Tagged: sequel

Interview: Jeff Kinney

Interview: Jeff Kinney

Nine years ago, game developer Jeff Kinney started to write the diary of a boy named Gregg Heffley.  A few years after that, he began to publish the story on the website FunBrain.com.    Charles Kochman  picked it up for the Harry N. Abrams imprint, Amulet Books, and the Diary of a Wimpy Kid phenomenon was on.

Since then, Kinney published a sequel, Diary of a Wimpy Kid: Rodrick Rules and, this month, the Diary of a Wimpy Kid Do it Yourself Book.   A third story, Diary of a Wimpy Kid: Last Straw is due in January.

The series has a passionate following.  Like Harry Potter, the books attract kids (who may be too young for Rowling’s longer novels) who can’t wait to read them.  Bookstores plan parties around new volumes.

Jeff was in Baltimore for the recent Comic-Con, where Abrams sold advance copies of the new Do It Yourself book. We spoke with him at the Harvey awards, where he was nominated in eight categories, including Best New Talent, Best New Series, Best Writer, and Special Award for Humor.  He lost in every category, but he had the longest lines at the show, as kids waited an hour and more for his autograph.

ComicMix: 
I read your books this week. Sorry I’m a little late, but my kid is grown.  They’re really fun.  I met your mom today.  I saw the line for your signing, which was thrilling. 

Jeff Kinney:  Thank you very much.  I had no idea if it was long or short.  I just sat there and signed. 

CMx:  Was this your first comic convention?  I know you’ve done book conventions. 

JK:  I’ve done a few others.  Actually, I got my book picked up at New York Comic-Con two years ago.  And I just wandered around with a manuscript and lucked into meeting Charlie Kochman, who picked it up on first sight.  He took a look at it for maybe 30 seconds and said, “This is what we want.  This is why we came here.”
 

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Review: ‘After 9/11’ by Sid Jacobson and Ernie Colón

A few years back, Sid Jacobson and Ernie Colón came up with the novel idea of retelling the 9/11 Commission Report in comic book form.

Now they’re back with something of a sequel, After 9/11: America’s War on Terror (Hill and Wang, $16.95). While their earlier book was a simple recreation of an existing document, this is a more impressive endeavor, as they compile facts from a great number of sources to create one of the most encompassing yet looks at our ongoing wars.

I really only have one criticism. The book is labeled “graphic journalism,” which is a bit of a misnomer. The creators did no original reporting, as far as I can tell, instead researching media reports for their information.

It’s really an illustrated work of history, an encompassing paper-bound documentary of the past seven years in American foreign policy. Which is to say it’s a pretty depressing read.

The creators organize their collection of news reports and government documents in chronological form, as the U.S. launches its invasions of Afghanistan and Iraq, the latter through no small part of deception.

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Review: The Dark Knight

Review: The Dark Knight

Considering the amount of massive blockbusters that have disappointed the fans this year, it is safe to say that all of your expectations will be met going into this movie. [[[The Dark Knight]]] delivers on so many levels that it becomes hard to critique it, and all that’s left is pure childlike enjoyment for approximately two hours.

Those of you who are unaware of the plot for the sequel to 2005’s Batman Begins, this film takes place shortly where we left off: Batman is patrolling the streets, crime is on the rise, and more and more “masked vigilantes” are stepping up to try and take out the [[[Batman]]]. Wayne Manor is still destroyed, so all of the caped crusader’s hijinks are based out of a new penthouse apartment, which is a nice change. Batman’s gal Rachel Dawes (originally played by Katie Holmes) returns, this time played by Maggie Gyllenhaal. This time, instead of Liam Neeson and Cillian Murphy filling the evil quota as Ra’s Al Ghul and Scarecrow, respectively, we get the late Heath Ledger and Aaron Eckhart as The Joker and Harvey Dent, which of course means we get to see a little Two-Face!

[SPOILER WARNING: READ ON AT YOUR OWN RISK]

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Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Joann Sfar, one of the major lights of the current European graphic novel scene, has written or collaborated on more than one hundred books, but probably his most famous and acclaimed work is the original [[[The Rabbi’s Cat]]], which won the prestigious Jury Prize at the Festival International de la BD d’Angouleme (Angouleme International Comics Festival).

Sadly, I still haven’t read it. Luckily, that means that I can review this sequel with an eye towards the new reader – since I was one myself.

The Rabbi’s Cat 2
By Joann Sfar
Pantheon, April 2008, $22.95

The title character is a nameless talking cat in Algiers in the 1930s, the pet of Rabbi Sfar – or perhaps of his beautiful, frustrated daughter Zlabya and her husband, a younger, urbane rabbi from Paris. I say “talking cat,” but most of the characters can’t tell that he talks – and it’s not clear what the difference is between those who can and those who can’t. (But the reader can always understand, which is the most important thing.) [[[The Rabbi’s Cat 2]]] collects what were the fourth and fifth French albums in the series, as the original Rabbi’s Cat collected the first three.

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Hellboy II Prequel Comic Preview

Hellboy II Prequel Comic Preview

Universal Pictures and Dark Horse Comics are distributing a 16-page Hellboy II: The Golden Army prequel comic to WonderCon attendees, but a five-page preview of the comic has been posted on the film’s official site.

Yes, that’s a preview of a prequel to a sequel, if you’re counting — and it’s written by Hellboy creator Mike Mignola, based on a story by Hellboy II film director Guillermo del Toro.

Oh, and don’t worry if that last paragraph read like a calculus equation, the comic is far more comprehensible, I assure you.

 

(via SHH)

D2DVD REVIEW: Strange Thrills

D2DVD REVIEW: Strange Thrills

What to do with Doctor Strange?

That’s a question Marvel creators have been asking ever since Steve Ditko left town with the original Eye of Agamotto. A lot of people gave it a shot over the past five decades, and, to be fair, several did a first-rate job. But they had a hard time recapturing the original magic.

This week, Marvel Studios released its [[[Doctor Strange]]] D2DVD, and, being a self-contained 75-minute effort, they took some liberties with the ever-evolving and sometimes contradictory comics versions. Overall, I think they did a good job.

This D2DVD is not quite a superhero effort; certainly, not as defined by their previous animated movies ([[[Ultimate Avengers]]] 1 and 2, [[[Iron Man]]]). They keep the most basic elements of the various origin stories and they don’t really alter anything of substance: Stephen Strange is still starts out as the egotistical, self-absorbed, money-grubbing surgeon supreme and within and hour and a quarter is fast-tracked to beatific altruistic sorcerer supreme. Which, if you think about it, is not a good thing for Strange’s master, The Ancient One.

Along the way, though, we see Strange’s journey to supremacy, we get to appreciate his frustrations and see him grow past his ego and get redeemed. Oh, and he gets to fight Mordo and Dormamuu and a boatload of demons along the way. Our Japanese friends could learn a thing or two from Doctor Strange’s approach to limited animation: Marvel took full advantage of the fluidity of the animation form to allow for the mystical poop to really pop.

Of course they made Wong politically correct, so I guess my desire for an all-Asian cliché-fest crossover with the Blackhawk’s Chop-Chop isn’t going to happen any time soon. And they even teased us with a sequel set-up.

The supplemental documentary is first-rate. Not as first-rate as the extras on the new [[[Popeye]]] box-set, but damn good. Their “[[[Origin of Doctor Strange]]]” delves fully into the comic book roots, showing off a lot of art, giving Stan Lee and (particularly) Steve Ditko their due, and interviewing the hell out of the always-eloquent Steve Englehart, whose own run as Doctor Strange writer (much of it with Frank Brunner as artist) was among the series’ very best.

Overall, a nice effort from supervising director Frank Paur and writer Greg Johnson. I suspect all but the most anal-retentive [[[Strange]]] fans will enjoy the experience.