Tagged: The Simpsons

Mike Gold: The Nerddom Intelligentsia

Gold Art 130213There’s a new sun rising up angry in the sky

And there’s a new voice saying we’re not afraid to die

Let the old world make believe it’s blind and deaf and dumb

But nothing can change the shape of things to come

We all know how our mass media portrays nerds: people who are brainy, obsessive, with a penchant for wearing merchandising-related merchandise. We come in two sizes: gangly or Christie-clone. We couldn’t get laid at an orgy on the dark side of the moon. We have a life-long lust for our popular culture and cannot distinguish between low-brow and high-brow.

Actually, I’m rather proud of that last bit. Cultural elitism really pisses me off. But this is America, where the bottom line justifies everything. The day nerds became bankable was the day we became legitimate.

We helped. Picking up a lesson from my fellow hippie freaks of 1967, we have redefined the term “nerd” simply by accepting it as a reference to ourselves. My fellow ComicMix columnist Emily S. Whitten embraces this wonderfully, in nearly everything she writes for this site.

The Simpsons helped quite a bit. Comic Book Guy exposed a previously hidden reality: a goodly percentage of those who hang our at the comic book shop are members of Mensa, and more would be if we had even the most rudimentary social skills. Mind you, I’d only been to a handful of Mensa meetings and I found them pathetically tedious, but they were at the University of Chicago so I was probably asking to be bored.

The fact is, comic book reading among those older than nine used to be associated with stupidity, arrested development, and the complete lack of a social life. Now many understand that it’s the upper end of the brain rack that finds this stuff appealing.

Nerds might not be cool, but then again, why is it that nerds invent all the cool stuff? We might have very short attention spans and we’re easily attracted to that which is bright and shiny, but we’ve taken over the popular culture and we’ve taken over technological innovation and, quite literally, our toys have become the tools of revolution all across the world.

Remember Doctor Doom’s little flying teevee cameras that would allow him to view his mayhem all over the world? He borrowed them from Ming the Merciless… but that’s not my point. Today, for good or for bad or for both, we’ve got our flying cameras. They’re called drones. Some of them are capable of bombing people back to the Flintstones. We’ve got GPS in our pockets, transponders in our cars, cameras at most of the traffic lights and highways and stores and office buildings and not only do “we” know where you are, but we know where you have been.

Hey, I didn’t say nerddom was a force for good. It’s a human force. And it’s mainstream.

And we’ve got these massively overpopulated conventions all over the world. We can organize.

We can take over.

Maybe… we already have.

THURSDAY: Dennis O’Neil

 

Happy Burns Day!

Mr. BurnsToday’s the day we celebrate Charles Montgomery Plantagenet Schickelgruber Burns, the owner and manager of the Springfield Nuclear Power Plant. Without this ancient billionaire, the Simpson family would simply be poor, instead of part of the working poor. So feel free to say “exxxcellent” all day long. And don’t forget to release the hounds.

Other people may tell you that this is actually the birthday of poet Robert Burns, and that you should celebrate by playing the bagpipes, eating haggis, drinking scotch, reciting poetry in a thick Scottish accent, and closing out the evening by singing Auld Lang Syne. But that just sounds frickin’ weird.

Review: “Wreck-It Ralph” needs no hint book to unlock its fun

The Kid would never forgive if I used any other poster…

Wreck-It Ralph is very much of a new breed of Disney animation, showing both the freshness of new blood in the company, and a new attention to story with Pixar’s John Lasseter now holding court as the New Walt at the company.  Directed by Rich Moore (The Simpsons) and written by Moore, other Simpsons alum Jim Reardon, the film takes ideas from Toy Story, Who Framed Roger Rabbit, and Saturday Morning cult favorite Reboot.  The world inside videogames is alive; after hours they visit each other, attend parties and if their games were unplugged, roam the halls of Game Central Station begging for spare fruits and power-ups.

Wreck-it Ralph (John C. Reilly) is the antagonist of classic videogame Fix It Felix Jr., the titular hero voiced by Jack McBrayer.  After thirty years of being the bad guy, he examines his life and finds it lacking.  He attends the 30th anniversary party for the game at Felix’s penthouse apartment, and is made clear he is not welcome by the denizens of the apartment house whose job is his to demolish hundreds of times daily.  He attempts to show that he wants to be a good guy, and is told that he is a bad guy, will remain a bad guy, and that he must “go with the program”.  He embarks on a quest to “become a hero”, which he believes will bring him the love (or at least the penthouse apartment) of the people of his game.  He plans to “game jump” into another videogame, where he can take the role of good guy and achieve his dream.  His choice, the new sci-fi shoot-em-up Hero’s Duty, spearheaded by the gruff and buxom Sergeant Calhoun (Jane Lynch).  He makes it to the climax of the game, and earns a “hero” medal, but his ingrained predilection to destroy sends things into a shamble quickly, launching him screaming into the super-sweet cart-racer Sugar Rush, with a cy-bug, one of the baddies from Duty in tow.  He meets Vanellope Von Schweetz (Sarah Silverman), a bit of glitch code from the game who, like Ralph, wants to better herself and prove she can be a hero.  But according to the ruler of the land, King Kandy (Alan Tudyk), there may be a real danger if Vanellope lives out her dream.  And all along, the Cy-Bug from Hero’s Duty is multiplying into peppermint-striped hordes under the taffy swamps and rock-candy mountains.

The film takes a unique take from the first scene – Ralph is clearly portrayed as the bad guy, but not all that bad.  But in addition, like in many of the Farrelly Brothers comedies, he’s given a reasonable motivation for his unpleasantness.  According to the games opening cut scene, he was ejected from his home (a stump in the forest) in order to build the residential edifice at which he daily expresses his dissatisfaction.  The theme of the film is clearly about the upsides and downsides trying to be more than you were literally created to be – Ralph’s desire is honest, but like Vanellope’s, runs the risk of hurting many others.  The ecology of the game world has a bit of an edge as well – the idea of homeless videogame characters gets a laugh, but it’s an uncomfortable laugh for the parents.

You’ve already heard about the cameos.  Like the aforementioned Roger Rabbit, the film had gained great buzz by arranging cameos from scads of classic videogames and characters, including the combatants from Street Fighter, the cast of Pac-Man, and, The Kid’s personal favorite, Sonic The Hedgehog. Lesser-known games like Burger Time and Tapper make an appearance, the latter being the popular after-hours hang-out of the gaming world.  Like the appearance of actual toys in Toy Story, they give the world a sense of verisimilitude and realism, as well as provide for plugs of lots of classic games. Not to mention a few new ones.  As part of Sonic’s appearance, Ralph will be appearing in Sonic’s new game, Sonic & All-Stars Racing Transformed.  Even the legendary Konami Super-Code appears in the game.  No child of the 80s can sit through those scenes of Dig-Dug diving into the floor of the game station without being gobsmacked by nostalgia.

But in addition to the cameos the Disney creators do a great job of creating games that have the real look and feel of real games from various gaming eras.  Fix-It Felix Jr. is a game in the Donkey Kong / Crazy Climber mold, and and first look, it looks fun enough to want to play for real (and you can, at the film’s website, as well as Hero’s Duty and Sugar Rush). Hero’s Duty is a parody of modern first-person shooters like Halo, and Calhoun is clearly a kissing cousin of “Fem-Shep” from Mass Effect.  Sugar Rush also parodies the recent tactic of product placements in video games, by having actual product placements.  Felix and Calhoun almost meet their end in Nestle Quik-sand, are saved by Laffy Taffy, and while the boiling “diet cola” lake may be generic, the stalactites of Mentos above it are decidedly not.

The quality of the film can be best explained by an error of The Wife’s – when she saw the level of humor and clearly rich plot, she mistakenly assumed it was a Pixar release.  High praise indeed, and praise that Disney has worked hard to obtain.  The last few Disney releases have been quite a step up from a recent period of repetition, and that’s a good thing.

Saturday Morning Cartoons: “Sherlock!”

Saturday Morning Cartoons: “Sherlock!”

[youtube]http://www.youtube.com/watch?v=2N90ezHF-GI[/youtube]

I think just the concept will make some people I know very very happy, certainly happier than the concept of Elementary is making them.

And you know, you just need the actors to do voices. Certainly Benedict Cumberbatch and Martin Freeman can fit that into their schedules, right? After all, if Cumberbatch can muscle his way into an episode of The Simpsons, and there’s going to be a manga version of Sherlock coming this October, we’re already three quarters of the way there…

“Life In Hell” ends today for Matt Groening

Cover of Life In Hell No. 4, published in 1978.

Cover of Life In Hell No. 4, published in 1978. (Photo credit: Wikipedia)

No, the San Diego Comic-Con isn’t ending early… but today is the official end of Matt Groening’s comic, Life In Hell.

After exploring a world populated by “anthropomorphic rabbits and a pair of gay lovers” for over 30 years, “Simpsons” creator Matt Groening is putting down his pen and ending his highly acclaimed comic strip, “Life in Hell.”

The last “Life in Hell,” Groening’s 1,669th strip, was released on Friday, June 15. For the next four weeks, editors will have their choice of strips from Groening’s extensive archive before they close up shop in July on Friday the 13, which seems oddly appropriate.

“I’ve had great fun, in a Sisyphean kind of way, but the time has come to let Binky and Sheba and Bongo and Akbar and Jeff take some time off,” Groening, 58, said by email.

“It’s hard to imagine how the business model that sustained alternative social-commentary and political cartooning for two decades (and is now all but dead) would have evolved had papers not discovered the power of Groening’s strip and its ability to attract readers,” said syndicated cartoonist Ted Rall by phone.

The popularity of “Life in Hell” opened a path for a new breed of alternative cartoonists to appear in alt-weeklies across the country, cartoonists like Tom Tomorrow, Ruben Bolling, Ward Sutton, Keith Knight and Rall. It also showcased the power of sharp, biting cartoons to editors looking to attain and grow a new group of readers.

“Groening is modern cartooning’s rock God, a Moses who came down from the mountain (or the East Village office of the Voice) and handed us the rules we followed,” said Rall.

“Life in Hell” actually earned Groening his big break in Hollywood. It started running in Wet Magazine in 1978, then moved to the now-defunct LA Reader, where Groening worked. The strip eventually made its way to LA Weekly. Its popularity grew, amassing a client list of more than 250 papers, when producer Polly Platt noticed “Life in Hell” and showed it to actor/producer James L. Brooks.

Brooks contacted Groening and wanted him to develop a series of “bumpers” based on “Life in Hell” for “The Tracey Ullman Show.” Groening was a bit apprehensive at the thought of handing over the rights to his characters, so he created the Simpsons to fill the slot.

via ‘Simpsons’ creator Matt Groening ends ‘Life in Hell,’ comic that started it all | Poynter.

This is the final “Life is Hell” strip, which ran Friday, June 15.

 

A New Trailer for Wreck-It Ralph

60-0-022-0013_rev-300x125-5052517Now that we’re saturated in all things Brave, Disney has ratcheted up the marketing for its November 2 release of Wreck-It Ralph. Featuring the vocal talent of John C. Reilly, Sarah Silverman, Jack McBrayer, and Jane Lynch the film was directed by Rich Moore (The Simpsons).

Ralph (John C. Reilly) is tired of being overshadowed by Fix-It Felix (Jack McBrayer), the “good guy” star of their game who always gets to save the day. But after decades doing the same thing andseeing all the glory go to Felix, Ralph decides he’s tired of playing the role of a bad guy.  He takes matters into his own massive hands and sets off on a game-hopping journey across the arcade through every generation of video games to prove he’s got what it takes to be a hero.

Video: ‘Wreck-It Ralph’ movie trailer

On his quest, he meets the tough-as-nails Sergeant Calhoun (Jane Lynch) from the first-person action game Hero’s Duty. But it’s the feisty misfit Vanellope von Schweetz (Sarah Silverman) from the candy-coated cart racing game, Sugar Rush, whose world is threatened when Ralph accidentally unleashes a deadly enemy that threatens the entire arcade.  Will Ralph realize his dream and save the day before it’s too late?

MIKE GOLD: The Only Thing To Fear Is…

I just read the penultimate issue of Marvel’s Fear Itself miniseries. This means that next month, April, should maybe possibly mark the end of their big 2011 crossover event, also titled Fear Itself. It started a year ago. Longer, if you add the event implants.

The Fear Itself storyline has several epilogues – the Shattered Heroes books, sundry miniseries as well as this particular 12 part miniseries. It ends next month, right in time for the Avengers vs. X-Men event. In total, if you wanted to read the whole thing, you’d be reading something in the neighborhood of 135 separate comic book issues.

All this leaves me with one question: does anybody give a damn?

Like the overwhelming majority of big event crossover series, Fear Itself was pretty lightweight. Yeah, yeah, death, resurrection, worlds shattered, nothing will ever be the same again, and Ben Ulrich updates his résumé. Blah blah blah. If you haven’t read any of this and you are undaunted after considering this task, let me make two suggestions.

One: You do not pile all these books up on your lap. Particularly the hardcover editions. They will crush you, physically and spiritually.

Two: You might want to consider reading the Esperanto edition of James Joyce’s Ulysses instead. You only have so much time in life; go for the gusto.

O.K. I’ve been railing against endless phony dull event stunts for over a decade, but even if Fear Itself was among the best, it went on far too long. We have entered the era of the never-ending event, where one seamlessly segues into the next. Not only are these stories trivial and redundant (Norman Osborn’s back? Really? Next you’ll tell me they didn’t kill off Captain America or the Human Torch!), they no longer deserve the honorific “story.” A story has a beginning, a middle, and an end. A story has at least one climax, and a payoff that justifies your participation. These are qualities that are now lacking in mainstream event comics.

More fool I. As I’ve stated, I’ve been bitching about this for a long time. Yet most of these never-ending tales start off quite well and I get sucked in. Probably the best part of DC’s New 52 is that it wipes out or ignores most of their previous events. Probably the worst part of DC’s New 52 is that, eventually, they’ll do their own big event series – undoubtedly under the pretense of explaining everything that they “decided” not to explain in the individual 52 titles.

If history is any guide, in this they will fail miserably. I’m not knocking the abilities of the writers, artists, editors and editorial directors involved: the odds are overwhelmingly against them. It’s like writing a completely original episode of The Simpsons: after 500+ episodes, good luck with that. However, I am knocking the abilities of the publishers and the marketing executives who take such a short-term view of their bottom line.

I’ve said it before, and unfortunately I’ll have to say it again: What do you say, guys? Let’s try going back to simply producing great stories! You know, it just might work!

THURSDAY: Dennis O’Neil

 

ARDDEN ENTERTAINMENT TEAMS WITH SERIEPLANETEN TO BRING
SWEDEN’S FIRST SUPERHERO, AGENT MARC SAUNDERS, TO AMERICA!

It was inevitable.   Sweden’s very first superhero, Agent Marc Saunders, the story of an American agent fighting the forces of evil worldwide, has finally reached the United States!
Teaming up with Serieplaneten, the original Swedish publisher of the hit comic book series, Ardden Entertainment, the publisher of Flash Gordon and Casper and the Spectrals, among others, is proud to bring this amazing new character to American shores.

Before Marc Saunders, Sweden never had a seriously meant superhero title of its own. There was “Dotty Whirlwind” back in 1945 – 1946, but she never carried her own book.

Until 2011, when writer/artist Mikael Bergkvist created Agent Marc Saunders.  A cross between James Bond and Doc Savage, Saunders is a super-powered agent working for the American government, facing a series of increasingly brutal enemies with bigger and bigger plans for destruction and mayhem.   Saunders is aided by his trusted team of allies, including the beautiful media tycoon Marion Gold. This series has been embraced by Sweden, largely due to its classic pulp type of adventure, like “The Shadow” or “Doc Savage”, but set in in modern times.

Issue #1 of the American version of Agent Marc Saunders comes out in April and is currently available for order through Diamond Comics.  It features a cover by none other than the legendary Neal Adams!

Mikael Bergkvist has been writing comics for 25 years but Agent Marc Saunders is his first original creation.

Serieplaneten, an up and coming comic publisher in Sweden, publishes the Swedish version of “The Simpsons vs Futurama,” among other titles, and in 2011 they began publishing Marc Saunders, making Swedish comic book history in the process.

Founded in 2008, Ardden Entertainment LLC is the proud publisher of FLASH GORDON, CASPER THE FRIENDLY GHOST, and the ATLAS COMICS resurrection, among others. Ardden is run by former Miramax Films executive Brendan Deneen and comic book store owner Richard Emms, with industry legend Mike Grell acting as the company’s Editor-in-Chief.
Ardden’s mission statement is to produce high quality licensed comic books as well as original concepts that work both as comic books and larger, multi-media properties. For more information about Arddenn Entertainment, please visit http://limited-edition-comix.com/atlas/index.htm

Simpsons Toys Banned In Iran

Simpsons Toys Banned In Iran

The Simpsons sports a vast array of secondary ...

Isn’t it nice to know that after nearly five hundred episodes, The Simpsons still have the power to shock and offend censors?

The Simpsons have now joined Barbie as targets of an Iranian crackdown, putting one of the iconic blonde doll’s biggest critics on the same blacklist as her. Citing some kind of vague moral opposition to The Simpsons, Mohammad Hossein Farjoo (who Reuters awesomely describes as the head of an agency that “oversees what Iranian children can play with”) said authorities would crack down on sales of toys based on the series and its characters.

That means Lisa Simpson, who famously campaigned for a less sexist Malibu Stacey (the show’s thinly veiled version of Barbie), now joins Barbie as a threat to Iranian morals.

via Iran Bans Simpsons Toys – Global – The Atlantic Wire.

MARTHA THOMASES: More For The Gift-Giving Challenged

I don’t know about you guys, but I could use a laugh. One would think comics would be a great place to look for laughs, since, you know, they’re called “comics.”

And yet…

But I don’t want to bitch and moan about stuff that’s not funny. I’d rather celebrate what is. Different people find different things amusing, but I suspect that at least one thing on this list will do it for you.

Here, for your entertainment pleasure and in no particular order, are some really funny books, done in the graphic novel format.

Kyle Baker is one of my favorite humans. There isn’t a book he’s done that doesn’t thrill me. The Cowboy Wally Show made me laugh so hard I couldn’t breathe. And if you want to know how he does it, you could do worse than track down How to Draw Stupid and Other Essentials of Cartooning, which is more hilarious than any educational book needs to be.

Another funny guy who works in the comic book business is Evan Dorkin. And luckily, Dark Horse has published a collection of his flagship series, Milk and Cheese.

Howard Chaykin is a known more for his elegant drawing style, his brilliant use of page design, and his sharp insight into the dark side of human society. I, however, love his sense of humor, which I first discovered in American Flagg. I mean, the man made up a character named Pete Zarustica. I’m in love.

Another comics genius known primarily for brilliant use of the medium and his expansive and cosmic intelligence is Alan Moore. He’s funny, too! One of his first series, D. R. and Quinch, is available in a collected edition. It’s like, totally amazing.

Am I stuck on English language humor? Maybe. It is the language I speak and the language in which I form thoughts. That said, I am no cultural imperialist. For example, the Japanese series, What’s Michael, is my idea of brilliant. There are more than a dozen collections, but this Dark Horse edition is a good place to start. Warning: It probably helps to live with a cat.

Believe it or not, there was a time when there was no Internet and people got their news from newspapers, and, when they wanted other points of view, from alternative weekly newspapers. These papers were great places to find brilliant comics, starting with Jules Feiffer in the Village Voice (also syndicated to “normal” newspapers). After a few decades, there were syndicates for these cartoonists, and, today, it’s possible to buy collections of two of my favorites. You don’t have to be queer to laugh at Dykes to Watch Out For, but you do have to be able to recognize that “political correctness” started out as a left-wing joke. If you followed my advice and bought The Complete Wendel you’re familiar with this meme. Ripped from the same pages, and long before The Simpsons, Matt Groening was giving us a guided tour of hell. The nuclear family and all its intermeshed relationships were never so radioactive.

The comics page in daily newspapers is still alive, if not always well. If you miss your laugh a day, you can catch up with excellent compilations. I’m always happy to read Get Fuzzy and would enjoy a whole bunch of them together. And one of the great, and most hilarious, strips of all time is now in one big book. It’s enough to make a person love alligators.

Some jokes are universal, and then there are inside jokes. They not only make us laugh but they also make us feel understood. For us comic fans, I recommend Fred Hembeck who was a regular feature in The Comics Buyers Guide. His work is really dense, and really funny. I also adore Keith Giffen, for his Justice League, his Legion of Substitute Heroes, especially when he’s working on Ambush Bug with Robert Loren Fleming.

I’m sure I’ve left out some brilliant work, but you could do worse than start here when the holiday cheer gets you down.

SATURDAY: Marc Alan Fishman