Tagged: Wonder Woman

MARC ALAN FISHMAN: What I’m NOT Thankful For

I hope everyone’s Thanksgiving holiday was amazing. I myself hosted festivities for the first time in our new home. It was here, in 2011 where Marc Alan Fishman finally graduated from the kiddie table. Looks like all it took was making a meal for 10 people, in my own home. But with the assistance of my fantastic in-laws, and even more fantastic(ly pregnant) wife… we done pulled off a doosy. After last week’s lov-in, I unbuckled my belt, let my gut out, and took stock in those things that didn’t quite make me a happy camper. Sure, my initial articles covered some of those (The X-Men, Barry Allen, and Hal Jordon to name a few)… but here we are, nearing the end of the year. What exactly happened that cause my beard to stand on end? Let the hatespew begin!

Epic Events of Extremely Excessive Inanity

To be truly fair, I could spend the entirely of this editorial tearing DC and Marvel both for their predilection to create crappy crossover events. But let’s boil it down to the brass tacks, shall we? Simply put, these money-sucking whores create bloated wastes of ink and paper, all based on the idea that “everything you know will change.” This of course, preys on our fan-boy fear of being left behind. And it would seem over the course of the Aughts, such as they were, the Big Two have perfected their scheme:

Create a main book where all the bullet point action takes place. A few not so significant people will die. One or two major ones might kick it too. A great evil rises up. It looks insurmountable. Then a legion of the most marketable heroes get some brilliant form of upgrade, or a lost and forgotten hero comes back from the dead, or some other deus ex machina reveals itself in the nick of time for one last issue of double page Photoshopped explosions. What follows is generally seven to twenty seven epilogues setting up the next six months of editorial mandated character changes.

But it’s never just that one main title now, is it? These mega-loads of mega-suck bleed into the entire continuity of issues. Soon every book you’d normally pick up features the event-du-jour’s nom de plum across its masthead. What follows is generally exposition taken from bullet point A before bullet point B from the main series. Not reading that series? Well, I guess it sucks to be you. I was loving, L-O-V-I-N-G Matt Fraction’s Incredible Iron Man series until Fear Itself. And for four issues straight, all the world building he’d done was cast aside so I could follow Tony into Asgard to get drunk, swear, and make some action-figure-waiting-to-happen weapon variants for random heroes to use. Did I follow Fear Itself? No. Thanks for wasting my time, money, and love of the Iron Man book.

Don’t think for a second DC skates by here either, kiddos. Those cash-craving carnivores did one worse; they let the deus ex machina implode their entire line of comics. Flashpoint, by and large, will sit in my collection next to Countdown to Final Crisis as a testament to everything wrong with comic books today. “But why did you keep buying them, if you hated them so much?” Well… One – I’m a masochist. Two – the series promised to feature at least one or two characters I’d normally not get to read about. Three; – I didn’t want to come out of the other side confused as to why everything changed. Flashpoint even had the nerve to release wave after wave of mini-series to take us around this “Age of Not Quite Apocalypse.” And while Batman: Knight of Vengeance delivered an amazing Elseworlds tale, it was just that… An Elseworlds tale. Slap any title card you wanted on the cover, Dan, Geoff, and Jim. We all knew it should have said “Flash Point Over There and Distract The Fanboys While We Hit The Reset Button.”

4/5ths of the DCNu

And since we’re on the subject… the next thing that ground my gears was the rebooting of the DC Universe itself. I give credit where credit is due. It was a bold move that in fact did raise awareness, sales, and general levels of hope amongst the comic book readers of the world. But by and large, it was all smoke pellets and Mirror Masters.

Let’s face facts. Superman, Wonder Woman, the JLA, and Aquaman all got the reboots needed to make them matter again. Batman and Green Lantern may have gotten shiny new #1s on their books, but didn’t reboot a damned thing. Batgirl got to disappoint the handicapped community (not that the book is bad mind you, but still…), and a plethora of bad ideas were hurled out with hopes any of it would stick. What we’re left with is a mangled mess of a few fantastic books littered amongst total garbage. All the solid character-building moments that gave DC a strong legacy and continuity were thrown out with the bath water in hopes that a #1 and a power-cycle would somehow make comic books appeal to the masses who aren’t reading comic books. Guess what? Sales may have increased, but not by that much. Walk out on the street today, and ask a passer-by who OMAC, Voodoo, or Captain Atom are. Don’t be surprised when they need to Google it.

It’s still too early to say exactly what impact this reboot is going to make. Suffice to say, I hardly believe I’ll be telling my son “Oh yeah, in 2011, it all changed. DC created the new paradigm by which all comic books were created.” More likely? “Oh yeah, in 2011 DC rebooted everything, because they figured they’d move more issues if they had #1 on them. Superman turned out really good. I kind of forgot everything else.”

The Fallacy of Death in Comics

If 2011 has taught us nothing else, then we should all learn this: Death is meaningless in comic books. In the long-long ago, in a time and place far far away from here… dying meant dying. No mysterious body swaps. No time-bullets. No psuedo-science backtracking. Dead meant dead. In 2011, Marvel iced the Human Torch, Bucky Barnes (again…), and Thor (again, again). Human Torch didn’t even stay chilled long enough to be missed. With Fantastic Four #600, his mighty resurrection (as predicted by just about everyone) came to pass. In Fear Itself, Bucky and Thor each bit the dust. Who here is man enough to say they’ll stay that way for 365 days? With The Avengers movie hitting megaplexes next summer, I doubt Mr. Odinson will be resting for even a fortnight. Oh, and it looks like the Phoenix force is coming back too. As it stands, I can’t even tell you for sure who is alive and who isn’t. Only Ultimate Peter Parker seems to be the most likely candidate for a spot next to Gwen Stacy of the 616 in the land of the “neva’ coming back.” And thanks largely to Flashpoint, DC was able to kill off whole portions of their catalog, with the promise to thaw them out the second sales dip. Did someone say JSA?

Goodbye 2011. May 2012 boast less deaths and less events. See you next week, when my column resets back to #1.

SUNDAY: John Ostrander

MIKE GOLD: Disney Does Marvel

As is well-known, the Walt Disney Company purchased Marvel Comics a little over two years ago. Marvel joined the Muppets, Pixar, ABC and ESPN as tentacles of that great evil media empire that has done so much to homogenize the American culture. After all the jokes died down, some people wondered why the Mouse wanted the House that Jack Built in the first place.

Disney is a movie company, and Marvel’s shiniest family jewels – Spider-Man and The X-Men – were in the hands of competing studios (Columbia Pictures and 20th Century Fox, respectively) and aren’t likely to revert any time soon. The sundry Avengers characters were in the hands of Paramount Pictures, although Disney was able to purchase a nice reversion deal here. But, still, the motion picture revenue picture was severely compromised by the Spidey and X deals, and made all the more expensive by the Paramount buy-back. So, the question “why” certainly is valid.

Nobody that big buys a publishing venture – certainly not a comic book publishing venture – for the profits it will generate on its own. The phrase “fart in a blizzard” comes to mind. Merchandising and licensing revenues can be fairly attractive and Disney/Marvel/Muppets are a good fit. But… still… why?

I think we’re beginning to see the real reason. Disney owns ABC, which includes ABC Family, the Disney Channel, Disney XD (which already carries many of the Marvel animated shows), Playhouse Disney, Disney Cinemagic, Hungama, Jetix, Radio Disney, SoapNet, WABC-TV New York, KABC-TV Los Angeles, WLS-TV Chicago, WPVI-TV Philadelphia, KGO-TV San Francisco, KTRK-TV Houston, WTVD-TV Raleigh-Durham, and KFSN-TV Fresno, and as the various ESPN channels – possibly excluding “El Ocho.” Plus all kinda stuff overseas.

One can argue that teevee in general doesn’t have much of a future, and I might agree. But teevee programming has one hell of a great future no matter what platform we’ll be enjoying in the future: cable, satellite, computers, tablets, integrated teevee/computer systems, visors, brain implants, whatever. And that’s where the Mighty Marvel Money Machine will become the Mouse’s cash cow, true believer.

Disney already has The Hulk, Cloak and Dagger and Alias in development. Of course “Alias” has to be renamed – it’s working under the title “a.k.a. Jessica Jones” right now, and the show includes both Luke Cage and Carol Danvers. Mockingbird is also in development as a Miley Cyrus style kids show, possibly as fodder for the ABC Family network.

Step back a pace and take a look at what’s going on here.

Most of these shows are built around female superheroes. As headliners, such characters are anathema to motion picture studios. But Disney is betting heavy, heavy bucks that the distaff side will draw a sufficient audience to warrant the investment.

That’s pretty cool – and very risky. Women heroes haven’t fared much better on the small screen: Nikita was renewed by the skin of her teeth, The Bionic Woman revival flamed out, as did Charlie’s Angels redux. David E. Kelley’s Wonder Woman didn’t make it past the pilot stage. Yet Disney is developing no less than three Marvel shows built around women.

So no matter what I might feel about Disney’s predatory influence on our culture, they are showing a great deal of courage here – courage they developed by purchasing Marvel.

Interesting.

THURSDAY: Dennis O’Neil

DC Comics February 2012 Solicitations

We hold in our hands the covers for DC Comics this February. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.9 slab, and they’ve been kept in a #2 mayonnaise jar under a giant stack of returned copies of Holy Terror since noon today.

What do we have worth noting? The new look of Darkseid, and we’re far enough into the new 52 books that it’s time for Batman to start crossing over in all of them. Plus Mara Jade, the red-haired assassin who fell in love with her blond-haired man she was sent to kill– oh, I’m sorry, that’s from Star Wars. This is Mera in a jade outfit. Our mistake.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

(more…)

MINDY NEWELL: To Love, Honor, And Cherish Until Death – Or Editorial Decision – Do Us Part

If you’re a regular reader of this column, you know that my daughter, Alixandra Gould – yes, she’s keeping her name – married the love of her life, Jeffrey Christopher Gonzalez, last week. (A big thank you! to Mike Gold for posting a beautiful column last week that I posted on Facebook, then e-mailed to every single person I’ve ever met just to make sure they read it, and which Alix and Jeff thought was terrifically cool.) So of course I decided to write about superhero marriages this week. Not a big leap, is it?

I just finished googling “superhero marriages.” There were “about” 7,750,000 hits in 0.23 seconds, the most recent being a slide show in the Huffington Post posted only four days ago – well, five days ago since this appears on Monday – on November 9, 2011 titled “Comic Book Weddings: 8 Of Our Favorite Superhero Weddings.” In order, they are (1) Spider-Man, a.k.a. Peter Parker, and Mary Jane Watson in 1987’s The Amazing Spider-Man Giant Annual; (2) 1962’s The Incredible Hulk #319 in which Bruce Banner and Betty Ross’ nuptials are interrupted by a “special guest”; (3) The X-Men’s Scott Summers (Cyclops) and Jean Grey (Phoenix) in 1994; (4) Wonder Woman in her eponymous title married Mr. Monster in 1965 – ‘nuff said!; (5) Aquaman and Mera in Aquaman #18, 1964; (6) “Death Waits to Kiss the Bride” screamed the cover of Lois Lane #128 in 1972 – featuring the now iconic picture of Superman holding somebody’s dead body; (7) The Flash races down the altar to stop Iris West from marrying the wrong Barry Allen in The Flash #165, 1966; and (8) Wonder Girl, a.k.a. Donna Troy, marries Terry Long in Tales Of The Teen Titans #50, 1985.)

How did they miss Reed Richards and Sue Storm Richards, a.k.a. Mr. Fantastic and The Invisible Woman? Im-not-so-ho, Reed and Sue are the most realistically portrayed marriage “pros” in the comics universe.

The couple married in 1965, making this year the 46th anniversary of their being a Mr. and Mrs. (They look pretty damn remarkable, don’t they? Must be all those visits to the Negative Zone.) Down through the years, Reed and Sue “have and held, for better or for worse, for richer, for poorer, in sickness and in health,” and have loved and cherished each other through everything the Marvel Universe could and continues to throw at them, including “real life” curves like a miscarriage, potential affairs, political differences, and a brother’s death.

Peter Parker and Mary Jane Watson came pretty close in matching the Richards’ record – not in years married, but in a realistic view of marriage – but then Marvel decided to “disappear” their relationship. Clark Kent and Lois Lane had a wonderful thing going, too, but DC recently terminated without prejudice that couple, too.

And what the hell happened to Scott and Jean?

Jean Loring, the wife of Ray Palmer (The Atom) has a “mental breakdown” and goes on a rampage, killing Sue Dibny, the wife of the Elongated Man (Ralph Dibny), in one of the most gruesome scenes I’ve ever seen in any comic.

Betty Banner, wife of Bruce Banner (The Hulk) was abused, suffered miscarriages, was turned into a harpy, and died. She got better and turned red.

Shayera Hall, Hawkwoman, dead.

I’m sure glad Jeff isn’t a superhero.

TUESDAY: Michael Davis

11tx_geraldparel-663x1024-3655386

It’s Women of Wonder Weekend!

11tx_geraldparel-663x1024-3655386

In October 2006-2010, five annual Wonder Woman Day events raised over $110,000 for Domestic Violence programs in Portland, Oregon and Flemington, NJ. The five-year combination of auctions of over 1,100 original art pieces, plus collectibles, autograph signings, and photo opportunities garnered spectacular turnouts and four Portland Mayoral Proclamations.

This year, the event will take on a new name and an expanded mission! On October 30, 2011, the new Women of Wonder Day — again as a part of National Domestic Violence Awareness Month — will take place, returning to Excalibur Books in Portland, Oregon, and Comic Fusion in Flemington, New Jersey, as well as at Heroes and Fantasies in San Antonio, Texas.

This year’s contributions for auction include not only artwork featuring heroines from the world of comics — Wonder Woman, She-Hulk, Storm, Michonne from The Walking Dead, Leetah from ElfQuest — but also from the world of media as well, including Lisbeth Salander, Buffy the Vampire Slayer, Hermione Granger, and others. Plus, TV series such as Glee, Nikita, The Big Bang Theory, Castle, and Chuck have donated special items as well.

The all-ages events will include artists and writers signing autographs at each event, as well as costumed characters with whom you can take photos. And in Portland, white-hot writer Brian Michael Bendis is auctioning off a role in one of his upcoming comics. Other contributors include Lar DeSouza, Dan Parent, David Lloyd, Gilbert Hernandez, Nicola Scott, Wendy Pini, Yldiray Cinar, David Mack, Ethan Van Sciver, Jamal Igle, Katie Cook, Michael Golden, Neil Vokes, Terry Moore, Ben Dunn, Billy Tucci, Bob Layton, Charlie Adlard, Don Kramer, Doug Mahnke, Humberto Ramos, Jeff Moy, Joe Benitez, Phil Hester, Scott McDaniel, Stephane Roux, Patton Oswalt, Robin Williams, Rick Riordan, and of course, Lynda Carter.

Details about the three events follow:

(more…)

MARC ALAN FISHMAN: Just Kill Kyle Rayner

Typing that title hurt. A lot. It’s been stated here time and again: I am a Kyle Rayner fan. Here I sit, sarcasm sitting in its glass jar next to me, legitimately about to make the argument that my favorite character in comics be given a dirt nap… and I don’t mean the Steve Rogers–Bruce Wayne dirt nap kiddos. I mean the Gwen Stacy sleep of the pulpy gods. But why, you ask, would I suggest such a fate to the character that inspired this bearded bloke to make comics himself? I paraphrase Dr. Denis Leary:

“Elvis Presley should have been shot in the head back in 1957. Somebody should’ve walked up behind Elvis in ‘57 with a 44 magnum, put the barrel of the gun right up to his brainstem and just pulled the trigger, so you can remember Elvis in a nice way. Wouldn’t it be nice to remember Elvis thin, with a big head of hair? Maybe that gold lame suit. Wouldn’t that be nice? Because how do you remember Elvis? You know how you remember Elvis. He was found in the toilet with his pants around his ankles and his big fat hairy sweaty king of rock and roll ass exposed to the world and his final piece of kingly evidence floating in the toilet behind him!”

And as I look on the career of Kyle, since 2005, I see a fat Elvis, crapping on the pot.

Kyle Rayner was brought into the fold of DC Comics in January of 1994. After they wrote off Hal Jordon as a villain-turned-martyr, they introduced new blood into the comic. Kyle represented everything Hal didn’t. He was timid, indecisive, and anything but fearless. All he was, was a kid with an amazing imagination. A kid given the ultimate toy, and a universe to save. For lack of a better M.O., Kyle Rayner was DC’s Spider-Man. An everykid being shown that with great power rings comes great responsibility. It was a bold move. And over ten years he was given free reign to learn, and grow. I grew with him. Kyle joined the Justice League (during the fantastic Morrison run), and became the POV character we could get behind. While Batman, Superman, and Wonder Woman were the serious heroes, Kyle was the kid who could still yell “cool!” Simply put, with Kyle Rayner, DC had the bold and inventive reboot they’re so desperate to have now.

In 2005, Dan DiDio and Geoff Johns decided that the comic book world had enjoyed too much of this “modern” era and declared the silver age be reborn! Hal Jordan was resurrected, and with it took every last ounce of thunder Kyle had mustered in his 10 year tenure as the torch bearer. This is the moment folks, where, had I the will power, I would politely take Rayner’s ring and hurl it into the sun. Ever since “Rebirth” Rayner has floundered, flopped, and died a slow and pitiful character death. Ask ole’ Geoff or Dan, and I’m sure they’d feed you a brilliant line on how he’s still “relevant and as awesome as ever!”… Let’s go to the tape!

Since 2005, Kyle Rayner has… uh… got chummy with Guy Gardner… and… became Ion until they gave that to another alien we’ve since forgotten about… and … uh… got taken into Parallax for an issue… put on a blue lantern ring for a day… oh! And at some point his mom died, and he lost 17 girlfriends. Some died. Some blew up. Others turned out to have daddy issues. Ain’t it riveting?

Simply put, with Hal as the lead green meanie, Kyle fails to matter in the great scheme of things. As Barry Allen came back put Wally West out of a job, so too, does Kyle remain a waste of ink. The whole concept of legacy is so strong at DC (far more than Marvel…), but with the reboot, and continual Geoff Johning of the multiverse… legacy is fast becoming nothing more than an MMO title.

And so, this September, DC rebooted its entire universe. With Hal continuing to be the star of the flagship series (mainly because he was the star in a wonderful flop of a film this summer…), and John Stewart (affirmative action at it’s best!) and Guy Gardner (because we all love angry Irish guys, right?) over on GL Corpse (pun intended), what was Kyle given to do? Well, with GL: New Guardians… He’s the top banana in an adventure that will undoubtedly:

1. Have him shack up with a random space chick. And then she’ll die.

2. Have him wear a plethora of rings, resulting in him changing costumes 10 more times.

3. Remove any semblance of his character, and have him shout various generically heroic things as he saves the day.

4. At some point, he’ll mention all the good things he’s done as a Green Lantern, reminding us Raynernauts that he mattered there, for a while.

5. He’ll grow a bitchin’ half-beard.

I’ve been through the first two issues of the series. I’ve yet to be impressed. It’s like a cattle call for all the last two years worth of Lantern D-listers, all brought together for yet-another-unforeseen-prophetic-battle. Rayner will end up working with Bleez (the slutty Red Lantern), Arkillo (the tongue-less Kilowog of the Sinestro Corps), the Orange jelly-bean thing from Larfleeze’s lantern, Fatality (the only character in the DCU to have even less to do since Kyle Rayner’s original run on GL), an Indigo Lantern (who we still know nothing about, nor care about at this point) and Saint Walker (all will be well, and have some milk!).

Two issues in and nothing has happened. Seriously. 40 pages of content that has seemingly set up a single final splashpage of him in some kind of White-Lantern getup. As if we haven’t seen that before?

Ultimately, if DC wanted to ‘shake things up’ with their reboot, it was the perfect time to shed some dead weight. Since the love affair with all things Silver Age is still in full swing, the world simply doesn’t need a Kyle Rayner. And as one of his biggest fans, I’d much rather have seen him retire his ring for a desk job… instead of continuing to not-matter in the grand scheme of things. He could take a seat next to Wally, and they could simply wait until the next crisis. Or until someone recalls why he mattered in the first place.

SUNDAY: John Ostrander

MARTHA THOMASES’ Halloween Fantasy

In my lifetime, Halloween has come out of the closet. When I was a kid, it was just for kids. Now, there are special pop-up shops for costumes for grown-ups. You can buy as many different kinds of home decorations for Halloween as you can for Christmas.

In my neighborhood, Manhattan’s West Village, it’s practically a national holiday.

As someone who lives where I do, and as someone who went to a boarding school where we were required to wear uniforms every day, I understand the appeal of drag. It’s fun to dress as someone you aren’t. It’s fun to dress as someone you are, if only occasionally. It’s fun to dress in a way that confuses people about your role in life, your hopes and fears, your deepest secrets.

Halloween gives everyone in our Puritan culture permission to act out our wildest fantasies – for one day.

I always wanted to go as a superhero.

Back in my day, there weren’t a lot of superhero costumes for girls. There weren’t even that many for boys. My mom graciously made me a Supergirl costume in third grade, but, when I was older, she was less interested in enabling me. I was Peter Pan once, which felt almost like a superhero. And, since then, I’ve been a ninja at least once. It’s an easy costume when you can stroll over to Chinatown for materials.

There are those who like to be frightening on Halloween. And, while I get that (and zombie is an easy costume, if you have access to stage make-up), it isn’t what appeals to me about Halloween. I suspect it’s a generational thing. In my day, girls were supposed to be sweet and supportive, damsels to be rescued, a way to motivate the male hero to act. For Halloween, anyway, I could be the major character in my story.

No wonder my mom had to make my costume.

Nerd culture is peaking these days, so there are lots more super-hero costumes. Unfortunately, these costumes, inspired by the comics, don’t do much for a little girl’s power fantasies. They continue to sexualize – even fetishize – the bodies of the female characters. It’s cruel to see a little girl in a Wonder Woman or Supergirl costume, cut up to the top of her thigh and exposing her not-yet-developed cleavage. The boys’ costumes often include built-in abs and pecs, which contribute to their fantasies of being superhumanly strong. I have yet to see a costume for a little girl with built-in cleavage. I guess I should be thankful for that.

When my mom made my costume, she made it out of corduroy – this being at a time when spandex was not readily available. It was warm, especially with my cape. She made it big enough for me to wear extra layers underneath. You can’t do that with a commercially made superheroine costume. If you go trick-or-treating, you need to wear a coat, and then no one can see who you are. In fact, if you live in a rent-controlled apartment and have crummy heat, you need to wear a coat inside.

It’s insidious, and I doubt it’s really a conspiracy. Rather, I think these ideas are so ingrained in our culture that we don’t notice. The message to little girls is that they can have fantasies, but these fantasies must still be arousing to men. Girls can be princesses and fairies and Amazons and sometimes even witches, but they have to be pretty and they have a to show some skin.

At least they aren’t making Starfire costumes. Yet.

Martha Thomases enjoys Halloween less now that no one gives her candy anymore.

If I rebooted Flash, Atom, and Green Arrow

On the list of simple comic book truths: Superhero comics need major female superheroes. I like the idea that the Flash should be a woman. A speedster called Jesse Quick briefly took over the role:

                           

It’d be great if The Fastest Man On Earth was a woman, but DC is conservative with the characters it considers its most valuable properties, so I doubt they would go with a female Flash, even though that’s the best way to get a second woman into DC’s Big Five of Superman, Batman, Wonder Woman, Green Lantern, and the Flash.

That argument doesn’t apply to the Atom and Green Arrow.

(more…)

NYCC 2011 Cosplay: The Biggest %$#@! Hand Cannon I’ve Ever Seen…

…along with Wonder Woman, the Terminator directing traffic, Cobra Commander giving free hugs, the no-so-White Queen, and the cutest little Dalek ever. Let’s take a look, shall we?

“Justice League: Doom” Trailer Unveiled

“Justice League: Doom” Trailer Unveiled

Cover of "JLA (Book 7): Tower of Babel"

Warner Home Video has released the official trailer for Justice League: Doom, an all-new entry in the popular series of DC Universe Animated Original Movies due in early 2012 on Blu-ray, DVD, OnDemand and for Download.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heralded JLA: Tower of Babel.

Primetime television stars Nathan Fillion (Castle) and Tim Daly (Private Practice), the reigning voices of Green Lantern and Superman, respectively, join a group of eight actors reprising their famed cartoon roles, including Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Also returning to their Justice League animated series roles are the villainous voices of Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths). Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, SpongeBob SquarePants).

[youtube]http://www.youtube.com/watch?v=uBrvW9FbfDw[/youtube]