Look, up in the sky…It’s a bird! It’s a plane! It’s…
…a whole lot of really, really numerous photons striking a large, white rectangle.
Or: it’s remembered images and sounds careening around the inside of my skull because, pay attention now, Superman and I go back a long way.
He’s one of the first fictional people I can recall meeting, though whether our first encounter was in one of the comic books Dad bought me after Sunday Mass or as voices emanating from Mom’s kitchen radio…the details of Supes’ and my initial acquaintance I do not remember, and who cares?
I next saw Supes on a movie screen, perhaps smaller and shabbier than the one mentioned in the second paragraph above, but serving pretty much the same purpose and.. Was I outraged? Disillusioned? Shattered? Or mad?
The problem was the flying. The grade-school me was anticipating watching the Man of Steel leave the ground and zip around he sky because… well, that would be an exciting thing to see. Then – the big disappointment. First the Easter Bunny, then Santa Claus, and now…What kind of bushwa was this? Superman goes behind a rock or something and then he flies up, up. and away. Only it wasn’t him flying. No, even to a kid it was obviously some kind of drawing, like the animated cartoons that often appeared before the cowboy pictures Iliked. Movie magic? Or a dirty stinky cheat?
But I wasn’t done with Superman, nor he with me. I won a story-writing contest that was fostered by the Superman-Tim club. Club membership, which cost Mom a dime, consisted of a card, a Superman pin and a monthly magazine that featured contests and jokes and puzzles and stuff. I don’t know how many contestants won prizes – maybe everyone who entered. And the prize wasn’t great: some kind of cheesy board game with cardboard cutouts that got moved. But hey – I’d gotten rewarded for writing a story! Wonder where that might lead!
Next came the Superman television show shown in St. Louis on Sunday morning well after Dad and I returned from church. Not bad. Okay way to kill a little time before the Sunday pot roast.
Then a long hiatus. Bye for now, Superman. Was it to be bye forever?
No. Years later, by then a freelance comic book scripter living in Manhattan, an editor named Julius Schwartz asked me if I’d like to have a go at Superman. I had some misgivings. Superman was… too establishment for me. Too goody-two-shoes. And too powerful. Melodrama turns on conflict. So how do you create conflict for a dude who could tuck all the gods of Olympus into an armpit, his suit apparently lacking pockets, and still have room there for the gods of Egypt and a few sticks of deodorant? Could I do that every month? I had some doubts. But I was a professional with mouths to feed and so I took the gig. Julie agreed to let me dial down the superpowers thing and let me make another change or two and off I went. For a year. I walked away from Superman and I’m not sure why. Just because I wasn’t enjoying it much? A lot of freelancers might consider that a pretty lame reason for dumping a paying gig and I’m not sure I’d disagree with them. But dump it I did and once again, sayonara Superman.
But never say never. I’m going to the movies, probably this weekend.
Dynamite Entertainment adds a new Captain Action comic book series, Codename: Action to their line of pulp heroes.
PRESS RELEASE:
June 11, 2013, Mt. Laurel, NJ- Dynamite Entertainment, in conjunction with Captain Action Enterprises, proudly announces the September launch of CODENAME: ACTION, a six-issue comic book event that unites the ultimate super-spy, Captain Action, with classic pulp heroes including Green Hornet, Kato, the Spider, and Black Venus. Written by Chris Roberson (Masks, Superman) and featuring artwork by Jonathan Lau (Kevin Smith’s Green Hornet), the debut #1 issues will include variant covers by accomplished illustrators Jae Lee, Francesco Francavilla, Jonathan Lau, Johnny Desjardins, and Art Baltazar.
CODENAME: ACTION takes place during the Cold War, as unknown forces scheme to heat up the global conflict. When key officials on both sides of the Iron Curtain are replaced with doppelgangers, the infiltration threatens to disrupt the precarious state of world affairs… until one young secret agent shapes the world’s masked heroes into a force with singular purpose and unyielding resolve!
“CODENAME: ACTION is a showcase of the things I love about jet-age superspies and Cold War-era superheroics,” says the World Fantasy Award-nominated author, Chris Roberson. “In part, it functions as an origin story for Captain Action, reintroducing him to a modern audience while at the same time setting him firmly in the period in which the character first appeared. Captain Action was a product of the time that gave us the James Bond films, and TV shows like Man From UNCLE and The Prisoner, and CODENAME: ACTION is very much an attempt to put the character in that kind of context.
Roberson, hot off of his stint as writer for the bestselling Masks series, knows how best to balance a handful of fan-favorite and highly independent characters. “The main focus of the attention is on the spy and espionage characters like Operator 5, Black Venus, and Operative 1001 (the man who will become Captain Action). Along the way, our heroes will encounter various masked heroes and vigilantes, like American Crusader, Green Hornet, and Kato. It’s been an organic process, as I find the best places to fill in supporting or ‘guest star’ roles.”
Jonathan Lau, whose spirited artwork graced the pages of Dynamite titles Green Hornet and Black Terror, looks forward to drawing so many spies and superheroes with great enthusiasm. “I’m excited! Captain Action is sort of like Nick Fury, and there’s a dynamism in laying out the Green Hornet/Kato duo, especially when it comes to Kato making big motions to convey
action. The American Crusader is another character I enjoy drawing again (after his appearance in Black Terror), since he’s the muscle of this series, and it’s always fun to draw super-powered beings doing super stuff.”
In a joint statement, Ed Catto and Joe Ahearn of licensor Captain Action Enterprises gave a shining endorsement: “We’re big comic, spy and pulp fans, so it’s a thrill to see all those characters in one adventure together. And we’re also big Chris Roberson fans from his work on iZombie and Monkeybrain Comics. Captain Action is a spy, and impersonating others (especially superheroes) is an important part of what’s he all about… so to start the Captain’s adventures with heroes like the Green Hornet and Kato makes all the sense in the world. We’re also honored that the baton was passed to Captain Action as he’s center stage in this mini-series. Like a young quarterback given the opportunity to play in the big game, it’s both daunting and terribly exciting!”
About Dynamite Entertainment: DYNAMITE ENTERTAINMENT was founded in 2004 and is home to several best-selling comic book titles and properties, including The Boys, The Shadow, Vampirella, Warlord of Mars, Bionic Man, A Game of Thrones, and more!
Dynamite owns and controls an extensive library with over 3,000 characters (which includes the Harris Comics and Chaos Comics properties), such as Vampirella, Pantha, Evil Ernie, Smiley the Psychotic Button, Chastity, Purgatori, and Peter Cannon: Thunderbolt.
In addition to their critically-acclaimed titles and bestselling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Kevin Smith, Alex Ross, John Cassaday, Garth Ennis, Jae Lee, Marc Guggenheim, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Matt Wagner, and a host of up-and-coming new talent!
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Dynamite is consistently ranked in the upper tiers of comic book publishers and several of their titles – including Alex Ross and Jim Krueger’s Project Superpowers – have debuted in the Top Ten lists produced by Diamond Comics Distributors. In 2005, Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%) and again in 2011. The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.
About Captain Action Enterprises As Retropreneurs, Captain Action Enterprises, LLC specializes in taking old properties and rejuvenating them for a new generation. Captain Action appears in an on-going action figure line, lithographs, statues, T-shirts, hoodies, model kits, pulp novels, drink ware, and ID cases. Currently, CAE is collaborating with G7 in order to develop a Captain Action animated series. Additional properties include the Zeroids and Savage Beauty. For additional information, please contact Ed Catto at edcatto@CaptainAction.com.
There is a lot riding on MAN OF STEEL – ranging from making Superman a successful movie franchise to starting the path to a line of DC superhero films. So with so much at stake, you might be shocked to hear who decided to follow the path of there character from TV & comics, and who did not. We’ve got the confessions from Henry Cavill to Russell Crowe to Amy Adams. Plus more on SyFy‘s second season of CONTINIUUM and who really will be the new DOCTOR WHO?
It’s finally for MAN OF STEEL to hit theaters and make it’s mark among super-hero films. We start our in depth look talking to Henry Cavill, Zack Snider and Amy Adams about just what the changes are to the Superman mythos. Plus SyFy‘s CONTINUUM hits a new season and we’ve got an exclusive preview with star Rachel Nichols, but is SyFy also dumping WAREHOUSE 13? We’ve got the answer.
Beginning with Tarzan, the pulp era was full of jungle heroes. Jungle Jim is one of the unique ones. He wasn’t a barely-literate loincloth-clad tree-dwelling wild man, but rather Jim Bradley, a “great white hunter” in the mold of heroes of earlier popular fiction such as H. Rider Haggard’s Allan Quatermain and Lord John Roxton from Arthur Conan Doyle’s The Lost World, who represented the colonial view of the so-called primitive regions of the globe. This gave him a distinctive difference from your run-of-the-mill jungle man, who often knew little about civilization and was equipped with not much more than a knife in most cases. Also, his stomping grounds were located in exotic southeastern Asia.
Produced by Jay Clark and often written by Gene Stafford, The Adventures of Jungle Jim was on the air weekly from 1935 to 1954, with announcer Glenn Riggs (among others). The show brought listeners tales of slave traders, pirates, foreign spies, wild beasts, poachers, hostile tribes, and, during World War II, the Japanese, as Jim often served as an Allied operative. Intended for a general audience, the series’ storylines are richer than the usual juvenile radio fare. Each exciting fifteen minutes episode opened with a section of the William Tell overture.
Matt Crowley originated the role, with Gerald Mohr, who had a long career in radio, film and television, taking over in 1938. Joined by his faithful aide, Kolu, a powerful Hindu giant (played by Juano Hernandez), Jungle Jim often encountered “Shanghai” Lille DeVrille (played by Vicki Vola and France Hale), who served as Jim’s femme fatale.
Described as a “gentleman adventurer, a true friend of all good men and relentless enemy of all bad ones, no matter what their race or creed may be”, Jungle Jim was so popular that in addition to his radio show, he also starred in film, comic books, comic strips and even television adaptations, portrayed notably by Johnny Weismuller in his post-Tarzan days.
This volume contains the first 40 fifteen minute episodes of The Adventures of Jungle Jim. Episodes #1 to #22 are “The Bat Woman” and episodes #23 to #40 comprise the first 18 exciting episodes of “The Purple Triangle.”10 hours $29.98 Audio CDs / $14.99 Download.
“The Cisco Kid, ” as old time radio and B-Western fans know him best, bears little resemblance to the character introduced by writer O. Henry in his 1907 short story “The Cabellero’s Way”: a dark-skinned white man passing himself off as Mexican, a scabrous, cold-blooded criminal who expunged his victims as much for the sheer joy of killing as he did as a necessity of his work.
Such a personality would seem to have little potential as a long-running star of juvenile adventure fiction — but the Kid made the transition, evolving from a series big-budget feature films at the dawn of the talking picture age, down into B-pictures, the comics, and radio. By the time Cisco arrived at the microphone, he had been greatly sanitized to make him acceptable kiddie fare and had picked up the obligatory humorous ethnic sidekick — Pancho, lifted without acknowledgement from Miguel Cervantes’ “Sancho Panza” character in “Don Quixote.”
Thus modified, “The Cisco Kid” became a great favorite with western/adventure fans during the 1940s. Dubbed “the Robin Hood of the Old West,” his radio adventures originated for many years at WOR, New York, and were widely syndicated by transcription by the Frederic W. Ziv Company of Cincinnati, Ohio. Jack Mather and Harry Lang filled the lead roles, supported by the usual WOR stock company, and the transcribed series was produced for nine highly successful and lucrative years.
Since the 1947-1956 syndicated ZIV series was pre-recorded, a great many of Cisco and Pancho’s adventures have been in the hands of collectors for years — with the majority of available programs dating from earlier entries in the series. Recently, however, a large collection of beautiful discs was discovered in Des Moines, Iowa — uncirculated and largely unplayed 16″ vinyl transcription recordings, carefully preserved by a local advertising agency. These programs have, for the most part, been unheard since the 1950s and most have never been available to collectors – a real “find” for radio enthusiasts everywhere.
In addition to their rarity, a unique feature of these restored broadcasts is the reintegration of regional commercials, voiced by well-known announcer Marvin Miller. The series was sponsored on a number of Midwestern radio stations by the bakers of Butter-nut Bread, and the program recordings were accompanied by separate discs containing the commercials. As presented in this set, the commercials have been edited back into the programs — allowing you to hear them just as they originally aired in the early 1950s.
Of special interest to radio enthusiasts are the last two shows in this collection: “Murder at North San Juan” and “Porfirio and the Bearded Lady,” starring Jack Mather as Cisco and Mel Blanc standing in for Harry “Pancho” Lang as Pancho’s cousin-in-law, Porfirio. Lang fell ill in early 1953 and, rather than have another actor temporarily fill in, the producers instead chose to have Pancho fall ill as well and be replaced with a series of relatives. For the next few months, a varied array of cousins and uncles would ride with Cisco until Harry was well enough to return to the show. Lang did return for a brief time but, sadly, he suffered a fatal heart attack in August of 1953. The relatives – including Uncle Jose and Great Uncle Cipriano – returned in his stead until, finally, Mel Blanc assumed the role of Pancho himself. Fans of the series will be happy to hear that there will be many more shows featuring Mel Blanc in his best “Frito Bandito” voice in upcoming “Cisco Kid” collections from Radio Archives. 10 hours. Regular Price $29.98 – Specially priced until June 20 for $14.99 Audio CDs / $7.49 Download.
It was the largest, most ambitious, and most successful military operation ever attempted — and radio was there to cover it.
D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous NBC network coverage of the events of June 6 and 7, 1944.
Noted inspirational author Dr. Norman Vincent Peale, King Haakon VII of Norway, Premier Gerbandy of the Netherlands, Premier Pierlot of Belgium, and US Senators Clark, Barkley, White, Hill and Congresswoman Clare Boothe Luce speak, as does the President of the United States, Franklin Delano Roosevelt. General Eisenhower speaks from SHAEF headquarters.
Regular NBC shows were included in the broadcast, “The Bob Hope Show”, “Fibber McGee & Molly”, “The Guiding Light”, “Vic & Sade”, “The Red Skelton Show”, “The Road of Life”, “Today’s Children”, “Ma Perkins”, “Pepper Young’s Family”, “Mary Noble, Backstage Wife”, “Stella Dallas”, “Lorenzo Jones”, “Young Widder Brown”, “When A Girl Marries” and “Front Page Farrell” among them.
Hear the events of the day as reported by Ben Grauer, Cesar Saerchinger, Charles F. McCarthy, David Anderson, Don Goddard, Don Hollenbeck, Ed Hocker, Edward R. Murrow, Elmer Peterson, George Wheeler, H. V. Kaltenborn, Herbert M. Clark, James Willard, John W. Vandercook, Louis P. Lockner, Lowell Thomas, Merrill Mueller, Morgan Beatty, Ralph Howard, Richard Harkness, Robert McCormick, Robert St. John, Tommy Traynor, W. W. Chaplin and Wright Bryan. Alex Dreier, in Chicago, recalled his experiences as the last western correspondent in Nazi Germany while Stanley Richardson offered an eyewitness account of the invasion from the Channel boats, and George Hicks reported from the beach-head itself!
These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The NBC broadcasts — containing over 38 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection. 38 hours. Normally priced at $113.98 Audio CDs / $56.99 Download, D-Day is Specially priced through the month of June at only $99.98 Audio CDs / $49.99 Download.
On June 6, 2004, in remembrance of the 60th anniversary of the Normandy invasion, the ABC Radio program Perspective featured a fascinating story detailing radio’s coverage of D-Day as it happened in 1944. Written, edited, and narrated by ABC reporter Chuck Sivertsen, the feature utilized clips from the D-Day collection described above. We think this in-depth and well-presented piece provides an excellent overview of the historic content of this collection.
by Kendell Foster Crossen writing as Richard Foster
Read by James C. Lewis. Liner Notes by Will Murray
The jade-robed Buddhist priest who battled crime as The Green Lama is back! Conceived in 1939 at the behest of the editors of Munsey Publications to compete with The Shadow, The Green Lama was the creation of writer Kendell Foster Crossen, who was asked to think up a hero who could lure mystery-minded readers away from The Shadow’s loyal legion of followers.
“The basis for the Green Lama came after I’d read a non-fiction book review in the New York Times about an American who really became a lama,” Crossen once recalled. “The book was titled, The Penthouse of the Gods.”
From that gossamer inspiration, the writer spun an outrageously unique superhero. Returning to the States, young Jethro Dumont assumed an alternative identity of the Buddhist cleric, the Reverend Dr. Pali, then began gathering about him a band of civic-minded citizens to join him in his Buddhistic battle against suffering in all forms—particularly those caused by criminals. And aiding him from the shadows, the mysterious Magga, a woman of many faces who had taken an interest in guiding The Green Lama’s campaign against malefactors.
It was an outlandish concept. While The Shadow possessed the power to cloud men’s minds after his time in the East, The Green Lama relied on other, even weirder, powers—including the ability to become radioactive and electrically shock opponents into submission! He carried a traditional Tibetan scarf, which he employed to bind and befuddle opponents, and possessed a knowledge of vulnerable nerve centers which he put to good use in hand-and-hand combat. Being a practicing Buddhist, it would not do for The Green Lama pack a pair of .45 automatics a la The Shadow!
“The real success of the Lama was because of the mysticism,” Ken Crossen recalled. “We received a tremendous amount of mail about the Lama. People would come into the offices of the publishing company asking to see him. If he wasn’t there, they’d want to talk with Richard Foster.” Foster was the name of the imaginary “author” of the series.
James C. Lewis gives a thrilling performance of the mystical Green Lama for two more exciting exploits, Babies for Sale and The Wave of Death, both set in 1940 Hollywood. Om Mani Padme Hum! The Green Lama knows! 6 hours $23.98 Audio CDs / $11.99 Download.
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
Happy listening,
Will Murray
New Will Murray’s Pulp Classics eBooks
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
The veterinarian’s ambulance was jammed, not with afflicted animals, but with human beings — monstrously deformed, and driven out into the street by men with whips! Richard Wentworth beheld this horror, and realized that a new Reign of Terror had struck New York! For somewhere, hidden from the baffled police, was a new Underworld master whom men called the Wreck. Foully misshapen, he had twisted countless victims — by means of drugs and operations — into his own evil image. And with this nightmare army he was plundering Manhattan! No area was safe from his vulture’s claws — not even the World’s Fair! But Richard Wentworth did not fear to challenge this crime-master — and with the Spider’s keen weapons began his fight to save a great metropolis from madness and death.Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
G-8 and His Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
The jade-robed Buddhist priest who battled crime as The Green Lama is back! Conceived in 1939 at the behest of the editors of Munsey Publications to compete with The Shadow, it was an outlandish concept. While The Shadow possessed the power to cloud men’s minds after his time in the East, The Green Lama relied on other, even weirder, powers — including the ability to become radioactive and electrically shock opponents into submission! He carried a traditional Tibetan scarf, which he employed to bind and befuddle opponents, and possessed a knowledge of vulnerable nerve centers which he put to good use in hand-and-hand combat. Om Mani Padme Hum! The Green Lama knows! The Green Lama returns in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Hugh B. Cave, reissued for today’s readers in electronic format. $2.99.
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
Van Rees knew he must unravel the dreadful secret of that buried charnel house — if he were to save the girl he loved from the crimson hands of the — Devil’s Surgeon!In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
It was a school of helpless, frightened girls, too young to guess at the true nature of the thing which nightly brought them fear and death. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
Breezy young Poppy thought it would be lively fun — and good politics — to stir up all the women against the men.One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
Cowboy Chad knew a sure cure for the luscious little man-hater. Man-hatin’ Verlee found she was a tenderfoot at keepin’ her heart on her hatin’ when she met up with a Petticoat-Corralin’ Hombre. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
Richard Wentworth, in the guise of his crime-fighting alter-ego, returns in two classic tales of The Spider. First, in “Satan’s Death Blast” (1934), normal and healthy men are going about their work one minute but, in the next minute, they literally cease to exist, wiped out by a devilish power beyond human comprehension. Taking credit for these atrocities is a mastermind who calls himself the Devil – and only The Spider dares discover if he can indeed beat the Devil! Next, no one gazed upon the new Czar of Crime and lived to tell about it, as he could inflict instant death upon his victims simply by looking at them! He, too, called himself the Devil, and with The Spider accused of murder and Richard Wentworth under suspicion by the police, he has the Devil’s luck in “Murder’s Legionnaires” (1942). These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story.On sale for $12.95, save $2.00
The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.
The original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, The Avenger is blamed when massive power outages black out North America. Can Dick Benson locate the mastermind called Nevlo in time to prevent a deadly final blackout? Then, Death in Slow Motion cripples an American industry, and Justice, Inc. must find an antidote in time to save hundreds from the deadly paralysis plague! Finally, a defeated crook returns to plot Vengeance on The Avenger in an exciting novelette by Spider-wordsmith Emile Tepperman. This classic pulp reprint includes both color covers by Graves Gladney, Paul Orban’s dynamic interior illustrations and commentary by pulp historian Will Murray. $14.95.
80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels.$14.95.
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island,Doc Savage: Skull Island is a new pulp epic.
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
“I know this creature,” Doc tells his dumbfounded men.
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
Review of Satan’s Death Blast from The Spider, Volume 12
By Andrew Salmon
To say that Norvell Page’s Spider novels are intense is akin to saying that fire is hot. Satan’s Death Blast, first published in the June 1934 issue of The Spider magazine features all of the trappings one can expect from the series. A diabolical villain disguised as the Devil himself, a deadly explosive that can level buildings, break-neck action and countdown clock intensity. These are all present to give the novel an immediacy that can be felt today as easily as it was back in ‘34. Page does not disappoint, constantly ratcheting up the action while turning the screws until you can scarcely breathe.
Another element well on display here is Page’s penchant for putting the Spider through an emotional as well as physical wringer. Generally speaking, a case can be made for the precarious mental state of Richard Wentworth at the best of times so when the heat gets turned up, his brain really begins to churn. His burning desire for justice and/or vengeance is what drives the tale and he suffers the slings and arrows of outrageous fortune as he tries to prevent the Devil from using his revolutionary explosive to create panic as he loots cities of their wealth. One of those arrows cuts right to his heart: betrayal! Watching Wentworth wrestle with a traitor in his midst – the person closest to him – makes for the special anguish that is particular to the Spider stories. Nowhere is it better showcased than in this ripper of a novel.
The Spider’s failure to prevent catastrophe early in the story spurs him on and he’ll endure bullets and stabs wounds as he’s pushed to the edge of not only his sanity but his mortality as well. Spider novels are all-out adventures and Satan’s Death Blast is not only one of the most exciting in the long line of incredible Spider adventures, it also packs more wallop than any half-dozen summer blockbusters. Action, intensity, sacrifice, betrayal, failure, triumph – they are all here in spades.
Satan’s Death Blast is a great read and as good a place as any for anyone not familiar with the Spider to get their feet wet. This Spider novel is not to be missed. Girasol Replica #GC1xx $35.00 / eBook #RE009 $2.99 / Double Novel reprint #12 #5512 $14.95 On sale for $12.95, save $2.00
Comments From Our Customers!
James Droegemueller writes:
Thanks for this awesome sale on Dr. Jekyll and Mr. Hyde, Volume 1. I love OTR (and the pulps, even more!) and am excited to listen to this.
Christopher Southworth writes:
Woo-hoo! G-8, at last! Thanks, as always, and have a great weekend!
Bobby Nash writes:
i was set up at the Alabama a Phoenix Fest this weekend and am pleased to share the news that my biggest seller of the weekend was Nightbeat, of which I sold out. There were some who looked at it and left with my business card and links with promises of ordering the digital download. I met several OTR fans.
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
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Right now Nick is dealing with an issue that involves my dear friend Don McGregor. I can think of a lot worse people to deal with than Nick who has always been cool with me. I have high hopes that Nick and Don get on the same page and that’s all I’m going to say about that.
However, I will say a bit more about Don. As readers of ComicMix have no doubt noticed I have some recurring themes in my articles among them African Americans in the industry, the High School Of Art and Design and Asian Women.
Even I know that sometimes returning too often to a theme can get a little tiresome. Except for the many Asian women mentions, I realize that the constant mentioning of my high school (the greatest high school on the planet) and black people (the darkest people on the planet) can just get tedious. Yes, mentioning Asian women can certainly get monotonous also, especially to black women, but I really could care less.
Black Women! That Was A Joke! I Love my sisters…long time.
There is a recurring theme I wish I revisited often and I don’t think my readers would object too and that’s my love letters to creators I’ve had the pleasure to meet and often become friends with. Every so often I meet and befriend a creator and it’s always cool.
But…
Not as often I meet and befriend a creator who I idolized beforehand and that creator becomes like family to me, Don McGregor is one of those creators. I do so love me some Don McGregor and yes I’m going to write about black people but in a first for me I’m combining two recurring themes: black people in the industry and a love letter to a creator!
Don McGregor is just a great and I mean great guy. He also just happens to be one of the best writers to ever write for comic books.
Ever.
When I met him I stammered like a little bitch I was so in awe of this man. THIS from a man who hangs out with academy award and Grammy winners and whose annual San Diego Comic Con party has a guest list that reads like a Barbara Walters after Oscar special. I’m not saying any of this to impress you I’m saying it to underscore how freaking jazzed I was to meet Don McGregor.
One of the reasons I started the Black Panel, a forum to discuss African Americans in the entertainment business, and why I return to the black theme so often in my articles is because the African American experience is a complicated one.
I’m just trying to give some insight into that experience from a black perspective. I’ll let you in on a little secret; black creators seldom think white boys write good black characters. Don’t get me wrong-some of the greatest black comic book characters were created by white boys.
The Black Panther, the Black Racer, Storm…err…. the Black Panther, the Black Racer…Storm.
Look, I’m sure there are others in fact I know there are others but the misses have been so massive that all my brain can come up with are the three I’ve listed. How massively awful are some of the misses?
This massively awful, Marvel some time ago introduced a new Bucky. He was a black man who stood six foot three inches.
Give that a sec; a 6’3” black man named Bucky.
Yes, that was long years ago, but in 2010 Mark Millar created a black superhero, Tyrone Cash, a.k.a. Leonard Williams. His story? Well, he was a scientist, I’ll say that again, he was a scientist named Leonard Williams THEN he subjected himself to one of his super soldier serums and gained the power of the Hulk.
What’s the problem, you ask?
He gained Hulk like powers yet he retained his intellect.
What’s the problem with that you ask?
Well after he got his Hulk like powers this scientist decides to become a fuckingthug and start dealing drugs. So let’s recap: he retains his scientist intellect and becomes a thug drug dealer.
Look, I think Mark Millar is a good writer but a character gaining Hulk like powers while maintaining a scientist intellect becomes a thug and a drug dealer? How the fuck is that not some thoughtless stereotyping?
What’s next, Mark? A black member of Mensa gets the powers of Superman and becomes a pimp? BTW, I hear you’re English and I’d like your take on a graphic novel I’m writing. It’s about how Princess Diana gets the power of Wonder Woman and becomes a two-dollar whore.
What?
I’ve got a lot more examples of screwed up black characters created by some white writers but that’s an entire book in and of itself so I’ll just let the two examples I used stand. Not that I give a shit what people think but let me say this, there are some incredible white writers who write great black characters and on the flip side of that there are some great black writers who write horrible white characters. Oh and Mark before I forget, when I received my PhD the first thing I thought about was robbing a liquor store. Nah, I’m just kidding, but as soon as I get Hulk like powers…
But as usual (sorry, Peter) I digress. Don McGregor body of work and original creations are simply awe-inspiring. I don’t think I’ve ever read a bad Don McGregor story. I know I’ve never encountered a bad Don McGregor original superhero. One of the reasons I was such a little pussy when I met Don is he writes the best black characters. Hell, I wish I could write black characters as well as Don does.
Sabre is one of Don’s creations is one of the best comics I’ve ever read. Sabre is a black character, in case you were born yesterday. Why didn’t I mention it above with the other great black characters created by white writers?
Shout! Factory has released a Blu-ray edition of the 1990 Captain America movie, a year after a DVD of the much-maligned film was released as a part of MGM’s Limited Edition collection. They deserve kudos for a nice, clean transfer but clarity and high definition cannot help a really weak story hampered by a low budget production.
The film had actually been announced in the early 1980s from Cannon Films but in the intervening years, the studio folded and the right shifted a bit before Menahem Golan mounted it under his 21stCentury banner.
The movie languished in development until the rights were about to expire so director Albert Pyun urged Golan to let him take a crack at getting the film made for about $6 million. Marvel actually approved the script that was shot and Pyun loved its take on America’s fascination with heroism. If only some of that love found its way onto the screen.
The movie was shot in 1989 but wasn’t released theatrically and was finally dumped on video in 1992, where it was met with derisive laughter from comic book fans.
The horrific script from Stephen Tolkin (from a story by Tolkin and Lawrence J. Block) pays lip service to the source material and leaves you scratching your head at the shoddy story construction and utter lack of characterization. Significant changes were made, none of the better starting with giving Steve Rogers polio as an excuse to keep him from enlisting. Then there’s the Red Skull (Scott Paulin) now an Italian fascist, which never made sense. On the other hand, both this film and the current blockbuster made the unnecessary dramatic change in linking Cap and the Skull by having them both be products of the Super Solider formula.
There’s Matt Salinger as Cap/Rogers who is anything but the American ideal and fairly wooden in performance, perhaps because they give him nothing to work with. His first mission leads to the rocket that sent him to an icy sleep in Alaska. He’s found and inexplicably breaks free and rather than ask his rescuers anything, he runs all the way to Canada. There’s little time spent on his cultural isolation and his interactions with others is laughably minimal.
He makes his way back to Venice where he finds the love of life, Bernie Stewart (Kim Gillingham), an old woman, married and mother to Sharon (also Gillingham). He and Sharon then begin running around the world (without cash or passports or any hindrances) in search of the Skull, who apparently heads up an international cabal that directs the world’s affairs. Their current target is President Thomas Kimball (Ronny Cox), who as a boy actually saw Cap in action and has remained fixated on him ever since. He is targeted for his global environmental initiative which inexplicably would hurt the cabal’s interests.
The action is meager, the plotting a joke, the dialogue is flat, and at no time does the script allow the characters breath and expand, absorb the impact of what has been said and done. Fine character actors like Ned Beatty and Darren McGavin are utterly wasted here with nothing to do.
The film is supposedly about hero worship hence Kimball and Beatty’s boyhood fascination with Captain Midnight while the film also has references to the Human Torch and Superman which are oddities. Another missed opportunity is the relationship between the Skull (Scott Paulin) and his adult daughter, Valentina de Santis (Francesca Neri), who is dispatched as his assassin. She and her team of well-groomed killers are more joke than threat.
Much as the film looks better than it has since release, it also sounds pretty good, too. The lossless DTS-HD Master Audio 2.0 mix makes you long for a proper soundtrack. Shout! deserves brownie points for getting Pyun and Salinger to review this project for a 20 minute bonus feature, new to the disc. Both are fairly honest in their assessment that the film didn’t work although Pyun felt it would have been better with a bigger budget but trust me, it all starts from the story which was weak to behind with.
I’m writing this while listening to John Williams’ magnificent score for Superman – the one and only Superman, starring Christopher Reeve and Margot Kidder.
Why?
Well, this morning (Sunday, June 2, 2013) I was doing my usual routine, sipping tea at the breakfast table, working on the New York Times Sunday crossword and listening to NPR. (Yeah, I’m a media multi-tasker.) NPR’s Studio 360 series “American Icons” was about to start. It turned to be a rebroadcast of a program that originally aired on July 6, 2007.
And today’s icon was…
Superman.
I didn’t remember hearing the original broadcast, and I’m guessing the station chose to rerun it because Man Of Steel is about to be released. At any rate, being a comic geek, I was delighted. Commentators included Margot Kidder, Jack Lawson, Bryan Singer, Michael Chabon, Jules Feifer, and Art Spiegelman. It touched on many areas – of course Siegel and Schuster and the shitty way they were treated by DC (NPR never reins in its guests, which is why I love it!), the relation of Superman to Jewish mythology and the immigrant experience, the history of Superman in the media, from the comics to radio to the dynamic Fleisher Studios animated movie shorts to television to the big screen – although there was no conversation about Man Of Steel, since it was a rebroadcast from just before SupermanReturns was released.
Even though it is an old program, the content was still relevant – proving their point that Superman is an American icon. And the producers did their homework. A section that I especially liked was the discussion of Superman: Red Sun (by Mark Millar, Dave Johnson, and Killian Plunkett. The prestige format mini-series, which hit the bookshelves in 2003 and was later collected and released as a graphic novel, was published under DC’s Elseworlds imprint, and explored this particular “what if?” scenario: What if Kal-El’s rocket from Krypton had landed in the Ukrainian farmlands during the Cold War? What if Superman wasn’t raised to fight for truth, justice, and the American way, but – as Millar wrote – “the Champion of the common worker who fights a never-ending battle for Stalin, socialism, and the international expansion of the Warsaw Pact?”
This led to a really cool conversation on totalitarianism, fascism, World War II and the Nazis, and the use of Superman during that time as a propaganda tool by the American government to promote American ideals and values. As fellow columnist Robert Greenberger wrote here at ComicMix on December 7, 2009 , “a special edition of Superman…was produced for the U.S. Army.The Army had a problem at the time – they were drafting thousands of men a year, but many of them had no education to speak of, with large swaths of them functionally illiterate, and they were expected to operate complex machinery pretty quickly. They had to learn how to read, and fast. The troops also needed cheap and portable entertainment, something that could be carried through the battlefields of Europe and Asia.So with the cooperation of National Periodical Publications, the forerunner to DC Comics, this edition was produced by the War Department with simplified dialogue and word balloons. Hundreds of thousands of copies were distributed to GIs, and it helped them learn to read and to pass the time. And of course, copies of the comics were handed out to kids in faraway lands, as gestures of goodwill.”
The guests also discussed Superman and his role as the ultimate superhero, someone who has the power to do either enormous good or enormous evil. Either way, isn’t his decision to act at all, to interfere in the lives of the mortals beneath him, that of Nietzsche’s “übermench,” who will decide the fate of society?
IM-always-Not-So-Ho, Studio 360 did a great job dissecting what it is about the Kryptonian that makes him an American icon, and I totally recommend going to the NPR website and either streaming it or downloading it for podcast for your listening pleasure.
Meanwhile…
Williams’ score is still playing.
What really strikes me as I sit here, scenes from the movie replaying in my head – the oh-so-cool opening with the kid reading a comic and the camera zooming in on the Daily Planet as it transitions from comic page to “reality,” Superman rescuing the cat from the tree, of course Superman’s first rescue of Lois (“You’ve got me? Who’s got you?!”), the finale with Superman flying in orbit around the Earth and Christopher Reeve looking at us and smiling as he zooms off camera – is the impressive way that Williams leads the music from a grand, baroque science-fiction scenario (Krypton) to the down-to-earth gentleness of the Kent’s farm to the majestic sweep of the Kansas prairies as Clark follows his destiny to the romantic, impossible reality of Superman in Metropolis.
In the post-war years, America developed a new economic base with a new and ever-increasing standard of living. This new middle-class lifestyle, coupled with the baby boom that ran throughout the 1950s, created suburbia — with housing developments, highways, shopping centers, and all of the other hallmarks of this new society becoming the norm.
As always, radio reflected the culture of its audience — and never more so than with the rise of the situation comedy in the late 1940s.
Originally, Father Knows Best was not much different than similar situation comedies of the period, the concepts of which were basically that “daddy is a well-meaning dumbbell, but we still love him.” However, by the time the show first aired over NBC on August 25, 1949, most of the clichés had been removed, and thanks to excellent writing and the outstanding acting talents of the principals, these hilarious slices of everyday life rise above the norm to make Father Knows Best one of the highlight series of late-era network radio entertainment.
As portrayed by Robert Young, who co-created the series with writer Ed James, the title character of Jim Anderson is a successful insurance salesman. He is ambitious, likeable, and a good provider for his family — though he often grows exasperated by the turmoil of his everyday home life. The plots generally begin quite simply — Jim surprises his wife Margaret (June Whitley) with tickets to a show, for instance — then quickly become complicated as the plans, schemes, commitments, and miscommunications of their three children, Betty (Rhoda Williams), Bud (Ted Donaldson), and Kathy (Norma Jean Nilsson) and their friends and neighbors get in the way.
Heard today, Father Knows Best still retains its ability to hilariously reflect the interpersonal relationships of a typical American family, because, though times change, people don’t; raising good kids today is no easier or less complicated than it was in 1950.
The twenty shows in this collection have been digitally restored, resulting in ten full hours of family-friendly radio entertainment from one of the best and most enduring situation comedies of all time. 10 hours $29.98 Audio CDs / $14.99 Download.
The Strange Case of Dr. Jekyll and Mr. Hyde is considered one of the greatest tales of horror to date. When one of the best, but most underrated producers of the Golden Age Radio added in his production and vocal skills, a true radio serial classic was born and is now collected in Dr. Jekyll and Mr. Hyde, Volume 1.
Dr. Jekyll and Mr. Hyde is just one of over 300 radio series and serials produced by George Edwards over the course of his twenty year career in radio. Telling Robert Louis Stevenson’s classic tale of a man divided, this fifteen minute serial debuted in 1943, running for 52 episodes, and was produced by Edwards, a well-known Australian radio personality. The man behind other Australian series, such as Afloat with Henry Morgan and Adventures of Marco Polo lent not only his production skills to Jekyll and Hyde, but shared his amazing vocal talents as well. Edwards’ skill to do multiple voices in a single episode definitely fit the needs of Dr. Jekyll and Mr. Hyde.
Dr. Jekyll and Mister Hyde, Volume 1 collects the first 28 episodes, 7 hours, of one of the best serial adventures of the radio era. The intense pacing of each episode as well as the high quality production values and the talented voice acting of George Edwards and the rest of the cast make this a must have for any fan of Classic Radio.
Dr. Jekyll and Mr. Hyde now features a fantastic painting by Douglas Klauba.This painting was originally painted for the Scottish Tourism Board. The background behind the image relates to Robt. L. Stevenson originally writing Jekyll and Hyde based in Edinburgh, or at least upon his boyhood memories of the city and the streets.
7 hours. Regular Price $20.98 – Specially priced until June 6 for $10.49 Audio CDs / $5.24 Download.
It was the largest, most ambitious, and most successful military operation ever attempted — and radio was there to cover it.
D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous NBC network coverage of the events of June 6 and 7, 1944.
Noted inspirational author Dr. Norman Vincent Peale, King Haakon VII of Norway, Premier Gerbandy of the Netherlands, Premier Pierlot of Belgium, and US Senators Clark, Barkley, White, Hill and Congresswoman Clare Boothe Luce speak, as does the President of the United States, Franklin Delano Roosevelt. General Eisenhower speaks from SHAEF headquarters.
Regular NBC shows were included in the broadcast, “The Bob Hope Show”, “Fibber McGee & Molly”, “The Guiding Light”, “Vic & Sade”, “The Red Skelton Show”, “The Road of Life”, “Today’s Children”, “Ma Perkins”, “Pepper Young’s Family”, “Mary Noble, Backstage Wife”, “Stella Dallas”, “Lorenzo Jones”, “Young Widder Brown”, “When A Girl Marries” and “Front Page Farrell” among them.
Hear the events of the day as reported by Ben Grauer, Cesar Saerchinger, Charles F. McCarthy, David Anderson, Don Goddard, Don Hollenbeck, Ed Hocker, Edward R. Murrow, Elmer Peterson, George Wheeler, H. V. Kaltenborn, Herbert M. Clark, James Willard, John W. Vandercook, Louis P. Lockner, Lowell Thomas, Merrill Mueller, Morgan Beatty, Ralph Howard, Richard Harkness, Robert McCormick, Robert St. John, Tommy Traynor, W. W. Chaplin and Wright Bryan. Alex Dreier, in Chicago, recalled his experiences as the last western correspondent in Nazi Germany while Stanley Richardson offered an eyewitness account of the invasion from the Channel boats, and George Hicks reported from the beach-head itself!
These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The NBC broadcasts — containing over 38 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection. 38 hours. Normally priced at $113.98 Audio CDs / $56.99 Download, D-Day is Specially priced through the month of June at only $99.98 Audio CDs / $49.99 Download.
On June 6, 2004, in remembrance of the 60th anniversary of the Normandy invasion, the ABC Radio program Perspective featured a fascinating story detailing radio’s coverage of D-Day as it happened in 1944. Written, edited, and narrated by ABC reporter Chuck Sivertsen, the feature utilized clips from the D-Day collection described above. We think this in-depth and well-presented piece provides an excellent overview of the historic content of this collection.
They called G-8 the Flying Spy. History never recorded his exploits—and for good reason! No one would ever believe World War I was that wild!
G-8, the high-flying ace pilot of World War I, was born in the front seat of a car barreling through the Holland Tunnel. His father was Robert Jasper Hogan, who had made quite a name for himself as a prolific pulp writer specializing in aviation fiction during the glamorous era now styled Between the Wars. Among practitioners of that now-lost art, this school of writing was styled Yammering Guns, after the sound of contending synchronized machine guns in furious action.
It was the summer of 1933, and despite the Great Depression, Popular Publications was booming. Part of their Autumn expansion plans entailed launching The Spider, and a companion title to be aimed at the legions of readers who drank up fictionalized accounts of World War I Allied aces versus Imperial Germany’s various bi-winged counts and barons, red and otherwise.
One of Popular’s star writers, Hogan was doubtless the first writer publisher Harry Steeger considered when casting about for a suitable scribe. The unnamed magazine was on the schedule as a monthly. The designated author would have to know his rudders and ailerons—and be reliable. Hard drinkers need not apply. And Hogan had been an air cadet during World War I, although the armistice came before he could ship out and see action.
Steeger and Hogan hashed out an idea. It was part Eddie Rickenbacker and part What Price Glory?—which was a popular Maxwell Anderson stage play turned into a motion picture. Price stressed the horrors of war as counterpoint to the sentimental comradeship of the Allies in the trenches. Only in this case, by horror, Popular Publications meant something far more horrific than mustard-gas trench warfare atrocities.
For, envisioning the expected strain on the writer’s imagination a monthly novel would enact, Steeger and Hogan agreed that the new series would soon grow stale if they didn’t spice it up with elements of the fantastic. This recipe ranged from merely super-scientific death rays to the unabashedly supernatural manifestations. Nothing was taboo in G-8. Hogan was a pioneer of over-the-top plotting generations before the term was coined.
Normally, pulp publishers put house names on such fare, to protect themselves from ill, drunken or unreliable authors. But Hogan’s byline was pure pulp gold, so Steeger took a chance. The series would carry the author’s true name. Hogan never let him down.
Driving home to New Jersey from Manhattan, Hogan passed through the Holland Tunnel. While in traffic, he worked out the details of G-8’s first wild adventure. He named his hero after a Colorado ranch where Hogan worked one summer. G-8 never had another name. His wingmen, Bull Martin and Nippy Weston, were modeled on a pair of real-life flyboys named Bull Nevin and Nippy Westover. Pulp fans have accused Hogan of copying the friendly rivalry of Doc Savage’s wartime buddies, Monk Mayfair and Ham Brooks, in his depictions of Bull and Nippy. In fact, all those characters were derived from What Price Glory?’s memorable Captain Flagg and Sergeant Quirt.
The premier tale, which appeared in the October, 1933 issue of G-8 and His Battle Aces, exemplified the outrageous approach Steeger and Hogan envisioned for the series. Hogan called it The Bat Staffel. Therein he introduced a German mad scientist who would bedevil his new hero the length and breadth of the series—some eleven tortured years. This first time out, Herr Doktor Krueger unleashed monster bats as big as bi-planes on Allied Sopwith Camels and Spads. It made for fearsome reading.
With his canvas limited to the skies over No Man’s Land during the four years encompassed by what was originally called the Great War, Hogan went for broke, escalating from terrifying tales such as The Skeleton Patrol and Squadron of the Scorpion to unchecked phantasms of terror like Satan Paints the Sky, Here Flies the Hawks of Hell and The Bloody Wings of the Vampire. Hogan had a predilection for half-human antagonists, which manifested in an annual parade of beast-men, wolf-men, leopard-men, panther-men, even rhino-men. For G-8 and his battle buddies, the War to End All Wars proved to be a very long and hairy conflict.
Once, Hogan outlined a particularly gruesome G-8 plot for a queasy but mesmerized Popular Publications staffer. “My editor was nauseated,” he recalled. Readers ranging from ten years old to outwardly mature stockbrokers ate it up, however. They were so captivated by the Flying Spy that even the glamorous new all-metal aircraft dominating the skies of World War II didn’t squash their interest in the glorified kites of the prior conflict. It took a crushing shortage of pulp paper to force Steeger to finally and reluctantly cancel the magazine. After penning over a hundred G-8 novels, Hogan took it in stride and blithely switched over to writing quality stories for The Saturday Evening Post. His last editor was aghast. He didn’t think Hogan had it in him.
Before it was all over, G-8 battled weird menaces ranging from Martians to Zombies, with assorted undead minions of the Kaiser in between. If Hogan couldn’t concoct a fresh beast-man, why, a clutch of cave men or freshly-defrosted Viking berserkers would keep readers riveted. Recurring foes came and went. G-8 finally vanquished Herr Doktor Krueger late in the series. Or did he? Maybe they renewed their feud for World War II. If so, Hogan failed to record those encounters. No doubt they would have captivated ever-loyal fans of the one and only Flying Spy.
Through it all, Robert J. Hogan never seemed ashamed to have his Christian name attached to effusions bearing overblown titles like The Flying Coffins of the Damned. And he a minister’s son.
This inaugural G-8 audiobook is narrated by the talented Doug Stone. Stand clear! Contact! Zoooom! Tac-tac-tac-tac! Yammering Guns live again!
Nick DeGregorio composed the music for the G-8 and His Battle Aces series of audiobooks. 7 hours $27.98 Audio CDs / $13.99 Download.
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
Happy listening,
Will Murray
New Will Murray’s Pulp Classics eBooks
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
Poisoned medicine had flooded New York — and overnight all hospitals had been turned into a hell of betrayed human sufferers! For a strange and incredible horror had gripped the metropolis. Men gazed, terrified, upon a greenish Skull, glowing evilly in the darkness, then died! And no physician nor science could save them from unbelievable agony and death! Where once happy healthy citizens had dwelt was now a city of defleshed corpses. No help could come from the baffled police; and mercy in Manhattan was a forgotten word. Yet one man did not fear to challenge the Terror. Richard Wentworth, as the Spider, set out to find a way to battle the Skull — and save an entire city from an Epidemic of Poison Death! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
What were these batlike monsters? What was the strange death they carried? G-8 and his ace buddies follow this horror staffel straight into action skies! G-8 and his Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Wyatt Blassingame, reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine byWyatt Blassingame, reissued for today’s readers in electronic format. $2.99.
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
Perhaps the horrors Robert Brundage saw in that laboratory of Prince Ahmed had made him mad. Perhaps…In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
A grinning death’s-head led Stephen Benedict to a house of hell, where hanging corpses looked down with sightless eyes on ugly, midnight rites. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
By hiring handsome Jim Raleigh on her ranch, Beth hoped to make Carter Ganes jealous enough to propose to her. But in carefully stacking Cupid’s deck — Beth forgot one two-faced queen!.”One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
Beautiful tomboy Nell could stand most anything – now that she was going to marry Lew – except Bill giving her a pretty silk nightgown… as a wedding present.One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. First, in “Scourge of the Yellow Fangs” (1937), a hidden fiend preys on the city’s Chinatown. Soon, a new menace begins to spread, threatening to engulf Asian and Caucasian alike. Only The Spider has guessed the identify of the ruthless criminal behind the atrocities committed on the nation’s newest citizens – but can he survive after being targeted for a ghastly death? Next, in “Death and The Spider” (1942), from Mar-lar-delan, ancient lama of Tibet, came the prophecy that when Death walked the Earth as a man, The Spider would die! Beseiged by terror and murder, the city struggles to survive as criminal forces rally to the man called Death! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00
The Dark Avenger wages war on organized super-crime in two classic pulp mysteries by Walter B. Gibson writing as “Maxwell Grant.” First, a city’s financial system is threatened by the murderous machinations of “Intimidation, Inc.,” until The Shadow beats them at their own game! Then, the Knight of Darkness strives to unmask the “Wizard of Crime,” the hidden financial genius behind Intimidation, Inc., in a rare shadowy sequel. This instant collector’s item showcases the classic color pulp covers by George Rozen and the original interior illustrations by Tom Lovell and Paul Orban, with commentary by popular culture historian Will Murray.$14.95.
The original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, The Avenger is blamed when massive power outages black out North America. Can Dick Benson locate the mastermind called Nevlo in time to prevent a deadly final blackout? Then, Death in Slow Motion cripples an American industry, and Justice, Inc. must find an antidote in time to save hundreds from the deadly paralysis plague! Finally, a defeated crook returns to plot Vengeance on The Avenger in an exciting novelette by Spider-wordsmith Emile Tepperman. This classic pulp reprint includes both color covers by Graves Gladney, Paul Orban’s dynamic interior illustrations and commentary by pulp historian Will Murray. $14.95.
80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels.$14.95.
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island,Doc Savage: Skull Island is a new pulp epic.
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
“I know this creature,” Doc tells his dumbfounded men.
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
While walking on the street, Doc Savage has his pocket picked. Well, not exactly. A pick-pocket puts something into his pocket. It is a warning that if he would prevent death to thousands, he should go to a house in a New Jersey marsh. When Doc and his crew arrive there, they witness a weird explosion that digs a perfectly straight symmetrical canal in an instant. As they did deeper into the mystery, they encounter the Cold Death, a hand-held weapon that shoots a beam of incandescent light which is as cold as the depths of space yet can cut a man in half in an instant. The ray beam is turned on Doc Savage and even the bronze man almosts succumbs to a freezing death! This weapon is the trigger to the most powerful explosive ever known: an explosive that harnesses the power of the atom itself. It is the key to a master plan of extortion where entire cities are held hostage. And New York is the first city on the list! At the center of this plan is a man with weird eyes that glow in the dark who appears to be the mastermind behind the scheme.
Who is the mystery man? Where does he come from? What is this weapon that brings Cold Death? Can even Doc Savage prevail against such a doomsday weapon?
This story was written in 1936 yet it eerily predicts laser-like weapons and the explosive power of nuclear fusion. The threat of weapons of mass destruction in the hands of terrorists and fanatics is timelier today than when the story was first printed. This is one of my favorites of the weird science Doc Savage sagas. Don’t Miss it!Double Novel reprint $12.95
Comments From Our Customers!
Dominick Cancilla writes:
I saw your note on the OTR list about your work with Radio Archives and wanted to drop you a quick note to thank you. I have purchased every single pulp audiobook Radio Archives has put out and enjoy them immensely.
Captain Satan and Captain Zero which you performed, were two of my favorites. You mentioned having a good time creating these, and I think that enthusiasm really shows in your performance. I am particularly impressed by your ability to deliver this kind of material without any hint of corniness or campiness. It makes me, as a listener, feel as if I’m “back in the day” reading the book as it was intended.
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
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So Saturday, I’m sitting in the kitchen, my feet up on the table, sipping my morning tea, and flipping through the latest edition of Entertainment Weekly. It’s the one with Hugh Jackman on the cover as Wolverine, dated May 31/June 7 2013.
I’m on page 32, the “Monitor” section, and there’s nothing there really of interest for me, a headline splashing a “Bieber Backlash” – about time – and an announcement under “Splits” that Robert Pattison and Kristen Stewart of Twilight fame have broken up again – duh, I saw that one coming once the last fanfare of Breaking Dawn was done – and then I see a little inset on the bottom left that boldly reads “turn the page and open the flaps for EW’s pick of the 25 greatest superheroes ever” (with “plus the 5 worst” in a shaded grey, and a little arrow pointing to a big advertising spread for a TNT show called Hero.
Hmm. Didn’t see this listed on the “Contents” page. Must be like one of those Easter eggs that some videos have.
So nat’ch I open the flaps and there it is. Very cool, and a nice surprise.
The copy explains that when picking this list EW decided to “specifywhich version of the hero stands out above the rest,” so that “some icons appear here more than once.”
I like that, it’s a bit different, and with 75 years of superhero history muddying the waters (Superman first appeared in ActionComics #1, June 1938) along with who-can-count-the-number-of-reboots in that time, I think it shows respect for our beloved genre.
So here’s their list, in ascending order, of the greatest superheroes of all time, with a bit of EW’s reasons why:
1. Spider-Man: Lee and Ditko, Amazing Fantasy #15, August 1962. “…reinvented the muscle-bound superhero as young, funny, geeky, flawed, and struggling. ”
2. Batman Year One: Frank Miller, Batman #404 – 407, 1987. “…has cast its dark, sinister shadow over every Batman iteration since. ”
3. Buffy The Vampire Slayer: Joss Wheedon, 1977 – 2003. “…super and human, as quick with a quip as she was with a stake…Buffy was a teen first, her secret identity her heroism. ”
4. Iron Man: Robert Downey, Jr., 2008. “…tack on the aching wisdom that Downey’s age (and eyes) – oh, and may I add here his pure, unadulterated sexiness – brings to the role and you have the fully charged heart of the Marvel movie universe. ”
5. Superman: Christopher Reeve, 1978. “…most memorable was his playful take on alter ego Clark Kent, depicting him as the meek, benign bumbler” – well, they almost got this one right. Reeve simply was Superman.
Okay, this is getting into dangerous, possible plagiarism territory here (plus it could very possible piss off editor Mike), so let me quickly go down the list without the, uh, word-for-word copying.
7. Batman: Christopher Nolan, The Dark Knight Trilogy, 2005 – 2012. Made everyone forget everything that came after Michael Keaton. Hey, I thought Keaton was great, so stick in it your ear! Although, imho, Pfeiffer still beats out Hathaway as Catwoman.
8. X-Men: Chris Claremont and John Byrne, 1977 – 1981. The team that got me hooked on mutants.
9. Black Panther: Don McGregor, Rich Buckler, Gil Kane, Billy Graham, Klaus Janson and Bob McLeod, “Panther’s Rage,” Jungle Action #6 – #24, September 1973 – November 1976. Marvel’s first graphic novel, even if it did appear in serialized form. Dwayne McDuffie said of it on his website: “This overlooked and underrated classic is arguably the most tightly written multi-part superhero epic ever. If you can get your hands on it . . . sit down and read the whole thing. It’s damn near flawless, every issue, every scene, a functional, necessary part of the whole. Okay, now go back and read any individual issue. You’ll find seamlessly integrated words and pictures; clearly introduced characters and situations; a concise (sometimes even transparent) recap; beautifully developed character relationships; at least one cool new villain; a stunning action set piece to test our hero’s skills and resolve; and a story that is always moving forward towards a definite and satisfying conclusion…and [they] did it in only 17 pages per issue.” Okay, I’m copying again.
I’m going to tighten this up even further, because there’s a big surprise coming, and it’s something that mean a lot to me…and to someone else here at ComicMix.
10. Captain America: Ed Brubaker, 2004 – 2012.
11. Superman (Animated): Max and Dave Fleisher, 1941.
12. The Flash: Carmine Infantino, 1956 – seemingly forever
13. Phoenix: Chris Claremont and Dave Cockrum, Uncanny X-Men, #101 – #108, 1976 – 1977
14. The Incredible Hulk: Bill Bixby and Lou Ferrigno, 1977 – 1982
17. Swamp Thing: Alan Moore, The Saga of the Swamp Thing #21, February 1984 – Swamp Thing #64, September 1987
18. Hellboy: Mike Mignola, 1993 – onwards in comics and other media
And here is the one that made me sit up, rush to my computer and send off an e-mail to John Ostrander, my dear friend and fellow columnist here at ComicMix.
19. Oracle: John Ostrander and Kim Yale, Suicide Squad #23, 1989
In 1988, Barbara Gordon, aka Batgirl, was shot and paralyzed by the Joker in Alan Moore and Brian Bolland’s Batman: The Killing Joke as he rampaged against everyone connected to the Dark Knight. Although the graphic novel was a brilliant take on the Joker (which, imho, vastly influenced the late Heath Ledger’s portrayal of the villain) and was critically acclaimed, the controversy of the victimization of Barbara Gordon really upset the fans – particularly the women.
Including Kim Yale, John’s late wife, a wonderful writer and editor, and the best friend this writer ever had.
Well, let me have John tell it, from an interview with Vaneta Rogers on Newsarama dated September 7, 2011:
“My late wife, Kimberly Yale, and I were not crazy about how Barbara was treated in The Killing Joke,” comic writer John Ostrander told Newsarama. “Since the Batman office had no further plans for her at the time, we got permission to use Barbara in Suicide Squa, [another DC title at the time]. We felt that the gunshot as seen in Killing Joke would leave her paralyzed. We felt such an act should have repercussions. So…we took some of her other talents, as with computers, and created what was essentially an Internet superhero – Oracle. “
It so perfectly made sense. Barbara had been established as a PhD. in library science, so Kim and John used that basis to make Barbara the ultimate computer hacker. As Oracle, she was the “go-to” person for any hero in the DC universe needing information; it was a natural progression for Denny O’Neil (yep, our Denny), who was the editor of Batman family editor at this time, to incorporate Oracle as the woman to whom the Dark Knight turned when he sought aid on the computer.
This is a nation that talks the talk about recognizing the value of everyone’s capabilities but rarely walks the walk. This is a country in which Senator Max Cleland, who lost both arms and a leg while serving in Vietnam, lost his seat to a man who got out of serving in Vietnam (“bad knee,” he said in one interview) by claiming Cleland did not support his country against Osama Bin Laden. This is a country in which the comic book industry is filled with muscle-bound men in spandex able to leap tall buildings in a single bound and sexualized women whose bubble boobs enable them to fly.
But this is also an industry that gave us Oracle, who was Batgirl, who was the target of madhouse clown, who was paralyzed, who forged on ahead and demanded our respect.
She got it.
Thanks to two writers named Kim Yale and John Ostrander.
*The rest of the list is: 20. Astonishing X-Men by Joss Wheedon; 21. TheIncredibles, by Brad Bird; 22. The Incredible Hulk, by Lee and Kirby; 23. Spider-Man, by Sam Raimi; 24. Daredevil, by Frank Miller; and 25. Fantastic Four, by Lee and Kirby.
**The 5 Worst Superheroes are: 1. Matter-Eater Lad; 2. The Punisher; 3. Halle Berry’s Catwoman; 4. Wonder Twins; and 5. David E. Kelley’s Wonder Woman.
(Mindy will be back in this space Wednesday afternoon.)
Look, up in the sky…It’s a bird! It’s a plane! It’s…
Featured Girasol Replica: Operator #5 #1 April 1934 [Pulp Replica]
Featured Girasol Replica: Weird Tales #107 November 1932 [Pulp Replica]
