Tagged: drama

Welcome to ‘Americatown’

Welcome to ‘Americatown’

HBO has announced the development of Americatown, a new drama series project from writer Bradford Winters and producers Tom Fontana, Barry Levinson, Frank Marshall and Kathleen Kennedy.

Americatown is "set 25-40 years into the future when the precipitous decline of the U.S. leads to a mass exodus of its citizens," says The Hollywood Reporter. The show focuses on newly arrived American immigrants in a large foreign city.

"By presenting Americans as immigrants in the near future, as both underdog and hero in the drama of global dislocation, we substitute a mirror for the rancor that informs much of the partisan debates on immigration," Winters said of the series.

The show focuses both on immigration and on potential financial meltdown, which is quite topical given current circumstances.

Says Winters of the irony: "What is happening right now is such a terrible disaster for so many people and, in some ways, I think makes it less hard to argue that the events in Americatown are impossible."

Winters has worked with Tom Fontana before on HBO’s prison drama, Oz. His two brothers, Scott William Winters and Dean Winters, were series regulars on the program as Cyril and Ryan O’Reily, both brothers and inmates within the titular prison facility. Though no casting announcements have been made, it’s likely that one or both actors will appear on the show in some capacity.

Review: ‘Fringe’ Episode #102

Review: ‘Fringe’ Episode #102

Previously on Fringe

During an investigation into mysterious deaths aboard Flight 627, Agent Olivia Dunham’s boyfriend and partner Agent Scott is nearly killed, his body becoming translucent. Olivia recruits Walter and Peter Bishop, an eccentric father-son scientific duo, to devise a cure for Scott’s condition. Although successful, it turns out that Scott has secret knowledge of Flight 627, but he’s killed before he can reveal anything. Olivia is determined to uncover what Scott’s involvement means in relation to an enigma known as ‘The Pattern,’ and is recruited alongside the Bishops to uncover the truth. Meanwhile, the secretive Massive Dynamic corporation looms in the distance, somehow involved in the plot.

“Same Old Story,” different day…

The series kicks off it’s first post-pilot installment with “[[[The Same Old Story]]],” and it’s anything but. A woman suddenly becomes pregnant and gives birth to a baby in a matter of minutes. Upon birth, the baby grows and ages 80 years. Who you gonna call? Fringe… busters… people. Alright, they need a cooler name.

“The Same Old Story” matches the creep factor so heavily ratcheted in the first episode. Kicking the show off with a fast-forwarded version of [[[The Curious Case of Benjamin Button]]] is eerily reminiscent of [[[The X-Files]]] — and that’s certainly the effect that the ladies and gents at Fox have in mind. The computer graphics could use some work, but it’s solid as far as network television goes.

(more…)

ComicMix Six: Super-Heroes on Television

ComicMix Six: Super-Heroes on Television

There have been some sad attempts at live-action super-hero shows over the years. On the other hand, Smallville has done pretty well for itself, going strong for eight seasons now. Heroes on NBC has made many TV fans question what may have been a dismissive attitude towards super-hero stories. And shows such as Buffy, Angel and The Dead Zone have shown that many folks out there enjoy stories about people who have unique abilities and fight evil.

So we at ComicMix pondered “what other super-heroes could work if brought to life on the small screen?” Personally, I think there are tons that could be great. But because none of us have that kind of time, we stuck by our habit of keeping the list down to six.

(more…)

New Torchwood Without The Make-Up

New Torchwood Without The Make-Up

Torchwood will be retuning to the airwaves next month in a somewhat unique fashion, according to the good folks at Outpost Gallifrey.

BBC Radio 4 will be broadcasting an original 45 minute full-cast radio drama, Lost Souls, on Wednesday September 10 at 9:15 Eastern Daylight Time. The story is set right after Exit Wounds, the season two finale, and deals with the events of that traumatic episode. Therefore, you might not want to hear the show until you’ve seen the second season.

Torchwood regulars John Barrowman, Eve Myles and Gareth David-Lloyd will be starring in the broadcast along with Doctor Who regular (and Torchwood guest star) Freema Agyman. The show was written by Joseph Lidster.

BBC Radio 4 can be accessed online right here. There’s no word yet on its availability through BBC Radio as part of their podcast programming.

‘Exterminators’ Headed to TV

Simon Oliver and Tony Moore’s bug-annihilating comic series The Exterminators appeared to have taken a lethal dose of RAID, with this month’s issue #30 scheduled as the series finale.

But the story, which was originally pitched by Oliver as a TV series, now comes full circle as it will live on in televised form on Showtime. The Hollywood Reporter has the story:

Showtime is reteaming with "Dexter" executive producer Sara Colleton for "Exterminators," a drama project based on the comic by Vertigo/DC Comics.

Created by Simon Oliver and Tony Moore, the comic centers on an ex-con who joins an exterminator company, working with a freakish supporting cast of characters. A mystery surrounding his girlfriend and the manufacturer of an insect poison percolates on the periphery, and the insects are much more dangerous than they seem.

Review: ‘Starman Omnibus Vol. 1’ by James Robinson and Tony Harris

The true measure of James Robinson’s Starman is how, 14 years later, the series remains fresh and invigorating. The story of Jack Knight reluctantly taking his father’s mantle as Starman and protecting Opal City is endlessly inventive, an odd and challenging riff on the superhero.

Now is a perfect time to appreciate the series again, as DC is somewhat surprisingly collecting the entire [[[Starman]]] run into six omnibuses ($49.99 each). The first holds 17 issues, each filled with Robinson’s elaborately labyrinthine narration and plotting.

The first three issues are a perfect example of Robinson’s creative approach. In one night, Jack’s brother, who had assumed the Starman mantle, is killed amid a massive attack launched by an old Starman foe. While it’s a flurried and violent opening, Robinson stretches the story, mining each angle of the fight for richness.

Through that gradual unfolding of Jack taking up the cosmic rod, his character becomes immediately rich and deep. That, no doubt, helped the book to become such a lasting success.

(more…)

Happy Birthday: Russell T. Davies

Happy Birthday: Russell T. Davies

Born in Swansea, Wales in 1963, Russell T. Davies was immediately entered in academia—his father Vivian taught Classics and his mother Barbara taught French. Davies attended Olchfa Comprehensive School in Swansea and was a member of the West Glamorgan Youth Theatre.

He graduated Worcester College, Oxford in 1984 with a degree in English literature and turned to the theatre but soon left to work for BBC television. Davies started as a floor manager and then graduated to production assistant, but in the late 1980s he took the BBC’s directors training course. From 1988 to 1992 he produced children’s shows for BBC Manchester, and began writing for that division as well.

In 1991 Davies wrote his first television drama, Dark Season. Two years later he wrote Century Falls, technically a children’s show but dark enough that Davies realized he was better suited for adult programming. In 1992 he moved to Granada Television, producing and writing their children’s hospital drama Children’s Ward. He also began writing for several of Granada’s adult shows.

In the late ’90s Davies left Granada for Red Productions and created Queer as Folk and several other shows. He returned to the BBC in 2003 when they offered him his dream job, helming the revival of the long-running science-fiction series Doctor Who.

Since then, Davies has produced and often written not only Doctor Who but also two spin-off shows, Torchwood and The Sarah Jane Adventures—he can be reasonably credited with introducing a new generation and much of the world to the adventuring Time Lord and his companions and friends.

Happy Birthday: The Hays Code

Happy Birthday: The Hays Code

On March 31, 1930, the Movie Producers and Distributors Association (the MPPDA) first instituted its Production Code, also known as "The Hays Code," because lawyer Will H. Hays headed the association.

The code prohibited filmmakers from producing anything that did not show “correct standards of life, subject only to the requirements of drama and entertainment.” This included any and all nudity, depiction of illegal drug use, offensive words, and ridicule of religion or marriage. On July 1, 1934, the Production Code Administration was established and every film was required to have a certificate of approval from them before it could be released.

The MPPDA became the Motion Picture Association of America (the MPAA) and continued to administer the Code until 1967, when MGM released the film Blowup despite being refused approval. The MPAA then worked on a rating system instead, and put it into effect on November 1, 1968. A modified version of that rating system is still used today.

 

First ‘Lost Boys 2: The Tribe’ Pic Hits the Net

First ‘Lost Boys 2: The Tribe’ Pic Hits the Net

For me, The Lost Boys is probably director Joel Shumacher’s only really great movie. It was one of those movies I really loved as a kid and upon subsequent viewings, it still holds up very well as a scary, funny good time — shirtless sax solos not withstanding.

The movie pretty much had it all, including a great cast featuring Kiefer Sutherland, Jason Patrick, both Corey Haim and Corey Feldman, Dianne Wiest and Bernard Hughes. It also had cutting-edge (for the time) effects, action, drama, romance, blood, gore, violence, comic books and a great soundtrack. All of which came together to make Lost Boys one of the seminal movies of the ’80s for me and many others.

To be honest, I never really considered the possibility of a sequel to The Lost Boys. I always thought the movie stood on its own as a complete and satisfying story. So, it was with some reluctance that I’ve followed the development of the sequel, The Lost Boys 2: The Tribe, which is, after many trials and tribulations, soon on its way into theaters.

But now, thanks to the folks over at Shock Til You Drop, there’s an exclusive first pic from the film that doesn’t completely reverse my feelings regarding a sequel but does make me want to give the film at least a chance. Who knows, maybe as we start to see more from it, my feeling about a sequel will completely change? Maybe. Until then, enjoy the pic.

‘Heroes’, ‘Chuck’ and ‘Life’ Get the Green Light for Fall

‘Heroes’, ‘Chuck’ and ‘Life’ Get the Green Light for Fall

Even though the strike is over and many writers, actors, grips and craft service people are now getting back to work, the fate of some TV shows was still a bit uncertain.

Fortunately, according to NBC (via ComingSoon.net) three of my favorite shows, Heroes, Chuck and the underrated Life, don’t have to wait any longer to find out their fates because they have definitely been renewed for next Fall.

According to NBC Co-Chairman Ben Silverman:

"We are thrilled to be bringing back the high-energy dramas’ Chuck’ and ‘Life’ for next season. Additionally, we will be saving and re-launching our #1 drama and most successful franchise, ‘Heroes,’ so that it will run in all original episodes in the fourth quarter."

So, good news for fans of these shows. Although, it would have been great to see some new episodes earlier than next Fall but I guess you can’t have everything. At least they’re coming back, and for now, that’s enough.