The November TV Ratings Sweeps are over and for the first time in a while, NBC climbed to the top. Critics are saying that the win was due to several of the network’s new shows, including the comedy GO ON. We talk to the creators and cast about just how a show about death became so funny, plus Chevy Chase finally bolts from COMMUNITY and David Tennant back on DOCTOR WHO??
The second season of NBC’sGRIMM has turned the characters upside down, especially “Juliette” played by Bitsi Tulloch. She fills us in on how it all happened – and what’s coming up on the show when it returns in 2013. Plus CBS’PERSON OF INTEREST is a Top 5 rated show which has been a surprise to a lot of folks including stars Michael Emerson & Jim Caviezel who talk about putting the show together. Meanwhile, STAR WARS gets two more writers and WOLVERINE gets a Marvel NOW launch.
Some 30 years ago DC and Marvel produced a series of ads featuring their characters (except Superman) in one-page adventures hawking Hostess products. That campaign ran forever, so when we relaunched E-Man at First Comics I thought it would be fun to get people to do Hostess ad parodies featuring their creator-owned characters. John Byrne did Rog-2000, Max Collins and Terry Beatty did Mike Mist, Lee Marrs did Pudge Girl Blimp, Reed Waller did Omaha The Cat Dancer, and so on.
A few years later I was at DC Comics where I edited (interm-ly; Marv Wolfman was moving to the west coast and had some health issues) Teen Titans Spotlight. Mike Baron wrote a story featuring The Hawk (of the original Hawk and Dove) wherein the lead character uttered the epitaph “Bite My Twinkie!” Whereas it was completely in character, one of DC’s top-most executives took great offense at this. In an act of astonishing courage, our young photocopy-kid – who later became a full editor – demanded said executive to point to his Twinkie. That, I felt, was more salacious than Baron’s original line.
Twinkies became a metaphor long ago. Those childhood memories are exceptionally powerful: we all grew up on Twinkies and Ding Dongs and Zingers and those of us who were baby boomers routinely rediscovered that ancient passion around 2 AM after giving the nation of Columbia a boost in their GNP. In fact, Chicago’s hippie district bordered a Dolly Madison thrift shop (before the company was bought out by Hostess) and, to the best of my knowledge, it was the only said thrift shop to have overnight hours. It was a great place to meet up with friends.
So it is no surprise that last week’s sudden closure of Hostess has traumatized so many people. No matter how unhealthy the product was, those childhood attachments more than compensated. Millions of us who hadn’t eaten much of that stuff in the past four decades felt a genuine loss. My daughter is upset about the prospect of having Wonder Bread-less peanut butter sandwiches and she’s right: it will not be the same.
Sure, there’s a handful of Food Nazis who have been quoted as saying “well, now people can eat vegetables and other healthy stuff.” These people are dangerous lunatics. People who think somebody who can no longer procure a Ho-Ho will now reach for broccoli should not be allowed to operate heavy machinery.
We’d like to think that in comics we’ve progressed past the nostalgia connection, and to a certain extent we most certainly have. But the power of those childhood memories is so great that it would be ridiculous to assume they are no longer relevant. I got over the loss of Ipana toothpaste, but our culture is worse off for the absence of Shinola. It is no surprise to me, at least, that we started making “serious” comics movies when those who grew up with comics as a vital part of their childhood lives started working behind the camera.
So when I went to the local Stop and Stop Saturday afternoon and noted how the joint was totally cleared out of Hostess/Drakes/Dolly Madison products, I chuckled. Loudly.
And then I went over to the comics rack to see what was still on sale.
DC’s dominance of sales in comic stores melted a bit in October as Marvel retook the top sales spots, plus a certain pesky Image comic had another good mo0nth as well. We analyze the numbers including revealing the WORST selling comic of the month. Plus we continue our look at BATTLESTAR:GALACTICA – BLOOD & CHROME including a visit with the new William Adama.
The new world is coming — at the expense of our own. But when the blood-soaked birth of the new age begins eating up all of existence it’s up to the heroes of the Cerberus operation to hold back tomorrow and save the world they know.
This volume of the modern-day pulp sci-fi series is written by Rik Hoskin and opens a dangerous new chapter in the lives of the heroes.
About the author: Writing as “James Axler”, Rik Hoskin has been the primary author of the Outlanders series since 2008 as well as contributing several volumes to James Axler’s Deathlands. He is also a comic book author and has written Superman for DC Comics, helped develop a successful Spider-Man series for Marvel Comics’ European licensor, Panini, and currently writes for Star Wars: The Clone Wars Comic as well as several younger readers titles.
I think we can all agree at this point that the DC New 52 gambit has been a success. Whether you like or dislike some, all, or none of the offerings, you have to agree that commercially and financially it’s worked which, from DC and Warner’s viewpoint, is what they wanted.
I haven’t been keen on all the changes. For example, I think Superman not having the red trunks looks weird. Superman hooked up with Wonder Woman and not Lois is just wrong, in my book. Thing is, these are not my books and aren’t meant to be. I’m in my sixties; DC’s demographic has to be for those younger than me and more diverse than an old white guy.
In the same mode, the latest James Bond film, Skyfall, has opened to great reviews (and I really want to see this one) and, by all accounts, has paid tribute to the past while paving the way for the future. That’s smart. You keep faith with old fans while reinvigorating the franchise.
Which brings me to the recent elections. As we all know, the Republicans lost the race to the White House as well as a few House seats and didn’t get control of the Senate, which they expected to do. They were certain they were going to unseat President Obama. They’ve taken to whining about the results and some of their spokespeople, like the noted political thinker Ted Nugent, claim their guy lost because of the “takers.” (I’m hearing that often enough to make me think it’s now an official GOP talking point.) Guys, this echoes back to Romney’s comments about the 47% in that clip that probably went a long way towards losing him the election. Do you really want to hit that nail on the head again?
The idea of my giving unsolicited advice to the GOP may seem a little odd. After all, I’m a well-known liberal commie pinko who was solidly and loudly behind Obama in this race and Democrats in general. However, I was raised Republican and have several Republican politicians in my pantheon of politicians I like, such as one time Illinois senator Everett McKinley Dirksen and former Illinois governor Richard Ogilvie. I even voted for some Republicans on the local level in the last election – on purpose. I think the Republic is served better by having functioning Republican and Democratic parties. I don’t think the GOP, if it continues down the road its on, will be a major functioning political party in about a decade. Maybe less.
The GOP used to have a lot of moderate members but, since becoming in thrall to the Far Right and the Tea Party, the moderates were purged and continue to be purged. It used to be that Republicans, while having their own beliefs and philosophy, could concede here and there in the interests of getting something done. Not anymore. Now it’s all ideology and how “true” they are to Conservative Principles as defined by Fox News, Karl Rove, Rush Limbaugh, and Grover Norquist.
Mitt Romney defined what it meant to be Republican. In a time of recession and economic hardships and Occupy Wall Street, they made their standard bearer a member of the 1% and a venture (“vulture”) capitalist. At a time when the fastest growing demographic bases are minorities, they nominate the whitest white man they could find. When women are an increasingly important part of the electorate, they make a stand against abortion a part of the party platform with no exceptions for rape, incest, or the health of the mother.
The GOP might consider the examples of both DC and the latest Bond movie to see how they can reinvent and reinvigorate their brand. Yes, they might alienate some of their base but that’s always a problem when you make changes. A basic truism for comic book companies – every time you change an artistic team on a book, especially one that has been long established, you know you’re going to lose some readers. The trick is to bring in more readers with the change than you lose. The same is true politically. These days, a GOP presidential candidate has to cater to the Far Right in order to get nominated. But to get elected they have to appeal to the center which is more moderate and that’s tricky to make work without losing your base. Ask Romney. But, as DC and the Bond franchise have both shown, it can be done and, in fact, should be done every so often.
The GOP started as a radical party full of abolitionist lefties before getting co-opted by Big Business. Under Teddy Roosevelt, they were “progressives,” which is now a dirty word among Republicans. Embrace what is best from your past, welcome those who are not just old white males, and re-invent yourselves.
New autobiography of Lou Scheimer, co-founder of Filmation Studios, debuts November 7.
(RALEIGH, NC) On November 7, TwoMorrows Publishing releases LOU SCHEIMER: CREATING THE FILMATION GENERATION, the new autobiography of the co-founder of the renowned Filmation animation studio. Hailed as one of the fathers of Saturday morning television, Scheimer devoted over 25 years to providing animated excitement for TV and film. Always at the forefront, Filmation created the first DC Comics cartoons with Superman, Batman, and Aquaman, ruled the song charts with The Archies, kept Trekkie hope alive with the Emmy-winning Star Trek: The Animated Series, taught morals with Fat Albert and the Cosby Kids, and swung into high adventure with Tarzan, The Lone Ranger, and Zorro.
Forays into live-action included Shazam! and The Secrets of Isis, plus ground-breaking special effects work on Jason of Star Command and others. And in the 1980s, Filmation single-handedly caused the syndication explosion with He-Man and the Masters of the Universe and its successors. Now, with best-selling co-author Andy Mangels, Lou Scheimer tells his entire story, including how his father decked Adolf Hitler, memories of the comic books of the Golden Age, schooling with Andy Warhol, and what it meant to lead the last all-American animation company through nearly thirty years of innovation and fun. Profusely illustrated with photos, model sheets, storyboards, presentation art, looks at rare and unproduced series, and more — plus hundreds of tales about Filmation’s past, and rare Filmation-related art by Bruce Timm, Adam Hughes, Alex Ross, Phil Jimenez, Frank Cho, Gene Ha, and Mike McKone — this book shows the Filmation Generation the story behind the stories.
288-page Trade Paperback with COLOR, by Lou Scheimer with Andy Mangels Print Edition: $29.95 cover price Digital Edition: $9.95, available only at www.twomorrows.com
ISBN10: 1-60549-044-X ISBN13: 978-1-60549-044-1 Diamond Comic Distributors Order Code: JUL121245
ABOUT THE CO-AUTHOR: Andy Mangels is the USA Today best-selling author and co-author of over twenty fiction and nonfiction books — including Star Trek, Roswell, and Star Wars novels — and is an award-winning comic book anthology editor. He has also contributed to international magazines and newspapers, and has scripted, directed, and produced over forty DVD documentaries and Special Features projects.
LOU SCHEIMER: CREATING THE FILMATION GENERATION will be in stores on Wednesday, November 7.
Since 1994, TwoMorrows Publishing has been bringing a new day to comics fandom, through its award-winning line of magazines and books.
If you aren’t caught up on this week’s episode of WALKING DEAD, then we got two words for you – SPOILER ALERT. We begin our talk with the most casualty and how this death veered away from the one seen in the comic, plus Tom Hanks (along with Halle Berry) help us figure out CLOUD ATLAS and DC piles on 52 new variant covers!
Ever since we resumed our sundry weekly columns I’ve asked our writers to keep their focus on our popular culture in general and, as often as possible, on comics in specific. I have no problem linking the events of the day to our culture; indeed, that usually brings a nice contemporary perspective to our cheap thrills. At worse, it makes for a fun rant.
I commend our ComicMix columnists for their faithful cooperation and effort. And so, now, I’m going to violate my own edict. I’ve done this little rant ever since those hallowed days of the real First Comics three decades ago. Somehow, I even managed to get away with it at DC Comics. So, true to my Ashkenazi roots, I am going to maintain this tradition.
Next Tuesday is election day. In telling you this, I’m assuming your teevee set is broken. We get to pick us all of our Congresspeople, a third of our senators, a petulance of governors, a shitload of local officials, and, oh yes, a President of the United States. All are important in that each winner will have his or her foot on our necks and his or her hands in our pockets. We are given the holy right to choose our oppressors.
“But Mike,” you might say (if you’re being polite), “if they’re just going to oppress us, why should we bother?”
Because somebody is going to win. Good, bad, and otherwise – and it will be good, bad, and otherwise – as of this writing either Barack Obama or Mitt Romney is going to win. You might think they are both jerks. Maybe so, but one of those jerks will be sworn in as President this coming January 20th. That’s an absolute fact.
And odds are overwhelming that the winner will be choosing the next member of the Supreme Court. Maybe the next two.
You know the Supreme Court. The folks who are the last word on all of our laws and who, for years now, have decided a great many things by a one-vote margin? Yeah, those folks. They even decide elections. Whoever wins the election next week is likely to bring about a fundamental change in our nation’s laws and procedures, one that will have an effect for decades and decades to come.
Are you opposed to abortion? How about our medical care laws? Corporations-as-people? Super-PACs? Incarceration of marijuana users? Next Tuesday is your big chance to put your left foot in, your left foot out, your right foot in, and shake the nation all about.
I do not care whom you vote for. Well, that’s a total lie; of course I do. But that’s not the point here. No matter whether you’re smart enough to agree with my politics or you’re some kind of stalking Neanderthal, this Tuesday get off your ass and vote!
If you decide not to do so, you lose your moral right to bitch. And that, dear friends, is among the greatest of all pleasures.
Next week, back to life’s more important matters.
Mike Gold is ComicMix’s editor-in-chief, and this was a bone fide editorial.
Peter Cannon Thunderbolt is back and Dynamite delivers it with style with a new number one that came out last month.
Dynamite has done a great job with taking old pulp concepts like Lord Of The Jungle and bringing them back with a new look and style, yet remaining true to the concept.Peter Cannon is no exception.
Issue one opens with the Thunderbolt battling a dragon.Experiments with nuclear testing caused adragon to appear in the sky.It was subdued (for the moment) by the Thunderbolt and led countries to talks about nuclear disarmament.We flash forward two years later and Peter is looking miserable as he prepares to be interviewed on another talk show.The thunderbolt identity is known to the world.Peter did this to stop people from being hounded by reporters – now finds himself facing the challenges of celebrity and fame.Things didn’t go quite as expected and Peter seems to be searching for a way to overcome the distractions in his life.
Along the way, new and old acquaintances to the previous thunderbolt series make their appearances, foreshadowing future issues to come.The conclusion is unexpected and in a good way.Steve Darnall and Alex Ross managed to capture a lot of the qualities that made the character so intriguing, and manage to build an intriguing mystery to keep you coming back for more.Jonathan Lau’s Thunderbolt is impressive, but I think my favorite panel in the issue is peter, alone in his dressing, head down and drowned in shadow.In conveyed his personal happiness better than anything else in the whole issue. It’s the little storytelling things that make or break a good book and that little panel was a nice touch.A credit should also be shared with Vinicius Andrade for that as well.
Beyond the main story, Mark Waid introduces Pete Morisi Thunderbolt story never before published.A little bit of that Charlton fanboy in me squeed at reading this retelling of Peter Cannon’s origin.Who better to tell it then Morisi himself?
Originally, this story was going to be published for DC Comics in the Secret Origin’s anthology that Mark Waid was editing at the time.Due to unforeseen circumstances, the story never was published until now.In it you meet Peter Cannon, and get a great re-telling of his origin.You see him train and master the ancient scrolls to become the Thunderbolt.The hooded one, the man studying the scrolls before Peter was chosen for them, also appears and begins to become a thorn in Peter’s life, from his trials to the main plot of the first story.
Using his telepathy, the hooded one manipulates Lucifer Barnes into hatching a dinosaur egg and sets it loose in the city.As the thunderbolt, Cannon foils the plot and vows never ever to be that man again…until next time.
Additionally, there is an essay written by Steve Darnall called Pete’s Dragon, which talks about the influences for the main story in the book which is a fascinating read.
You’d be very hard pressed to find a book this week worth the money paid for then with this.Two comic stories – including a Peter Morisi comic, a promising first issue and one of the amazing four covers for the book, all in all a great comic worth reading.
