Tagged: DC

Martha Thomases: Robert Morales

Robert Morales 2 I don’t even remember the first time I met Bob Morales.  We might have met when he was an intern at the Village Voice and I was a freelance writer, but I have no memory of that.  When I was publicity manager at DC Comics, he was always around.  As a writer and editor – for Reflex, for Publishers Weekly, for Vibe – he was an invaluable asset for me to exploit.

But he was so much more.

Bob was a world-class gossip.  If you read Bleeding Cool over the last 20 years, you’ve read one of Bob’s stories.  He would, occasionally, let me use him to snipe at someone who was annoying me, on the condition that Bob agreed the person in question deserved it (he always agreed).

Bob was a brilliant writer, of comics and of prose.  Most comics fans know him from his work on Captain America, but he was a brilliant critic, and an hilarious comedian.  He wanted to do an Elseworlds Batman story with Mark Twain as Batman, just so he could refer to “Twain Manor.”

Bob was connected.  He was editor and literary executor for writer Samuel R. Delany, and he helped put together the graphic novel Delany wrote, illustrated by Mia Wolff.  He helped me to get this interview with Harlan Ellison.  He talked about working with Neil Gaiman on packaging a line of public-domain novels.  He knew everyone in science fiction.  He knew everyone in hip-hop.

Bob was vicious.  If you ever crossed him (and didn’t try to correct your mistake), you were on the list.  And if you were on the list, he would do everything he could to destroy you.  Because he was so connected, that meant a lot.  If he found out you were looking for a new job, he’d make sure the stories of your treachery reached human resources at your hoped-for employer.

And yet …

Bob was a pussycat.  If you were his friend, there was nothing he wouldn’t do for you, as Heidi describes in this memory.  He always called you on your birthday.  He called all his friends who were moms on Mothers Day, and all his friends who were dads on Fathers Day.  He called me on every Jewish holiday.  He was thoughtful in ways that were unpredictable and touching.

Bob was my family.  He babysat for my son, and told me stories about my son’s other life, when he was his own person and not just my kid.  He introduced me to the woman who became not only one of my best friends, but also my son’s West Coast mom.  He stayed in my apartment when we went out of town so the cats wouldn’t have to be alone.  Quite often – almost always – some horrible mechanical event would occur in my building, and he would deal with it.

This is from Alan Moore (slightly edited), sent to be read at Bob’s funeral.

“I’m going to miss the savvy New York creak his conversation had as much as I will surely miss his writing; the commitment, insight and rare passion that he brought to every story, ever feature, every line. One of the comic field’s conspicuously rare voices of colour, he was also one of its most gifted and original contemporary writers. As a genuine creator of integrity, inevitably he came into conflict with an industry that much prefers a bland subservience in its employees to the fierce, ungovernable talent of an actual artist who has something deeply felt to say and does not care to compromise a work which he or she believes in…Moving with no apparent effort between his extraordinarily diverse realms of endeavour, Bob was like a human cultural adhesive that connected up a vast cobweb of people who, in every probability, would never have been introduced to one another save through him. One of the last authentic hipsters, he was sharp, astute, and very, very funny. If I’m honest it might be his anecdotes that I’ll miss most of all, the unexpected courtesy and deference extended to him by a crowd of strangers at a party whom, it transpired, had been informed Bob was a Puerto Rican mafia prince… Robert Morales had a fine and blazing life, a side or two of classic vinyl that I’m convinced will replay unendingly, just as I entirely expect to pick the ’phone up for an interview with Vibe, one day back in the hectic1980s, and commence a long, sweet friendship full of warmth and great ideas and lots of memorable laughs.  So long for now, Bob, from me and Melinda, and I’m looking forward to enjoying that mafia anecdote again.

The last time I saw Bob was on Saturday, April 13.  He’d been taking care of my cat while I was in Japan, and while I was gone he came down with a stomach flu.  He swore he was over it, but he insisted on doing the laundry before he left.  While we waited on the machines, we watched Rock of Ages on HBO, agreeing that Mary J. Blige should have been the main story, and that Catherine Zeta-Jones looked like Marie Osmond.

When he left, he said he was glad he could help me get away for a real vacation.  I think –  I hope – I told him I loved him.  On Thursday, I got the call that he had died.

Bob was a talker.  He’d call and say, “Hey, got a minute?” and you’d be on the phone for an hour, minimum.  I don’t know what I’m going to do with all this new free time, but it won’t be nearly as much fun, nor as valuable, as what I did with Bob.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

Related articles

Dennis O’Neil: Flying High

61Y3TyHFBiL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_SX285_SY380_CR,0,0,285,380_SH20_OU01_Larry Tye’s book was on the living room shelf for a month or more before I got around to reading it last week, and I’m not exactly sure why. I‘ve spent time with Larry and never doubted that he’d do good work, and he was kind enough to mention me in his biography, Superman: The High-Flying History of America’s Most Enduring Hero.  But whatever the reason for my tardiness, I’ll mark it “happy” because when I did finally delve into the book, it happened to be during Superman’s 75th birthday week. (Note to casual fans: the Man of Steel’s debut was on April 18th, 1938.)

And here it was, the whole story: the early lives of Superman’s creators, a couple of Jewish kids from Cleveland named Jerry Siegel and Joe Shuster; their attempts to sell their brainchild as a comic strip before they finally placed it at a comic book publisher that later became, and remains, DC Comics; the instant success, and then the deluge – radio shows, movies, novels, early television, recent television, trading cards, cereal boxes, animation, lunch boxes, Halloween costumes and everything I’m forgetting to mention. Larry Tye covers it all with a skillful combination of contemporary reporting and historicity.

The story isn’t always pretty. It has its share of sleaze. The most familiar scandal concerns the death of television’s first Man of Steel, George Reeves, found shot to death in his Hollywood bedroom with a gun at his feet. Suicide? Maybe. But there are doubts. That was the ugliness that made the papers, was the subject of other books, and was even the basis for a movie starring Ben Affleck.

The rest of the dubious behavior wasn’t as sensational – no slain actors – and mostly happened behind doors and walls.

I was around for some of it – that is, I was working for DC and even wrote the flagship Superman title for a year. Being close to the hub of big-time comics (though not very close) I must have heard rumors, and I did have a rough notion of the tribulations of Superman’s creators, and hey, I’m not immune to gossip, but I guess I wasn’t more than casually interested. I walked past those doors and walls, but I was never invited inside, and might not have cared to be. I mean, wouldn’t they have wanted me to wear a tie?

Good or bad, my ignorance? I don’t know. I can’t see how getting the inside dirt would have enhanced my scripts.

Would it have lessened them – maybe provide a distraction from the tasks at hand? Again, I don’t know. Never will, and don’t have to. But the information itself? That I’m glad to have, and I’m grateful to Larry Tye for providing it.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

 

 

Emily S. Whitten: This $#!% Makes Me So Mad

Cosplay1When I started writing this column, I was also in the midst of excitedly making plans for Awesome Con, which took place this weekend in Washington, DC. Plans for seeing friends I hadn’t seen in months; plans for meeting up with people I’d only talked to on the Internets; plans for dinner with awesomesauce con guests; plans for what panels I wanted to try to see; and plans for what costume(s) I was going to wear. My head was full of happiness and excitement and anticipation for a local convention that focuses on so many of the things I love.

And then as I was catching up on general geeky news, I read this. It’s something everyone should go read in full, along with this second account of the incident, and with this account of an earlier incident that’s even worse. Seriously, go read it. I’ll wait.

•     •     •     •     •

Now that you’re back (and just in case you didn’t follow my instructions to go read those posts) what is recounted in the most recent links is yet another account of female cosplayers (a group of Tomb Raider cosplayers in this instance, ranging in age from fifteen to thirty-one) being treated inappropriately at a con, which is the short-hand or mild way of saying that they were, with a single question from some random male “reporter,” embarrassed, dehumanized, harassed, discomfited, unwillingly sexualized, and disrespected (at the very least) because they chose to wear costumes at a convention.

The best part of this (and by “best” I mean absolute worst. Worst!) is that when this asshole was confronted by Meagan Marie, Community & Communication Manager at Crystal Dynamics (developers of Tomb Raider) about his inappropriate behavior, he had the gall to call her an “oversensitive feminist” (forget the fact that she was there as a professional, representing the actual, official product; she’s a giiirrrrrl so it’s okay to dismiss her words and actions) and then to say that “the girls were dressing sexy, so they were asking for it.” (Otherwise known as the “cosplay is consent” argument.)

What I can’t: even.

Seriously, this stuff makes me so mad it takes away my coherency, leaving me spluttering things like, “What the – Where do these guys come from? Were they raised by wolves?? Lecherous wolves???” Or, slightly more coherently: What goes through a man’s mind that makes him think it’s acceptable to treat a total stranger as an object, and make her uncomfortable like this? And to think that it’s actually funny, or clever, or…whatever? And do these men want to be perceived as terrible, sexist jerkwads? Because that’s how it works out, though I can’t imagine that’s the goal. What is the goal? I don’t know.

I’ve actually seen some of these guys post online in response to women speaking out about such behavior, saying, “But how can we knowwwwwww what someone will take offense to? It’s like all the ruuuuuules have changed since yesterday when it was the fifties. And nobody told me!!”

Well, I can’t speak to every situation, but I can provide a set of general guidelines. Everyone has their own level of comfort with sexual behavior, but when you don’t know someone, you can’t assume their level of comfort. Therefore, if you want to be “safe” and not harass strangers (a fairly simple-seeming proposition to me, but apparently many people don’t know how not to harass strangers), then here’s a basic flow-chart style guide you can use to ensure you’re not being a harassing jerk to strangers, and more particularly women, you don’t know:

(1) Do you know the woman you’re about to speak to or interact with?

(a) No.

(b) Yes.

Cosplay2(2) If answer is (a):

–> Behavior you should not engage in:

(i) Do not touch the woman. No, not there. Not there, either! And not there!! Don’t. Just don’t. (Addendum: if the woman touches you, e.g. for a photo they’ve consented to where they put an arm around you or something, do not touch the woman anywhere that they are not touching you, or in any way that they are not touching you.)

(ii) Do not make specific comments about (or stare lecherously at) the woman’s body, body shape, body parts, etc. (e.g. “You have such a great ass!” *leer*)

(iii) Do not comment on the woman’s looks in a general sexual way. (E.g. “Daaaamn, you’re hot.”)

(iv) Do not make sexually explicit or suggestive comments about you and the woman or what you want to do to or with the woman. (e.g., “All I can think about right now is fucking you.”)

(v) Do not take inappropriate photos of the woman. (e.g. “upskirt” photos or other things that are voyeuristic and often actually illegal.)

(vi) Do not act like something is “all in good fun” or pretend it’s okay when the woman is clearly uncomfortable or unhappy about it or has asked you to stop whatever you’re doing. Stop what you are doing, and apologize if you can see or have been told that you’ve made the woman uncomfortable.

(vii) Do not put a woman on the spot while doing any of the other things listed here, e.g. by doing any of these things while recording the woman on camera or voice recorder or while talking to her in front of a crowd of other men who you know and/or who are paying attention to the conversation.

(viii) When in doubt, pretend your grandmother and/or mother and/or someone with actual manners is standing next to you. Adjust your behavior to what it would be in the presence of your female family members or someone with respect and consideration for other people. Stay in that zone.

–> Behavior you may engage in:

(i) Compliment the costume itself! (e.g. “That is a fantastic Spider Woman costume! It looks so authentic! Where did you get it? / Did you make it?” and similar.)

(ii) Talk further with the woman about your mutual love of the character/comic/show/etc. if they initiate further conversation or show interest in it.

(3) If answer is (b):

(i) If you know the woman slightly (have just run into them at a con before, or exchanged a few sentences, or chatted briefly about generic topics), see (2).

(ii) If you know them fairly well and/or are actually friends, stick with (2) until you’ve gauged their comfort level with comments or compliments that have a sexual component, based on their actual interactions and conversation and statements. When in doubt, see (2), and bear in mind that not only do women have different comfort levels, but that these levels also vary based on the person they’re interacting with, factoring in things like how well they feel they know the other person, whether they trust them, whether they are comfortable with them, etc. (e.g. a woman may feel comfortable joking around about sexual topics with, or receiving a physical compliment from, one person and not another.)

(4) In all situations, remember to treat women as people, not objects.

Well, there you go! This may not be a perfect guide, but for anyone out there who desperately needs a clue about this stuff, it is a good place to start.

On a personal note, the stories shared by cosplayers who have been harassed resonate with me, because I have been harassed, too. I have had experience with examples (i) through (iii) of my guidelines for things not to say or do to total strangers/women you’ve just met at a con, and I was actually the recipient of the exact example statement I used in (iv). Years later, I still remember how dehumanized and uncomfortable I felt at that moment, and I doubt I’ll ever forget it.

I also identify with the point Meagan made in her post regarding how differently she reacted when harassment was aimed at her versus at another woman, and how when she was the recipient of harassment, she often laughed it off or let it pass. For my own part, while I have told people off for acting inappropriately towards me, sometimes I am so shocked at what’s just been said to me, completely without justification or permission, that my brain literally doesn’t process it until it’s too late to react as I should. I’d imagine I’m not the only one this happens to. This is when it’s good for others to step in if they witness the situation, and when it helps to be “prepared” (sadly) for things like this by thinking ahead as to how you would want to react.

And now, on to something slightly “positive” regarding this topic; which is that the unfortunate incidents linked above, and others like them, have spurred a neat idea, the Cosplay =/= Consent (“Cosplay does not equal consent”) photo project, as outlined here. Essentially, the blogger is collecting photos of people in costume at cons holding a whiteboard that says, “Cosplay =/= Consent” and then posting them as part of a photo . I think images like that and comics like this one are a great way to distill the points that I’ve made above regarding the treatment of cosplayers at cons down to a simple rule that everyone can remember. And the idea is already catching on! While at Awesome Con (which was, indeed, awesome) I actually ran into someone who had one of these signs (yay!) and took some pictures to share here. I encourage people to continue enforcing these ideas about behavior through the signs or any other means they find effective.

Maybe if enough people do that, we won’t even have to talk about this anymore, and can instead just focus on awesome convention things, like, e.g., the fantaaaaastic interviews with Phil LaMarr, Billy West, and Nick Galifianakis that I did at Awesome Con and will be sharing with you over the next few weeks.

Until then, keep promoting the idea that cosplay does not equal consent, and Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

Marc Alan Fishman: An Open Letter To Bob Wayne

100_5476Dear Bob,

For as long as I’d been a stalwart attendee at the DC Nation Panel (or whatever you wanted to call it in yesteryear) wherein you and Danny D would layout the next quarter or two of books… you would always tell the crowd that “you vote with your dollars.” Or in other words… if there’s a character we’d want to see or not want to see in the pages of our favorite books, we need only buy or not buy material with them in it. For a long time, this was a satisfactory response for many of my quibbles with the direction of my then favorite comic book publisher. But as I sat this evening – stroking my beard as I do when I contemplate nerd life – I realize that this ‘line’ isn’t good enough anymore.

Perhaps in the 90s, prior to the world adopting the internet as the premium instant communication medium, voting with dollars was easier to swallow. The concept is sound. You like something, you throw money at it. The company who put it out gets richer, and spends its new found riches on making that thing again. Tada!

But, Bobbo, it’s 2013. We no longer vote with just money. We vote with our data. Our views. Our shares. Our opinions. It all adds up to a visceral tableau of reach. It’s how a company like Facebook became a billion dollar entity in the same amount of time it took you to reboot the universe. And while you could end up like Marvel – who probably could care less if their comics tank so long as their movies keep Mickey swimming in dough – your films are basically at break even right now. But I digress. Let’s only concern ourselves specifically to the books, and your knee-jerk retort.

At 31, I am simply not wise enough to connect the dots. I pray you help me. If I purchase an issue of Swamp Thing, and I loathe it, how has my money ‘voted’? I could then choose to not purchase the next issue of the book, but if you’ve changed creative teams (something you tend to like to do often), I’m apt to at least give it a try. Perhaps I’m not indicative of the average comic purchaser. More likely though? I absolutely am. Because as you’ll note above: I am a man of 2013. When I read a terrible issue of Swamp Thing? I tweet about it. I update my facebook about it. I create a vine video of me using the issue to clean up my son’s dinner disaster. And when I review it on MichaelDavisWorld, or ComicMix? I tell people that “I’ll remain on the series, to see where it goes, but I don’t have high hope.” And does that help or hurt your business?

Can you see the issue? Voting with just money doesn’t add up. As it stands, thanks to Diamond Previews and the Internet at large, much of your fan base is spoken for long before an issue hit the stands. And once a book makes it that far? The blogosphere/message boards help cement public opinion before your creators are hitting the bricks due to “creative differences.” The truth, Bob, is that comic readership remains largely “older” than you may want to believe. And the fact is we scour the interwebs day in and day out practically begging our favorite entertainment facilitators to listen to us. Now, we don’t get it right all the time… but I don’t blame the masses for formulating an asinine opinion now and again. I do blame the multi-billion companies that choose not to vet those opinions and marry them with spin doctors who know how to read contextually instead of literally.

In simpler terms: we vote with our voices. And you and DC editorial continue to choose to jam your thumbs in your ears while we grow hoarse. Your creators are out on the internet telling the truth everyday. Their fans grow legion, and only then do you backpedal. Last month the top 10 comics (in terms of sales; the language you speak)… only 3 were DC titles. You may think the forthcoming Trinity War will shift that around. It’ll boost sales for sure. And it may lure you into that trap that thinks we’re voting with our dollars. I sense I may be repeating myself. To be a jerk about it? You’re old. You’re hearing isn’t what it used to be. It’s time to look towards the future.

Hiring your C-Level staff to write your books, when there are literally tons of talented independent ones beating down your door? Promising creative control only to smash it into the ground before ink can even hit paper? Canceling titles, moving teams, and all the while watching only the bottom line? I vote no to all of the above.

It’s not how the world works anymore. If you want to fight Mickey Mouse anytime soon… you’ll have to look at more than the receipts coming in. You’ll have to look your fans in the eyes, and open your ears to what they’re saying. The will of the people, and the leap of faith to trust your talent is the way comics are succeeding in the marketplace.

And that Bob… you can take to the bank.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Martha Thomases: Transgender Mindbender?

Thomases Art 130419While I was out of the country, there was apparently a media kerfuffle about the introduction of a transgender character in the pages of Gail Simone’s Batgirl. There were stories in the LGBT press, in USA Today, and on comics sites (here) (and here too).

A lot of these stories said that this was the first transgender character to appear in a mainstream comic, and I don’t think that’s true. There was a transgendered character in Mike Barr and Brian Bolland’s Camelot 3000, published by DC. The lead in Milestone’s Deathwish from the 1990s was transgendered, and that book was distributed by DC, which to my mind makes it mainstream. It was also quite a beautiful mini-series, and I really can’t recommend it highly enough. There were also several transgender characters in various Vertigo series.

However, I’ll accept that these were seen by fewer people than a Batbook.

The reaction by the audience for these books has, for the most part, been better than I predicted. Relatively few people are calling it a “publicity stunt,” and those who do seem to not understand what a publicity stunt actually is. For example, I seriously doubt that DC’s publicist went to Gail Simone and asked her to introduce a transgendered character.

When I was DC’s publicist, I would have been fired for trying to influence a storyline. The closest I came was suggesting to Neil Gaiman that he might enjoy the chance to do a public service comic about HIV. And even then, there were lots and lots of corporate hoops through which I had to jump, not because of any political controversy but because of a corporate culture that respected the separation of editorial and marketing.

And then there are the people who get defensive. For example, in the second article to which I linked above, there is this in the comments thread:

• I think all DC characters should become lesbians,gay and transgendered.

• Why?

• Because the majority of DC’s audience is.

• Mainstream America stopped reading DC comic books a long time ago. Respectfully, “The Amazing Stam,” Make Mine Marvel!

There are so many things wrong with this. For one thing, I don’t think Marvel’s audience is significantly larger than DC’s, and, in fact, I suspect there is a tremendous amount of overlap. For another, there are transgender characters on television shows like Glee, which have a larger audience than DC and Marvel combined. And, finally, it is disturbing that in 2013, this moron still thinks it is an insult to suggest that DC’s audience is queer.

Whenever a character is introduced who is not a straight, white Christian male, there is inevitably someone who complains that this is done because the creative team is being “PC.” It is impossible for these critics to imagine that creators could find diversity interesting in and of itself, or want to reflect the world in which they live. Perhaps the creators want to challenge themselves to imagine different ways of being human. I never hear anyone complain that someone who writes stories about straight, white Christian people is pushing a political agenda.

Because I’m still jet-lagged, I haven’t read Batgirl #19 yet, as I write this. I plan to get it this week, when I go to Forbidden Planet for my regular fix.

I hope it’s not sold out.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Justice League: The Flashpoint Paradox is the next DC Video Release in July

JusticeLeagueTheFlashpointParadox-finalboxartThis is the comic book event that either propelled DC Comics towards the New 52 paradigm or sent the company spinning off the rails, alienating the very core audience they sought to retain. Now it is being adapted into animated form from Warner Home Entertainment in July. Some speculate this direct-to-video movie will transition the animated heroes towards New 52 incarnations but that has not been confirmed. Here’s the release:

BURBANK, CA (April 17, 2013) – The world is turned upside down as one of earth’s greatest super heroes – Flash – wakes up devoid of his super powers in the all-new Justice League: The Flashpoint Paradox – the next entry in the popular, ongoing series of DC Universe Original Animated Movies. Produced by DC Entertainment and Warner Bros. Animation, this all-new, PG-13 rated film arrives July 30, 2013 from Warner Bros. Home Entertainment on Blu-Ray™ Combo Pack ($24.98 SRP), DVD ($19.98 SRP) and Digital Download. The Blu-ray™ Combo Pack will include UltraViolet™*.

When time travel allows a past wrong to be righted for Flash and his family, the event’s temporal ripples prove disastrous, creating a fractured, alternate reality where the Justice League never formed, and even Superman is nowhere to be found. Amidst a new world being ravaged by a fierce war between Wonder Woman’s Amazons and Aquaman’s Atlanteans, Flash must team with a grittier, more violent Batman and government agent Cyborg to restore the continuity of Flash’s original timeline.

“Justice League: The Flashpoint Paradox has all the elements of another great film – dynamic forceful villains, treacherous twists and turns and internal tensions amongst heroes,” said Mary Ellen Thomas, Warner Home Video Vice President, Family, Animation and Partner Brands
Marketing. “Showcasing a cast that brings together some of today’s popular primetime television actors with many fans’ favorite voices from the original series, Warner Bros. Home Entertainment is proud to release this title as the next DC Universe Animated Original Movie.”

Primetime television stars Justin Chambers (Grey’s Anatomy) and Kevin McKidd (Grey’s Anatomy), the voices of Barry Allen/Flash and Thomas Wayne/Batman, respectively, unite with numerous greats of television and film to fashion the famed animated roles. Adding to the celebrity-laden voice cast and providing thrilling additions to the Justice League series are Michael B. Jordan (Fruitvale, Friday Night Lights, Chronicle) as Cyborg, C. Thomas Howell (Southland, The Outsiders) as Thawne/Professor Zoom, Nathan Fillion (Castle) as Hal Jordan/Green Lantern, Ron Perlman (Hellboy) as Slade and Deathstroke, Dana Delany (Body of Proof) as Lois Lane, Cary Elwes (The Princess Bride) as Aquaman, Danny Huston (Magic City) as General Lane, Sam Daly (The Office, The Daly Show) as Superman, and Kevin Conroy (Batman: The Animated Series) as Batman.

Screenwriter Jim Krieg delivers an action-packed vision of the legendary comic book miniseries Flashpoint, by Geoff Johns & Andy Kubert, adding to the over 13 million DC Universe video units produced to date. Jay Oliva (Batman: The Dark Knight Returns) is director and
James Tucker (Superman: Unbound) is producer.

Justice League: The Flashpoint Paradox Blu-ray™ has over three hours of exciting extra content, including:

  • A Flash in Time: Are there other dimensions?  Can time travel get us there?  And if The Flash existed, could he really travel through time?  Interviews with experts in mythology, theoretical physics and top DC writers will examine the science and legacy of the storytelling behind the fiction.
  • My Favorite Villians! The Flash Bad Guys: Acclaimed DC Comics writer Geoff Johns and others share their favorite Flash villains in this short film that gives viewers a glimpse into the Flash’s world through the eyes of some of the nefarious characters he has encountered over the past 70 years!
  • A Sneak Peek at the next DC Universe animated movie:. An in-depth look into the next DC Animated feature film, spotlighting the cast and crew.
  • From the DC Comics Vault:  Bonus cartoon episodes
  • The Flashpoint Paradox Audio Commentary

Eisner Awards 2013 Nominations Announced; “Hawkeye”, “Fatale”, “Building Stories” Lead

  • News
  • April 16, 2013

Comic-Con International is proud to announce the nominations for the Will Eisner Comic Industry Awards of 2013. The nominees, chosen by a blue-ribbon panel of judges, reflect the wide range of material being published in comics and graphic novel form today, from crime noir to autobiographical works to cartoon adventures. Three titles lead the 2013 list with 5 nominations each.
(more…)

Michael Davis: DC Is Coming Out

Michael Davis: DC Is Coming Out

Davis Art 130416Orson Scott Card does not like gay people. In fact, I think it’s fair to say he hates gay people. Orson Scott Card is writing Superman stories for DC Comics. A lot of people are pissed over that, but DC is standing by their man.

But will Orson Scott Card still stand by DC?

Why, you ask, would I ask that? Because DC Comics now has a transgender character the first ever in comics…except for Johnny Storm but he is on the down low and come on, that’s so freakin’ obvious. DC’s new transgender character is also…wait for it…wait for it…

Wait for it… Bisexual!!

But wait! There’s more!

Alysia Yeoh is her name (I think she’s Asian and if so…hot!) is the roommate of Batgirl!

Batgirl is living with a bisexual transgender hot Asian woman. Clearly Orson Scott Card won’t want to write Batgirl and who knows he may just quit Superman after his extreme right wing hate buddies start bitching about the Gay Mafia which is now clearly running DC Comics.

Man, I’d love to write that book but the odds of me writing anything for DC are about as good as Obama getting an A rating from the NRA.

Wait. That’s not true. I almost forgot I wrote a piece for the Static Shock Dwayne McDuffie tribute issue. That’s a good a sign as any that someday I’ll work on another DC Comics project. Hell, that’s not a good sign, that’s a great sign.

On the other hand, they still haven’t paid me for that piece… which could be considered a sign also.

Shit.

But I digress (sorry Peter hope you are doing well my friend). Orson Scott Card may not even care that Batgirl, an iconic major character in the DC Universe is shacking up with an bisexual transgender hot Asian woman.

Yeah, right.

Someday soon a reporter, journalist, creator or fan will ask Card in a public forum for his reaction to the bisexual transgender hot Asian woman living with Batgirl and when they do I hope Card responds and doesn’t dodge the question.

Will he stand by his homophobic hateful views and then have to answer what will surly be a follow up question along these line “Will you continue to work for the company that considers this type of lifestyle, which you abhor, a legitimate one?”

That is the rock and hard place that Card will find himself between. Hope for his sake neither rock or hard place are names of guys but just a metaphor.

WEDNESDAY: Mike Gold

THURSDAY: Dennis O’Neil

 

Emily S. Whitten: Awesome Con DC!

Whitten Art 140416This Saturday and Sunday, April 20 and 21, a new comics and pop culture convention will debut in Washington, DC: Awesome Con! I’m super-excited about this, given that there hasn’t been a comic con in DC proper in lo, these many years since I have lived here. Okay, okay, maybe I exaggerate a bit. As it happens, there was a comic con here as recently as 2005. But it’s still been quite awhile. There are comic cons in the general area, yes, like the excellent Baltimore Comic Con, as well as cons in Richmond, and Annapolis; but for those of us who are Metro-dependent, those cons are not so easy to get to.

Now, finally, we’re getting a con right in the city, at the Washington Convention Center, a three minute walk from the Mt. Vernon Square metro station (or 11 minutes from McPherson Square or Metro Center stations, for orange/blue line folks). Yay! The con will run from 10 AM to 7 PM Saturday, and 10 AM to 5 PM Sunday, and tickets are very reasonably priced at $15 for one day, or $25 for both (unless you opt for the $75 VIP package, which includes exclusive items).

Not only is the con convenient and affordable, but it looks set to be every bit as good a draw as other, already established area cons might be. Created by the guys behind Annapolis Comic Con, the guest list to date includes celebrity guests like Buffy The Vampire Slayer’s Nicholas Brendon, Futurama’s Billy West and Phil LaMarr, Ghostbusters’ Ernie Hudson, and The Walking Dead’s Theodus Crane, along with over eighty artists and comic creators, including Larry Hama, Herb Trimpe, Justin Jordan, Ben Templesmith, Noelle Stevenson, Nick Galifianakis, and many more. The con is advertising “a wide assortment of comic books, collectibles, toys, games, original art, cosplay, and more,” and special events to include “discussion panels, costume contests, trivia contests, gaming tournaments, and a whole lot of activities for kids.” There’s even going to be a Mind of the Geek comedy show starring comedian Arnie Ellis. Sounds…awesome!

Given that this is a newly minted con, and that I’m a convention co-founder myself and am always interested in that aspect of things, I thought I’d check in with comics dealer Ben Penrod, co-founder of Awesome Con, and ask him a question or two. Here’s what he said:

What spurred the creation of this new Washington, DC comics convention?

As long as I’ve been doing cons, there hasn’t been one in DC. Awesome Con is something we (Steve Anderson, owner of Third Eye Comics, and I) had been kicking around for a while; we knew a lot of people wanted a con in the District.

What’s your previous involvement with comics and convention-running, and how did you get involved in organizing this con?

I’ve been selling comics on eBay since 1999. In 2008 I started selling comics full-time, and Steve and I ran the first Annapolis Comic-Con in 2011. The Annapolis Comic-Con was something we had discussed since 2009 or 2010, probably.

What’s the planning experience been like? Any roadblocks, or smooth sailing?

I don’t know that I’d call it smooth sailing, but things are good. It’s definitely a lot of work. I have met a lot of great people, and I’m so excited about Awesome Con; it’s a really fun job. But it’s a lot of work.

What are some highlights of the upcoming con, and what are you most looking forward to?

If I didn’t have responsibilities and could just attend the con as a fan, I’d probably try to get to as many of the guest Q&As as I could, and probably early Saturday before it gets too busy I’d find some artist I’d never seen before and commission some artwork.

What have you got on the schedule for kids?

We have a lot of stuff for kids. The Kids Are Awesome room will be fantastic. Any time during the show, kids can find art supplies in the room and get to work drawing or coloring. We’ll also have a kids’ costume contest and an art show both days. On Saturday there will be a children’s book reading and an art workshop. On Sunday we’ll have a game show with kids and pro artists paired up!

Is this planned to be a yearly event? What are your goals for the show?

This will be an annual event. The goal is for this show to be a fun event that the people of the DC area can look forward to every year. For too long, DC was the only major city without a con, and now we have one.

And I hope it’s here to stay!

As the website says, “Awesome Con DC is a comic-con that embraces all aspects of geekdom and pop culture.” Sounds good to me! So if you’re in the area April 20 and 21 and looking for something fun to do, come to Awesome Con! I’ll be there both days, so if you see me, feel free to say hi.

And until then, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

FORTIER TAKES ON PANUSH’S ‘COLD WARS!’

  • News
  • April 11, 2013

STEIN AND CANDLE
Vol II – Cold Wars
By Michael Panush
Curiosity Quills Press
217 pages

One of the most enjoyable aspects of New Pulp Fiction has been the creation of memorable new heroes by today’s pre-eminent pulp writers.   Derrick Ferguson has given us Dillon and Mongrel to name a few.  Barry Reese has created a bunch of awesome characters, the most recognizable being the Rook and Lazarus Gray. And the list goes on and on.  Which is why this reviewer has become so enamored with Michael Panush’s series, STEIN AND CANDLE : Detective Agency which features two of the most original new pulp heroes ever to grace a page of purple prose.
Mort Candle is an ex-Army sergeant tough-guy private eye who is parts Sam Spade and Mike Hammer.  Candle’s fist often speak louder than his words.  His partner is a teenage boy named Weatherby Stein, a German youth whose parents were killed by the Nazis.  Weatherby’s father was one of the world’s leading authorities on the occult and Weatherby was raised studying arcane lore thus making him, even at a young age, an expert in the dark arts.  Thus this duo travels the post World War II globe tackling all manner of bizarre adventures.  This is the second volume of their cases and like the first is jammed packed with memorable scenes that assure Stein and Candle a reserved niche in the halls of New Pulp Fiction heroes.
“Tiki Terror,” has the guys flying to Honolulu, Hawaii to solve a bizarre murder of a hotel magnate who was apparently eaten by sharks in his high-rise office far from the sea. While on the island, Weatherby is reunited with his older sister, Selena, a college student studying anthropology.
“Crimson Catch” takes our duo to the mysterious New England fishing town of Innsmouth where they cross paths with Lovecraft monsters from the deep.  Panush audaciously swipes the plot from “A Fist Full of Dollars,” having Candle play the part of the instigator pitting two occult clans of fishmen against each other.
With “Mort Candle’s War,” Panush continues the origin saga began in the first volume returning back to the Black Forest where Sgt. Mort Candle and his squad of Screaming Eagles fight a desperate battle to save young Weatherby Stein and deliver safely to General Patton’s Third Army.  Great combat sequences reminiscent of DC Comic’s old Sgt.Rock series.
In “Pharoah’s Palace,” Mort and Weatherby uncover an ancient Egyptian mystic operating a casino on Los Vegas and team up with legendary hero, Doc Dearborn and his daughter, Evelyn, to combat this ancient evil.
The fifth tale is called “The Hallow,” and has our heroes visiting rural Appalachia to rescue a miner’s daughter kidnapped by a coven of witches.  But before they can formulate an effective strategy, the witches snatch Weatherby and its left to Mort to rescue his young partner with the aid of a con artist turned preacher man.
“Business Proposition,” picks up on the episodic origin story of how the gruff former army sergeant and the special trained teenager hook up again in Brooklyn after the war and what leads them to form their partnerships as detectives who specialize in the bizarre. Easily our favorite tale in this collection.
Finally the book wraps with “Crypt Chasers,” a high-balling confrontation between Weatherby and malevolent distant relative who has returned from the dead and plans on unleashing his particular brand of sadism on the modern world.  Panush leaves the story open ended, having created what looks to be a recurring arch-enemy for our duo.  Making us all the more anxious to dig into the next volume of this terrific series.
We’d also like to applaud Curiosity Quills Press for a gorgeous design package here, from a beautiful cover to fitting interior illustrations that truly enhance each story.  “Stein and Candle Vol II Cold Wars” is a fantastic, thoroughly enjoyable book we cannot recommend strongly enough.  If you like New Pulp Fiction, Stein and Candle are you kind of heroes.  Move over Dillon and the Rook, you’ve got company.

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks