Classic Comics Press Continues Reprinting Great Forgotten Strips
Although some of the more familiar comic strips have garnered tremendous press as a part of IDW’s Library of Comics, some of the best strips being collected have been overlooked. For the last several years, Classic Comics Press has been re-presenting Leonard Starr’s Mary Perkins and Stan Drake’s The Heart of Juliet Jones and these are just as deserving of readers’ time and attention.
Publisher Charles Pelto has turned a labor of love into a business that is surviving despite tough economic times. Along with James Gauthier, he has been slowly growing his operation, adding two new series this year. ComicMix had to the chance to chat with the two and in part one, we look at CCP’s origins and why these two strips launched the line.
ComicMix: Charles, how long have you been interested in comic strips?
Charles Pelto: I learned how to read from the daily and Sunday funnies. In the early 50’s there were a lot more papers available in Detroit, where I grew up. I delivered the Detroit Free Press (with Mary Perkins), but also regularly read The Detroit News, and a number of suburban papers. Around the age of 15 to 17 I used to ride my bike to a newspaper in Utica, MI that printed Secret Agent Corrigan. The paste-up guy used to save me the proofs and I’d ride my bike up there every other week or so to pick them up. For a while I was a bit fanatical, I started receiving papers from all over the country just to get a particular strip. It drove my father crazy.
CMix: And what led you to form Classic Comics Press? When was this?
Pelto: I left comics for a long time, sometime around my early 30s. For some reason my interest in comic art was rekindled about eight years ago and I started buying stuff off of eBay. For a while there I was buying lots of comics but to be honest they were boring the hell out of me. Things like Local Heroes, Preacher, 100 Bullets, Criminal and the like really turned me on, but the normal, run of the mill comic book just didn’t grab me. I still enjoy a good Batman story and I like what they’ve been doing with Superman off and on, but for the most part I still don’t buy comics. After a while, I just naturally gravitated towards the comic strips I’d read as a kid.
CMix: How did you decide on which strips to pursue? Right now there’s a lot of competition between IDW’s Library, and efforts from NBM, Fantagraphics, and Hermes Press.
Pelto: At first it was only On Stage. I was buying all the various reprints out there, as well as Sundays, and what dailies appeared. I stumbled across Jim’s email address on the Rules of Attraction website and contacted him. Jim happens to have become Leonard’s archivist and he started sending me binders containing a year’s worth of On Stage from the beginning.
As I continued to read through the years I could not believe that no one had taken a serious interest in reprinting the strip from the beginning. So being the impetuous fool that I am, I contacted the offices of Tribune Media Services and asked if the rights were available. From that point it took about a year and a half to actually get a contract.
With Juliet Jones, it was a natural compliment to On Stage.