I wasn’t going to write about this because the last column was all about me, and I don’t want you all thinking that “it’s all about her,” because it’s not, really, but I just reread my first column, and I did promise you, so…
I wish I could tell you that I always knew I wanted to be a comics writer, and that I was encouraged by my high school teachers and then went to university and majored in English with a minor in writing, or that I was a “convention-ho” and showed sample after sample after sample of my writing to every editor who didn’t make a beeline for the bathroom when they saw me coming. Or that I’m related to someone in the comics world, and hey, a little bit of nepotism doesn’t hurt. (Let’s get real, here, right?)
But…
Once upon a time –1983 – I was working in the OR at a “great metropolitan hospital of a major American city.” It was an ordinary day, with no hint of things to come. Lunchtime came, and, not having anything to read while I ate, I went down to the hospitality shop, thinking I would pick up a magazine or maybe a paperback. None of the magazines or books was really catching my interest, when out of the corner of my left eye I noticed a rack.
2:40: And that’s the way to end the show! Enjoy the after parties, everybody!
2:35: Best Graphic Album-New: TIE! Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia); Wilson, by Daniel Clowes (Drawn & Quarterly)
2:31: Best Graphic Album-Reprint: Wednesday Comics, edited by Mark Chiarello (DC)
2:28: Best Adaptation from Another Work: The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)
2:18: Best Continuing Series: Chew, by John Layman and Rob Guillory (Image)
2:13: Best Limited Series: Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)
2:11: That King fella on American Vampire has talent. Of course, he’s no Joe Hill…
2:08: Best New Series: American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)
2:06: Russ Manning Most Promising Newcomer Award: Nate Simpson for Nonplayer
2:03 AM: Best Reality Based Work: It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
2:00 AM: Best Single Issue (or One-Shot): Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)
1:56: Best Short Story:“Post Mortem,” by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)
1:52: Best Writer/Artist: Darwyn Cooke, Richard Stark’s Parker: The Outfit (IDW)
1:48: Best Writer: Joe Hill, Locke & Key (IDW)
1:41: Hey, look, everybody! It’s John Stewart, Virgil Hawkins, Remy LeBeau and Samurai Jack!
1:36: In Memoriam. Can we have a year where we don’t need this segment, please?
1:31: Voters’ Choice for Eisner Hall Of Fame: Roy Thomas, and Marv Wolfman.
1:28: Voters’ Choice for Eisner Hall Of Fame: Harvey Pekar.
1:23: Voters’ Choice for Eisner Hall Of Fame: Mort Drucker! Congratulations to one of the usual gang of idiots.
1:16: Hall Of Fame Inductees: Ernie Bushmiller, Jack Johnson, Martin Nodell, and Lynd Ward.
1:04: Best U.S. Edition of International Material-Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
1:00 AM: Best U.S. Edition of International Material: It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
12:51: Best Archival Collection/Project-Strips: Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW)
12:47: Best Anthology: Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)
12:44: Bob Clampett Humanitarian Award, presented by Ruth Clampett to Patrick McDonnell (Mutts)
12:41: Best Publication Design: Dave Stevens’ The Rocketeer Artist’s Edition, designed by Randall Dahlk (IDW)
12:38: Best Archival Collection/Project-Comic Books: Dave Stevens’ The Rocketeer Artist’s Edition, edited by Scott Dunbier (IDW)
12:35: Best Comics-Related Book: 75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)
12:31: Best Comics-Related Periodical/Journalism: ComicBookResources, produced by Jonah Weiland (www.comicbookresources.com)
12:28: Best Cover Artist: Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)
12:25: Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)
12:22: Best Penciller/Inker or Penciller/Inker Team: Skottie Young, The Marvelous Land of Oz (Marvel)
12:11: The Bill Finger Excellence in Comics Writing Awards go to Bob Haney and Del Connell.
12:08: Best Digital Comic: Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
12:05: Best Lettering: Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC); Tom Strong and the Robots of Doom (WildStorm/DC); SHIELD (Marvel); Driver for the Dead (Radical)
Best Coloring: Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)
12:02: Best Humor Publication: I Thought You Would Be Funnier, by Shannon Wheeler (BOOM!)
11:57: Best Publication for Teens: Smile, by Raina Telgemeier (Scholastic Graphix)
11:54: Best Publication for Kids: Tiny Titans, by Art Baltazar and Franco (DC)
11:30 EDT: And awaaaaay we go! Fellow NYU classmates Thomas Lennon and Ben Garant take the stage.
Welcome to our coverage of the 2011 Eisner Awards ceremony from the San Diego Comic-Con. We’ll be updating this post throughout the evening, boldfacing the winners as they’re announced. You can also follow our updates by following ComicMix on Twitter or Facebook.
Leading the 2011 nominees with five nominations is Return of the Dapper Men, a fantasy hardcover by writer Jim McCann and artist Janet Lee and published by Archaia, with nominations for Best Publication for Teens, Best Graphic Album–New, Best Writer, Best Artist, and Best Publication Design. Two comics series have four nominations:Morning Glories by Nick Spencer and Joe Eisma (published by Shadowline/Image) and Locke & Key by Joe Hill and Gabriel Rodriguez (published by IDW). A variety of titles have received three nominations, including the manga Naoki Urasawa’s 20th Century Boys(VIZ Media), John Layman and Rob Guillory’s series Chew (Image), Daniel Clowes’s graphic novel Wilson (Drawn & Quarterly), and Mike Mignola’s Hellboy titles (Dark Horse).
The creator with the most nominations is Mignola with five (including cover artist), followed by Spencer and Hill, each with four. Several creators received three nominations: McCann & Lee, Rodriquez, Urasawa, and Clowes, plus writer Ian Boothy (for Comic Book Guy: The Comic Book and other Bongo titles) and cartoonist Jimmy Gownley (for Best Publication for Kids plus coloring and lettering on his Amelia Rules! series). 15 creators have two nominations each, a new record.
The staff at my regular comic shop wants to know what I think about the DC re-launch. I’ve been shopping there for decades, and I buy DC comics every time I go in there. I don’t only buy DC, but I buy almost everything they publish.
That’s the way it’s been for me for more than 50 years. I’ve liked Superman and Batman and Wonder Woman and the Legion of Super-Heroes for that long. As I’ve grown up, I’ve liked other characters, and I’ve learned to follow not just the heroes I like, but also the writers and artists.
So here’s what I tell them when they ask me what I think: “It doesn’t make any difference to me.”
Superman has relaunched once in my lifetime. I can’t count how often Wonder Woman has been rebooted. The Legion is so complicated that I have trouble keeping it straight and I’ve been reading it for 50 years!
I predict that, within five years, everything that’s important will be the same in the DC Universe as it is now, or as it was at some time in the past.
In the meantime, DC’s publicist, David Hyde, is kicking ass with his publicity efforts. I hope that enough people sample the new comics to see if they like them. It’s been a very long time since new readers have been courted so aggressively.
Unfortunately, there is one aspect of this I don’t like. Dan Didio and Jim Lee have described their characters as “brands.” This is the way the MBAs who run Warner Bros. talk about their properties, and I understand how, when one wants to appear savvy to one’s boss, one appropriates the bosses’ jargon.
“Brand” is a marketing term. Tide is a brand. Nike is a brand. It’s a corporate identity that promises consumers something they want, whether that something is reliably clean clothes or athletic shoes that let the wearer perform like a superstar.
Superman is not a brand. He’s a character. He’s a character that changes according to the whims of the creative teams making his stories. He may implicitly promise consumers something they want (truth, justice and the American way), but he keeps them as readers because of his human qualities, the details of his life that fascinate us, amuse us and excite us.
As his publicist, I observed these phenomena in the 1990s. When Clark Kent and Lois Lane got engaged, the world went crazy. They didn’t do this because of branding, but because it was a sweet, human story. It’s always been my opinion that the reason the “Death of Superman” story was such a big deal was not because Superman died (he’s died plenty), but because the public had been following his relationship with Lois, and felt the loss along with her.
I’ve enjoyed Superman’s marriage. I enjoy stories of happy couples, whether they are detectives or ghosts or super-heroes. Millions of people watched Smallville to see Clark and Lois get married.
Fly guy was talking about a bitch having his money.
Don’t waste anytime trying to figure out why I used the Fly Guy quote. I’ll just tell you, I simply like saying, “Bitch better have my money.”
I’m told there are a lot more ComicMix users now then when I was writing here. Because of that I’m going to write a brief bio of myself in case you never heard of me.
My name is Michael Davis and I’m Master Of The Universe. I’m also a writer, TV producer artist and dealmaker. I work in mainstream publishing, comics, television and the music industry, yada, yada, blah, blah. When ComicMix started I wrote a wildly popular column called “Straight No Chaser”. I was fired from ComicMix because I was black.
OK, the black thing is just what I told girls at comic conventions when I wanted them to feel bad for me. Now I’ll tell them ComicMix brought me back because of pressure from the NAACP and President Obama.
My column WAS wildly popular. If you hear differently remember that’s the white man trying to keep me down.
As I mentioned my column was called Straight No Chaser. I can’t call my return to ComicMix that because I continue my weekly rants under that title at my WILDLY popular website, www.michaeldavisworld.com.
If anyone tells you it’s not wildly popular, remember,
Increasingly, publishers are making their titles available in digital form the day the print version hits shops. Today’s release from BOOM! is just the latest in this trend. Some retailers accept it as an inevitable realty, others cry about it. What do you, the readers, think?
PHILADELPHIA — Taking another step toward offering comics in stores and digitally on the same day, publisher BOOM! Studios says its new series, Elric: The Balance Lost will do just that.
The series, written by Chris Roberson and drawn by Francesco Biagini, is based on author Michael Moorcock’s fan-favorite fantasy hero Elric of Melnibone.
The book will be on sale in comic book shops Wednesday, but will also be available for download through BOOM! Studios own comics app and comiXology’s app, too. Unlike other publishers, however, the issue’s 10-page prelude will also be accessible on its own website at no cost.
“With Elric we’re not only focusing on print and mobile devices exclusively but getting out onto Internet browsers that billions of people use every day,” BOOM!’s marketing and sales director Chip Mosher said of the comic, which will retail for $3.99 in print and digital form.
“While there are only 25 million iPads out in the marketplace, there are billions of potential readers that have the ability to find comic books through the Internet,” he said.
Offering comics digitally and in stores on the same day is growing among publishers, with more and more of them embracing it as readers opt to read issues on tablets, smart phones and personal computers.
BOOM! first did so in January 2008 with the debut of its “North Wind” title and again a year later with “Hexed.”
At the end of May, DC Comics said it would start selling digital copies of its printed ongoing superhero titles through apps and a website the same day they’re released in comic shops, a move dubbed by the industry as day-and-date sales. That will affect the company’s superhero titles.
Similarly, Archie Comics began same-day digital and print sales in April, along with other smaller publishers.
Well, we know who we’re voting for and ComicMix will be on hand, covering events and news happening at next month’s Baltimore Comic-Con.
BALTIMORE, MD (July 5, 2011) — The 2011 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con. Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented August 20, 2011 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.
Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. Thank you to all that have already participated by submitting a nomination ballot.
Final ballots are due to the Harvey Awards by Saturday, August 6, 2011. Full details for submission of completed ballots can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available for download at www.harveyawards.org. Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomiccon@yahoo.com.
This will be the sixth year for the Harvey Awards in Baltimore, MD. Our Master of Ceremonies this year for the 3rd year in a row will be Scott Kurtz (www.pvponline.com).
This year’s Baltimore Comic-Con will be held August 20-21, 2011. The ceremony and banquet for the 2011 Harvey Awards will be held Saturday night, August 20.
Without further delay, the 2011 Harvey Award Nominees: (more…)
DC Comics: The Ultimate Character Guide By Brandon T. Snider DK Books, 208 Pages, $16.99
DK continues their line of lightweight, visually interested Character Guides. Joining the extant Marvel Universe and Star Wars books is a volume dedicated to DC’s heroes and villains, or at least some of them. With a mere 208 pages, there was no way this could be considered an ultimate guide, what with 75 years of characters to work with.
These franchises all share the complication that they are organic universes, ever changing so the books can, at best, capture a distinct moment in time. In each case, DK’s editors fail to tell you where that moment in time is for the dedicated fan. This volume, for example, shows us the current version of Aqualad but also includes the currently deceased members of the Fourth World (yeah, I know, they’ve been resurrected on Earth-51, but this book focuses only on New Earth). And Dick Grayson appears here as Nightwing, not as Batman II.
The entries, from young adult writer Brandon Snider, are all surface, skimping on details and often avoids origins or focusing on the elements that make characters unique. Adam Strange is no longer a trained archaeologist and Animal Man’s family is entirely skipped.
Visually, the book is attractive with a relatively consistent modern day look so if it was drawn earlier than 2005, it won’t be here. Unfortunately, the text and art don’t always mesh so you see the Cyborg Superman as he appeared in the Blackest Night stories but the text makes no mention of his role. Wonder Woman turns up in her new outfit but the text doesn’t address the current confounding status quo.
Most of the groups have appearances here with an odd assortment of rosters presented so it’s more a hodge-podge of group. Many members don’t merit their own pages with the classic Justice Society members getting omitted (with Spectre being merely Crispus Allen with no mention of him being the Wrath of God). Other incarnations of characters are either briefly referenced or skipped entirely, such as the multiple Atoms and Green Lanterns.
This can be a primer to the DCU and it does merit flipping through to verify names, heights, weights, and the like but just about every fact appears to be rendered irrelevant or dated just two months after the book goes on sale. That’s a shame because this could have proven to be an immensely powerful tool to support the revamped line. If Co-Publisher Dan DiDio really had been planning this move for over a year, there was ample time to coordinate with DK and this is just another missed opportunity.
Given that far more detailed and comprehensive data can be found online, DK’s challenge is to make these books relevant and to date, they have yet to figure out how to manage this feat, which is a shame since they usually do stellar work.
THE SHADOW: BLOOD & JUDGMENT Howard Chaykin Published by DC Comics
This was the era of Watchmen. Of The Dark Knight Returns. It was the boom of grim and gritty. Howard Chaykin, whose brilliant American Flagg! was already a modern masterpiece, was chosen to bring The Shadow back to life for DC Comics. He elected to bring the character into the 1980s rather than stick to being a period piece and he approached The Shadow with obvious knowledge but not necessarily a fan’s reverence. He had no problem ramping up the sex and violence, while emphasizing the fact that The Shadow himself is a grade-A jerk.
We get to see Kent Allard’s transformation into The Shadow, as well as he met Lamont Cranston, via flashback — and we learn that the real Cranston is a major jerk. A jerk who still hates The Shadow, even in the 1980s. Killing off The Shadow’s old aides in order to draw the mysterious vigilante back to the scene, Cranston is aided by a slutty secretary and an idiotic clone. He hopes to force The Shadow to take him back to the lost city where The Shadow gained his powers but he doesn’t count on treachery in the ranks, nor does he realize just how dangerous his old enemy truly is.
Classic artwork from Chaykin and a story that hits on nearly all cylinders, this is one of my favorite pulp-to-comics transformations. Chaykin avoided being a pastiche by updating the character and refusing to place him on a pedestal. While the ongoing series by Andy Helfer that followed was a piece of steaming dog poo, this kick-off miniseries deserves a place on every pulp fan’s shelf. It’s proof that the classic pulp heroes can work in the modern day.
One of the earliest comics series I inherited as an editor was M.A.S.K., based on the toys and cartoon series. I have no recollection how or why DC Comics acquired the comics rights but it was handed to Mike Gold shortly after he arrived on staff. He tapped the versatile Mike Fleisher as the writer, helping burn off contractual obligations. Better, he assigned the artwork to Curt Swan who needed something regular to produce after losing the Superman assignments. Inking was Kurt Schaffenberger so at least it looked good. I helped Mike get the series up and running then edited it a few issues before I handed it off to Mike Carlin to wrap up.
I never played with the toys or watched the cartoon, but thanks to Shout! Factory that can be rectified as seen in the following press release:
This Summer, loyal fans and collectors can finally bring home one of the most enduring animated adventures from the 80’s when the long-awaited M.A.S.K.: The Complete Original Series DVD box set debuts nationwide on August 9, 2011 from Shout! Factory, incollaboration with FremantleMedia Enterprises. Poised to attract an audience of kids, young adults and parents who grew up withthis animated series, this 12-DVD box set contains all 65 action-packed episodes – known to fans as the original series aired in 1985, as well as insightful bonus features. A must-have for collectors to complete their pop culture video library, M.A.S.K.: The Complete Original Series is available for pre-order now from Amazon.com and major retailers. (more…)
…or how the fuck did that happen? Part One
(VIZ Media), John Layman and Rob Guillory’s series 
