Category: Reviews

It goes without saying that the 1970s cannot be recounted without examining certain cultural phenomena. The Godfather and star Wars certainly helped redefine filmmaking and both had major impact on pop culture. But then there was the growth of cult cinema, which endures to this day, and was sparked by the arrival of a 20^th Century Fox flop, a failed adaptation of a British stage play that gained some cred when it moved to Los Angeles. Little did anyone suspect that when New York’s Waverly theater began screening The Rocky Horror Picture Show at midnight, it would engage a generation.

I had heard of it soon after the screenings began but didn’t see it for the first time until my college roommate showed it in our dorm room so I could see and hear it for myself before it screened on campus with complete audience participation. I was taught which lines to repeat, when to throw toast, and the rest.

Thanks to home video, the film’s popularity has never waned as subsequent generations have discovered it and made it a part of their experience. So, here we are marking its anniversary with The Rocky Horror Picture Show 40-th Anniversary Celebration. 20^th Century Home Entertainment has released it in a variety of formats but even its most basic single-disc Blu-ray edition is packed with wonderful stuff.

Richard O’Brien never expected his twisted homage to science fiction films would ever grow beyond the Royal Court Theater. Working with director Jim Sharman, they were clearly in sync and having fun. Anchored n stage by Tim Curry, the show gained a nice following, crossing the ocean to play at the Roxy Theater where core members of the film cast assembled, It was so enthusiastically received that a bidding war for film rights erupted.

The movie was shot cheaply and quickly, as befit its story, and opened in England on August 14, 1975 and at the UA Westwood in Los Angeles on September 26. Mainstream audiences and their critics didn’t get it. More, they didn’t like it and it was quickly yanked from its limited release. The Waverly began their screenings April 1, 1976 and finally, it found its intended audience.

In the current Entertainment Weekly, Curry (Dr. Frank N. Furter), Patricia Quinn (Magenta), Meat Loaf (Eddie), Barry Bostwick, and Susan Sarandon were reunited and in their reminiscences you got a sense of the organized chaos surrounding the production. It probably helped that Bostwick and Sarandon were new to the production, as were their characters Brad and Janet.

The story doesn’t always make sense but boy, does it look sharp and have a great soundtrack. The performances were spot on, with tongue just firmly enough in cheek so they got the joke and shared it with the audience. The combination of Sci-fi tropes, rock score, and amazing visuals helps keep it entertaining on repeat viewings. The high definition edition is crisp, matched with a strong audio track.

The single Blu-ray disc offers the film in in its USA and UK release versions along with Audio Commentary by O’Brien and Quinn. Most of the special features are repurposed from previous editions but is nice to have them here. Many of these can also be downloaded to your computer. These include:

• Rocky-oke: Sing It!
• Don’t Dream It, Be It: The Search for the 35th Anniversary Shadowcast, Part I
• An-tic-i-pation: The Search for the 35th Anniversary Shadowcast, Part II
• Mick Rock (A Photographer)
• Mick Rock’s Picture Show (A Gallery)
• A Few From The Vault
• Outtakes
• Alternate B&W Opening
• Alternate Credit & Misprint Ending
• “Rocky Horror Double Feature Video Show” (1995)
• Beacon Theater, New York City (10th Anniversary)
• Time Warp Music Video
• The Midnight Experience
• Pressbook & Poster Gallery

We haven’t had a good old fashioned disaster movie in ages. The timing for San Andreas is interesting in that most Californians have stopped worrying about the big earthquake, focusing instead on the drought and/or the wildfires. But the seismologists have never stopped fretting that a quake, more devastating than the 1906 San Francisco event, is imminent. After several decades of “imminent” waiting, I can see how attention has wandered.

The Dwayne Johnson-led action film is a brutal reminder of just how much devastation is likely to result from such an earthquake. With CGI effects to enhance the imagery, this is a visual feast of destruction. And like every good epic in this genre, we follow the impossible efforts of one man not only to survive but to rescue his family despite the odds. As a result, the horrific reality is undercut by the muscular heroics. We know they’re going to nearly die but survive, the nuclear family intact, as San Francisco vanishes around them.

The movie, out now on Blu-ray from Warner Home Entertainment, is exciting and entertaining despite stretching credulity, As with so many of this films, the scenes of death and destruction are sometimes hard to watch and always prolonged beyond necessity. Whereas you could get to know the cast aboard the vessel trying to land in Airport or survive The Towering Inferno, the editing is much faster so it changes the pacing and tempo and you can get lost in the debris.

The story begins with the scientists at Cal Tech, led by Lawrence Hayes (Paul Giamatti). They believe they have perfected predicting quakes so of course, their equipment is immediately tested with the Bog One, which is bigger than most worst case scenarios imagine. We watch as Hoover Dam and Los Angeles get smashed as the wave heads north up the San Andreas Fault line.

Enter rescue helicopter pilot Ray Gaines (Johnson), abandoning his daughter Blake (Alexandra Daddario), to do his duty around Los Angeles. She accompanies her soon-to-be stepfather Daniel (Ioan Gruffudd) and her mother Emma (Carla Gugino) into and out of danger until dad has come to the rescue. They wind up being accompanied by Daniel’s sister Susan (Kylie Minogue) and things continue to move at a breathless clip.

You root for everyman Johnson to save the day time and again, because that’s all these movies want you to do. There’s no room for discussions over safety inadequacies or the general nature of human behavior. Instead, our core characters stand in for mankind and we munch our popcorn, hoping they survive without too much trouble.

Director Brad Peyton (Journey 2) keeps things moving along, sometimes too quickly, but rarely taking his eye off the family that gives the film a heart more recent efforts like 2112 skipped. We’re left reassured we will survive and rebuild.

The high definition transfer is excellent at 1080p, 2.40:1 so every bit of concrete and steel, every drop of water, and every fleck of blood is sharp. The Dolby TrueHD 7.1 lossless soundtrack is a peerless match the visuals making this one satisfying home viewing experience.

There are only a few special features included, which is surprising given the scope of the project. The Audio Commentary from Peyton offers up many a nugget of interesting information about the filmmaking process. Then there are some relatively short pieces starting with San Andreas: The Real Fault Line (6:23), as cast and crew recall shooting specific moments; Dwayne Johnson to the Rescue (9:24), as the star recounts making the film’s opening and closing sequences;  Scoring the Quake (6:13), with Composer Andrew Lockington; Deleted Scenes (4:40), a collection of eight scenes, with option commentary from Payton; a Gag Reel (1:22); and, a Stunt Reel (2:56).

Yes, gaining great power brings with it great responsibility but that does not mean a character cannot revel in the sudden ability to do the seemingly impossible. After a decade of films with tortured protagonists, all in the name of gritty reality, the arrival of the CW’s The Flash series has garnered near universal praise because, for a change, the protagonist is having some fun. Out now from Warner Home Entertainment, The Flash: The Complete First Season is well worth having.

Grant Gustin makes for an appealing and engaging Barry Allen because he’s young and an unlikely hero, who is having fun running faster than the speed of sound. He’s a pumped, hyper-active puppy hero, eager to use his powers for as much good as possible, from helping paint buildings to rescuing stray animals. He wants to do it all and thinks he can.

Along the 22 episodes of the first season, he was coming to terms with the changes in his life from the fun to the tragic as his newfound abilities opened up new clues into the investigation of his mother’s murder when he was a young child.

Spinning off from Arrow, the new series worked hard to differentiate itself from the darker show. Still, it couldn’t entirely avoid the structure of a support team, all of whom know his true identity. Here’s he’s aided by Dr. Caitlin Snow (Danielle Panabaker) and the tech wiz uber-geek Cisco Ramon (Carlos Valdes).  Both work at S.T.A.R. Laboratories in the employ of Dr. Harrison Wells (Tom Cavanagh), who was the catalyst for accident that resulted in Barry gaining super speed. Wells is more than he seems from the outset and with every episode another layer is peeled away, a far more successful rolling out of a Big Bad than Arrow managed in three seasons.

Barry also has a home team in the form of Detective Joe West (Jesse L. Martin), who took the young Barry in after his father, Henry (John Wesley Shipp), was arrested and jailed for the murder of his wife. As a result, he grew up with Iris West (Candace Patton) as a sister, someone he had fallen for although she fell, instead, for dad’s partner Eddie Thawne (Rick Cosnett).

From the outset, comic book fans had familiar names and all served as trigger warnings to future events, some of which will occur in season two, launching this week. The winks and nods are nicely handled and not overdone. They are there for a reason, and unlike in Gotham, they modify not ignore the source material. This includes Caitlin’s lover, Ronnie Raymond, who seemingly died in the same accident but actually merged with Prof. Martin Stein (Victor Garber) to form Firestorm.
If there’s a fault to the first season is that they have too many characters introduced, some dispatched with speed such as Simon Stagg (William Sadler), and others arriving and going without much consequence such as Dr. Tina McGee (Amanda Pays). Rather than focus on Barry and the Flash persona, time is given over to the development of Firestorm and later the Atom (Brandon Routh). And while its fun seeing the two series casts interact with ease, it again takes time away from developing the supporting cast. While we know something of Cisco’s past, Caitlin is fun but underdeveloped, which made “Who Is Harrison Wells?” such a fun turn for the actress.

The rogues, especially Captain Cold (Wentworth Miller) are resonant from the four-color pages but Cold in particular has a nicely developing persona and relationship with the Flash. Tying Girder (Greg Finley) to Barry’s past was also nicely done.
It’s a wonderfully, satisfying and strong debut season and listening to the production team discuss it on the bonus material shows the level of detail brought to the plots and effects. The first season is spread across four Blu-ray discs, each containing some deleted scenes, some of which I wish made to air.
There’s also enlightening commentary from executive producers Greg Berlanti and Andrew Kreisberg, and DC Chief Creative Officer Geoff Johns on Disc 1’s “Pilot”.

In addition to the deleted scenes, there are several nice special features such as Disc 3’s “Behind the Story: The Trickster Returns!” (8:39), exploring Mark Hamill’s return to his character of The Trickster and what went into the episode.

On Disc 4, there’s “The Fastest Man Alive” (30:39) exploring the process of going from four-color comic to network series. There’s a lot of interesting tidbits in this one. Mostly for fans of special effects, “Creating the Blur: The VFX of ‘The Flash'” (26:25). A nice bonus is “The Chemistry of Emily and Grant” (4:20), the test footage between Grant Gustin and Arrow’s Emily Bett Rickards. Repurposed across multiple episode sets is “DC Comics Night at Comic-Con 2014” (29:31). Finally, there’s the usual Gag Reel (8:24).

The Lego series of video games has been top-notch quality since its first installment, and has gone to strength to strength.  When the announcement came earlier in the year that they were throwing their small plastic hat into the “Toys to Life” ring, competing with games like Disney INfinity and [[[Skylanders]]], interest was high.  As reports came out as to which of their licenses would be available in the game, that interest sailed even higher. Confounding the old belief that “It can’t be that good”, [[[LEGO Dimensions]]] is a perfect mix of the Lego game franchise, that the company have been doing for years, with the interactivity and variety of the collectible figures and vehicles that the company have been doing for decades.

Of all the unique things the game brings to the table is the play pad itself.  Like Disney and Skylanders, figures are placed on the pad to bring them into the video game, but unlike the other games, its use doesn’t end there.  The pad is an interactive part of the gameplay – the figures can be moved from spot to spot on the pad to give the characters special powers, and on certain levels, to solve puzzles to move forward in the game.  The figures are themselves true Lego toys – minifigures for the playable characters, and their vehicles can be re-built in three unique forms, each with unique powers and abilities. Also, Lego promises that the game pad will never need upgrading, even as more gameplay and functionality is added to the game. So while the initial investment is the highest of the three big Toys to Life – its starter set is $100 – you won’t need to re-purchase it when “version 2.0” is released.

Not only is Doctor Who in the game, ALL the Doctors are in the game, each with their own TARDIS interior.

The game is at its core another solid addition to the Lego series, following the standard process of keeping the best gameplay mechanics while adding new ones, all over a solid and hilarious storyline. This one features a new bad guy, Lord Vortech (voiced by, would you believe it, Gary Oldman) who is seeking the “Prime Elements”, with which he will, dare I say it, rule the world.  Or should say, the multiverse, as his plan is to merge all the various dimensions of reality.

Those dimensions are, of course, the various licenses Lego has collected over the years, and quite a few more.  Like The Lego Movie, the game is a mad mishmosh of worlds and characters – the main playable characters from the starter set are Batman, Gandalf from Lord of the Rings, and WildStyle from The Lego Movie. The main game brings you through all the worlds of the game, including The Simpsons, Doctor Who, Portal, and The Wizard of Oz, as well as Lego’s own franchises Legends of Chima, Ninjago, and the aforementioned film. Each level features the same staggering replay value of any Lego game – certain areas of the game are only available by using the skill of particular characters – the only difference being that while in the regular games, those characters are collected by playing through the game, here they are obtained by purchasing the character figures in either a fun pack, or a Level Pack, which also includes access to a completely separate game level than is included in the base game.  With only a couple exceptions, the various powers are available from characters in various franchises, giving the player great flexibility as to their purchases.

Batman meets Bartman? Done!

The voice cast for the game is staggering, with many original actors returning to voice their plastic counterparts.  The cast of Doctor Who voice their characters, Christopher Lloyd is back as Doc Brown in the Back to the Future levels, and Chris Pratt plays two roles – Emmett from The Lego Movie and Owen Grady from Jurassic World. Dan Aykroyd and Ernie Hudson return for the Ghostbusters levels – veteran voice artist Frank Welker steps in for the role of Peter Venkman, as well as Fred Jones and Scooby Doo.

The writing is as spectacular as any Lego game. With tongue firmly in cheek, the characters quip their way through outlandish adventures and difficult (but not impossible) boss battles.  The gameplay will be immediately familiar to the veteran Legoist, and the new twists of the play pad keep you on your toes as you shift the characters about while you play.

There are releases planned for the game well into next year, including more characters for Doctor Who, and a whole world dedicate to Midway video games.  While they have made no official announcements, the developers hope to add new worlds into the game – the sheer number of licenses the company makes as Lego figures could provide new content for literally years. But just what’s out and coming soon makes this a game that will keep the game player busy, and the toy collector happy.