Tagged: Dark Horse

Mindy Newell: The Geek And Her Daughter

Yesterday I stopped by Vector Comics, my local dispenser of all things comics related, to pick up my readings, which included Vertigo’s Saucer Country by Paul Cornell and Ryan Kelly, ComicMix columnist John Ostrander’s Dawn Of The Jedi: Force Storm from Dark Horse, and the latest issue of Dark Horse’s Buffy The Vampire Slayer by Andrew Chambliss, Scott Allie, Cliff Richards, Andy Ownes – executive produced by Joss Whedon, of course. Does that man ever sleep?

Before I left I got into a discussion with Alex, one of the guys behind the counter, about summer movies. Well, specifically, about The Avengers. Alex told me that he had already seen it, having gone into Manhattan to get in line for the first showing at midnight. Which made me very jealous and pissy, ‘cause these days my life is about work, school, work, school, work, school, work, school… and oh, yeah, writing this column. I will probably be the last person in America to see it on the big screen. No, make that the world. Thanks to Denny’s column last week, I know that the movie has been open in the international market for nine days already.

So then Alex and I got to talking about other summer movies, and the first season blockbuster that made an impression on us. For me it was in 1975, the summer I saw Jaws.

I was at Camp Monroe in Monroe, NY – going to sleep away camp is a time-honored ritual for Jewish kids in the New York metropolitan area – and working as a nurse’s aide in the camp infirmary. I knew the camp was planning an outing to the movies, and with some wheedling I got to go on the possibility of some kid getting carsick. I didn’t know what it was about. I don’t think there were that many who did, except for some of the counselors and adult staff who had read Peter Benchley’s book, but I had a hankering to get “off-campus.”

That night the infirmary was busy with kids having nightmares and unable to sleep. The next night the pool was full of “great white sharks.” And me? I’m still way more comfortable in a pool than in the ocean.

Anyway, the conversation got me to thinking last night about summers and movies and how sometimes the movies and the summers become entwined in your life and make great memories.

For me that movie was Star Wars. I remember coming home from working that 1977 Memorial Day holiday and being incredibly pissed off at my then-boyfriend because he had gone to see it that afternoon with some friends instead of waiting for me. I immediately said, “Well, we’re going tonight,” Incredibly, instead of him complaining, he said, “okay.” Curious, I said, “You mean it? You just saw it a few hours ago.” All he said was, “You’ll see.”

Boy, did I ever! I can’t even describe the experience, even after all these years. I was so blown away by what was happening on the screen – the rolling introduction fading into a sea of stars, the endless Imperial battleship coming in seemingly over our heads, the Falcon jumping into hyperspace, Luke and Leia swinging across the chasm – that I didn’t really get the actual story until the second time I saw it. Which was the following Wednesday, ‘cause I was off from work and I went by myself to a matinee showing while then-husband was working.

I remember coming home and sending off for a subscription to Starlog. No more waiting for the next issue to appear on the newsstand. I wanted more. Lots more. I devoured everything Star Wars. When I found out there was going to be a sequel, I drooled and yeaned and read and reread every article I could find on it. I discovered NPR by accident one night and they were playing a “radio theatre” of Star Wars. (I’ve been a devotee of NPR ever since.) I sent away for the cassette (yeah, remember those?) so I could play it whenever I wanted to. I even saved the issue of Time magazine with Empire as the cover story – it’s still somewhere in the house.

Oh, I was a geek, and it was a great time to be a geek. I didn’t have to hide it anymore. Except around my family.

Which is why I had my daughter Alix. She was a great excuse to indulge myself.

By the time Empire came out my daughter Alix was nearing her first birthday. I remember buying her a full-scale model of the Millennium Falcon. For Hanukah, Christmas, and her birthday, I told my family. “Yeah, right,” they said. I remember that when she was two I brought her to the rerelease of Empire, buying a shitload of candy and soda so she wouldn’t be bored ‘cause I couldn’t find a babysitter. I remember seeing, in the back of Starlog, an ad for Luke’s Rebel jacket. Adult sizes. And kid’s sizes. I remember chickening out of buying one for myself. But I bought one for her. She looked so cool in it, even if it was kinda big. My family said, “what a great motorcycle jacket.” I said, “It’s Luke’s jacket from Empire.” Suddenly it wasn’t so great. (But she had that jacket for years, as she grew into it. And even kept trying to squeeze into it as she got older.)

And what was the effect on Alix? She’s 32 now, married, with a Master’s degree and a corner office with a window and responsibilities. She’s a serious adult.

Isn’t she?

Well, I just got off the phone with her. We’re going to see The Avengers at 5:00 p.m.

Tuesday Morning: Michael Davis

 

Michael Davis: The Greatest Story Never Told, Conclusion

Please read the past three week’s installments before reading this. Thanks!

What has gone before, quick and dirty recap… I’d sold (in my opinion) the second greatest idea in the history of comics to one of the greatest publishers (DC Comics) in the business. It was to be written by one of the greatest writers  (Dwayne McDuffie) with art by a guy (me) who was going to make sure this time he got it right. The editor assigned to it wanted me off the project I created. Dwayne told the editor he would not do the project without me.

I told the editor to kiss my ass (at a bar during the San Diego Comic Con some years after all this went down and after Jenette Kahn had left DC). See previous installments as to why I didn’t tell him to kiss my ass while Jenette was there.

What did the editor say?

Nothing. When’s the last time you’re heard a pussy talk? Me? Last Friday but that was …well … you know…

I took the project to Dark Horse.

Mike Richardson loved it…

Mike Richardson runs what is without a doubt the coolest entertainment company in the world in my opinion. Dark Horse does movies, comics, television, animation, toys, collectables and just about any other cool pop culture stuff you can think of.

Mike is not just the founder, owner and CEO, he is also the driving creative force behind Dark Horse. Having a project at Dark Horse is not just cool, its prestigious as well.

Sin City, Hellboy, The Mask, 300 are among the Dark Horse comic projects that have gone on to be come huge movies and merchandising juggernauts. If any project has a chance of becoming something beyond comics, having Dark Horse as your publisher helps tremendously.

Mike gave me my marching orders, which were to come back with a detailed outline of the story, and I did. I came back over and over for five years.

Yep. Five years.

Or 35 years in the DC editor’s life. Why 35 years? Because he was and still is a little bitch.

But (sorry again, Peter) I digress…

Allow me to make another aside to the young creators out there. I have two mottos that I live by…

There is nothing too good to do for my friends, nothing too bad to do to my enemies.

And…

A deal takes the time that a deal takes.

Just to be clear, Mike Richardson and I did not meet every week or so for five years. We met numerous times to go over the story but there were times when we would meet in April and the next time it would be in May.

May of the next year.

When you are dealing with the head of an A-list entertainment company you have to realize that they have a lot of other stuff to do.  Often Mike would be out of town, way out of town like in Prague filming Hellboy or in Japan working on a toy deal or in San Diego at Comic Con where he stabbed me through my heart…long story.

Before your mind goes to dark places, he stole a toy out from under me at a vendor during Comic Con. That’s how he stabbed me in the heart…and he never called.

So young creator: remember a deal takes the time that it takes. If you think countless phone calls and emails are going to make a difference, you are right.

Countless phone calls and emails will make a difference. The difference it will most likely make is you will phone call and email yourself out of a deal. Nobody likes a pest.

I know that first hand. Ask Halle Berry.

We went back and forth on the story until Mike called me one afternoon and said; “Let’s get rid of the superhero element.”

That’s what Mike had been struggling with during my many revisions to the story.

The story was a superhero story that dealt with a certain time in American history. Mike realized all at once that the history was more important than the superheroes.

This under any other circumstances would have been a deal killer for me. That was not the idea that Keith Giffen said was one of the greatest ideas he had ever seen. This was no longer my dream project.

But…

It was a great project and more importantly it was a story that needed to be told.

Mike was right.

Soon after we had that talk I turned in my new story overview and Mike said “Go do the book.”

That was three years ago.

I’ve been working on that graphic novel for three years. The comic book work I’ve done in the past has been me trying to do comics the way others do comics. I’m not that type of artist and I’m not making that mistake again.  Graphic novels are done in as many styles as there are artists and I’m not taking any chances that I’m not true to how I work and how I work is a bit involved and tedious.

My pen and ink style is a wee bit time consuming.

I’m including examples of the Dark Horse project with this article. Mike Richardson has not even seen this work yet. I’m not showing any story pages, as I’d like to keep the story under wraps for a bit more time.

As I hope you can see from the art, the work is a bit time intensive.  All of the originals are 20 x 30 inches, double or single page spreads.

But just as a deal takes the time that it takes a good artist takes the time that he or she needs to do the work to the best of their abilities.

That being said-my project at Dark Horse has an opened ended deadline, meaning I have the luxury of turning the project in when I want.

I have that luxury.

If any young creator is on a deadline but thinks they can turn in a project whenever they want just so they can get it right that creator at risk of becoming an asshole of the highest order and at a higher risk to be unemployed.

The Dark Horse project should be done this year, and I’m as happy as Mitt Romney’s dog was when he came down off that car roof. It’s a major graphic novel from a major publisher and Mike Richardson is one of the greats to work with not just in comics but the entertainment business.

But, you ask, what about the original earth shattering idea?

Well, I’m glad you asked. Last year at Comic Con I met with the head of another major comic book company who expressed great interest. We met again last November and he was still very interested I was told he would get back to me in two weeks to see rather or not it was a fit within his publishing plan.

Two weeks turned into four months. We met again briefly two months ago and he said he would get back to me shorty.

So far it’s been six months and I’ve heard neither yay nor nay.

That’s really not a big deal. Really it’s not. I’ve been waiting to do this project for over ten years, so six months is nothing. I’m also dealing with the head of the company so he’s got a lot on his plate. I don’t take any of this stuff personally.

Similarly, I’m a busy guy. I’ve writing three books (novels, not comics) and I have another graphic novel project as well as a TV show in development. Moreover I have a couple of other little things I’m doing, so like I said, I’m a busy guy so I was fine with waiting.

I was fine with waiting.

Last week another major player entered the game. They want to do Project X and they want to do it now.

So what do I do? Do I…

A. Pull the project from the publisher who has had it for six months and take it to the new publisher?

B. Do I give the publisher who has it as much time as they want to make a decision?

C. Do I tell the publisher who has the project to shit or get off the pot?

D. Do I not say a word to the publisher who has the project and let them know when the new publisher announces it at the San Diego Comic Con?

Pay attention here, young creators…

A is an asshole move.

B is simply a stupid move with another power player in the game.

If I were the old Michael Davis, it would be D. I’m not that guy anymore.

So that leaves C.

That’s the ticket, boys and girls. I’ve patiently waited six months, Hell, if you think about it I’ve patiently waited more than ten years.

On Monday April 23rd (tomorrow to me, yesterday to you) I’m sending a very nice email to the company that has my project and I’m saying very nicely to them please make a decision.

I know what they are going to do. I’m real good and according to many, I’m scary when it comes to predicting what others will do.

My birthday is a week from the date of this writing. That’s next Sunday, April 29th.

I’m sure I’ll be celebrating Project X and a new deal.

That’s a great gift. In fact it will be a first.

WEDNESDAY: Mike Gold Thinks Up Something Just In The Nick Of Time

 

Conan Shines In New Dark Horse Series

  • News
  • April 22, 2012
Review by Joshua Pantalleresco
I eagerly awaited Brian Wood and Becky Cloonan on Conan.  I’ve been a big fan of Brian’s since he released Channel Zero way back in the mid nineties.  It was angry, rebellious and thoughtful.   Ever since, he has done a number of excellent books including Demo, Local, Northlanders and DMZ.    I’m happy to say so far Conan continues that trend.
This Conan series is a direct adaptation of the story Queen of the Black Coast and deals with Conan’s first serious romantic relationship with the character Belit.  The story begins with Conan’s retreat from the city of argos as he forces himself on board the trade ship Argus.  After a brief and abrupt negotiation, Conan finds himself acquiring passage. 
My favorite part of the story is Conan’s story about how he found himself running for his life.  You get a real glimpse with how he found himself running for his life.  Here is where you get a real good glimpse into Conan’s character and I think this in particular is where Brian Wood shines.  Conan’s run in with the law shows that while he is still young and very brash, yet you understand exactly where he is coming from with his actions. 
He quickly befriends the ships captain Titus who tells him about the dangerous and beautiful Belit, the fierce queen of the black coast who terrorizes trade ships with her cunning and ruthlessness aboard her ship the tigress.  Conan is enticed by the story as her description matches the stories of the winged goddesses of the north that as a youth he dreamed about.
Finding themselves in her waters, and unable to go back to Argos because of Conan, they press on.  Shortly thereafter Belit enters the book right at the end with her and Conan looking eye to eye.
Issue two is the battle between the Argus and the Tigress.  Another great little touch in this book is Conan firing arrow after arrow into the Tigress’ crew as the ship approaches.  He has the opportunity to perhaps hit Belit and waivers.  He says crom as he fires.  Did he want to miss?  Or was he regretful that he was about to kill her? 
The battle intensifies and Conan witnesses the death of Titus and vows to go down swinging.  He becomes an angel of death and proceeds to cut down anything in his path.  In the end it’s Conan facing down the whole crew by himself.  That fight is interrupted by Belit, who views Conan in much the same way he does her; a myth made real.  She makes an offer that catches him completely by surprise and ends the second issue right there.
This review wouldn’t be complete without mentioning Becky Cloonan.  Her Conan is devious, young and clever.  Her Conan isn’t the muscular Arnold Schwarzenegger type.  He looks like a lean and capable warrior, which is probably a lot more realistic.  And she nails the character perfectly.  Those splash pages on page two and three of issue one is perfect.  My other favorite conan is him standing definitely aboard the tigress just daring them to come at him, outnumbered and outgunned.  She gets Conan and manages to mix honor and brashness into his demeanor. 
Belit is beautiful, bold and clever.  Page 1 she looks absolutely fierce and as defiant as Conan is later in the issue.  She hasn’t been featured in the book as much as Conan as of yet but I know that will change from here on out.     When she has been on screen she has been able to captivate the pages she has graced herself into.  All in all, you have two very strong and clearly defined characters.  It’s a strong start and worth a read.
Issue three is out now.  I suggest you go and pick it up along with the first two issues.  You won’t be disappointed.  I can’t recommend this book enough. 

MICHAEL DAVIS: The Greatest Story Never Told, Part 3

Portrait of former DC Comics publisher and pre...

Please read the last two week’s installments before reading this. Thanks!

What has gone before, quick and dirty recap… I’d sold (in my opinion) the second greatest idea in the history of comics to one of the greatest publishers in the business. It was to be written by one of the greatest writers (Dwayne McDuffie) with art by a guy (me) who was going to make sure this time he got it right.

All was right in the world. Except for one teensy little problem. The editor assigned to the project wanted to change one thing…

Me.

A few days after Jenette Kahn assigned the editor, Dwayne went to meet with him to map out the production schedule.  I was living in Los Angeles and the meeting was in the New York offices of DC. There really was no reason for me to be there. After the meeting Dwayne would call and fill me in.

I couldn’t wait for that call. In hindsight, yes, yes I could have.

(more…)

Saturday Morning Cartoons: The Umbrella Academy!

  • Uncategorized
  • April 14, 2012
The Umbrella Academy

Here’s the sort of wackiness you needed this weekend!

A dysfunctional family of superheroes with bizarre powers, the seven members of the Umbrella Academy spent their childhoods fighting evil and honing their extraordinary gifts under the tutelage of their guardian and mentor, Dr. Reginald Hargreeves. In this story from the past, the UA team fights a mysterious murderer and learns a powerful lesson…

Conceived and written by Gerard Way (of My Chemical Romance), [[[The Umbrella Academy]]] features art by Gabriel Bá (Casanova) and Dave Stewart (Hellboy) and was originally published by Dark Horse Comics. It won the 2008 Eisner Award for Best Finite Series/Limited Series, and if you haven’t read it yet, watch this to find out why…

[youtube]http://www.youtube.com/watch?v=90ExgVAjMi0[/youtube]

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ATHENA VOLTAIRE FLIES TO SEQUENTIAL PULP ON A DARK HORSE

  • News
  • April 13, 2012

Sequential Pulp Comics shared their latest press release for Athena Voltaire with All Pulp.


FOR IMMEDIATE RELEASE
For more information, contact:
Michael Hudson
artist@reelarstudios.com

ATHENA VOLTAIRE FLIES TO SEQUENTIAL PULP ON A DARK HORSE

Globetrotting aviatrix Athena Voltaire battles Nazis, occult science, and mythical creatures against the backdrop of the pulp era. And now she’s coming in for a landing with Sequential Pulp Comics.
Co-publishers Sequential Pulp Comics and Dark Horse Comics are pleased to announce their publishing plans for writer/artist Steve Bryant’s 1930s heroine.

“Steve and I share a common love for all things pulp and for telling great stories. His character, Athena Voltaire, could not be a better fit for our line of graphic novels,” said Sequential Pulp president Michael Hudson. “These stories will have a beginning, a middle, and a true end to them, giving the reader a complete and fulfilling experience. The art and the writing are masterful. I can’t wait to see how Steve and his team develop this wonderful property as we move ahead.”

“I can’t think of a better home for Athena Voltaire than the Sequential Pulp imprint. Their commitment to adapting genre classics and creating new pulp icons is second to none,” said Bryant. “To be published through Dark Horse is the cherry on top. Hellboy, B.P.R.D., Buffy, Battlepug—they put out some of the best comics on the stands today. I’m flattered and humbled to see my book added to such a prestigious line!”

Athena Voltaire

In addition to covering representational rights, the exclusive print and digital publishing agreement calls for an Omnibus edition containing remastered versions of the previously published Athena Voltaire material followed by new adventures, including two graphic novels and an illustrated prose anthology.

With titles scheduled into 2015 and beyond, Athena Voltaire is sure to continue to please her existing fan base as well as those who will be coming aboard through this relaunch. Anyone who enjoys pulp, classic adventure stories, classic and modern comics will fall in love with this heroine who is unlike any other in comics today.

About Dark Horse Comics:
Since 1986, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. Today, Dark Horse Comics is the third-largest comic-book publisher in the U.S., and is recognized as one of the world’s leading publishers of licensed comics material.

About Sequential Pulp Comics:
Sequential Pulp is a new imprint and production house whose focus is on publishing graphic novels based on classic to neo pulp of all genres. Its books will include both licensed and creator-owned material. launched as a part of the Modern Tales family of webcomics in 2002 and was nominated for a Best Digital Comic Eisner Award in 2005. The feature was also included in St. Martin’s The Year’s Best Graphic Novels, Comics and Manga (2004 edition).

About Steve Bryant:
Steve Bryant began his comics career with the launch of Athena Voltaire as a webcomic, eventually earning him an Eisner Award nomination in 2005, and a nomination for the Russ Manning Most Promising Newcomer Award in 2007. Bryant has contributed artwork to publications from Image, IDW, and Ape Entertainment, as well. Outside of comics, Steve has produced illustrations for everything from clip art and greeting cards to theme park design and roleplaying games.
You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.co/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

Click on images for a larger view.

QUATERMAIN RETURNS!

  • News
  • April 13, 2012

Sequential Pulp Comics shared their latest press release for A Quatermain Adventure with All Pulp.


FOR IMMEDIATE RELEASE
For more information, contact:
Michael Hudson
artist@reelarstudios.com

Allan Quatermain may not be as well known as Tarzan or Indiana Jones, but he adventured his way through lost civilizations long before those two characters’ adventures had been put into writing.  The FIRST Action-Adventure Hero Returns in a new series of Quatermain Adventures from Sequential Pulp Comics

Quatermain first appeared in Sir H. Rider Haggard’s 1886 novel, King Solomon’s Mines, and he set the standard for generations of adventure heroes. Haggard’s second most famous character, the iconic Ayesha followed a year later in the rousing “lost civilization” yarn, She. Both Quatermain and Ayesha proved to be so popular that Haggard wrote one of the earliest versions of a “crossover” with Allan and She. Both characters have proven to be remarkably durable over the decades in both print and film and continue to thrill audiences today.

With a resurgence in pulps and classic adventure at an all time high, Sequential Pulp’s Michael Hudson felt a graphic novel series built around the adventures of Allan Quatermain was due and thus was born the first two books A Quatermain Adventure: King Solomon’s Mines and A Quatermain Adventure: She. Michael Hudson says, “Our version of King Solomon’s Mines is the first in a series of wild adventures that take Quatermain and his companions all over the world…and even beneath it. The second graphic novel in the series is an adaptation of She, which blends elements from both the original novel and She and Allan. I’m thrilled to have two creators well versed in adventure comic storytelling in Mark Ellis and Pablo Marcos on King Solomon’s Mines. The work that has been coming in is stunning!”

When offered scripting reins on the project, veteran action-adventure novelist Mark (James Axler) Ellis saw it as an opportunity to “re-imagine” Quatermain and his milieu. Ellis says, “Quatermain is not just the template for all modern adventure heroes, but for the ‘Englishman who went native’ character archetype. I thought it would be interesting to examine that a bit in our series. So Pablo and I decided to present Allan as younger man, more dynamic, with a touch of the savage about him. And that extends to sexy female characters such as Princess Ignosa in King Solomon’s Mines.”

Quatermain remains popular with movie studios. Such actors as Stewart Granger, Richard Chamberlain and Sir Sean Connery have portrayed him. Recently Sonar Entertainment announced a 10 episode TV series entitled Quatermain, expected to go into production on location in Africa later this year. Sequential Pulp’s King Solomon’s Mines will solicit mid 2013 followed by She.

About Dark Horse Comics:
Since 1986, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. Today, Dark Horse Comics is the third-largest comic-book publisher in the U.S., and is recognized as one of the world’s leading publishers of licensed comics material.

About Sequential Pulp Comics:
Sequential Pulp is a new imprint and production house whose focus is on publishing graphic novels based on classic to neo pulp of all genres. Its books will include both licensed and creator-owned material.

Mark Ellis:
The author of 50 novels and the creator of the best-selling Outlanders SF novel series, Ellis is no stranger to action-adventure. He has written what is generally considered the best comics version of Doc Savage, as well series based on popular TV shows such as The Wild, Wild West and The Man From U.N.C.L.E. He has also created comic/graphic properties such as Death Hawk, HP Lovecraft’s The Miskatonic Project, Star Rangers, and The Justice Machine.

Pablo Marcos:
Pablo Marcos has worked in comics and commercial illustration for decades. A native Peruvian, Marcos is one of Peru’s leading cartoonists. His first U.S. work was in Warren Publishing’s Creepy #39 in 1971. Marcos has been associated with Batman, Dracula, Conan the Barbarian and his signature character, the Zombie for Marvel’s black-and-white horror comics magazine Tales of the Zombie (1973–1975). He has also illustrated many young adult adaptations of classic novels including King Solomon’s Mines for Great Illustrated Classics and Baronet Publishing.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

Click on images for a larger view.

Allan Quatermain may not be as well known as Tarzan or Indiana Jones, but he adventured his way through lost civilizations long before those two characters’ adventures had been put into writing.

POWELL AND CHASE OFFER A GLIMPSE AT THE EARTH’S CORE!

POWELL AND CHASE OFFER A GLIMPSE AT THE EARTH’S CORE!

  • News
  • April 12, 2012

Sequential Pulp shared some in-progress art from Jamie Chase for the upcoming graphic novel of Edgar Rice Burroughs’ classic sci-fi adventure, AT THE EARTH’S CORE. Written by Martin Powell with art by Jamie Chase and authorized by ERB, Inc. Coming soon from Sequential Pulp/Dark Horse Comics.

Slaves of the Sagoths being forced toward a dire fate, as recreated by artist Jamie Chase.
An art-in-progress view of the Mahars’ Death Arena as visualized by Jamie Chase.

A prehistoric princess personified, “Dian the Beautiful”, by artist Jamie Chase

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

Dynamite responds to ERB Inc. lawsuit over John Carter, Tarzan

  • News
  • April 6, 2012

Originally posted at http://robot6.comicbookresources.com/2012/04/dynamite-responds-to-erb-inc-lawsuit-over-john-carter-tarzan/

In response to the lawsuit filed in February by Edgar Rice Burroughs Inc., Dynamit has filed what amounts to a blanket denial to accusations of trademark and copyright infringement and unfair competition involving its Lord of the Jungle and Warlord of Mars comics.

ERB Inc., which holds the existing rights to the works of the author of Tarzan and John Carter of Mars, claims the comics Lord of the Jungle, Warlord of Mars, Warlord of Mars: Dejah Thoris and Warlord of Mars: Fall of Barsoom are likely to “deceive, mislead and confuse the public” about the source or sponsorship of the content, causing “irreparable injury” to the family-owned company. It also insists the titles were published without authorization after Dynamite Entertainment President Nick Barrucci was told that Dark Horse held the licenses for the Tarzan and John Carter of Mars books.

In its answer to the complaint, filed last week in federal court in New York City and first reported by The Beat, Dynamite points out that the Burroughs works on which the comics are based are no longer protected by U.S. copyright law. As to the trademarks, the publisher notes, “There are numerous examples of Burroughs’ novels, and other works inspired by Burroughs’ novels bearing such alleged marks or similar marks, which have been published by third parties without any reference to” ERB Inc.

“In addition, Burroughs’ public domain novel Tarzan of the Apes has been republished by numerous publishers without any attribution to plaintiff, and the basic story of a jungle-dwelling, Tarzan-like character has appeared in and film without any affiliation to plaintiff,” the document states.

Dynamite, of course, asks the court to dismiss the lawsuit, which will likely be watched closely by those concerned with what’s been characterized as an effort to use a trademark to, effectively, prolong the duration of copyright.

More to come on this case.

POWELL AND CHASE OFFER A FIRST GLIMPSE AT THE EARTH’S CORE!

  • News
  • April 3, 2012
Artwork © Jamie Chase
Art: Jamie Chase

New Pulp Author Martin Powell offered a first glimpse at the prehistoric world of Pellucidar as envisioned by artist Jamie Chase, for the upcoming graphic novel based on Edgar Rice Burroughs’ classic sci-fi adventure, At The Earth’s Core.

At The Earth’s Core is written by Martin Powell with art by Jamie Chase and is fully authorized by ERB, Inc. Coming soon from Sequential Pulp Comics and Dark Horse Comics.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

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