Tagged: Dennis O’Neil

Superheroes Come Home, by Dennis O’Neil

Superheroes Come Home, by Dennis O’Neil

I guess we’ll have to get our superhero fixes from comic books for a while, though I’m not complaining, because isn’t that the way it’s supposed to be? My glances through the various newspapers and magazines that come to this house tell me that there are no superhero movies coming to a theater near me, and the closest thing to a new superhero on television is those can-do wheels on Knight Rider, whose ancestor is the Batman utility belt of the middle-period comics and the early Green Arrow quiver; whatever the situation calls for…well, here it is – just the thing. Some of last season’s superdoers are back, and some of them will be on our living room screen, though the plot(s) of one seem to be unfocused and the future of another, The Sarah Conner Chronicles, seems to be iffy, which saddens me because one of the stars makes my dirty old man merit badge pulsate.

Superheroes and summertime seem to be yoked. As usual, commerce rather than aesthetics seem to be the reason. Until recently, and maybe even now, publishers felt that their comic book audience – kids – had more disposable income and more leisure during the hot months and so they saved their annuals and double-sized issues and important stories – Reed and Sue get married! – for the time when the young’uns lucky or unlucky enough not to have jobs didn’t recite the pledge of allegiance every morning.

(Ah, I can remember – or almost remember – the feel of the cool concrete of a front porch under my prone body as I looked at the funny book and wondered why his shirt was red if his name was Green Lantern and couldn’t his cape at least be green? Was there an editor in the making here?)

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Smoke Gets In Your Brain, by Dennis O’Neil

Smoke Gets In Your Brain, by Dennis O’Neil

 

Smoke, smoke, smoke that cigarette / Puff, puff, puff until you smoke yourself to death. / Tell St. Peter at the Golden Gate / That you hate to make him wait, / but you just gotta have another cigarette. – Merle Travis 

I was getting ready to leave the office and walk over to NBC, where I planned to tape a reply to someone who had accused Batman of being in league with the Big Tobacco. It seems that in one panel Batman is standing on a roof, and in the background, on another roof, there was a billboard with a fragment of what might have been a cigarette ad visible. Our accuser said that putting Batman proximate to a cigarette image amounted to Batman – and his creators – endorsing tobacco products and advocating their use to children.

Well, no. Had I kept my rendezvous with the microphones and cameras, I would have probably observed that we agreed that smoking was bad and none of our characters ever actually smoked – Bruce Wayne abandoned his pipe early in his career – and, in fact, we had just done a pro bono anti-smoking ad for the American Heart Association. I might have taken my screed just a bit further and argued that we had always presented Batman’s turf as a realistic American city and – sorry! – urban areas are full of cigarette ads.

I didn’t have to do any of that. At the last moment, cooler heads prevailed and said that if I went on the air, our accuser would answer my answer and prolong the story’s life, whereas if we simply ignored it, the story would not survive into the next news cycle, which is exactly what happened.

One might ask why I allowed the billboard to appear in the first place. For the sake of realism? Or did I just miss it when I edited the artwork? Or did I see it and decide it wasn’t worth the hassle of a change? Humbling answer to all of the above: I don’t remember.

But this pretty inconsequential incident does raise another question: Where do the obligations of good citizenship and moral behavior end and the obligations to storytelling begin? Some kinds of people smoke and drink and take drugs and they’re not all hideous monsters, and some kids are influenced by what they experience through the media. I’ve heard recovering alcoholics say that the movie images of glamorous, witty sophisticates swilling booze prompted them to emulate the swillers and led, eventually, to badly damaged lives. But people do drink, and in a fictional world that mirrors the real one, shouldn’t drinkers – and smokers and druggies – be presented? Or does the potential harm of these behaviors outweigh aesthetic and narrative considerations?

I don’t know.

Sometimes, the coexistence of storytelling and responsible citizenship is painfully troubled, and sometimes I’m glad I no longer sit in an editor’s chair.

RECOMMENDED READING: The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, By Matthew Stewart. 

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale any minute now, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too.  

Artwork by Kim Roberson, from Underworld

Power, by Dennis O’Neil

Power, by Dennis O’Neil

For a while now, I’ve been thinking that maybe Jonathan Lethem is the best writer of his generation. What prevents me from just coming out with it… Dammit, Lethem is the king! – is that I haven’t read many other writers of Lethem’s (and my son’s) generation. Maybe the Elvis Presley of prosemeisters is lurking out there someplace, with a birthday that puts him somewhere between 40 and 50, and I just haven’t heard of him. So let me be content with stating the obvious, that Lethem does his job well.

He writes novels and essays and, lately, comic books. But what I want to call your attention to and, incidentally, dub this week’s Recommended Reading, is his op-ed piece in last Sunday’s New York Times. It discusses the latest Batman movie and relates the film to what’s happening in our tortured nation. It’s a pretty gloomy bit of superb writing. But how could it not be gloomy? I said it was about what’s happening to the good old U. S. of A., didn’t I? Where could cheer come from? Maybe Johnny Mac’s flacks?

Yeah, the market imploded and some of it received a bailout from the Feds and who will eventually foot the bill? Ol’ tax payin’ you and me, that’s who. But that’s not what’s eating my lunch. I mean… economics! Finance! Who understands that stuff? Certainly not me. (I used to think that those boring old guys in suits, whose job it is to understand that stuff, did, in fact, understand it. Guess not, though.) But what bothers me for the next five minutes, or until I see another newspaper or watch CNN some more, is that according to one poll, 54 percent of the pollees think Sarah Palin is qualified to be president.

This gives me sadness, and a profound feeling of alienation, because nothing in Ms. Palin’s record, nor anything I’m aware she’s said since being anointed Johnny Mac’s running mate, indicates that she is even qualified for the governance jobs she’s already had, much less the biggest of the big leagues, and I wonder what they’re seeing that I’m not, my fellow Americans. Or do they want a leader who apparently believes the First Amendment has no more importance than the slip of paper in a fortune cookie? That denies the validity of evolution? That thinks the current military debacle is a mission from God… ? No point in continuing the catalogue… If my fellows know of these things and they don’t care about them, then the system is broken. If they don’t know… well. how could they not?

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Batman’s Comedy of Eros, by Dennis O’Neil

Batman’s Comedy of Eros, by Dennis O’Neil

Way back in the late 80s, or maybe early 90s, an inker working on one of DC’s superhero comics rendered a female form rather more like the Lord made female forms than the mores of the time allowed. The editor dealt with the problem by putting a color hold – a purple one, I think – over what some would have deemed offensive nudity.  Sex always wins. The lady’s charms shone clearly though the purple haze and a fuss ensued.

I remembered this anecdote when I saw, in the New York Times, an item about a Batman comic describing “a two page action sequence that is filled with foul language…uttered by (a) heroine…

“A black bar covered the blue words, but it was too transparent and allowed the text to be read.” Sex always wins and maybe “foul language” at least doesn’t fight fair.

According to the Times, the print run was destroyed. Having made more than my share of blunders when I sat in an editor’s chair, I know how easily goofs like this can occur and I hope the ensuing fuss doesn’t devolve on the editor, whoever he or she may be. As a certain Secretary of Defense said, stuff happens.

But I’m curious.  Did the creative folk always intend the offensive language to be covered? Surely not. Why go to the bother and expense of lettering copy that no one will read? Easier, one imagines, to simply do the black bars in the first place, though as a storytelling strategy, that would be questionable; why pull the reader out of the story while they puzzle over the meaning of the black bars?

Okay, the copy was meant to be seen? Didn’t somebody wonder if such language could cause trouble and…I dunno – ask around?

Maybe someone saw it as a free speech issue. If so, I’d demur.

I think the First Amendment is the crown jewel of the Constitution, and, personally, I can be a potty mouth. Much of my choirboy vocabulary was left on an aircraft carrier and much of whatever was left in the gutters of the East Village, pre-gentrification. But I think the way things are marketed creates expectations, and it’s not playing fair with the customers to thwart those expectations. Anything – and I do mean anything – should be allowed in the public arena, but if one buys a book bylined Henry James, one should not be subjected to a story by Mickey Spillane.

Comics have come a considerable distance in the few years since I left editing. Hell and damn, once verboten seem okay both in comics and on TV, and a few gamier locutions are beginning to pop up. But I don’t believe the medium – comics – has evolved to the point where authentic street lingo is expected.

A final consideration: The question in matters like this is always a simple one. Does it help the narrative? Is the vocabulary the writer is using his way of showing off, or does it serve a larger purpose? Any vocabulary that tells the story is almost certainly the right vocabulary, though I’d expect to get argument on this. In the case of the Batman comic we’ve been discussing, I don’t know, and probably never will.

RECOMMENDED READING: Redemolished, by Alfred Bester

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale in September, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too. 

Waiting For The Phone To Ring, by Dennis O’Neil

Waiting For The Phone To Ring, by Dennis O’Neil

So here we were, writer/editor Jack C. Harris and myself, caught in a warp of eternity. Had we committed some hideous transgression to be doomed to this Purgatory? Well, no. What we’d done is agree to be guests on a radio call-in program about 30 years ago. Subject, of course: comic books.

We arrived at the small, shadowy studio early, earlier than the host, who breezed in a minute or so before air time and then, without notes, he was speaking into a microphone, introducing Jack and me, urging listeners to ask us questions and giving a phone number they could call if they wanted to speak to one or both of us.

We waited for that ol’ switchboard to light up. And waited. And waited. And waited. It seemed that nobody was interested in comic books, not that night in that city. We waited, and tried to make small talk, which I do not include in my skill set, and waited and waited.

Then there was a call! Hallelujah! Oh joy, oh happiness – a call! For us? Unfortunately, no. Some guy wanted to tout a community event of some sort, and fine, say I – more power to him.

There may have been one or two more calls – as noted, this was 30 years ago and I had no reason to cherish the memories – but basically, Jack, Mr. Radio Man, and I sat in that studio for two hours and then Jack and I left and I got on a train back to New York.

Got on the Amtrak, did I, little knowing that Jack, Radio Man and I were pioneers. What we’d done was fill up airtime without imparting any information, without saying anything anyone wanted or needed to hear

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Turning Comics Into Manga, By Dennis O’Neil

Turning Comics Into Manga, By Dennis O’Neil

If you’re a student, or a teacher, you may not be reading this when Mike Gold posts it. Unless there’s a glitch he’ll be doing digital voodoo-hoodoo that I don’t understand – me and Johnny Mac, Luddites and proud of it – and making these words available to interested parties, if any, on Tuesday morning. The reason you’re not reading this on Tuesday morning, if you’re a teacher or student, may be that you’re in school and presumably putting your laptop to other uses. (I didn’t say “better.” I said other. Let’s not be judgmental.) Here in Rockland County New York, school begins early this year and unless the unforeseen happens, Marifran is, on the Tuesday-to-come, down the hill, beginning her forty-seventh year of teaching and I’m… oh, eating breakfast. Reading the paper. Sleeping. Something. I hope Mari didn’t wake me when she left.

For comics professionals, these fine, crisp September days are often a lull – an easy interval between the frantic, convention-going days of summer and the rush to finish and get to press the upscale books that publishers hope will be under a whole lot of trees on Christmas morning. Not much happening. The only items of interest that have come to my attention recently are the demise of one of the new comics publishers and Marvel’s announcement that it will tailor its superheroes for the Japanese market.

That market has been something of an enigma. The Japanese are, as a nation, the world’s largest comics consumers and have been for decades. Why? One theory is that experiencing narrative through the medium of pictures is natural to many Asians because their written language is pictorial – it may have begun as actual drawings and has evolved into a series of highly stylized glyphs. Neither a new idea, nor one restricted to comics: the great Russian director and theorist Sergei Eisenstein offered a similar explanation for Asia’s quick adoption of movies.

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Heroic Gloom, by Dennis O’Neil

Heroic Gloom, by Dennis O’Neil

Tuesday, August 26: 146 days.

They continue to dwindle down, the days, but maybe not fast enough. If Dennis Kucinich is right in a New York Times interview, Georgie just might launch an attack on Iran sometime between now and the election because…well, we don’t want to switch leadership in the middle of a military crisis and we have to be tough on terrorism, et cetera. And lest we think that this is lefty paranoia from a vegan who is, after all, a friend of Shirley MacLaine’s, just look at the last eight years…

But enough gloom on this fine pre-autumn day, at least enough political gloom. Let’s switch to some nice television gloom. This is not a good week for Okay, I’m gonna bust in here. In case we haven’t met before, I’m Randy Hyper, a fictional character that dweeb O’Neil made up ‘cause he hasn’t got the cojones to tell you about the stuff he’s doing that he wants you to know about. (And if there’s a bigger loser in comics, don’t tell me ‘cause I don’t feel like crying.) Anyway…what el dweebo wants me to tell you is that he’s again teaching a course in writing comics and graphic novels at New York University, beginning next month, September 24, and running until December 3 on Wednesdays from 6:20 till 8:40. Course number is X32.9372. Phone is 212-998-7171. I can tell that he’s looking forward to this gig ‘cause last semester’s group were what he might call “cool” which just goes to prove that even he isn’t wrong all the time. Now back to our regularly scheduled blather. so if you like sports, this is your week. The last gasp of the Olympics, preseason football, the big tennis matches, plus the usual baseball action – lots to keep you sports fans amused. As for the rest of us…not wonderful.

And if you’re a Lois Lane – a superhero lover – the season beyond this week isn’t awfully promising, either. As far as I can tell, there are no new superdoers on the television schedule and one of last year’s, the revamped Bionic Woman, won’t be returning. This despite the fact that the summer movie schedule was pretty superhero-intensive and two of the entries do for this kind of fantasy-melodrama what the films of John Ford, Howard Hawks and maybe John Huston did for westerns: mature them. No longer are the cape-and-tights crowd fit only to provide the airiest of light entertainment; they now have a claim on art, of maybe even Art.

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Oh, by Dennis O’Neil

Oh, by Dennis O’Neil

Sunday, August 17: 155 days left.

Our man the brush clearer is back in Crawford, taking it easy. Having already set a record for presidential vacation days, he’s obviously trying for a record that no future chief executive can possibly hope to break. This may not be how everyone would like to be remembered.

Back when I occupied the celestial throne that is the sinecure of all those noble beings known – here you may genuflect – as editors … make that Editors – this was the time of year when life got calmer. Big travel was done – no trips to distant cities to attend conventions – and the increased summer publishing load completed. We put out fewer issues in the fall because, conventional wisdom had it, the kids were too busy with school concerns to bother with funny books. The same logic dictated that during the summer we cram the newsstands because, presumably, the nation’s youth had nothing better to do with their long, humid days than to laze around getting massive four-color fixes and, besides, since they didn’t have to buy crayons or switchblades or whatever school kids bought, they had disposable income to spend on our productions. Which, of course, was why late spring and early summer demanded industriousness from editorial types. Those printing presses out there in the Midwest were maws…

All that was probably true once. But because the ways comics are marketed, and to some extent read, I doubt that it is true now. But I don’t know. Any editors – working editors, that is – care to enlighten the old man?

The point is, though I was a comics editor at the two major companies for about 23 years… I don’t know. I have a sense that the business has changed a lot in the seven years since I occupied the celestial throne mentioned three paragraphs ago (seven years already?). My skills might be more-or-less okay (though I’m not even sure of that), but my attitudes and assumptions would need work.

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Is Hillary Clinton Really The Thing? By Dennis O’Neil

Is Hillary Clinton Really The Thing? By Dennis O’Neil

I never talked to either Jack Kirby or Stan Lee about politics, so I don’t really have any idea where they stood on the subject. My guess would be that following their political spoor wouldn’t take you very far west and that they didn’t have much sympathy for the hippie-rebels of the 60s (and here allow me to blush and hide my face). After all, they and their parents (and my parents) fought for a place in the American mainstream because, finally, acceptance meant an increased chance of survival and for those outside the tribe, who suffered the Great Depression, not surviving seemed to be a real possibility. Then here came the snotty kids with their tie-dye and their girly haircuts and their wiseass slogans saying that a place in the tribe was not worth struggling for – in fact, the tribe itself was stinking of corruption.

Both generations were, in their own way, right; both had a piece of the truth.

Stan and Jack were – are – of the first of the two generations and so they were – are – probably politically a bit to the right of me and maybe you (and my parent and most of my siblings.) But events of the past week make me guess that their greatest creations were liberals. I refer to the Fantastic Four who, along with Spider-Man co-launched Marvel Comics, as one or two of you might have heard. True FF aficionados know, and perhaps relish, the tendency of the members of this supergroup to squabble among themselves. Two of the four, The Human Torch and The Thing, seem particularly apt to indulge in petty argumentation.

Remind you of any particular political group?

Yeah, right. Liberals. Witness the recent news: Ms. Hillary Clinton’s die-hard supporters are threatening to vote for John McCain, the Republican candidate, unless Ms. Clinton’s presidential aspirations are accorded full acknowledgement at the Democratic convention, which will be soaking up media time in about two weeks. This despite the fact that Ms. Clinton has already lost the nomination to Barack Obama, whose crew must be thinking harsh and uncharitable thoughts about the Clintonites.

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A Billion Dollars Worth Of Respect, by Dennis O’Neil

A Billion Dollars Worth Of Respect, by Dennis O’Neil

You saw the story, posted here on our own beloved website a couple of days ago: comic book movies have earned over a billion United States dollars this summer, despite an iffy economy that may or may not have something to do with those loveable funsters who frolick near the Potomac.

(I’m writing this Sunday evening. A hundred and sixty nine days. Tickticktick… And please excuse the digression.)

So the aspirations of those folk we mentioned last week – to be respectable and accepted and part of the mainstream – has been realized, though only a few of them are still around to enjoy whatever perks this brings.

Check it out. A billion-with-a-B-dollars! Oh sure, we comics guys have not had to hide our shame for quite a while now. There are the postage stamps and gigs at places like the Library of Congress and the Smithsonian and classes taught at major universities and whole sections of bookstores devoted to comics material and if you donate the graphic novels you won’t read again to your local library, they’ll probably be accepted, maybe even with a smile. But in our world, and in most others that I know about, material goods are the emblems of what the citizenry considers success. And that bil will buy a lot of material goods.

Someone – I have no idea who – observed that one of the ways to discern a society’s values is to look at its architecture: in the middle ages, in Europe, the cathedral was the biggest building in the burg. Now? Well, about a mile from where I’m sitting is the biggest, and some would say ugliest, structure in Rockland County and it ain’t a church, amigos, it’s a shopping mall.

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