Tagged: Peter David

Joe Corallo: An Open Letter To Marvel Entertainment

Columns
April 11, 2017

To Marvel Entertainment,

Last week I read X-Men Gold #1 and, controversy aside which I won’t be getting into as you have gone above and beyond to address the issue properly and professionally, it really invoked a lot of strong feelings in me. Because of that, I’d like to talk about the X-Men and what they mean to me.

I first discovered X-Men on television when I was in elementary school. I remember watching the first episode and immediately being sucked in. To this day, the Sentinels are still menacing to me and I’ll always have a fondness for Jubilee, Rogue and Storm. I remember the time between Saturday morning after the episode finished to the next Saturday felt like an eternity. I was a shy kid who knew he was queer, but I didn’t understand it. I didn’t have a lot of friends, didn’t enjoy sports and couldn’t really connect to other kids on a lot of things, but one thing I could talk to the other kids at lunch in the cafeteria was about cartoons like X-Men. That meant a lot to me.

I was lucky to have parents that did well enough to get a lot of those action figures. It was very confusing to me, and I’m sure my parents as well, how they had action figures based on the cartoon as well as ones based on the comics. Why did my Storm action figure have a black costume when it was white on the show? I remember some of the times very clearly of being at Toys R Us in Levittown, NY with my parents specifically wanting X-Men action figures. It’s a DSW Shoes now. I really pushing hard for the yellow and blue costume Wolverine and how exciting that was for me to get it. Or how it took my mom more than one attempt to get a Phoenix action figure for me.

My parents also got me the VHS of the pilot that never took off, Pryde of the X-Men. I watched it over and over again. I once used all my quarters allotted to me to beat the X-Men video game based on that unsold pilot at the arcade in Bayville, NY. I’d got to beat it again in Walt Disney World a decade before Disney bought Marvel;the only character that worked was Dazzler. I’ve been obsessed with Dazzler ever since. I also had played that Sega Genesis X-Men game where it almost all takes place in the Danger Room – it was definitely harder than it needed to be. I was even in an AOL chatroom X-Men role playing game for a bit. I played Cyclops.

The first X-Men movie came out while I was in high school and watched some of the resulting X-Men Evolution cartoon. I saw that first X-Men movie opening weekend, and have seen each X-Men movie opening weekend ever since. College brought about a lot of nostalgia for the 90s animated series. Covered in scorpions was a running gag. A guy I met while in college, Jake, was the first openly gay X-Men fan I befriended. It was when Astonishing X-Men by Joss Whedon and John Cassiday was coming out. I’d pick him up and we’d go to Fourth World Comics, our local comic shop. We’d go back, read it in silence, then discuss. We also went together to pick up X-Men Legends 2 the day it came out and played it as late as we could into the night.

Since then I’ve befriended people in comics, other LGBT fans of the X-Men, and have had all sorts of long philosophical and meaningful conversations about these comics. I’ve waited on long lines to get signatures at cons from people like Chris Claremont, Louise and Walter Simonson, Mike and Laura Allred, Peter David, John Cassiday, and Frank Quitely because of the work they did in the world of X-Men and have gotten original comic pages, con sketches and commissions of the X-Men.

I’m telling you all of this not to brag or claim that I’m a bigger fan than anyone else because it’s honestly no astonishing feat. I’m saying this to let you know how much the X-Men has meant to me over the years, how it’s impacted my life for the better, made me more social, and is one of the biggest reasons I’m writing about comics at all. I’m also telling you this because I read X-Men Gold #1 and it left me so frustrated I that I had to write this.

I think it’s fair to say that as an X-Men comics reader I’m within your target demographic and would take that one step further and say I’m likely be perceived as low hanging fruit. I have to be completely honest and say that there is something wrong here with this book. It’s not the writing, and controversy aside it’s not the artwork. It’s not even the editing. Marvel put together an impressive team to work on this book, and it shows. The problem I’m talking about runs deeper and doesn’t necessarily have an easy fix.

The weight of the X-Men falls heavy on this book. Because of the decades and decades of continuity, this debut issue spends so much time trying to explain what happened before this started that it’s basically all we get. We get reference after reference, explanation after explanation, and we are left with little story. And despite all of the references and explanations we still get six full pages at the end of the comic to further explain everything leading up to this issue. If you need six pages at the end of your comic to explain your comic then we have a problem. A big problem.

Writer Marc Guggenheim talks in his letter at the end of the issue about how this is going to be more of a throwback to an older time in X-Men history when it was fresh and new. This is also a problem. Nostalgia has been driving these books for a long time and it has to stop. It needs to stop or you’re condemning the X brand to never grow its audience.

I’m 31 years old and the X-Men has been a part of my life for well over two decades. I for one am absolutely sick to death of nostalgia, and I’m not the only one. I fell in love with X-Men when I saw the animated episode Night of the Sentinels Part 1 because it was inviting, explained enough of what was happening so I could follow it, and told an engaging story. Had that cartoon been a bunch of characters making references to things they did 30 years previous and took so long to set everything up that the first episode ended a few seconds after something started to move the plot forward, I might not be the X-Men fan I am now. Nostalgia has its place, but it is not why we fall in love with stories and it is certainly not what will grow an audience.

I certainly do not mean to diminish the works of everyone at the company. Marc Guggenheim is a wonderful writer whom I’m embarrassingly not as familiar with as I should be and will be rectifying that in the coming weeks. Daniel Ketchum is a great editor who took the time to chat with me after a panel at NYCC a couple of years back encouraging me to keep giving the Iceman storyline a chance and it’s really paying off now as I’m most excited for Sina Grace’s Iceman #1. Jay Leisten is an incredible inker whose work I first got into with Peter David’s run on X-Factor that is one of my favorite chapters in mutant history. Cory Petit is great letterer and a friend. Axel Alonso with Peter Milligan and Mike Allred put together what is easily to me one of the best things that ever happened to the X franchise with their run on X-Force/X-Statix.

These are amazing people doing spectacular things, and I honestly believe they are doing the best they can with what they have to work with.

As a long time fan I want to tell you that I acknowledge that X-Men has become too old, too bloated, and is crippling itself under its own weight in continuity. As a long time fan I want to tell you that it’s okay to let it loose, cut it free from its continuity and start fresh. It’s unsustainable how it is right now. Let it have that new fresh start it needs to survive.

I felt a certain magic when I first picked up X-Force/X-Statix, Grant Morrison‘s New X-Men, Joss Whedon’s Astonishing X-Men, Peter David’s X-Factor, and Rick Remender’s Uncanny X-Force. I want to feel that magic again in an X book, not because they’re going back to what works, but because they’re trying something new and daring and they aren’t getting caught in the current of continuity and dragged under. I didn’t feel that magic in X-Men Gold #1.

That’s not to say it won’t ever come. I’m picking up issue 2. I’m going to be picking up the rest of the X books coming out in this new wave and I’ll see what sticks. However, the flagship title of a franchise relaunch should be blowing a reader away, and that wasn’t the case here; at least for me. Maybe I’m wrong and I’m the odd man out in this situation. Maybe my love of the franchise has set the bar unreasonably high and that’s not fair of me.

I just want the X-Men to continue to succeed well into the future. I want the queer kids in school like me who maybe didn’t understand they are queer and what it is to have a team of heroes to look up to, because they need a team of them. They need to see a world where there are a lot of people like themselves and they can work together and be special no matter how the rest of the world perceives them. They need to see a world where these characters who sometimes have vastly different philosophies and strategies on how to keep themselves safe can come together to protect each other because taking care of each other is most important thing. They need Northstar, Iceman, Rictor, Shatterstar, Mystique, Destiny, Karma, and more.

I know this was long, yet I have so much more I could say. Please don’t let the X-Men crush themselves under their own weight. I’m still going to be a fan, and I’ll keep giving these books a shot over and over again, but I’d love to have some of that magic back.

Sincerely,

Joe Corallo, Lifetime X-Men Fan

Joe Corallo: Gotta Have Faith

Columns
December 27, 2016

Before I get started, I wanted to say I hope you enjoyed or are continuing to enjoy every Holiday you may have or are celebrating. I had a merry Christmas myself despite some people simply wishing me a “happy holidays!” I don’t know how I got through it either. And since this is my last column of 2016, a preemptive happy new year to you all as well.

Now that we got that out of the way, these last few days or so have been rough for science fiction, comic book, and music fans. Carrie Fisher, who has been enjoying a career renaissance, had suffered a massive heart attack and as of the time I’m writing this is in stable condition, but is still in intensive care. We wish her a full and speedy recovery.

Peter David, one of my favorite comic book writers as well as a seasoned novelist and TV writer who co-created a favorite TV show of mine as a kid, had a fall in his home last week. While we weren’t sure exactly what was causing his health issues, he has since been released from the hospital and just in time to celebrate Christmas with his family. Again we all wish Peter David a full and speedy recovery.

As far as music goes, 2016 has been devastating. David Bowie, Glenn Frey, Paul Kantner, George Martin, Phife Dawg, Merle Haggard, Vanity, Prince, Maurice White, Joey Feek, Dale Griffin, Pete Huttlinger, Sharon Jones, John Berry, Leon Russell, Frank Sinatra Jr., Greg Lake, Alan Thicke, Rick Parfitt and more were joined by George Michael on Christmas day. His passing was not only that of an incredibly talented musician who sold over 100 million records in his lifetime between Wham! and his solo work, but of an unapologetically gay icon.

Both Carrie Fisher and Peter David have a lot of work in comics. Though Carrie Fisher isn’t in comics herself, her likeness as Princess Leia has appeared in hundreds of comic books for nearly four decades. George Michael doesn’t have much of a connection to the world of comics outside of some spoofs in Mad Magazine. That’s soon to change as Valiant Entertainment is planning a variant cover based on the album jacket for George Michael’s hit album Faith for the first issue of their new ongoing comic of the same name. The proceeds will go to benefit the Comic Book Legal Defense Fund, an important protector of first amendment rights for comics and their creators. I’m encouraging everyone to pick up that cover. If that’s not your thing, but you still want to support the CBLDF click here to learn more.

While looking up instances of George Michael appearing in comics, I uncovered a comic series I was unfamiliar with called Wham!. The comic was created by Leo Baxendale and published by Odhams Press in Britain between 1963 and 1968. It ran for 187 weekly issues. Leo Baxendale created strips for Wham! that were seen as rip-offs of his work-for-hire strips back at The Beano which he wrote for year beforehand and is still being published to this day. In a way, Wham! was kind of the Image Comics of British children’s comic strips in the 60s.

It’s funny what you accidentally learn sometimes doing research. That said, I’ll be mourning the loss of George Michael this week while trying to hold out hope for a better 2017. It’s not looking too promising right now, but I’ve got to try to be positive to get through it. I gotta have faith.

Michael Davis: “I don’t grab pussy. It grabs me.”

Columns / Michael Davis
November 29, 2016

I was so stunned by the election I just couldn’t bring myself to write a damn thing for the last few weeks. Hell, in the case of Bleeding Cool it’s been months that I blame on my depression and trying to figure out how to fix a problem no one sees yet but with depression I couldn’t care less.

Then something magical happened. Call it a Thanksgiving comic book miracle. It was no less than that. So I hope to be reset at Bleeding Cool, ComicMix and my site Michael Davis World. MDW had an outstanding and loyal following.

I messed that up big time a week after I began talks to partner with a massive site. Shit. That was stupid.

Stupid, stupid, stupid. My depression was/is a motherfucker.

Once I become fixated on something I just kept at it regardless if I’d achieved my goals. I’d change or add new goals. I’m told this allows me to spend less time thinking about putting a bullet to my head.

I haven’t written for my site in almost three years, and one by one lost every columnist except for Martha Thomases. She singlehandedly kept MDW afloat. I haven’t told her thank you. I can’t muster up the balls to call because (it sounds nuts) but as long as Martha is owed my gratitude I’ve got a marker and I never welch on a promise, a bet and especially not a friend.

Or in Martha’s case… family.

She’ll read this and think it’s a thank you. In a way it is, but to me it’s a promissory note. I’m not 100% well and never will be, but I know I can do a bit better and besides it’s almost Christmas…

I do know that Martha does love a ridiculous MOTU story and Lord knows in three years there has been few. Well, thanks to Joe Illidge here’s one just for you Martha consider it a down payment.

Thanks Joe. BTW – My New Boo, Lois Lane copyright Michael Davis 2016

Joe asked this question on Facebook: As a writer, name one thing you would do with Lois Lane in the comics, if you could do anything.

So here’s my answer:

MY NEW BOO, LOIS LANE

…or how I gots me a white woman

Lois is pissed. Instead of date night with her, Superman choose to save Donald Trump from a crowd of angry maids upset because he said “Cleaning is for losers; those domestics chicks are ugly, fat, most likely Mexican rapist criminals who are responsible for the one missing sock from the dryer. I mean who else could it be?”

Lois would be hurt and Michael Davis the black new owner-publisher of the renamed Mostly Daily Planet (remember, black new owner-publisher) would be there for her.

Then one night listening to her sob stories I would give her the real skinny…

“Why, oh, why didn’t he do what any sane person would do? Let those maids tear his little hands to bits? I mean miss date night??” Lois said this while sipping on what she thought was a wine cooler. It wasn’t. It was 100 proof down right up right Colt 45 I kept next to the wine coolers. She’d been crying, so it was apparent to me with bleary eyes she may mistake one for the other.

No, I didn’t tell her when she did and when asked why it tasted like beer, I said I didn’t know and I don’t. Do I look like a damn brew master?? No idea WTF barley is and if it there is no hip in front of it I could give a fish what a hop is.

“He’s just not into you Lois.” I began while refilling her class with Mad Dog 20 20, the wine cooler of the hood. I continued “I hear, not that I have a problem with it. I just like pussy; he’s into men. I’m convinced he’s doing Clark Kent. I can’t tell you how many times I’ve seen Clark running into a closet tugging at his belt and tie while unzipping his pants. I’m a man Lois, only two give or take situations make us run like that while taking off our clothes it’s the ole S and P index someone gotta take a shit or someone giving up some pussy…or in Clark’s case…well you know.

What? Were you were expecting Standard and Poor’s? You foolish reader, this is a Michael Davis article. There are no standards because I grew up poor.

Yeahhhhhh, that was a pretty broad reach for that yuk.

But I digress. Yeah Peter, I used it. So what? You killed Jean Dewolf, so what? Denys Cowan and I killed Jason Todd. Robin! Not only that we did it from a phone in DC’s offices. Gangsta.

But I Digress… Lois inched closer…because I was slowly pulling her now drunk ass towards me. Keep your mind out of the gutter if not she would have fallen on the floor.

I proceeded. “Now, I’ve come close to shiting in a closet only once in my life. Then I decided the hell with that. She said her husband wouldn’t be home, but there he was. I ask you, Lois, why should I have to crap like an animal in a cage when she got his schedule wrong? I simply opened the closet door, picked up my Black and Decker condoms from under her pillow said, “Send me some of those photos,” smiled at her husband and left. I’m not an animal, so unless Clark is one filthy nasty mother sucker, then he and ‘Kal-El’ be knocking them red boots because guess who comes flying out the closet fixing his belt?”

“Yep, the man of ‘steal.’ Yes, Lois. Steal. Why? Because he’s out the door maybe two seconds after Clark runs in. Clark comes out of the closet sometimes minutes sometimes hours later looking like he’s been in a fight and seems like he carrying a weight of massive, dare I say, super load of tension with him.”

“Why can’t I be in love with Batman?” Lois slurred as I poured her some vintage Thunderbird an extraordinarily expensive and rare wine made by Hindu monks but drank only when lighting hits a bird on Budda’s Birthday.

Most of you won’t get that. I wrote it for my boys in the hood. So just assume it’s true. I mean y’all idiots think Donald Trump is fit to be President so what the hell do you have to lose if you don’t get the joke?

“Batman??” I said not believing my luck; I’ve waited years for this moment!

I reached under the couch for a copy of Seduction Of The Innocent. I kept one there as well as under my bed I have a travel copy also.

I found the page where Batman had Robin locked in a deep French kiss (What?? So I took it upon myself to illustrate the damn thing). I then looked at Lois with sad eyes and told her “Oh Bats is ooooh sooooo gay. Not that there is anything wrong with that; I just like a side order of tits to go with my main course of well you know.”

“Oh poo!” Lois spits out while looking at my closet. “Pussy, Lois, not poo, pussy,” I said. But just in case she meant poo I spoke while pointing to the bathroom and front door simultaneously not taking any chances she was not one filthy nasty mother sucker.

Now she was lit, and I was looking for some matches to do the same in case she was with fart. She looked at me and said “I can’t have Batman?” Well, she literally said, “Eyes clamp clad atman” but I speak drunk.

“Cope bults dew cam clad blazman.” (Nope but you can have Blackman). I told her and she smiled.

“Clump fluLks zee bigger!” She screamed.

I won’t insult you with the translation. I responded “Oh, shit! You must be out of your damn mind you crazy drunk ass female puppy dog!”

I said that but she heard “I love you and always will.” That’s advanced drunk. It’s harder than Japanese and you have to have game to begin with so no. No fan by, no. So far only Joe Illidge and I have mastered it, so you have no chance nor a girl so you really don’t need it remotes don’t speak drunk.

No, I didn’t take advantage of her that night. Only a punk ass bitch would ply a woman with drinks or regale them with tales of wealth to pry their way into their undergarments, flip a tick tack into their mouth, or kiss a woman without her permission.

I don’t grab pussy. It grabs me.

However telling her someone is gay is perfectly acceptable as is inventing a wife and family he deserted. I don’t use those tactics but Joe Illidge…

Lois and I are doing very well. But damn if that sister, the new Iron Woman don’t be looking kinda foxy. That could be the kind of gal that will make a brother an egg sandwich or Clark some … Martha wait for it… wait for it … wait… for… it…

… you know

The End

What Peter? You feel strong? Bring it!

Applesauce.

Mindy Newell: Denver, Stormtroopers, and Farts

Columns
July 4, 2016

So as I was saying before I was so rudely interrupted by fellow columnist Emily S. Whitten calls “Convention Crud” and I called, last week, “Airplane Adenovirus”…

I had an ABFAB time at the Denver Comic Con 2016!

That’s “Absolutely Fabulous” for those of you too young to remember the BBC show.

Overseen by the Denver-based Pop Culture Classroom, a non-profit organization whose aim is to use comics and other pop culture media to educate kids and inform the public, the con is held annually at the Colorado Convention Center, an edifice that puts the Jacob Javits Center here in New York to total shame, in downtown Denver. Incredibly yuuuge – it stretches over four city blocks – with many atriums letting in the sunlight of the Mile High City, the con never felt crowded, despite its 100,000+ attendance.

I was invited because of my connection to Wonder Woman, who was created by William Moulton Marston 75 years ago this year. I must admit to having some trepidation, because, to be completely honest, I didn’t think that my work on the Amazon Princess was remembered, and I had images of sitting alone and ignored for three days. To make it worse, I hadn’t thought to bring any samples of my work to put out on display, so my table was white and bare in comparison to my nearest neighbors, authors and artists whose work was exhibited in beautiful and multi-colored presentations.

(To be fair to myself, I actually have very little of my work here at home. Over the years I have given out 99% of my work to my daughter’s friends, to cousins and the children of friends for birthday, communion, and bar-or-bas mitzvah presents, and for Halloween treats.)

But those little fears disappeared immediately as I became entranced by everything at the convention. The first thing I saw when I entered the Exhibitors Hall was a “life-size” beat-up and dented X-Wing fighter, looking as if it had just returned from a rendezvous with the Imperial fleet. (I immediately took the above picture.) The next thing I saw were two Stormtroopers, and I handed my phone to the volunteer who was leading me to my table as I stepped between them; she obligingly snapped a photo.

I was, as my daughter had put it as she drove me to the airport, “with my people.”

I was on many panels, not all of them to do with “Women and Comics.” Pop Culture also features educational classes for kids and adults at the convention, and I was slated to lead “Creating a Four-Panel Comic,” which was for kids [I would say] from eight-years old and down. That experience is one of my most treasured memories!

When Alix was in elementary school I gave some “lectures” on creating a story for her English class, so I wasn’t at all nervous. I immediately involved the kids in the audience, not staying on the stage, but going into the audience and letting them talk into the microphone. The kids proved to be incredibly imaginative and involved. A young girl volunteered the superhero, named FlashDash for her super-speed. The villain was Lunchbox. This bad guy carries a lunchbox, and inside it are burritos. “Burritos?” I laughed along with audience, who were obviously enjoying themselves. “And what do the burritos do?”

“They explode,” said the young boy, who was about seven, and whose name I can’t remember, damn my menopausal memory!

“And when they explode, it smells like the worst fart ever! The smell will kill you!”

Well, I don’t know about you, but fart jokes crack me up. Just the mention of the word fart makes me go silly. So imagine the reaction of the audience and those within hearing distance – remember, me and the kids were using a microphone – when the young man said this. A gigantic Bwa-bwa-hah-hah! went up and echoed in Exhibitors Hall.

I didn’t want to embarrass the boy. “That is absolutely fantastic,” I said, still smiling and laughing a little. “Lunchbox uses the exploding burritos the way Hobgoblin uses his pumpkin bombs. That is so great.”

“So how does FlashDash defeat Lunchbos?” I asked. The creator of Lunchbox shot up his hand, and even though I really wanted to involve some other kids, everyone was looking at him, so I went with the flow.

“FlashDash waves her cape super-fast and blows away the fart,” he said.

I’m tellin’ y’all, this kid is going to be a comics superstar in about 20 or 25 years, or even sooner!

Meanwhile, up on the podium, my artist, a really talented young guy named Colton, was drawing all of this out on an easel in four panels. We had three, so far.

“Okay,” I said, “So FlashDash, in the first panel, meets Lunchbox. The second panel shows Lunchbox throwing the burrito and it exploding.” Colton used wiggly lines to show the farts’s uh, “waves of stink.”

“The third panel has FlashDash waving her cape at super-speed, dispersing the fart cloud. So we have one more panel. What happens?”

A little girl, a very little girl, she must have been four years old, bashfully waved her hand, and I walked up to her. “FlashDash’s dragon uses his fire breath and burns up Lunchbox’s lunchbox,” she said softly. I’m telling y’all, this child was absolutely adorable.

“Oh, FlashDash has a pet dragon?” I asked her. She smiled shyly and nodded. I turned to Colton, who was already adding a little dragon hovering over FlashDash’s shoulder to the preceding panels. I said to the audience that this was an example of a writer and an artist “editing” their work, meaning changing it to make it better.

Then Colton drew the final panel, with the dragon’s fire breath melting the burrito-containing lunchbox.

“And that’s the end of Lunchbox and his exploding fart burritos,” I said. “FlashDash and her pet dragon have saved the day.”

We weren’t able to photocopy the story, but many parents and kids came up to the podium and snapped photos of the “Four-Panel Comic.”

Yep, I had an AbFab time in Denver. I caught up with old friends – Andy Mangels, Barbara Randall Kesel, Timothy Truman, Trina Robbins, Peter David – and made new ones – Cat Staggs, Yannick Paquette, LJ Hachmeister, Joe Staton, Hannah Means Shannon (a.k.a. Hannah Menzies), Marguerite Sauvage, and Jeff Hendon and his wife.

I met so many terrific people, I could fill this whole column with their names alone. I met that at the convention, I met them at the hotel. I met Jae Lee on the ride back to the airport.

I sat on panels and signed autographs and took pictures with fans. Oh, yeah, remember how I talked about my white, bare table? I found Mile High Comics, and bought a bunch of my comics, including issues of Wonder Woman (including what I consider mine and George Pérez’s best work on the title, #46, “Chalk Drawings”), “Lois Lane: When It Rains, God Is Crying,” and “Legionnaires Three.” (I then gave them as a gift to my Exhibitors Hall neighbor, the aforementioned Jeff Herndon, an amazing illustrator in the Denver area, and his wife in exchange for a beautiful painting of Gail Godot as Wonder Woman. I wanted to pay for it, but he and his wife wouldn’t hear of it, so instead we did the “barter.”)

Comics. Celebrities. An X-Wing, Stormtroopers, and R2-D2. The TARDIS.

And farts.

It was a helluva’ weekend.

Ed Catto: How To Turn 80 In Comics

Columns
April 25, 2016

A business magazine recently featured a story about the astoundingly short average life span of today’s companies, brands and product leaders. They noted that the average life expectancy of a modern company is something like 15 years. I think about a brand like PalmPilot, where one of my college buddies made a fortune, and how that name is practically a trivia question for this year’s MBA graduates. (“Is it a helicopter operator in Palm Beach?”) Likewise, cool companies they want to work for include Google and Lululemon – brands that didn’t exist 15 years ago.

So with all that in mind, let’s explore the opposite: the challenges of working with an 80-year-old brand in such a fickle climate.

Created in 1936, Lee Falk’s The Phantom was the first costumed comic hero. Bridging the gap of the masked vigilantes of the pulps (The Shadow, The Spider, etc.) and comic book superheroes, the Phantom enjoys a comfortable, ongoing popularity domestically and a rabid international fandom.

In fact, in occupied countries during World War II, the Phantom became a symbol of hope and resistance. And in Australia and New Zealand, seat at the pop culture table today is much closer to the head of the table than it is in the US.

So how does a domestic publisher best manage, and bring to life, this 80-year-old brand? I reached out to Dan Herman of Hermes Press, one of the US companies who license the Phantom from King Features.

Dan is a fast talking lawyer, but don’t hold that against him. He’s also a super-passionate fan, dedicated to creating top quality books and comics to spotlight his favorite characters and artists. And his knowledge of comic book history and geek cred runs deep.

Hermes Press offers a wide variety of books. They reprint classic characters like Brenda Starr and Pogo. They just created art books focusing on Jim Davis and Alex Raymond. At their San Diego Comic-Con booth last year, author Max Allan Collins was touting their new Mike Hammer collection.

Dan Herman is not afraid to zig while other publishers zag, either. While IDW has published reprints of Milt Caniff’s Terry and the Pirates, Dan publishes the later adventures by George Wunder. Following in the footsteps of the legendary Milt Caniff was difficult, but Wunder did it for an impressive 27 years. “I always felt that Wunder was not as bad as they said,” noted Dan.

Angst Free Zone

Dan feels The Phantom is a character that occupies a unique spot in heroic fiction. “In his own universe, he’s a myth. He’s only tangible in his own country. And part of the charm and power is that he ‘never dies’,” explained Dan.

After watching WB’s blockbuster Batman v. Superman: Dawn of Justice movie, Dan’s next observations seem all the more striking. The publisher explained that The Phantom is free of angst.

“He’s not really a revenge myth,” said Dan. “He’s a myth of the commitment to good.” In fact, noted Dan, The Phantom employs two icons. One is his dreaded Skull Ring, a symbol of punishment, and other is his Good Mark, a symbol of protection and hope.”

“The Phantom knows who he is, where he comes from and what his job is,” said Dan.

Hermes Phantom Comics

Hermes has embarked on an impressive quest to reprint The Phantom comic strips and The Phantom comics, but also wanted to add to the mythology with new comic book adventure. Dan explained he was asked, “Why don’t you create a new Phantom?”

His answer was clear and unwavering – he believes in the essence of the brand. “The Phantom is a myth and you have to keep the myth,” said Dan.

Hermes just published a Phantom series written by Peter David and drawn by Sal Velluto. It was an exciting period piece that delivered on the action and also cleverly tied up decades-old continuity questions.

Dan revealed that next up is another Phantom comic book series. In this new adventure, John F. Kennedy reaches out to the Phantom to send him on a secret assignment. And while the Phantom isn’t an American, he did attend school in the states and his wife is an American.

Industry veteran Ron Goulart is the writer, but the artist is new to comics. “We loved Sal Velluto’s art, but for this we wanted something different,” said Dan.

The new illustrator is a Hollywood artist, and he will be creating matte paintings in the style of the legendary Alex Raymond. “His work is on par with the best of George Wilson,” teased Dan. But he wasn’t ready to reveal the artist’s name to me at this time.

The Prose Phantom

In the 70s, Avon published a series of prose Phantom adventures. There were 15 paperbacks in all, many written by Phantom creator Lee Falk and all with excellent George Wilson covers.

To further develop this 80-year-old brand, Hermes will be reprinting these prose stories. And these tales are a treat for longtime fans, as they expand upon many of the adventures and settings in the classic mythology. “These stories filled in a lot of the blanks,” said Dan.

The new series will be published in the 5 x 8 paperback standard, and will be smyth sewn on a higher quality paper. A new one will be offered every other month for 30 months. Look for the solicitations in the upcoming May/June Previews.

Looks like busy times ahead for publisher Dan Herman and this particular 80 year-old hero.

Marc Alan Fishman: Where’s the Spotify of Comic Books?

Columns
January 23, 2016

Go check your phone or computer for the date. Did yours denote the year 2016? Mine did. In the immortal words of my muse, Bartholomew Simpson… “God-schmod, I want my monkey man!”

Now Bart was referencing a future in which humanity would have half-man/half-monkey hybrids as pets. While I too would love such an abomination on the open market, I come today in search of another future technology that seemingly should exist, but for whatever reason… isn’t. I come in search of a universally accepted streaming comic book service.

To date, I believe the most ubiquitous platform for digital comic book consumption is comixOlogy. They, like iTunes, offer an exhaustive catalog of periodicals of the pulpy nature. You find the ones you want, you purchase them, and you’re treated to enjoying them in a proprietary reader. Your digital library is always available to you, and can be read on desktops, tablets, and mobile phones alike. It’s not a bad system. But then again… it is.

I have never read Chris Claremont’s X-Men. Nor Peter David’s Hulk. I have not glimpsed at a single panel of Denny O’Neil’s Green Lantern / Green Arrow. In all instances, it’s not that there isn’t desire. It’s that I know to enjoy those tomes, I would need to sacrifice the purchase of modern books. And somehow the threat of missing what’s going on now always trumps the desire to read something that I know I’ll love. It’s the reason it took me two years after the end of Breaking Bad to actually watch the pilot. It’s the same reason I waited 33 years to begrudgingly watch Doctor Who.

In all other major media, there is a shift occurring. Because digital media needs only storage to remain viable to the consumer, the rise of subscription services are creating new audiences by burying them in an unending pile of content. Content accessible without restriction – save only for an affordable monthly fee. With Netflix, I can access an astoundingly large library of TV and movies for a tenth of what I’d spend on cable service. For less that I’d spend on a single CD, I can access Spotify and with it more music than I could ever hope to listen to in a lifetime. It seems a shame that somehow amidst all these successful services, we’ve yet to see comics do the same.

What’s holding them back? Perhaps the complicated legality of it all. Figuring out royalties for an individual item can’t be easy. Hell, don’t we all remember when TayTay Swift threw a (still ongoing) hissy about her music? You see, Spotify and the like pay on a complicated system of plays, royalty percentages, and the actual number of paying subscribers. That way, artists may be inclined to pimp their streaming albums as means to the end. What it equates to is an average of $0.006 and $0.0084 per stream. Music though, is often a repeated enjoyment. Comics, not so much.

Take my music consumption habits for example: I make a few playlists of things I like to jam out to. One list (“Guilty Pleasures”) exists as a bank where songs check in and check out until I’m sick of them. I’ll play this list of 20-30 songs almost 4-5 times in a given week. Each song stays in my playlist for about two months or so. Anyone doing the soft math would eventually realize that in those plays, I don’t even come close to paying even the $0.99 it’d cost to purchase the song outright on iTunes. But, the artists still let ride. Why?

I’d like to think for the same reason I’d be more than happy to see my own indie titles in a subscription service where I was paid pennies for downloads. Because I know at the end of the day, content purchase is only one revenue stream. I purchase tangible CDs and graphic novels from musicians and artists I love via their crowdfunding campaigns. I purchase tickets to concerts. And I socially share things I like to those who I think might like it too. This leads to secondary and tertiary means by which the content creators I love ultimately see success. When it comes to comics, sure, we might enjoy accessing a large library of readables digitally. But we’ll also attend comic-cons where we’ll tempted to enjoy the collectible side of our favorite medium. That means the same book now potentially raises revenue multiple times. I’d consider that a win in my book.

At the end of the day, let’s be honest: It’s Marvel and DC’s passive-aggressive war with one another that will prevent a service such as I desire. They’ll continue to keep a stranglehold on their licensable properties and await the sales to spike when the next movie or TV show debuts. They’ll await the demise of the original creators still drawing a royalty on their creations.

And off to the side, great publishers like Image, Boom! and the like will push the boundaries of the medium, and enjoy their continued rising success in the direct market – small as it may be in terms of bottom line profits. Strange then to think that if the music industry could find a reasonable solution, that pulp and paper will continue to keep their heads in the sand.

The Phantom LIVES!

ComicMix Quick Picks
June 28, 2014

This September the good folks at Hermes Press will be publishing a new Phantom comic that will return the Ghost Who Walks to his original greatness. Written by Peter David and drawn by Sal Velutto, this book will be awesome heroic fun!

They’ve asked me to do a variant cover for the first issue and here it is. Jesus Aburto has done an awesome job on the colors. EXACTLY how I imagined it!

via The Phantom LIVES! | Graham’s Thought Balloon.

John Ostrander: 65

Birthdays / Columns
April 20, 2014

So there I was, flailing around for this week’s topic. The clock was ticking and time was running out. And then it hit me like a wet sock on the end of my nose – it’s appearing on Sunday, which happens to be my birthday. Not only my birthday but my 65^th birthday which is supposed to be one of those big hoohah numbers. A milestone (I hope Brother Michael Davis lets me use that word). It marks me officially as a Senior Citizen (as if my balding pattern and gray to white hair hadn’t already done that).

I’m doing all of those things you’re supposed to do at this age. Join AARP? Done that. Applied for Social Security and Medicare? Done and done. Gimme that governmental teat to suckle. Sorry, Junior, but I’m soaking up your financial future and destroying your freedoms. Ask various media.

Except, of course, they don’t give me all that much. Of course, there may not be Social Security by the time you reach my age but I didn’t think it would be there when I reached this age so who knows?

And, of course, I’m going to retire.

Not.

Even if I could afford to retire (which I can’t), why would I stop writing? I love this gig. It’s part of my bones at this point. This is what I do, this is what I am. Writing isn’t like playing sports; the knees may go but, with writers, so long as your mind isn’t completely shot (careful!), the probability is that you can just keep getting better and I think, I hope, I believe that I have.

Regrets, I have a few but then again too few too mention.

Crap. I’m quoting “My Way”. I’m not a fan of the song. Too self congratulatory for me. The only ones who can sing it and make it work are Frank Sinatra and John Cleese at the end of George of the Jungle.

Crap. Now I have it running through my head.

Crap. Now I have the disco version running through my head.

Yeah, now it’s going through yours too, right? You’re welcome.

Anyway, I can look back and see some things I do wish I had done differently. I wish I had done a few more creator-owned projects. Balancing those against the for-hire work is generally a better idea, I think. Folks like Peter David and Mark Waid have done a real good job of that, I think.

I also wish I had gotten into prose more, gotten some novels under my belt. Again, folks like Peter David have done a good job with that. Yes, there are times I wish I was Peter David. Most of the time I’m fine with being me but there are times. . .

But know what? I’m 65. I’m not dead. There’s time to make changes and start doing both prose and creator owned projects. My paternal grandfather lived to be 100 and his daughter lived to be 101. In this day of crowdfunding, it’s more possible than ever to get new work out there.

And I have new projects I’m working on with partners I’ve worked with before. There’s possibilities of a novel or two that I’m actively pursuing. One of the projects that I’m doing with Tom Mandrake, Kros, you may have seen mentioned on Facebook. Timothy Truman, Mike Gold and I are discussing more GrimJack. Lots of stuff I can’t discuss yet but I hope to tell folks soon.

And I’m on social media. I have my Facebook page, I have my Twitter account. Still learning how to use the latter but I’m out there pitching.

When you get right down to it, 65 is just another number. It doesn’t really mean anything in and of itself; the meaning is what we ascribe to it. Getting old? Naw. Pulling back? Hell no. Going to Tahiti? Well, I wouldn’t say no but not on a permanent basis.

I’m just getting started.

Photo by JD Hancock

Peter David & Will Sliney unite for SPIDER-MAN 2099

News
March 27, 2014

Via Marvel:

Get ready to party like it’s 2099, bitheads! Because YOU demanded it – Spider-Man 2099 is back and he’s here to stay in SPIDER-MAN 2099 #1! From the splintered fringes of time comes an all-new ongoing series from legendary Spider-Man 2099 creator Peter David (All-New X-Factor, Amazing Spider-Man) and fan-favorite artist Will Sliney (Fearless Defenders, Superior Spider-Man Team-Up)!

Stranded in the present day after the events of the New York Times best-selling Superior Spider-Man series, Miguel O’Hara must come to terms with living in the year 2014. Undercover in the employ of mega-corporation Alchemax, he’ll attempt to change the course of his future and prevent the rise of one of his greatest villains!

“Miguel becomes determined to try and transform his grandfather, Tiberius Stone into a decent guy in the hopes that it will wind up informing the raising of Tyler Stone, and perhaps make him a better person,” says writer Peter David in an interview with Marvel.com. “In short, he’s hoping that he can influence the development of both the present and future of Alchemax.”

“He’s going to find that’s not as easy as he’d hoped,” David continued.

“It’s going to be a huge year for all things Spider!” added series editor Ellie Pyle “This is your chance to get to know Spider-Man 2099 before the Spider-Man universe gets more crowded, and Peter and Will have prepared quite the introduction!”

Can one man change the future? When the dust settles – will there still be a future worth fighting for? The battle for tomorrow begins this July in SPIDER-MAN 2099 #1!

SPIDER-MAN 2099
Written by PETER DAVID
Art by WILL SLINEY
Cover by SIMONE BIANCHI
On-Sale This July!

Only Eight Hours Left To Get Epic Fantasy StoryBundle

News
March 26, 2014

Neil Gaiman. Brandon Sanderson. Tracy Hickman. Peter David. These are just some of the authors included in StoryBundle’s Truly Epic Fantasy Bundle. All these books can be yours for a price you name, all DRM-free, with the option to donate a portion of your purchase to The Challenger Center.