Tagged: ComicMix

Ostrander Auction: ‘Fables’ and ‘Sonic’ art from Andrew Pepoy

Ostrander Auction: ‘Fables’ and ‘Sonic’ art from Andrew Pepoy

Andrew Pepoy, creator of The Adventures of Simone and Ajax here on ComicMix, is donating five pages of artwork:

  • Jack of Fables #8, p20, by Tony Akins and Andrew Pepoy
  • Jack of Fables #20, p3, splash by Russ Braun and Andrew Pepoy
  • Sonic X #2, p21, by Tim Smith and Andrew Pepoy

And two pages from Fables #87 by Mark Buckingham and Andrew Pepoy that we can’t show you here because the issue doesn’t come out until next week. So if you’re a hardcore Fables fan and win the auctions, you’ll get them before anyone else.

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Ostrander Auction update: pricing clarification

Ostrander Auction update: pricing clarification

At various times, we’ve seen pricing for admission to the Comix4Sight Ostrander benefit auction set at $40, $15, and free. So which is it?

The price to enter the room where the auction is happening is $40 with an hour of open bar and food. Zero money goes to Wizard, the admission price covers the cost of the room the hotel charges plus a $5 donation to the Ostrander fund. “The hotel wouldn’t let us do it any other way,” program coordinator Adriane Nash said. “We tried to find a sponsor to underwrite the costs of the room, but couldn’t, and we didn’t want to spend additional money when the point was to raise money.” Apparently, the $15 note on the web site and free price listed in the program book were placeholder items that never got changed until it was too late.

Does that mean if you don’t buy admission to the room, you can’t bid?

Not at all. We will have runners right outside the door taking bids back and forth during the auction, and we’re checking with the hotel to see if they will let people in right after the open bar closes.

In addition, we’re looking into ways to take bids from people who are listening to live streams of the auction at getthepointradio.com.

Items going up for auction will be available for inspection at Booth #1435 on the floor at the Chicago Comic-Con, as well as galleries at Comix4Sight.com, as well as what we’re posting here on ComicMix.

And remember, the auction is Saturday, August 8th, starting at 7:30 Central Daylight Time.

A reply from Imagi about ‘Astro Boy’

A reply from Imagi about ‘Astro Boy’

With regards to the recent C&D letter from Imagi’s lawyers, we’ve received the following:

August 4, 2009

Mr. Glenn Hauman
ComicMix.com

Dear Glenn:

Imagi Studios apologizes for any misunderstanding or inconvenience caused by the legal letter of July 29 regarding the image posted with your story about Astro Boy. This letter, which truly resulted from a miscommunication, was sent in error, and is hereby retracted. We thank you in advance for your understanding.

We would only like to point out that the image which appeared on your site is not from the movie as it is early concept art, and therefore we would greatly appreciate it if you could replace this image with one of the new stills from the Astro Boy movie, which are attached herewith.

Imagi Studios prides itself on being collaborative with the media by providing images as well as access to filmmakers and executives, and we hope to further our relationship with you in this way as well. We would also like to express our warm appreciation of your support and that of ComicMix.com to date, and we look forward to sharing updates on Astro Boy and future projects with you and the ComicMix community.

Best regards,

Erin Corbett
President, IMAGI STUDIOS U.S. & Chief Marketing Officer Worldwide

Erin, your apology is accepted. We’ve restored the articles to the site, and while we won’t replace the image, lest we be accused of histroical revisionism, we’re happy to make an annotation to the article indicating it’s early art and share the newer images with the rest of the world– starting with the one above, which I think is one we haven’t seen before.

Cease and desist letter to ComicMix for posting ‘Astro Boy’ image

Cease and desist letter to ComicMix for posting ‘Astro Boy’ image

UPDATE 8/5/09: The issue has been resolved between Imagi and us. See here for more details.

So we got this in our feedback form recently:

From: Rebecca Henning

Email: XXXXXXXXX@wwllp.com

To Comicmix.com:

This law firm represents Imagi Crystal Limited (“Imagi”), the exclusive owner of the copyright in the as-yet-to-be-released CGI Astro Boy Movie and various images and depictions of the anime character Astro Boy, including the depiction at this link: http://www.comicmix.com//news/2009/07/23/sdcc-astro-boy-panel/  (the “Image”).

It recently has come to our attention that without authorization you have posted the Image at the link set forth above and represent that it is related to and/or connected with the Astro Boy Movie and/or sponsored or endorsed by Imagi (the “Posting”).

Please be advised that the Posting constitutes, among other things, false advertising and unfair competition in violation of Imagi’s exclusive rights, and further constitutes infringement of Imagi’s protected rights under the Copyright Act, all of which subjects you to a claim for injunctive relief and damages. Accordingly, on behalf of Imagi, we hereby demand that you immediately remove the Posting from your website, and further, that you immediately provide written confirmation that you have done so.

Be further advised that if you do not comply with the demands set forth above, Imagi will have no choice but to institute an action against you — and any persons or entities acting in concert with you — which will be prosecuted to the fullest extent of the law.

Please confirm to us right away that you have complied with the demands of this letter. Otherwise, Imagi will have no option other than to act promptly to protect its rights.

This letter is not intended as a complete statement of the facts or of Imagi’s rights, remedies and causes of action, all of which are hereby expressly reserved.

Very truly yours,

Rebecca Henning
Weissmann Wolff Bergman Coleman Grodin & Evall LLP
9665 Wilshire Boulevard, Ninth Floor
Beverly Hills, CA 90212
Tel. 310.858.7888

And here is our reply:

Ms. Henning:

The image in question has been removed.

To play it on the safe side, we have also removed the article in question, and every article related to the Astro Boy movie from our web site.

Obviously, we will be unable to trust any Astro Boy images that we get from third parties, because they may simply be claiming to have permission to promote Astro Boy and we simply don’t have the time to check to see if, say, Summit Entertainment is in any way connected with Imagi… so it would just be easier to not cover the movie at all. Or the DVD release. Or the comic book adaptation, which will certainly be entertaining to explain to the publisher.

For that matter, we should probably be concerned about showing any images from other Imagi productions, such as Gatchaman, Highlander, TMNT, or Gigantor. We’ll just skip covering them as well. And we should also notify all of the other people and news organizations who are providing press coverage on the web for any Imagi properties to be careful running any images related to their properties, lest they run afoul of lawyers. I can think of a few large websites running your precious image right now, I’m sure their thinking will mirror ours.

It’s a shame. You could have handled this like the nice folks at Guinness World Records. When we used an image on their web site to promote an article about them, they wrote a very polite letter, did not threaten legal action at all, and provided us with alternate images to use. Even though our usage of the image clearly fell within fair use, we were happy to replace the image because we appreciated the tone and their efforts to find a useful solution.

But hey, you’re just doing your job. So are we. And right now, it’s going to be a lot easier to do our jobs by not having anything to do with Imagi products, certainly not by promoting them in any way. And I’m sure it’s going to be a lot easier for other folks to do the same.

Glenn Hauman
ComicMix

Vote for Madrox! (A shameless plea from Peter David)

Vote for Madrox! (A shameless plea from Peter David)

So I got an email from Peter David:

Glenn? Voting ends Monday on the “Pick three figures to be in next year’s Hasbro Marvel Legends line” that includes trench coat Madrox as a choice. Can you put this up immediately on ComicMix and urge people to vote for Madrox?

Why, that would be shameless flackery. And if you think that we’re just going to put up a link suggesting that people vote multiple times for Madrox the Multiple Man, currently appearing in X-Factor, well… that’s going to cost you.

Review: The Photographer by Guibert, Lefèvre, & Lemercier

Review: The Photographer by Guibert, Lefèvre, & Lemercier

The Photographer
By Didier Lefèvre, Emmanuel
Guibert, and Frederic Lemercier

First Second, May 2009, $29.95

Lefèvre was a French photojournalist – he died, unexpectedly
and too young, in 2007 – and this book is an unusual combination of drawn
comics and [[[fumetti]], telling the true
story of part of his life. In 1986, Lefèvre took the first of several trips
into Afghanistan with the group Medicins Sans Frontieres (MSF, aka Doctors
Without Borders), to report on the work of the MSF during the Soviet
occupation, particularly on one particular mission to set up a field hospital
in Zaragandara in the Yaftal valley up in the mountains of the north.

Nearly twenty years later, after hearing stories of that
trip many times, Lefèvre’s friend Emmanuel
Guibert, a well-known cartoonist and graphic novelist, turned that trip into
comics form, using Lefèvre’s words and photos.
As this book credits itself, it’s “A story lived, photographed, and told by
Didier Lefèvre, written and drawn by Emmanuel Guibert, laid out and colored by
Frederic Lemercier, and translated from the French by Alexis Siegel.” (I think
that means that Lemercier did the panel breakdowns from Guibert’s script – for
those who obsess about comics workflow – but that’s not completely clear.)

So every page of [[[The Photographer]]] is a comics page, with captions, panels, borders
and word balloons. But many of those pictures are not Guibert’s drawings, but Lefèvre’s photos – used as panels (wordless; the
captions and balloons never overlie the photography) or in strips of film to
convey time passing or just the atmosphere of a scene. It’s a style that
quickly fades into the background, but it gives The Photographer the power of a documentary – we see these people’s
real faces, and the real landscape they inhabit, as well as Guibert’s versions
of them.

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Win a free ‘Coraline’ DVD!

The nice folks releasing the Coraline DVD today (based on the award winning book by Neil Gaiman, doncha know) have given us a free copy of the DVD to give to a ComicMix reader.

As we’re too dang busy between now and San Diego to grade essays on “why I should get the free DVD of Coraline“, we’ll just make it simple: Comment in this thread, using a real email address when you log in (because that’s how we’ll contact you if you win). Contest open only to people living in the United States. Don’t forget to check out the film’s current site.

In the meantime, here’s a little clip from the DVD extras…

Review: Goats: Infinite Typewriters by Jonathan Rosenberg

Review: Goats: Infinite Typewriters by Jonathan Rosenberg

Goats: Infinite Typewriters
Jonathan Rosenberg
Del Rey, June 2009, $14.00

It’s not true that every webcomic will eventually have a
book, even if it seems that way. There are some projects that even [[[Lulu]]] will
choke on; some things that are too short and obscure and just plain pointless
to be immortalized in cold print. But, with magazines and newspapers running
around like the proverbial head-chopped chickens – all the while conveniently
neglecting to mention the fact that newspapers had the most profitable two
decades of their existence right up to a handful of years ago, and collectively
blew those profits on buying each other out and paying off the families who
were smart enough to take huge wads of cash and toddle off to do something less
glamorous, like badger sexing – webcomics are beginning to look like the only
good game in town, so even staid book publishers – like Del Rey, the science
fiction imprint of Ballantine, which, despite being part of the massive,
serious, Bertelsmann/Random House empire, has made buckets and bushels of money
over the past thirty years from [[[Garfield]]] books and even less likely drawn items – are surfing heavily from work, calling
it research, and drafting up big-boy contracts for cartoonists whose work has
only previously appeared in shining phosphor dots.

(And, now that that
sentence has cleared the riffraff out, let me get down to specifics.)

The house most active in snapping up webcomickers is the
comics publisher Dark Horse; I don’t believe they intended it that way, but
they’ve taken a strong line in signing up nearly all of the webcomic creators
that I read and appreciate on a regular basis. What does that leave for other
publishers? Well, it’s a big web, and God knows – despite my occasional
pretense otherwise – I’m not the Czar of Online Comics (though that would be a great job to have – mental note: give BHO a
call later to see if it’s possible), so there are almost certainly dozens of
damn good comics online that I don’t already read.

Which is a really roundabout way of saying
that I wasn’t familiar with [[[Goats]]] – even though Rosenberg has been doing it since the end of April 1997,
and the entire archives (including the strips reprinted in this book) are all
available online, costing no more than a few cents for electricity and an
attention span unusual in any web-surfer. If you don’t believe me, have a link – that goes back to the very first
strip, which, in usual daily-comics fashion, bears very little resemblance to
the strips reprinted here.

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This Weekend: ComicMix crew at Shore Leave 31, Baltimore

This Weekend: ComicMix crew at Shore Leave 31, Baltimore

Shore Leave 31. It’s where I’ll be this weekend, at the Hunt Valley Inn, along with (deep breath) ComicMix people Robert Greenberger, Aaron Rosenberg, Jenifer Rosenberg, and comics pros Peter David, Mike W. Barr, Greg Cox, Keith DeCandido, Kevin Dilmore,
Michael Jan Friedman, Allyn Gibson, David Mack, Dayton Ward, and an armada of other SF writers and media guests.

Make sure to get there Friday night at 7:30, when we’ll be roasting Keith DeCandido. Cheap shots will be taken and mud will be thrown. 18+ to enter, 21+ to drink. The event’s for charity; all proceeds will benefit the American Red Cross. And stick around for Mystery Trekkie Theater 3000 on Sunday, with a few other special guests along the way.

It’s a fun convention. Come on by and say hi.

Trevor Von Eeden, ComicMix Resolve Conflict

Trevor Von Eeden, ComicMix Resolve Conflict

Writer / artist Trevor Von Eeden and graphic novel
producer ComicMix LLC have resolved their differences and are completing work
on The Original Johnson, the
biography of controversial African-American heavyweight champion Jack Johnson,
an international celebrity whose career and behavior became the pivotal point
in early 20th century race relations.

The concerns that separated the sides were not directly
related to Von Eeden’ story or art, nor over financial or rights issues. They
were of a technical and procedural nature, but were nonetheless important to
both sides.

Work is once again underway on The Original Johnson and new material will be posted weekly at www.comicmix.com
as soon as there is a sufficient backlog. The story has been entirely written and
penciled and has been approximately one-third inked. Color artist George
Freeman has resumed his efforts on the series.

The first volume of the printed version of the 240 page
graphic novel will be released through IDW Publishing later this year.

 “I have
nothing but the highest praise for Trevor as a storyteller and as an artist,
and I think The Original Johnson is
the crowning achievement in his distinguished career,” ComicMix editor-in-chief
Mike Gold stated. “Trevor and I go back to his days on Black Lightning at the
very start of his career, and I am personally very happy we have resolved our
outstanding issues so that we can all get back to doing what we do best: make
real ass-kicking comic books.”

Von Eeden noted, “Part of the appeal to working with Mike
and ComicMix is that they’re letting me tell the story of Jack Johnson my own
way – the way this important story needs to be told. I’ve been working on The Original Johnson for over 12 years,
doing an intense amount of research and honing my artistic skills. So it’s
great to see that the book will finally reach its fruition.”

Both Von Eeden and ComicMix would like to thank in
appreciation Thomas Kjellberg, of Cowan, Liebowitz & Latman in New York
City, for his assistance in mediating this matter.