Tagged: Apple

MIKE GOLD: For Whom The Bell Tolls

There are few songwriters – few writers – I respect more than Pete Townshend. Were this a music column I’d go into detail why I hold this belief, but today in this venue he’s a means to an end.

Last week, Pete (okay, we’re not on a first name basis; the only time we were within 10 feet was when he bashed my boss in the back of his head with his guitar) accused Apple’s iTunes online retail store of being a “digital vampire.” His analysis was fraught with mistakes and revealed a genuine lack of knowledge of the situation. He was defending a system that treated him and his band, The Who, very, very well – a system that no longer exists as a creative outlet for newcomers going back at least a full generation. He also mistook iTunes for a label and not what it actually is: a retail outlet. A very successful one, but then again Pete’s net worth is in the neighborhood of $75,000,000 – a true one-percenter – so success isn’t the issue here.

What does this have to do with the wonderful world of comics? Hang on. I’ll get there.

Pete also said “It would be better if music lovers treated music like food, and paid for every helping, rather than only when it suited them … Why can’t music lovers just pay for music rather than steal it?” That’s the heart of my diatribe today: people who sort of steal artists’ works instead of paying for it.

Bootlegging is a serious issue, but more a moral one than financial. Sure, Disney and Warners will bitch about all the milions they’re losing but that’s because they see every bootlegged item as a lost sale. Few are.

When it comes to comics, sometimes it’s a matter of convenience. Some people boot stuff they’ve already purchased because they prefer reading on a tablet. After all, we’re in our third generation of comics fans who go bugfuck whenever somebody folds the cover back in order to read the damn thing. Still others are sampling new wares: with literally over 300 new comics released each month and maybe a third of them brand-new titles or “reboots” (a word with unintended irony) a reader can’t afford to sample even a fraction of the new stuff.

And then there are the idiots. Stupid people who live the life of Wile E. Coyote until they finally look down.

Our buddy Rich Johnston at Bleeding Cool reports of a guy named Stephen Chandler out in Glasgow, Scotland who is offering every comic book published each month by the “major” publishers (DC, Marvel, IDW, Image, Dark Horse, Dynamite, and perhaps others) in electronic form for the low price of about $27.00 a month – 20 Euros, so the price fluctuates.

His is a for-profit operation. No matter what you think of readers downloading comics illegally, this guy is taking money out of publishers’ pockets. Most publishers can’t afford that; even the big guys are responsible for delivering an acceptable bottom line to their masters.

Steve, pal… look. Maybe your heart is in the right place. Most comics readers pay more than $27 a month for a fraction of the content you’re delivering on disc. And you’re entitled to a reasonable profit for your work. But that’s only in the sense that Al Capone was entitled to a reasonable profit for his work.

Eventually, Wile E. Coyote looked down. So will you, Steve. You work and perhaps live near the All-Saints Secondary School. You might dine at the Delhi Darber. Maybe you drink at the Aushinairn Tavern and shop at Asda Robroyston. Or perhaps you go to the Food Cooperative off of Wallacewell Road.

In other words, Steve, you’re an idiot.

THURSDAY: Dennis O’Neil

JOHN OSTRANDER: Life and Death and Comics

As you all know, Steve Jobs died this last week. You also know, or should from everything that has been said about him since he died, that he co-founded Apple and was the visionary that brought us the iPhone, the iPad, the iPod and the computer on which I’m writing all this. Some have compared him to Einstein or Edison and, considering the influence he’s had or will continue to have, I think the comparison is apt.

Here’s some of what Steve Jobs said about death from his commencement address to Stamford University in 2005. He’d been diagnosed with pancreatic cancer, had surgery, and hoped he had escaped it. Jobs was a reflective person, however, and talked about what the experience had taught him.

Death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new… Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma – which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice.

“And, most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.”

That’s profound advice for anyone who wants to be a writer, who wants to be any kind of artist. Jobs was an artist, in my opinion, and his medium was Apple.

This has had a special reverberation for me as well. I’ve been spending the week dealing with an irregular heartbeat. My heart sometimes goes ba-dump, ba-dump, ba-dump. . . .ba-DUMP. We’ve all heard the phrase of how something or someone made your heart skip a beat. Well, mine has and I can tell you it’s not romantic; it’s a little scary.

Yes, I’ve been to the doctor(s) and there’s been a bunch of tests and there will be more to come. I’m told it’s not a heart attack. The initial diagnosis is palpitations. I’m one attack of the vapors from becoming a Southern Belle.

While this is something to pay attention to (and I am), it doesn’t appear to be dangerous at the moment. At the same time, it’s made me reflective of the fact that I am mortal and I will die. I’ve had a relationship with death all my life and I think it’s shaped me for the better. As a boy, any number of my relatives died by the time I was ten. I spent a lot of time at wakes and funerals. I saw dead people – ones I had known as living folks.

I lived across the street from our church and one bright summer morning I was on my bike in front of my house when a funeral cortege passed by heading to the front of the church. As I watched the hearse go by, I got the sense that someday the positions would be different. I would be in a hearse and some ten-year old kid would watch me pass by. As Jobs said, the old replaced by the new and that everything new eventually becomes old.

All those deaths – ones close to me like my father or my late wife, Kim, or of heroes like the Kennedys or John Lennon – have become part of me. It’s like the way artists use negative space to define objects. Death helps define life. Death has helped me define life for myself, it has entered into my writing and given it resonance.

Too often in comics we treat death as a plot device; the hero dies, the hero comes back. The grave has a revolving door. It’s a stunt to sell more books. I’ve done it myself. Some times it’s valid but it happens too often so that the death of a character really doesn’t mean anything anymore. Does that keep comics juvenile? Does it keep them from having any real resonance?

The medium itself is having death pangs in so many ways. Comic books shops are dying; print as a medium may be dying. Denny O’Neil once remarked to me that comics as a medium doesn’t have to exist; it can also be mortal. It can die.

Or it can change. The old parts die out and then get reborn. As Steve Jobs noted, death clears out the old to make way for the new. Maybe comics can benefit from a little death. It’s good to remember: nothing and no one lasts forever. That what gives life its poignancy and its value. Enjoy what you have while you have it. Love those you love while they’re here. Celebrate life; value death.

Life’s too short to read bad comics.

MONDAY: Mindy Newell

Steve Jobs: 1955-2011

Steven Paul Jobs, co-founder, chairman and former chief executive of Apple Inc., former owner and CEO of Pixar, and the single largest shareholder of The Walt Disney Company (now owner of Marvel), passed away Wednesday at the age of 56.

It would be almost impossible to overstate Steve Jobs’ impact on the world at large, and many other obituaries will do so. We’ll merely touch upon his impact on comics and popular culture: from the creation of the Macintosh, the computer of choice for most comics creators, to his stewardship of Pixar, which revolutionized the animation industry, to the iTunes store, the largest digital sales platform on the planet, to the creation of the iPad and iPhone, widely agreed to be the platform of the future of comics.

He will be sorely missed. Our condolences to his family, friends, and fans.

Amazon Now Sells More eBooks Than Paper Books

Yesterday. the future arrived.

[[[Amazon]]] announced that eBooks are now the most popular sales format on Amazon.com, outselling the joint sales of hardback and paperback books. Since April 1, 2011, for every 100 print books Amazon has sold, it has sold 105 Kindle editions. It took Amazon just about four years to make that statement come true, and it represents the tipping point.

Related to that, the Association of American Publishers released new sales figures for March 2011, and eBook sales were up from last year, but down from February 2011. March eBook sales totaled $69.9 million, compared to $90.3 million in February 2011. Still, this was a big increase from March 2010, which saw $28.1M in sales (a 145.7% increase).

And yes, they’re cannibalizing paper sales.

So far, we don’t have numbers on what it’s doing for comic sales, although Apple has stated that the most in-app purchases have come from comic book programs, although no one’s quoting hard numbers yet. But it will only be a matter of time and display technology.

As for me, I don’t feel like Kevin McCarthy screaming in traffic quite so much anymore.

Twitter Updates for 2011-03-03

Twitter Updates for 2011-03-03

  • RT @HarveyAwards: Who was the BEST COVER ARTIST for 2011? ComicPros Don’t miss a chance to vote @ http://ow.ly/1s6nA9 balloting is OPEN! #
  • RT @billamend: Pretty sure Apple could make a small fortune selling live streams of their events via AppleTV. #
  • RT @Perazza: The irony that people vehemently argue on the internet against making entertainment available digitally is…baffling. #comics #

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3-D TV and Gaming: Apple To The Rescue?

So far, sales of 3-D TVs haven’t exactly set the world on fire. Maybe… just maybe… that might change. Maybe.

Our friends at Apple have told the London Daily Telegraph they’re working on new 3-D technology that would function without special glasses. Oh, and it handles holographic images as well.

Apple’s patent reads: “An exceptional aspect of the invention is that it can produce viewing experiences that are virtuallyindistinguishable from viewing a true hologram. Such a ‘pseudo-holographic’
image is a direct result of the ability to track and respond to observer movements.”

OK. Wow. They didn’t say when this technology will become available, but Apple hopes to apply it to computers, to televisions and to movie screens.

Leander Kahney, who wrote a book called The Cult of Mac, noted “As well as
watching 3-D movies, Apple’s system would have a ton of applications in science, engineering, design and education, while 3-D iPhones and iPads would be killer. It’s easy to imagine things like amazing 3-D textbooks and instructional videos. 3-D gaming on an iPad would be an incredibly immersive gaming experience.”

The problem isn’t technology. It’s content. Thus far I haven’t come across a single movie that motivated me to spend the money to see the 3-D version, and of course my 3-D cable channel remains unlit. I’m not sure what it’ll take to get my business, but if 3-D follows the trends of previous media launches, it’ll be the porn industry that makes it happen.

The Beatles. Apple. Tuesday?

The Beatles. You’ve heard of them.

Apple. The one that makes iPads, iPods, iMacs and the like. Not the one the Beatles own.

Tomorrow, if everything goes as expected and the Beatles’ semi-impoverished record label EMI doesn’t change its mind (evidently they have before), Apple’s Steve Jobs is going to stand on a west coast stage at about 10
AM Eastern time and announce that the Beatles will be available on iTunes – for Macs, iPads, iPods, PCs, and the whole nine-yards.

Merry Christmas, music-lovers!

Is Apple Going To Own Marvel?

Far be it for me to report on Wall Street rumors… but I’m going to report on a Wall Street rumor. This one’s too good to pass up.

Apple, the people who make the computer I’m typing on right now, is the world’s second largest company when measured in market capitalization. They’ve got $51 billion in cash and investments, an amount that is somewhat in excess of comprehension. It is likely that the hot shit gizmo maker will use some of this money to buy something cool – they do that all the time.

Leading the pack of rumor dogs is Sony, which owns Columbia Pictures. That’s not a great fit – Sony is heavily invested in retro technology and, besides, international hostile takeovers rarely succeed in Japan. They also developed Blu-Ray, which Apple hates. Barron’s, the Rupert Murdoch owned business weekly, noted several potential takeover targets: the aforementioned Sony, the software manufacturer Adobe (which is in a blood feud with Apple right now), Facebook… and Disney.

Apple honcho Steve Jobs is Disney’s largest stockholder. He’s on Disney’s board. He used to own Pixar, before he sold it to Disney.

Disney owns Marvel.

Last week, Jobs stated Apple will use that $51 billion for “big moves.” Acquiring Disney takes enormous ego, and if there’s anything Apple has in excess of cash reserves, it’s ego.

We note that when Apple launched its revolutionary iPad (which, by the way, I regard as a wonderful comic book reader), Marvel’s comic book app was one of their very top “sellers.” That’s in quotes because the app is free, although most of the comic books are not and Apple gets 30% of the “cover price.” So Marvel received great exposure in the Apple App Store. Remember, Marvel is owned by Disney and Jobs is the biggest mouse on their lot.

Disney’s ABC-TV has a bunch of Marvel properties in development
and Marvel has promoting Disney’s new Tron movie as though it starred Iron Man.

There’s a lot of reasons why this could happen. There are a lot of reasons why it wouldn’t: quite frankly, there are better investments than Disney. But still, it’s a real nice fit.

I can hardly wait for the inevitable Disneyland Justin Long “I’m A Mac” thrill ride.

Apple kills Flash

Apple kills Flash

In case you missed it, and danged if it didn’t happen fast… Shirt.Woot! debuted a dilly of a pickle today on it’s newest shirt, featuring our favorite scarlet speedster taking a little nap on the concrete. The culprit? Well, a poisoned Apple. It seems Apple killed Flash. Get it? Or do we need to spell this one out?

Savvy tech-nerds get it. You see, those fancy iPhones, and iPads don’t support the web-based technology Flash, created by Adobe. The two companies used to be like Wally and Hal. Or Hal and Ollie. Or Ollie and Black Canary. But now? They’re like Superman and Lex Luthor, or Batman and the Joker. It ain’t pretty. Sure, both companies have attempted to explain their malaise for one another in wonderfully worded “open letters”, but we comic fans know hatred when we see it. And this situation is like Professor X and Magneto: best buddies turned enemies based on their personal mantras.

While we would have love to slap one of these cotton beauties across our geeky torsos… alas, Shirt.Woot! has already sold out. Faster than Barry slapped Wally back to the co-feature eh’?

Apple iBookstore categories for Comics & Graphic Novels, subcats for Manga

Apple iBookstore categories for Comics & Graphic Novels, subcats for Manga

According to Appslice and BustedData, it’s estimated that the new iTunes eBookstore (or whatever they end up calling it) will be divided into more than 150
sub-categories. This classification scheme is far more differentiated
than that of the current App Store, which has only 19 sub-categories for games.

And yes, there will be a section just for Comics and Graphic Novels, with at least one subsection for manga. They haven’t suggested if there will be further subdivisions for age appropriateness or other forms of content restriction.

They also haven’t indicated if they’re going to pull purchased books out of your iPad the way Amazon did a while back to copies of 1984, but the iPhone
Developer Program License Agreement
does give them the right to do so. And no, you won’t hear about it from anyone else because developers are forbidden from making public comments on the terms of the
agreement.

So for people looking to distribute through these folks, think of it as like dealing with Diamond, except Apple has bigger lawyers. (Oh, and Apple knows what they’re doing with computers.)