Derrick Ferguson Has THE CUTMAN In His Corner!
- Format: Kindle Edition
- File Size: 299 KB
- Simultaneous Device Usage: Unlimited
- Publisher: Fight Card Productions (November 11, 2011)
- Sold by: Amazon Digital Services
- Language: English
- ASIN: B0066E93MK
Cover Art: Becky Cloonan |
Cover Art: Massimo Carnevale |
Conan The Barbarian returns to comics on February 8th, 2012 as he faces off against the Queen of the Black Coast at Dark Horse Comics.
In this sweeping adaptation of Robert E. Howard’s fan-favorite “Queen of the Black Coast,” Conan turns his back on the civilized world and takes to the high seas alongside the pirate queen Bêlit, setting the stage for an epic of romance, terror, and swashbuckling. This is Conan as you’ve never seen him, with the combination of one of Robert E. Howard’s greatest tales and the most dynamic creative team in comics!
Conan The Barbarian #1 is written by Brian Wood with art and cover by Becky Cloonan, and colors by Dave Stewart. Also included is a cover by Massimo Carnevale.
Conan The Barbarian #1 is 32 pages of exciting pulp adventure for $3.50.
Cover Art: Becky Cloonan |
o A perfect jumping-on point for new readers!
o A bold, fresh take on the Cimmerian.
o “Queen of the Black Coast” is the most-requested Conan adaptation!
For more information on Conan and Dark Horse Comics, visit http://www.darkhorse.com/.
Click on images for a larger view.
This February, writer Brian Wood and artist Becky Cloonan bring Conan The Barbarian back to comic chops as they adapt Robert E. Howard’s fan-favorite “Queen of the Black Coast.”
Conan has turned his back on the civilized world and takes to the high seas alongside the pirate queen Bêlit, setting the stage for an epic of romance, terror, and swashbuckling. This is Conan as you’ve never seen him, with the combination of one of Robert E. Howard’s greatest tales and the most dynamic creative team in comics.
Conan The Barbarian: “Queen of the Black Coast”
Brian Wood (Writer)
Becky Cloonan (Art/Variant cover)
Dave Stewart (Color)
Massimo Carnevale (Cover)
Full Color
32 pages
$3.50
On sale February 8
For more information on Conan and Dark Horse Comics, visit http://www.darkhorse.com/.
Conan the Barbarian was such a major figure in the heyday of the pulp magazines, that he made an indelible impression on readers. When Lancer Books took over the mass market paperback publishing for the Cimmerian in the 1960s, the Frank Frazetta cover images were so powerful, you had to notice. Since then, different generations have their own impression of how Robert E. Howard’s character and world should look. After Frazetta came Barry Smith and John Buscema and after them came Arnold Schwarzenegger and then…not much. The syndicated Conan featuring Ralf Möller barely made a ripple and as the rights went from owner to owner, he faded a bit from memory. Even the wonderful Dark Horse Comics adaptations have not quite made the stir the original comics did nor have the paperback originals from Tor and others had that same spark.
As a result, there was a lot riding on Lionsgate’s revival of the character and, sad to say, they failed at their task. Conan the Barbarian, which came out in August, was poorly marketed and came up short in the writing, production design, acting and directing, resulting in a worldwide box office of anemic proportions. Now, the movie is coming out this week as a Blu-ray combo pack and we get a chance to consider what went wrong.
Conan Art: Becky Cloonan |
At this weekend’s New York Comic Con, Dark Horse Comics announced a new Conan the Barbarian comic book series by the DEMO creative team of writer Brian Wood and artist Becky Cloonan that will be in stores beginning on February 8, 2012.
The first story arc will adapt Robert E. Howard’s “Queen of the Black Coast,” in which Conan turns his back on the civilized world and takes to the high seas alongside the pirate queen Belit.
For more information on Conan and Dark Horse Comics other pulpy offerings, visit them at http://www.darkhorse.com/.
In 25 words or less, how would you define “pulp” as a genre?
Robert E. Howard.
What made you decide to submit a story for the Pirates & Swashbucklers anthology?
It seemed like an excellent opportunity to showcase my exquisite writing ability. Seriously.
Read more of Kameron’s interviews at PensAndSwords.com.
Pulp Empire Presents: Pirates & Swashbucklers is now available at Pulp Empire.com. Until October 10th, use the code “62QUSQGC” at our CreateSpace bookstore to receive 15% off on the book!
Writer David Wood’s novels are filled with action, adventure, and more pulpy goodness than you may be able to handle. All Pulp recently sat down with David to talk about his books and to find out just what pulp means to him.
All Pulp: Tell us a little about yourself and your pulp interests.
David Wood: I write action-adventure with a strong pulp influence. I love the “old school” pulp stories with a heavy dose of lost cities and ancient mysteries.
AP: What does pulp and pulp fiction mean to you?
DW: To me, a good pulp story is a fast-paced adventure or mystery. The hero doesn’t rely on technology to save the day, but on his or her own wits and skills.
AP: Quest is your latest novel in the Dane Maddock adventure series. Tell us a bit about the book, the character, and the series. Where can readers find them?
DW: Readers have compared the series to “Dirk Pitt meets Indiana Jones.” Dane Maddock and his partner “Bones” Bonebrake are former Navy SEALs turned treasure hunters who keep stumbling into ancient mysteries, usually Biblical in origin. In Quest, they head off on the trail of Percy Fawcett’s final expedition, and we put a new twist on the Lost City of Z legend. The books are always a blend of mystery and action-adventure.
AP: Your bio says that you’re a fan of all things historical, archaeological, mythological, and cryptozoological. That’s quite an interesting mix of interests. How has your passion for these things inspired and worked their way into your writing?
DW: I like to imagine that there’s still some mystery left in the world, be it ancient mysteries or undiscovered creatures. I think these elements lend a sense of wonder to a story, and I try to put a little of each into my books. In Quest, in particular, you can clearly see all of these influences.
AP: You’ve written adventure, historical pieces, and stories about zombies. Do you have a favorite genre in which to work or do you like to play the field and work in as many different genres as possible?
DW: When I’m at the beginning or end of a story, the genre of the work-in-progress is always my favorite. When I’m in the middle third of a story, my favorite genre is whatever I’m not working on at the time. As a student I hated sophomore years, as a teacher I hated winter quarter, and as a writer I hate the middle of any book. I enjoy all the different genres I’ve tackled so far, though I found historical fiction to be the most daunting, and I’d love to write a baseball novel sometime. If I had to choose only one genre, though, it would be action-adventure. There are so many places I want my characters to go and so many ancient mysteries I want them to solve that I suspect I could write in the genre for the rest of my life and not run out of stories to tell.
AP: What, if any, existing characters would you like to try your hand at writing?
DW: The easy answer would be Indiana Jones, but that’s been done by better writers than me. I would like to see what I could do with Flynn Carson from the “Librarian” movie series. Some of his exploits are a silly, but I think his humor and adventurous spirit offers lots of possibilities.
AP: Who are some of your creative influences?
DW: Too many to count, but there are a few biggies. Clive Cussler’s early novels inspired me to experiment with action-adventure, and I learned a great deal about story structure from his work. Douglas Preston and Lincoln Child are inspiring in the way they manage to maintain a fast pace while slowly unfolding the mystery element of their story. Finally, the old Conan adventures by Robert E. Howard always fueled my sense of wonder.
AP: What does David Wood do when he’s not writing?
DW: Aside from annoying my wife and kids at every possible turn, I coach fast-pitch softball and suffer through the ups and downs of the Atlanta Braves. I also co-host the ThrillerCast podcast, which isn’t about Michael Jackson, but about the thriller genre. When I want to get really geeky, I play a miniature war game called HeroScape, but that’s a secret.
AP: Where can readers find learn more about you and your work?
DW: Visit me at www.davidwoodweb.com. From there you can link to my blog, which is the best way to keep current with me, and to find links to my Facebook page and Twitter. Also, give ThrillerCast a listen. You can download it on iTunes or check it out at http://www.thrillerpodcast.com/.
AP: Any upcoming projects you would like to mention?
DW: Things have been busy. I’ve just co-authored a book in Jeremy Robinson’s ‘Jack Sigler/Chess Team’ universe called Callsign: Queen, and my short story “Dark Entry,” which features the main characters from the Dane Maddock adventures, was included in a recent anthology called The Game. Pulp fans will love it because all of the stories are re-interpretations of the classic story “The Most Dangerous Game.”
AP: Are there any upcoming convention appearances or signings coming up where fans can meet you?
DW: I don’t have any personal appearances coming in the near future. I think it’s my coffee breath. I do have an upcoming appearance scheduled on Gail Z. Martin’s “Ghost in the Machine” podcast.
AP: And finally, what advice would you give to anyone wanting to be a writer?
DW: Patience and determination. It took seven years of slowly building my audience and improving my craft before I could make writing my full-time job. Don’t give up if your first book doesn’t take off; don’t get cocky if your first book goes crazy; and don’t invest so much time marketing your book(s) that it slows your progress on your work in-progress. Keep putting out books and building your audience.
AP: Thanks, David.
DW: Thank you very much for the interview. All Pulp is a great site and I’m honored to be included.
To learn more about David Wood and his books, visit him at http://www.davidwoodweb.com/.
FORTUNE’S PAWN
Written by Nancy A. Hansen
Pro Se Press
ISBN 9781466243460
179 pages, $12.00
Okay, let’s establish something right away: I don’t generally read fantasy. I did when I was younger, really digging Dragonlance and the like… but nowadays, the only time I read fantasy is when I dig open a Robert E. Howard collection for old-times sake. So I’m not really the target audience for this one. But I’ve read some short stories by Nancy in the past and enjoyed them so I figured I’d dive into her first novel and see how it went.
First impressions: the cover is intriguing but I really, really would not have obscured the title. This is okay if it’s Spider-Man or something: we all know what the title is anyway so breaking it or obscuring it can be a bold design move. But when it’s an unfamiliar title (especially one that’s rendered in a confusing font), I think it’s not bold… I think it’s not wise. I showed the book to three different people and not one of them could figure out what the title was from the front or spine — the font chosen was way too busy. It looks like the book is called Forgude’s Pawd.
Okay, once I got past the cover design issues, I jumped into the story and found that it was told in a very readable style. For some reason the opening with the weremon seemed awkward to me but I think it just took a few pages to get into Nancy’s world. Once things shifted to the ill-fated family, things picked up and from there it all went smoothly.
The basic premise is classic and familiar: a prophecy warns that a red-haired child will rise up to overthrow the bad guys so the villains are out killing everyone with red hair. One infant survives such an attack and grows up to become our protagonist. Callie is an enjoyable character and her motivations and emotions are well depicted.
I found the parts of the story featuring conversations between characters or internal monologues to be the best part of the tale. The action scenes were clearly depicted but lacked the kind of edge that I usually like in my fantasy (think Robert E. Howard’s ability to depict sweaty violence). I was impressed by Nancy’s willingness to get her literary hands dirty, though — no one is safe in this book, including little kids. Everybody has an equal opportunity to get eviscerated.
This is obviously the first chapter in a larger story and I’m curious about where it goes from here. If I were a diehard fantasy fan, I think this would be something that would definitely go onto my shelf of favorites. As it is, I would still recommend it to anyone looking to dip their toes into the fantasy genre or who are looking for a character-driven adventure of any type.
I give it 4 out of 5 stars.