalls Angela’s older sister, and her Daddy’s chief business assistant, is none other than the high school sexpot from his youth, Heather Easley.  One look at her in her expensive mannish business suit over her hour glass, trim body and Dub finds himself floating in ancient dreams that were never ever going to come true.  Then, a friend named Kid, who had been helping him with surveillance, is brutally murdered and Dub’s hands are once again covered in other people’s blood.  Gunfights, steamy sex and a mystery with enough twists to give us a queasy stomach abound in these pages.

Harris’s style is a mix of traditional noir and punk giving the narrative a smooth jolt throughout and becomes quickly addictive.  He deftly mixes Dub’s confused present with his hellish past and when the two collide viciously towards the finale, it is a satisfying resolution though still an ambiguous one.  Dub Storm is one of the most complicated heroes I’ve encountered in a long, long time and one I’m hoping to see in action again soon.  This is a well-executed thriller by a writer worth keeping an eye out.  Go pick up “The Big Clear” and prove my point.

REVIEW: Movie 43

REVIEW: Movie 43

M43_BD_SpineGrowing up in the 1970s, there were plenty of movie parodies that broke down into two camps: the really smart ones that required a familiarity with film and culture (Blazing Saddles, et. al.) and those that were outrageous fun (Kentucky Fried Movie, The Groove Tube). The latter also showcased up and coming talent before and behind the camera, shooting on a shoestring so the studio had a low-risk offering. The other thing the latter films offered were the vignette approach, letting different creative types strut their stuff, making for an uneven but generally entertaining experience.

That same approach was recently used (and Kentucky Fried Movie cited as an inspiration) to mount the not very good Movie 43, out now on disc from 20th Century Home Entertainment. The difference is that it was made by a ton of talented, pedigreed cast and crew yet still managed to be offensive, unfunny, and amusing. The overall production lacked wit and the directors didn’t get much out of their cast.

The film is framed with a demented man (Dennis Quaid) threatening a studio exec (Greg Kinnear) with death unless he heard his pitches for the ultimate feel good movie. Each pitch led to a vignette and then back to the frame where things were escalated. In some ways, the frame is the most interesting aspect of the film as we got to see the Stockholm syndrome play itself out.

As it turns out, the most polished of the short pieces was the first and was shot to secure everyone else’s participation. A woman (Kate Winslet) goes out on a blind date with the city’s most eligible bachelor (Hugh Jackman) and as they sit to dinner, she realizes he has testicles attached to this neck. Everyone is oblivious to this physical manifestation but she cannot take her eyes off them and supposed hilarity ensues.

There are 12 directors and 43 actors (get it?) so the shorts are wildly inconsistent but often tread just over the line of good taste with crude language, playing with social mores and taboos, and never quite knowing when to end it. The cast is game although none are given a chance to play with their screen types, instead, are asked to inhabit genuinely clueless or unlikeable characters. A recurring theme in the sketches is how clueless (and tasteless) some people are so rather than guffaw you tend to go “ewwww”. The worst may be the faux-Batman (Jason Sudekis)’s description of faux-Supergirl (Kristen Bell)’s nether region to an embarrassed Robin (Justin Long). The set-up is amusing but played all wrong so is annoying rather than funny (and totally wastes John Hodgeman as the Penguin). Runner up is Chloë Grace Moretz in the uncomfortable situation where she has her first period in a household of male clichés who freak out or don’t know how to handle the delicate situation (although it ends with them watching a commercial that is actually funny).

The package comes with a Blu-ray, a DVD, and a digital copy. Perhaps most interesting is the Blu-ray which comes with an alternate version, one shown overseas, that uses a different framing sequence running several minutes longer, and is less funny. The sole other extra is a cut sketch with Julianne Moore and Tony Shalhoub as parents asking an off-screen investigator to help find their missing daughter, who was glimpsed on a  Girls Gone Wild-style video Mr. Shalhoub just happened to order and repeatedly watch. The gimmick is that girl has a tendency to flash the camera in Christmas cards, high school yearbooks, etc. A short with Anton Yelchin as a necrophiliac was shot and promised for the disc but is missing.

A great premise, gathering some of today’s funniest people (headed by Peter Farrelly) and top stars to have some fun, goes nowhere and is not as clever as the crew think it is. A serious misfire of a film which sank without a trace at the box office.

REVIEW: Stoker

REVIEW: Stoker

Stoker_Rental_BD_Spine_rgbWhen you name a thriller Stoker, you immediately have people concluding it has something to do with Bram Stoker, author of Dracula, and therefore maybe the movie involves vampires. The film’s characters address that at one point but let’s stipulate that there are no members of the undead here. Instead, we have a stylish, noirsh film that marks a mostly successful American debut for Korean director Chan-Wook Park. Starring Mia Wasikowska, Nicole Kidman, and Matthew Goode, it’s an uncomfortable story of family.

India Stoker (Wasikowska) has just lost her father, shattering their close bonds. Distraught, she is withdrawn, and initially shrinks further within Goth herself when Uncle Charlie (Goode) turns up and comes to live with her and her mother Evelyn (Kidman). In her eighteen years, India has never heard of an Uncle Charlie and more, what she begins to hear strikes her as fantastic and contradictory. Is he a rich adventurer, an ex-con, an opportunist? Maybe all of the above. But, as Charlie insinuates himself into their Tennessee home, life changes.

India is uncomfortable around Charlie until his charismatic personality begins to change how she acts and more, how she sees herself. There’s a hint of sexual desire pouring forth while her own mother, dealing with the loss in her own way, seems equally drawn, making dinner time more than a little awkward. There’s a piano duet that is nicely sexually charged and the film is filled with visual metaphors that make this a cut above most thrillers.

Wentworth Miller’s script was inspired by Alfred Hitchcock’s Shadow of a Doubt down to naming the mysterious stranger Uncle Charlie. There are plenty of structural ticks Miller picks up from the old master, successfully maintain the tension throughout the 99 minutes. Unfortunately, like Hitchcock, the characters are cold, never quite warming up to one another or the audience and undercuts the movie’s impact. And trust me, this film has plenty of impact, especially when things get violent and here Park exceeds Hitchcock, bringing his natural talents to the fore.

The performances are strong and should have been stronger and this might be a culturally issue as Park works with his Australia/English cast in an American setting. Goode (Watchmen) is nicely creepy while the women vie for coolest character.

This is a strong transfer to Blu-ray, out this week from 20th Century Home Entertainment. Cinematographer Chung Chung-hoon’s imagery is well preserved, letting the atmosphere ooze into your home. The matching audio allows you to enjoy the splash of rain, the crack of a hardboiled egg and the eeriness of Clint Mansell’s excellent score.

The disc, which comes with an Ultraviolet digital copy, contains a handful of extras. There are three deleted/extended scenes (10:01), none of which are really missed; Stoker: A Filmmaker’s Journey (27:50), a Making Of mini-documentary that is cut above others of its ilk; Photography by Mary Ellen Mark (11:15), on-set photographs that can be auto-played or manually advanced;

London Theater Design (2:35), showing how a London theater was transformed for the film’s premiere; and,  Theatrical Behind-the-Scenes, seven short featurettes that were repurposed from the documentary and rehashes that material. You also get the theatrical trailers.

‘NOBODY DIES FOR FREE’ -Author Aaron Smith’s first Spy Novel Debuts from Pro Se Productions!

  • News
  • June 21, 2013

Intrigue, Espionage, and Danger are primary parts of one of the most enduring genres in modern fiction to date- the Spy Novel.  And now Pro Se Productions, a leading independent publisher of Genre Fiction and New Pulp enters into this dynamic field with the latest work from noted author Aaron Smith- NOBODY DIES FOR FREE!

Known for his thirty published stories in multiple genres as well as his work with a wide range of characters, including Sherlock Holmes and Allan Quatermain, Smith adds one of his many own original characters to his writing resume- Richard Monroe. 

“I first became aware of the spy genre,” Smith states, “as I suspect many people did, through the James Bond movies. I must have been six or seven when I saw my first one. I became a big fan of those movies and eventually of Ian Fleming’s Bond novels too. As the years went on, I came to enjoy other spy fiction as well, some as fun and occasionally over-the-top as Bond or Mission: Impossible, some much more serious, like the novels of John Le Carre, and some in-between the two extremes, stuff like the Jason Bourne movies. Having long had an interest in that type of story, I suppose it was inevitable that I’d eventually write my own.”

In NOBODY DIES FOR FREE, Richard Monroe wants nothing more than early retirement and a peaceful life in Pairs with the only woman he’s ever truly loved after years of loyally serving his country in the CIA. But when an assassin’s bullet takes his happiness away, Monroe embarks on a quest to find the man responsible for the tragedy. Monroe is soon recruited back into the clandestine services, but with a difference.

Now a lone agent reporting to a supervisor so mysterious that the official agencies don’t even know he exists, Monroe will deal with situations too delicate and too dangerous for the CIA or FBI to handle.  On his first assignment, he discovers a connection between the mission and the criminal mastermind behind his wife’s killing. Business becomes personal again and Richard Monroe sets out to teach his enemies a brutal lesson: Nobody Dies For Free. 

Featuring a stunning cover by Ariane Soares with Fitztown and formatting and design by Sean Ali as well as Ebook formatting by Russ Anderson, NOBODY DIES FOR FREE presents a brand new spy to fiction that, while bearing similarities to other literary brethren, clearly stands on his own merits. 

According to Smith, “He has certain similarities to James Bond and many other fictional spies: he’s handsome, brave, sneaky, ruthless, and enjoys the company of beautiful women. But he’s his own person too. He rarely uses clever gadgets and is more likely to rely on just his wits, his gun, his car, and a cell phone. He’s American, though his personality has also been shaped by the time he’s spent in many parts of the world. He doesn’t work for a large organization like the CIA or FBI, although he used to. Now he’s much more a solo agent, taking on missions too secret or sensitive for the more official agencies.”

NOBODY DIES FOR FREE by Aaron Smith from Pro Se Productions!  Available now!



Find more about Smith and his other work at www.godsandgalaxies.blogspot.com

Pro Se Productions- www.prose-press.com

Contact Morgan Minor, Director of Corporate Operations at MorganMinorProSe@yahoo.com for review copies, interviews, and further information!

Now Playing From Radio Archives

  • Uncategorized
  • June 21, 2013

RadioArchives.com Newsletter

 
June 21, 2013
 

 
“…ace cameraman who covers the crime news of the great city…”

 

The origins of Jack “Flashgun” Casey can be traced to the 1930s detective pulp magazine “Black Mask”; the hard-boiled photojournalist was introduced in the March 1934 issue by former newspaperman/ad exec George Harmon Coxe. Coxe discussed the inspiration for Casey in a 1978 interview:

 

I had read and enjoyed the fiction exploits of reporters from time to time, but I also knew that it was the photographer accompanying such newsmen who frequently had to stick their neck out to get an acceptable picture. This is turn meant that while the reporter with his pad and pencil could describe a warehouse or dockside fire from a safe distance, the guy with the camera had to edge far closer to get a negative that would merit reproduction. So why not give the cameraman his due? If the reporter could be a glamorous figure in fiction, why not the guy up front who took – and still does take – the pictures?

 

So radio audiences received a formal introduction to Coxe’s creation over CBS Radio beginning July 7, 1943. The series was originally titled “Flashgun Casey,” but during its run it was also referred to as “Casey, Press Photographer,” “Crime Photographer.” and “Casey, Crime Photographer”. Casey snapped photos for the fictitious Morning Express, and often found himself cast in the role of amateur sleuth by getting involved in the stories he covered. Many of the plots had him stumbling across a clue in a photo he had taken (something the police had overlooked), and with the help of fellow reporter and romantic interest Annie Williams, they would inevitably bring the culprit(s) to justice.

 

What set “Casey, Crime Photographer” apart from its radio crime drama competition was its laid-back atmosphere, chiefly personified in its backdrop of Casey and Annie’s favorite dive, The Blue Note Café. There, in between assignments, they would engage in badinage with their philosophically sardonic bartender pal Ethelbert, often to the melodious accompaniment of the Blue Note’s background piano.

 

Matt Crowley was the first actor to tackle the role of Casey; replaced by Jim Backus and finally taken over by Staats Cotsworth, a radio veteran who also portrayed the title fourth-estate hero of NBC’s daytime serial “Front Page Farrell”. The part of Annie was essayed by many different actresses: Jone Allison, Alice Reinhart, Lesley Woods, Betty Furness, and Jan Miner were all heard at various times as the photographer’s main squeeze. Ethelbert was faithfully played by John Gibson throughout the entire run, and Captain Bill Logan – Casey and Annie’s contact on the police force – was portrayed by Jackson Beck and, later, Bernard Lenrow. The Blue Note’s pianist was played by Herman Chittison for most of Casey’s run, but Juan Hernandez and Teddy Wilson (formerly with the Benny Goodman Trio) were also on hand to tickle the ivories from time to time.

 

For most of the series’ run, “Casey, Crime Photographer” was sustained by CBS, except for brief periods of sponsorship by Anchor Hocking Glass (1946-48), Toni Home Permanents (1948-49), and Philip Morris Cigarettes (1949-50). The show’s association with Anchor Hocking is particularly noteworthy in that most of this series’ extant episodes were obtained from transcriptions saved by the glass company.

 

“Casey, Crime Photographer” left CBS Radio November 16, 1950 and enjoyed a brief live television run (with Miner and Gibson in their radio roles) from April 19, 1951 to June 5, 1952. (Casey was originally played by Richard Carlyle, but was replaced by a young Darren McGavin two months later.) The series then returned to radio on January 13, 1954 and hung on for another year before finally getting the axe April 22, 1955 – the same day that “Mr. & Mrs. North” and “Mr. Keen” also turned in their gumshoes. Fifty years later, strong characterizations and good scripting continue to make this private-eye drama a genuine keeper. 6 hours $17.98 Audio CDs / $8.99 Download.

 

 
It was the largest, most ambitious, and most successful military operation ever attempted — and radio was there to cover it.
D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous NBC network coverage of the events of June 6 and 7, 1944.
 
Noted inspirational author Dr. Norman Vincent Peale, King Haakon VII of Norway, Premier Gerbandy of the Netherlands, Premier Pierlot of Belgium, and US Senators Clark, Barkley, White, Hill and Congresswoman Clare Boothe Luce speak, as does the President of the United States, Franklin Delano Roosevelt. General Eisenhower speaks from SHAEF headquarters.
 
Regular NBC shows were included in the broadcast, “The Bob Hope Show”, “Fibber McGee & Molly”, “The Guiding Light”, “Vic & Sade”, “The Red Skelton Show”, “The Road of Life”, “Today’s Children”, “Ma Perkins”, “Pepper Young’s Family”, “Mary Noble, Backstage Wife”, “Stella Dallas”, “Lorenzo Jones”, “Young Widder Brown”, “When A Girl Marries” and “Front Page Farrell” among them.
 
Hear the events of the day as reported by Ben Grauer, Cesar Saerchinger, Charles F. McCarthy, David Anderson, Don Goddard, Don Hollenbeck, Ed Hocker, Edward R. Murrow, Elmer Peterson, George Wheeler, H. V. Kaltenborn, Herbert M. Clark, James Willard, John W. Vandercook, Louis P. Lockner, Lowell Thomas, Merrill Mueller, Morgan Beatty, Ralph Howard, Richard Harkness, Robert McCormick, Robert St. John, Tommy Traynor, W. W. Chaplin and Wright Bryan. Alex Dreier, in Chicago, recalled his experiences as the last western correspondent in Nazi Germany while Stanley Richardson offered an eyewitness account of the invasion from the Channel boats, and George Hicks reported from the beach-head itself!
These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The NBC broadcasts — containing over 38 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection. 38 hours. Normally priced at $113.98 Audio CDs / $56.99 Download, D-Day is Specially priced through the month of June at only $99.98 Audio CDs / $49.99 Download.
 
 
On June 6, 2004, in remembrance of the 60th anniversary of the Normandy invasion, the ABC Radio program Perspective featured a fascinating story detailing radio’s coverage of D-Day as it happened in 1944. Written, edited, and narrated by ABC reporter Chuck Sivertsen, the feature utilized clips from the D-Day collection described above. We think this in-depth and well-presented piece provides an excellent overview of the historic content of this collection.
 
 
Special 50% discount Offer
 
 
“The Great Gildersleeve” is considered one of old-time radio’s best examples of the situation comedy format, and it differed from its parent show, “Fibber McGee & Molly”, in that it emphasized a gentler humor that grew out of its realistic characters and situations as opposed to Fibber’s vaudeville-based verbal slapstick. “Gildersleeve” was also unique in that many of its episodes utilized a semi-serialized format; while the shows certainly could be enjoyed as stand-alone episodes. They often featured extended story arcs – examples of this include Gildy’s run for mayor in 1943-44, and an abandoned baby storyline featured in the 1948-49 season.
But perhaps the most interesting facet of “The Great Gildersleeve” was the fact that the titled character was in possession of old-time radio’s most active libido, or as authors Charles Stumpf and Ben Ohmart put it, “was involved in more matters of the heart than a cardiologist.” Throckmorton P. was Summerfield’s most notorious bachelor on the prowl, and as a ladies’ man had a bevy of quail…er… girlfriends. The best remembered was the syrupy Southern belle Leila Ransom (played by Shirley Mitchell), who always threw in a few extra syllables when calling him “Thrawk-maaahhhtin”, and who also managed to get Gildy to the altar (in a broadcast dated June 27, 1943) before a fluke of luck saved him from being manacled to the coquettish flirt till death do them part. Other girlfriends included schoolteacher Eve Goodwin (Bea Benaderet), who was romanced and proposed to by Gildy during his mayoral campaign, Leila’s cousin Adeline Devereaux (Una Merkel) and Nurse Kathryn Milford (Cathy Lewis).

“The Great Gildersleeve” remains a favorite for old-time radio enthusiasts even today, as its fine writing, engaging characters and brilliant blend of comedy and drama sets a high watermark for classic situation comedy. You’ll be certain to enjoy the twenty original broadcasts offered in this collection, transferred directly from original 16” NBC Orthacoustic master recordings and presented exactly as broadcast, complete with commercials for Kraft Foods. 10 hours. Regular Price $29.98 – Specially priced until July 4 for $14.99 Audio CDs / $7.49 Download.

 
 
Will Murray’s Pulp Classics #28
by Norvell W. Page writing as Grant Stockbridge
Read by Nick Santa Maria. Liner Notes by Will Murray

 
 

For our latest Spider audiobook, we’ve jumped ahead in time to 1939 and one of the most dramatIc and horrific exploits of Richard Wentworth’s nightmarish career.
 
“Exploits” might not be the operative term for Claws of the Golden Dragon. It’s actually one of the most intense ordeals the Master of Men ever endured in his decade-long career as a crime hunter. And that’s saying a hell of a lot!
 
It begins with the arrival in New York of a Chinese supercriminal known as the Golden Dragon. His true identity shrouded in secrecy, the Dragon plans to loot America in order to fuel his planned conquest of Asia. Author Novell W. Page took his inspiration from Sax Rohmer’s Dr. Fu Manchu, obviously. The editors at Popular Publications loved the sinister Oriental arch-villain. They published Dr. Yen Sin, The Mysterious Wu Fang, and frequently pitted their other heroes, like Operator 5 and G-8, against similar human scourges. The Golden Dragon is among the worst of these.
 
Claws of the Golden Dragon dates from the period when The Spider magazine was infused with Weird Menace elements, like the fare offered by companion magazines Terror Tales and Horror Stories. In this case, the Golden Dragon has cultivated a hothouse orchid that insinuates its suffocating roots and tendrils into the victim’s still-beating heart! Forget Terror Tales, this is Weird Tales territory.
 
Page milks this new menace for all it’s worth. Victims begin succumbing in the first chapter. And by the time Richard Wentworth and the valiant Nita van Sloan have struggled to defeat the Blood Orchids, they too fall victim to this most hideous doom!
 
Has Norvell Page gone too far this time? Can even the Spider survive this soul-paralyzing predicament? Or will he and his beloved be buried with their own personal funeral flowers feeding off of their stopped hearts?
 
Once again, Nick Santa Maria takes on the dual persona of Richard Wentworth and his arachnid alter-ego for this nail-biting audio rendition of the January, 1939 issue of The Spider. Michael C. Gwynne reads the thrilling Doc Turner story by Arthur Leo Zagat, “Death’s Wedding March!” 6 hours $23.98 Audio CDs / $11.99 Download.

 
 

 

 
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 

 

 

New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

In a hushed room of his stronghold, Richard Wentworth watched over his beloved. Crippled, her healing limbs held by carefully adjusted pulleys, Nita van Sloan hovered between life and death. It was then that a man — an underworld denizen, bloodied, beaten and terrified — burst in upon Wentworth’s sanctuary. “You are doomed,” was his warning. “The underworld has roused again. Even now the dynamiters bore under your home!” With a trumped-up charge of murder on his head, could Wentworth battle that new underworld master, single-handedly?… For, where that master struck, death by explosion was instantaneous, frightful! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

Two months ago James Waldorff had died and his body placed in the family vault. Now he walked again, a thing resurrected from the tomb! What was the secret of the strange curse that was turning one of America’s wealthiest houses into a family of living dead? The Secret 6 come out of hiding to tackle this weird mystery — and unravel the murder scheme of a corpse master! Criminals quaked at the name The Secret Six.  And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories.  But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series.  These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.

 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by H. M. Appel and Robert C. Blackmon, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Frederick C. Davis, reissued for today’s readers in electronic format. $2.99.

 

99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 
The Thing that came from the swamp had once been a man. Now it shrieked madly, its skeleton body jumping from pavement square to pavement square, its hollow eyes seeing only things that were not there. In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

David Hilton shuddered as the lovely girl took his hand — the hand that had killed so many such as she… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

 
Deep in her young heart, Liberty knew that only she was to blame — when Brit Farnum told her there’d be a slight change in their wedding plans… that he’d take another girl to the little rangeland church! One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 

Innocent little Trudy was at wit’s end figuring how to awaken the wounded stranger — till she thought that a kiss might do it… One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
 
Search for RadioArchives.com in iTunes.
 
 
 

 
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

 

Pulp fiction’s Master of Men returns in two thrilling and horrific stories from 1938 and 1943. First, emerging from Manhattan’s subways is an army of albino killers, attacking, sacking, and slaying all that cross their path. Neither bullets nor cold steel have any effect on the seemingly invulnerable horde, so debonair man about town Richard Wentworth, alias The Spider, decides to take on the murderous scourge in “The Grey Horde Creeps” (1938). Then, where better to recruit a band of heartless killers than from the ranks of condemned murders? Only the most ruthless henchmen are chosen to wield the power of “The Howling Death” (1943), a terrible secret that makes its victims scream out their lives like dogs gone mad! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00
 

The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 

By John Olsen
 

“The Shadow’s Justice” was published in the April 15, 1933 issue of The Shadow Magazine. It’s an early Shadow tale that shows us The Shadow at his most deadly. His blasting .45’s never miss. He shoots; he scores! And there’s one less gangster to worry the police.
 
This is the story of young Carter Boswick and his search for his inheritance. It’s the story of a conspiracy to murder him and collect the millions by the forces of evil. It’s the story of The Shadow who enters the picture to not only safeguard young Carter, not only discover the hiding place of the treasure, but unmask the hidden mastermind behind the sinister scheme and put an end to his evil ways.
 
As our story opens, Farland Tracy, attorney at law, enters the old mansion of Houston Boswick. Tracy is still in his forties, firm-faced, square-jawed and stalwart with a dynamic air combined with self-assurance. Houston Boswick, owner of the mansion, is aged and weary. He’s a man past sixty whose thin face marks him as one who has lost all former initiative.
 
The two meet in Boswick’s second-floor study. Away from the prying ears of his servant Headley and his nephew Drew Westling, the two feel free to discuss old Houston Boswick’s financial affairs. But little do they realize that ears are listening in on them. Two pairs of ears! One from outside the study door, and another pair outside the second-floor window.
 
The Shadow clings to the rough stone wall outside the study window, hanging far above the ground. Clinging bat-like to the side of the building, the weird phantom of the night overhears the secret conversation. But he’s not the only one. Young nephew Drew Westling, slight of form, sallow of complexion and drooping in appearance, crouches outside the study door, also listening.
 
Old Houston Boswick tells his attorney that he hasn’t long to live. He accepts the fact, but lives with one final hope: his son’s return. Ten years before, young Carter Boswick had left to seek his fortune, traveling to many parts of the world. Old Houston has just received a letter from Carter stating that he is returning home. He should arrive in two weeks. But Houston feels he will not live to greet his son.
 

Double Novel reprint $12.95

 

Comments From Our Customers!

 
Mary Magalds writes:
To my friends at Radio Archives: I am absolutely thrilled with my purchase of Strange Detective Mysteries, October, 1937! The readings are so crystal clear and I love the drama in the readings, the changes in the voices and accents. Great job guys! I am hard pressed to say which story I love the most. They are all fantastic tales and are wonderful to listen to over and over. I really hope you will do more of the Strange Detective Mysteries. What a great pulp! I love Seekay, the detective with no face. I also really loved When “The Bat Flies” by Norvell W. Page. Keep up the great work!
Stephen Breen writes:
I have purchased a few of the Captain Future ebooks from you and I am enjoying them. I purchased them as ebooks for convenience and because of the reasonable price and the absence of obnoxious DRM. I own a Kindle and find it very comfortable to use in every respect, so your ebook editions are very much better for me.
 
Christopher Southworth writes:
Thanks again for G-8, and as a big Green Lama fan, I can never see enough material starring him. Have a great weekend!
 
Darrel Lantz writes:
Love your work! I have so many of your sets and have enjoyed them all. I like to buy the downloads, tend to misplace the physical cds anyway, and I like the price savings!

 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
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PRO SE PRODUCTIONS AND REESE UNLIMITED DEBUT THE ADVENTURES OF LAZARUS GRAY VOLUME THREE: EIDOLON!

  • News
  • June 20, 2013

A man unconscious on a city’s shore line.  The only clue to his identity was a small medallion with a name stamped on it. Taking it for his own, this stranger to himself became one of Sovereign City’s greatest heroes!

Pro Se Productions, an independent press on the cutting edge of genre fiction, heroic storytelling, and New Pulp, proudly announces the latest volume in one of the most popular New Pulp series today- THE ADVENTURES OF LAZARUS GRAY VOLUME THREE: EIDOLON! From the mind of Award Winning Author Barry Reese!

“Heroes,”  Tommy Hancock, Editor in Chief of and Partner in Pro Se Productions, explains, “are not only a major part of what Pro Se does and does well, but they’re vital to New Pulp!  Pulp as a style covers many genres, but the two fisted, fast paced tales of the Hero are what people remember and want to read!  We’re fortunate enough that Barry Reese hangs his mask at Pro Se and continues to add to his own Pantheon through Reese Unlimited.”

From Pro Se Productions and Reese Unlimited -Pro Se’s inaugural Author Imprint- comes the latest chapter in the Sovereign City Project featuring one of the most popular New Pulp heroes of recent years! Thrill to tales in this latest volume as Lazarus Gray and his aides battle against their opposite number as some of their most dangerous enemies band together to form MURDER UNLIMITED! They’ve sworn to destroy Lazarus and his team, but is there another agenda that secretly guides this sinister alliance? 

Also, Gray squares off with a new foe- Eidolon! Who or what is this latest adversary! Follow Gray as he works out a puzzle that began in the steamy jungles of Peru and may end with the fall of a hero! 

“Barry Reese,” Hancock states, “not only delivers a tried and true Pulp Hero tale in the tradition of the Classic tales, he brings a definite excitement to his work.  Twists and turns combined with characterization and controlled chaos make Barry’s dialogue pop and action roll like thunder.”

The Adventures of Lazarus Gray continue explosively with a third volume full of action, excitement, and danger as Assistance Unlimited plunges into the heart of evil…but will they all survive the journey?

Also presenting SECRETS OF THE DEAD, the first in a series of illustrated features by Barry Reese and Award Winning Artist George Sellas!

THE ADVENTURES OF LAZARUS GRAY VOLUME THREE: EIDOLON featuring cover and interior illustrations by George Sellas, print formatting and design by Sean Alim and Ebook design by Russ Anderson! The latest and greatest in New Pulp from Reese Unlimited and Pro Se Productions!


The third stunning volume in the LAZARUS GRAY series is available now via Amazon at http://www.amazon.com/The-Adventures-Lazarus-Gray-Volume/dp/149046946X/ref=sr_1_2?ie=UTF8&qid=1371702565&sr=8-2&keywords=eidolon+lazarus+gray and at Pro Se’s own store at https://www.createspace.com/4328321in print for $15.00!


“Barry Reese’s new pulp heroes have all the zest of the classic heroes of the 30s with a discreet touch of today’s sensibilities for an added kick. Always a fun, page-turning read.” – Will Meugniot, artist of DNAgents & Supervising Producer of X-Men: The Animated Series

For Review Copies, Interviews, or further information, contact Morgan Minor, Pro Se Director of Corporate Operations, at MorganMinorProSe@yahoo.com.

REVIEW: Tommysaurus Rex

Tommysaurus Rex
By Doug TenNapel
Scholastic Graphix, 136 pages, $10.99

Tommysaurus RexThe concept of a boy and his canine best friend is nothing new at all and has provided us with countless heartwarming stories through the years. That the dog dies and is resurrected as a tyrannosaurus rex is a fresh spin on the story; one so fresh that in 2004 Universal bid $1million to preemptively option the property. I have no idea what happened with that, but it was based on an earlier version of Tommysaurus Rex, which Doug TenNapel released as a miniseries through Image in 2004 and then a collection in 2008. This month, though, a revised, expanded and apparently recolored version of the story is being released from Scholastic’s Graphix imprint.

Ely is shy, without a lot of friends, except for Tommy, the golden retriever who is his companion, friend, playmate and security blanket. Overenthusiastic in all ways, he pulls free from his leash one day and is hit by a car and dies. A distraught Ely is brought to Granpa’s nearby farm and in addition to learning about agriculture, he locates a nearby cave where, tucked behind some rocks, is a living T-Rex.

The dino-phenomena proves as loving and eager as a puppy and quickly Ely realizes its Tommy reincarnated. How Ely and Tommy win over a fearful and skeptical community forms the core of the story. Of course, there’s also antagonism in the form of Randy, lead bully but rather than be pure evil, we learn what causes him to act in such a terrible way.

Of the TenNapel works I’ve read and reviewed here – Ghostopolis, Bad Island, and Cardboard – this has the most heart and soul. It’s also his earliest work so the art style and storytelling is simpler. Everything is clear and the color adds a nice dimension with solid pacing, mixing pathos, drama, and humor. I’ve been usually critical of TenNapel’s story logic lapses and this has few of those although the fact that a dinosaur is wandering the world seems to attract minimal media attention and zero attention from scientists or the federal government. It doesn’t hurt that the Mayor, up for reelection and seeing the creature’s popularity, acts as a buffer.

Pare away the bullies and gawkers and this boils down to a boy loves dog story that can warm the heart and entertain. It’s an ideal volume for third through eighth graders and is well worth a look.

GUEST REVIEW- PULP 2.0’S ‘THE AUSLANDER FILES’ REVIEWED BY ANDREW SALMON!

  • News
  • June 16, 2013

ICH BIN EIN AUSLANDER

A Review of Michael Patrick Sullivan’s THE AUSLANDER FILES

by Andrew Salmon

The debate has raged on since New Pulp first burst on the scene: what exactly is “new” about New Pulp? Should today’s pulpsmiths be trying to recapture the style and tone of the great pulp yarns of yesteryear or should they be trying to re-invent the form for a modern audience?

Here’s another question: what if you can do both?

THE AUSLANDER FILES by Michael Patrick Sullivan is the answer to that last question.

The premise is deceptively simple: a WW2 German agent wakes up in a hotel room in the US. He can’t remember who he is and he has false identification for multiple identities. He calls himself The Auslander, the Outsider. He dreams of terrorist acts, espionage, sabotage and concludes that he is the architect of these pending crippling attacks on the US war effort. Yet his devotion toNazism has been lost along with his name and identity and he must race against the clock, and around the country, to prevent the operations from taking place.

What follows from this are 10 punchy tales collected for the first time by Pulp 2.0, 10 sustained, machine-gun blasts of pulp action! THE AUSLANDER FILES is one of the best New Pulp releases of the year – hell, it’s one of the best New Pulp books I’ve ever read.

Each tale kicks off in the middle of the action. The Auslander is on the scene and fighting not only his own people but the average citizen as well, trying to save the day while every hand is against him. Assassinations, abductions, sabotage, bombings… The Auslander frantically attempts undo the evil he himself has devised before it’s too late. The tales are short, quick, addictive reads averaging out to about 10 pages a pop. Yes, they are formulaic but this must be overlooked inlight of the fact that they were originally published months apart, which required some recapping of the overall premise. This minor stumbling point is easily sidestepped by the intense writing and pace of each actioner. The Auslander is a complex character and this is no small feat as we do not learn who he is by the end of the collection. What does come across is his willingness to do whatever it takes to prevent the destruction he has set in motion.

I enjoyed all of the tales in this collection. If I had to pick a favorite it would be “The Yellow Star of Antwerp” for its emotional resonance as well as how it depicts just how far The Auslander will go to prevent further bloodshed. Ultimately, all of the stories work very well. Very well indeed.

My only knock against the collection is the odd problems with tense and a typo or two. Jarring, yes, but not debilitating. Bumps along this roller-coaster ride do not derail the train. Trust me, pulp fans, you want to get on board The Auslander express. If you like quick, shot-to-the-gut action tales, look no further. If you like a tormented lead character, THE AUSLANDER FILES has your poison. A great read, start to finish, don’t miss it.

REVIEW: Ring of Fire

cNv8E2kI never really noticed or paid attention to ReelzChannel, now just Reelz, an odd collection of off-network fare, cross-promoting what else is on cable and original programming. So, when Ring of Fire crossed my desk, I knew nothing about it. A miniseries that aired in the spring, it features a familiar cast headlined by Michael Vartan (Alias), Terry O’Quinn (Lost), and Lauren Lee Smith (The L Word). It’s a low budget disaster movie that traces how deep drilling for oil accidentally taps molten lava, triggering a chain reaction that brings the world close to an Extinction Level Event.

The small town is filled with the usual cookie-cutter assortment of characters with conflicts aplenty such as the oil rig worker who lost his son due to his brother’s carelessness and guess who’s out of jail in time to use his knowledge of the old mines? Or that the CEO behind the drilling is at odds with his daughter, whose son is trapped on a school bus when things go boom. It’s a finely stuffed recipe for disaster and it’s all competently assembled by writer Michael Vickerman. What’s missing is a shred of unique dialogue or interesting characterization. Under Paul Shapiro’s flat direction, the actors are surprisingly flat with the notable exception of Sanctuary’s Agam Darshi, who infuses her Audrey, a geologist, with some semblance of life.

Part one sets everything in motion and of course, those in control ignore the warnings from those who really know what’s going on under the ground. Then, when things go bad, they scramble to contain the damage until the entire world is threatened because a ring of volcanoes are all about to go kablooey. The catastrophe catches the town, the corporation and everyone but the federal government short.

In part two, we learn there’s a remote chance a sonic device can trigger a fault before the big eruption in just 24 hours. Surprisingly, the government can access the bomb and retrofit a test module for use on Venus in that narrow window so Vartan’s Dr. Michael Cooper can pilot it deep with and trigger the device. (In retrospect, this is more plausible than Spock going into a volcano to neutralize it using the cold generated by a cold fusion bomb.) The US Government is remarkably competent here so that’s something different for a change.

Still, Vickerman slows things down enough so Vartan and Smith can flirt and stare deeply into one another’s eyes, which feels out of left field. Similarly, he massages his temples to deal with the growing aneurysm that requires surgery, a plot point that comes up repeatedly but is never paid off making one wonder why it’s here at all.

There’s plenty of sermonizing and speech making and people running around but it’s passionless despite the pacing, which Shapiro handles nicely.

The miniseries is being released un Gaiam Vivendi’s Doomsday Series umbrella and is presented as it aired rather than be edited into a seamless home video experience. There are no extras to speak of, just a preview of their next entry Eve of Destruction (which I bet is a better song than movie).

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