Tagged: Marvel

MARC ALAN FISHMAN: X-Men – Built By The McMansion of Ideas

Wikipedia (truly the only place to learn stuff these days) defines McMansion as “a pejorative term for a large new house which is judged as pretentious, tasteless, or badly designed for its neighborhood.” When I read that term, one comic franchise comes to mind. Color me snarky this morning, kiddos, but I feel the need to rant about those kooky carnival clowns known as the X-Men. Let me go tape up my fists and put in my mouth guard. This one’s gonna get ooogly.

I’ve little doubt when Stan and Jack (I’ve no right to call them that, but screw it…) created the titular teens with wonky talents, it was done for a reason. More than DC, Marvel’s characters come pre-baked with personal turmoil. Peter Parker, the every-nerd… Bruce Banner, the mild-mannered man who can’t get mad… and who would not list Hank Pym, the small-then-big-then-small-then-big wife-beating man-of-science? The X-Men were no different. Here we had basically innocent kids being picked on and ostracized for being not normal. Make any parable of that you want. Black? Gay? Bi-sexual? Transgendered? Jewish? OK, probably not Jewish. More to the point though… in the beginning, the X-Men were a fantastic concept, anchored by amazing art. Of course they were a direct rip-off of the Doom Patrol, but let’s not get into that argument. Since their humble start in the funnies, the X-Men have since become a continuity-hampered, impossible to follow nightmare.

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Monday Mix-Up: Sam The Eagle as Captain America

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  • July 25, 2011

Wait, wait, wait… are there Muppets in this poster?

In spite of the giggle factor, this may be an important milestone– this may be the first official crossover between Disney and Marvel properties, promoting both Captain America: The First Avenger in theaters now, and The Muppets coming out in November.

Superman: Man of Steel Moved to 2013

  • News
  • July 22, 2011

Time to adjust your movie calendars as Warner Bros admitted today that having Zack Snyder’s Superman: Man of Steel film for Christmas 2012 was impossible. The new date is now June 14, nestled between two Marvel sequels.

Given the effects-heavy movie’s post-production requirements and the fact is has yet to start shooting, it seems likely that production concerns forced Warner’s hand. It’s also theorized that the testosterone-laden film might not play as well during the holidays given the Academy Award contenders that normally crowd multiplexes during that time of the year. There are also other genre competitors that will suck up screens, complicating the planned release including Warners’ own first installment of Peter Jackson’s The Hobbit in addition to Disney’s planned reboot of The Lone Ranger. Back in the far simpler 1970s, Superman the Movie opened for the holidays and performed quite well and Warners was hoping for lightning to strike twice.

Instead, it will now face off against similar competition bringing May 3 with Iron Man 3. DreamWorks’ kid-oriented Turbo precedes Superman on June 7 and is followed by Pixar’s Monster University on June 21 so there’s little live-action, adult competition and now studios know which weekends to avoid. Marvel’s Thor 2 follows a month later on July 26.

The extra six months will afford Snyder plenty of time to perfect the script, which has to be note perfect after the disappointment of this summer’s Green Lantern. It also means producer Christopher Nolan will be done with his The Dark Knight Rises in plenty of time to have a more active role in overseeing the production.

TimeWarner has to release the film in 2013 to satisfy legal obligations arising from the Siegel Estate’s lawsuit that saw elements of the Superman mythos awarded to them, the repercussions of which are being seen this fall in the Superman reboot from TW’s DC Entertainment division.

New ‘Captain America’ Footage Released — See It Now!

  • News
  • July 16, 2011

To lay the groundwork for next week’s premiere, or in anticipation of San Diego Comic-Con, or simply to take some of the wind out of Harry Potter‘s sails, Paramount and Marvel released four new clips from Captain America: The First Avenger.

First how Steve Rogers (Chris Evans) got the job from General Hammond (Tommy Lee Jones) and Dr. Erskine (Stanley Tucci):

Then how he got the body:

Then how he got the shield:

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Don McGregor Needs Your Help

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  • July 15, 2011

Don McGregor‘s elderly mother and other family medical emergencies have forced this fine man and fierce writer of the Black Panther, Killraven, and Detectives Inc., to put his personal collection of art (from stories he wrote) on the selling block.

I will be representing Don McGregor’s personal collection of artwork–original pages from stories that he wrote for Marvel.

I am not taking a commission from Don. All monies will go directly from you to him and he will ship directly to you; I am just sitting in the middle because Don is a wonderful and kind man who has never been about money (imagine that) and I don’t want him to get a dime less than he deserves or might otherwise get.

When a man like Don McGregor sells cherished art that was gifted to him by the artists that drew his beautiful stories, you know it’s painful for him. Don loves this art and it should go to people who love it, too. It’s being sold because he needs the funds. Ain’t that America.

I won’t allow art dealers to steal these from him. And I am not expert enough, despite the posturing, to know what these pieces are really worth. So here’s the deal: Some friends of mine and I going to bid on Don’s art while spreading the word far and wide. We are hoping you’ll beat our bids because we want Don to get top dollar. We hope that you will help spread the word. The bidding can end at any time (when Don says, “That’s a fair price; I’ll take it!”) But let’s not let this drag out too long, chums. Let’s pretend we actually learned something from those superheroes we grew up reading when Don was still writing them.

What else can you do? If you’re an artist, a small drawing would be nice. Black Panther, Killraven…something that Don worked on for sentimental reasons. I’ll be the first bidder and I’ll bid generously…and then I expect others to do the same. Let’s make the world go round.

Contact me if you’re genuinely interested in buying art from Don at fair market value. And spread the word to other art collectors. This is a rare opportunity, and you will have my gratitude and Don’s. And you will have Gene Colan’s gratitude where he rests in the World of Truth.

Current bid on the piece you see on this page: $1750.

Green Lantern Limps Past the $100 Million Threshold

blake-lively-ryan-reynolds-green-lantern-thumb-420xauto-27679-300x191-8754649For those paying attention, Green Lantern’s failure to remain in the domestic box office top five has to be of concern to Warner Bros. The film took in an estimated $6,270,000, down a steep 65% from the second weekend which was already down a steep 66.1% from the opening weekend. This means that the core geek audience expected to revel in the galactic adventure multiple times decided once was enough and word of mouth was not positive enough to make up the difference.

Beyond that, the studio gambled on the 3-D effects being a lure but by the time the movie opened June 17, the warning signs were already crystal clear that 3-D was once more a passing fad and not a silver bullet to re-energize theater going habits.

After 17 days in release, the movie has taken in approximately $101,962, about a third of what was spent on production and marketing. The international box office has been anemic as well, with just $33.3 million taken in so after three weeks, the film has not cracked the $200 million barrier that would have at least allowed Warner and DC Entertainment to save face.

And while Warner has commissioned work on a second script, there is no guarantee that they will invest in an expensive sequel. The mantra among the fans is that it took Paramount two films before they got Star Trek right but DC had a lot riding on this as their first entry into the shared universe superhero market and attempting to compete directly with Marvel. A core difference between the rivals is that Marvel’s production arm is independent of studio interference while DC’s Creative Officer, Geoff Johns, still has to dance to Warners’ tune. There’s no direct evidence that Warner execs meddled in the film, but if they didn’t then the film’s disappointing commercial results has to be placed at Johns’ feet.

Should they choose not to go forward with a sequel, Green Lantern will continue to headline multiple titles from DC plus continue his animated adventures on the Cartoon Network. It will, though, limit his merchandising appeal which will affect the conglomerate’s bottom line.

How this may impact the films already in development, notably The Flash, Johns’ other baby, remains to be seen. In some ways, not having it before the cameras means there’s plenty of time to take the lessons learned and apply them. On the other hand, Marvel has already staked two key dates in 2013 (for Iron Man 3 and Thor 2) so if the DC Universe expects to compete on the silver screen, there has to be energy expended to get things rolling.

Attention Shoppers: Marvel’s Trying To Pull A Fast One This Week

  • News
  • June 30, 2011

We’ve already heard a few complaints about the two comics racked above.

What’s the complaint? One’s an Avengers book, the other’s Captain Britain. They both look like retro-throwbacks to the 80’s, and they both look like they’re tying into The Iron Age miniseries, right? Okay, they’re a little pricy at $4.99, but–

–wait a minute. Open them up.

They’re the same comic.

These are both covers for The Iron Age #1. The series title is right up there, in that little red bar at the top of the issues. The Captain Britain cover? Marvel is considering that to be a variant cover.

Look at that picture of them on the rack. Would you have thought they were just variant covers, or would you have thought they were the same book? And would you be angry when you got home and discovered you paid $4.99 for a duplicate you didn’t want?

Consider this a public service announcement to help save money in these tough economic times. And the next time somebody behind the counter at your local comic book shop yells at you for looking through the books with the time-honored “This ain’t a library, bub!” you can simply tell them that you have to because comic book publishers are pulling stunts like this.

Gene Colan

Gene Colan: 1926-2011

Gene Colan

I regret to announce that my friend Gene Colan died at about 11 pm on June 23. Gene spent this last week in a quasi-coma state following a broken hip and complications from liver disease. He was 84.

I am terribly saddened to lose Gene. He was a gentle and deeply spiritual man, a bright light in every context, and those who knew him at any level were enriched by his warmth and generous nature. Below are some thoughts I cobbled together when he slipped from consciousness earlier this week.

I leave the historical perspective and details of Gene’s significant career to my friends Tom Spurgeon and Mark Evanier. For now, I mourn.

My Friend Gene Colan

When I was in Morristown, New Jersey, in the early 1990s, there was a girl of about 12 or 13 who lived around the corner. Every time I saw her, she was out walking a German Sheppard puppy. I’d see the pair every two weeks or so. But as the years passed, I realized the girl’s puppy didn’t seem to age. My young neighbor was blossoming into a young lady, but her little dog was like Peter Pan, or Jefty in Harlan Ellison’s story. Eventually, I inquired and learned that the young lady took her young dog from the Morristown Seeing Eye. After she had house-broken and bonded with the little dog, she returned it when it was ready to be further trained to help one of the blind. And then she’d get another puppy and start over again.

It must be heart-breaking, I thought, getting to love something the way only taking care of it will allow you to love, just to say goodbye so quickly.

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Jason Patric Signed to Star in “Powers”

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  • June 22, 2011

Jason Patric appears to have nabbed the lead in the FX adaptation of Brian Michael Bendis & Michael Avon Oeming’s Powers. Initially, Kyle Chandler was rumored in March to be eyed for the part of Christian Walker but the news of Patric’s signing broke late last night.

Patric would be partnered with British star Lucy Punch, playing Deena Pilgrim, in the pilot which Bendis said should be shooting over the summer. At present, FX has not confirmed its interest beyond the pilot, which Bendis wrote before being rewritten by “Chick” Eglee.

Previously cast was Charles S. Dutton, playing Captain Cross, head of the Homicide Division where Walker and Pilgrim work. Also in the cast is 11-year-old Bailee Madison (Just Go With It.), playing Calista, a girl raised by her stepdad Eagle, a man with powers. She will come to live with Pilgrim after Eagle’s wife is murdered and the stepfather vanishes.

Powers was launched in 2000 from Image Comics where is earned the Eisner Award for Best New Series in 2001. Bendis subsequently won Eisners in 2002 and 2003 as Best Writer. By 2004, Bendis’ value to Marvel was such that they created the Icon imprint for creator-owned material with Powers being the first series to launch under that umbrella.

The book has evolved slowly through the years now publishing its third volume, which launched in November 2009, with just seven issues published since then given the creator’s other obligations. (more…)

GL Nabs a Mere $52.8 Million

  • News
  • June 19, 2011

glposter-300x443-6455954Analysts gaze into a crystal ball and make educated guesses about how well a film will open. This week, they used a Power Battery instead and suggested that Warner Bros’ Green Lantern would open between $50-60 million. Box Office Mojo just released the numbers and they are estimated the Emerald Crusader brought in $52.7 million, placing it at the lower end of the spectrum.

For comparison purposes, a month earlier, Thor, one of Marvel’s ongoing series of films, opened with a god-like $65,723,338. GL’s modest numbers certainly have to be disappointing to both Warner and their DC Entertainment division. Mixed to negative reviews from the mainstream media no doubt blunted the film’s opening weekend so the better indicator of its changes will be next weekend when we gauge how much of a drop off there has been. This would be the “word of mouth” barometer and a chance for the fans to spread the gospel or take in a repeat showing.

No doubt 3-D fatigue is also a factor in the lower numbers despite being shown on approximately 2700 screens. That recent trend has shown that 3-D may actually be once more a fad and not a new form of entertainment. The jury remains out on this issue.

Coming in second was Super 8, the original thriller from J.J. Abrams. It took in $21.3 million for a two week total of $72.8 million.

In third place was the debut of Mr. Popper’s Penguins, adapted from the popular children’s book, starring Jim Carrey. It took in just $18.2 million demonstrating recognizable name value doesn’t always bring in audiences. It certain show how far Carey’s marquee value has dropped.

Speaking of Marvel, their X-Men: First Class nabbed an addition $11.5 million in its third weekend, totaling a pleasant $119.9 million, almost ensuring it a sequel order any minute now.

Warner no doubt is taking comfort in the wild success of The Hangover II, which earned an additional $9.6 million for a cumulative total of $232.7 million after four weeks.

The Ryan Reynolds action flick, directed by Martin Campbell, was made for an estimated $150 million with a nearly equal amount spent on marketing and promotion.  It was plagued with a weak debut trailer in November that meant a new plan needed be created. The spring buzz turned around after several minutes were shown at Wonder Con and a steady stream of new trailers helped reshape public opinion.

Box Office Mojo Editor Brandon Gray has written that any opening short of $70 million would make a sequel questionable despite Warners already asking for script treatments. Obviously, worldwide box office may turn the tide as an increasing percentage of a film’s performance is now coming from overseas markets.

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