If you’ve been a fan of Warner Bros.’ direct-to-DVD DC Universe movies, you are no doubt eagerly awaiting the February 28th release of Justice League: Doom.ComicMix’s ownGlenn Hauman and Mike Gold attended a press screening of the movie, along with the mandatory press conferences and post-game roundtable discussion. We decided to take a conversational approach to our preview – not quite a review, as we’re avoiding spoilers. Still, if you’re extraordinarily anal retentive (the fanboy/fangirl affliction), you might want to just look at the pictures.
Glenn: The story, and the universe, felt familiar – not just because we’ve known these characters forever, but because it was Dwayne McDuffie’s take on them, his POV from Justice League and from Justice League Unlimited. One of those “you don’t realize how much you miss it until it’s gone” things.
Mike: DC’s animated universe came about organically, from the original Fox Batman Adventures through Doom… with major exceptions like that Teen Titans and that unnecessary and initially unwatchable TheBatman series a couple years ago. Dwayne played a major part in that Justice League animated universe to be sure, but those Batman and Superman series created the foundation of this universe, as well as the bouncing off point for many of the actors.
Glenn: Speaking of the DC animated universe: one thing that was weird for me, throwing a new bit of unexpected unfamiliarity, was meeting Kevin Conroy, the voice of Batman for two decades, because he just doesn’t quite look the part in real life – he looks more like the Scarecrow. I found myself mentally covering up his face from his nose up, superimposing a cowl on him. Or am I just that weird?
Mike: Yeah, Conroy is pretty skinny and he’s got a great face. But I think he’d be perfect as Jason Blood or Orion of the New Gods.
Glenn: Conroy as Jason Blood, live action? Oh, that works really well.
I’m enjoying the back-and-forth between my fellow columnists Marc Alan Fishman and Michael Davis regarding DC’s New 52, but now it has come to the point where I must give Marc, ComicMix’s own Snapper Carr, some love.
(Hey, Snapper, just swallow it. We’ve already got Johnny DC writing here. No kidding.)
For a third of a year Marc has been singing the praises of the New 52 Batman to me. I’ve been reluctant to read it despite the fact that I enjoy friends’ recommendations and I respect Marc’s opinions. I’d respect Michael Davis’s opinions as well, if he ever had any. No, my problem is that Batman was one of my favorite characters until the rank and file turned him into a guy who was just as psychotic as his cadre of evildoers. That created a domino effect: the villains became psychoticer. This is the exact opposite of what happened to Mickey Mouse in the 1930s.
Fans of this stuff attacked me as an old fart who wanted the Bat to be like the 1960s teevee show. No; I’m older than that. I grew up a precocious reader during the waning days of Bill Finger and Dick Sprang and stories that were geared to a solidly pre-adolescent audience. If I had my druthers I would wipe out the past 10+ years of Bat-tales and go back to the approach best presented by (in alphabetical order) Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al. Barring that, I’d take my lead from the Batman of the animated show as professed by (in alphabetical order) Burnett, Dini, and Timm, et al. Of course, some of those efforts were adaptations of the works of Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al.
Besides, I thought “the New 52 Batman” referred to the number of Batsmen who currently inhabit DC’s new universe. How many Batmen are there today? I have no idea. I can’t count how many were there the day the previous DCU got itself ignored. Evidently, somebody thought Photoshop was for ideas and concepts as well as art. So, with all this hoo-hah between Messrs. Davis and Fishman, I decided to read the New 52 Batman. Keep in mind: I italicized “Batman,” so I’m onlyreferring to the Batman title per se. I have yet to read Detective Comics, Batwing, Wolverbat, or Batpool.
Damn. Score one for our Earth-ComicMix Snapper Carr. Batman has a Batman that isn’t an asshole. That, alone, goes a long way to restoring my faith in the character, DC Comics, and the concept of “the child is father to the man.” Like the rest of us, I have no clue how this ties into that which may or may not have gone before, but Bats is more human and less lunatic. He – or rather Bruce Wayne – is the subject of a deadly conspiracy by something called the Court of Owls (please don’t tell me that’s going to tie into the forthcoming and ill-advised Watchmen prequel). He seems a bit high-techier than he was before, and Alfred has less need to play off of Batty’s psychoses and is a better character for that.
Most important, the Batman Batman is a hero. Hero is a term of respect we bestow upon those who have earned it. A hero need not be a nice guy, but he/she/it should be, at heart, a decent human being. So far, after four issues, this Batman is a hero.
Thanks, Marc. Michael… your turn. Make a heartfelt recommendation.
The new Fox Series, ALCATRAZ, might seem a little familiar to LOSTies – there’s JJ Abrams, an island and even Hurley but there’s a lot more hidden in the mystery than you might think. Jorge Garcia and Sarah Jones join us to talk about what you can be sure will be different this time. Plus DC breaks the line and goes to $3.99 on Bat-Books.
Imagine the Joker has you tied up. You’re in a dimly lit warehouse right off the river. The air is thick, stale, and musky. The tide raps against the nearby docks punishingly. The rope that binds your hands behind your back is chokingly tight. Every twitch in your wrist scrapes twine against raw flesh. Footsteps on concrete floors echo louder and louder as they draw near.
That laugh. It starts out low and menacing. It crescendos a bit. A few “hee-hees” and “ho-hos” tossed in jovially. It crescendos. Cackling, lung emptying chortles screech on your ears. You wince and tense up. Your wrists chafe as skin breaks. You can feel blood reaching the surface of the rope.
“So fanboy, it wasn’t hard to lure you here. The promise of a preview copy of Catwoman 2 was all it took. Well. that and the promise of more side boob. And now? I bet you’re hoping… praying… that the Bat shows up and saves you. Well, pookie? The joke’s on you… he’s too busy reading Voodoo to show up here! HAAAAA HAAA HAA HAA HAAA!”
Question: The voice in your mind just there? The voice of the Joker? Well, if you’re anything like me… the man reading back my poorly written dialogue in your head was Mark Hamill.
Since 1992, Hamill has portrayed perhaps one of the single hardest roles for any actor, be it voice or otherwise, to play. The nemesis of the Dark Knight has been written many ways; from straight-up sadistic murderer to psychotic sycophant. Bruce Timm and Paul Dini created perhaps the single greatest interpretation of the seminal superhero and tasked Andrea Romano with the worst possible task. The interpretations of role had been truly original to say the least. Both Cesar Romaro and Jack Nicholson had portrayed the Clown Prince of Crime and took liberty to imbue the character with their own charm. Romero painted over his mustache and played the campy cackler with scene chewing glee. Jack Nicholson exuded his … Jack Nichosoness. But here, with Batman: The Animated Series, we were getting a truer-to-comic presentation. The Joker in this case could not be so closely tied to the actor portraying him. And the less we say about Larry Storch’s voice acting during the Superfriends/Scooby Doo era the better.
Enter Luke Skywalker.
Mark Hamill had done a handful of voice acting roles prior his turn as the Joker (so says IMDB), but none with as much clout. Certainly any kids as crazy-obsessed as me hit the pause button while watching their tapes of recorded episodes to see the voice cast… and would be baffled to see their beloved Jedi master lending his baritone to The Joker.
Astonishment aside though, Hamill sunk into the role such that I strongly believe no one else will ever top it. His nuanced delivery, that carries everything from the silly to the psychotic, is pitch-perfect. Over the course of the series, the animated Joker was pulled in several directions. One episode he’s dressed as a sea captain, driving a barge of joker-gassed garbage down the Gotham River; the next, he’s holding Commissioner Gordon, Harvey Bullock and Renee Montoya hostage on live TV. And whether he was back handing Harley Quinn, or flying away on a rocket powered Christmas tree, Hamill captured the character like no other.
In watching a little featurette about the characterization, Hamill put it best. The iconic laughter of The Joker had to be right. It’s a tool in and of itself. With every laugh he delivered behind closed doors, Hamill captured the essence. For all his nuance and outright amazing portrayal of the character in The Dark Knight, even Heath Ledger wasn’t able to really use it. Credit to Hamill’s fearless acting. As you’d learn in the clip, he performed it standing up. You can feel the manic energy in every line he spoke. And when the animated series ended, Hamill (and fan favorite Bat-voice Kevin Conroy) brought the role out one last time for the now-causing-mass-sleep-deprivation video game Batman: Arkham City videogame. Sadly, Hamill told the world it’d be his last foray into the fracas… and thus his reign as the ringmaster of insanity came to a close.
Other people have taken on the role, to less effect. The fantastic John DiMagio (of Futurama fame and much, much more), Kevin Michael Richardson, and even now Brent “Data” Spiner have all tried to take the mantle. But none capture that balance of the character. Some of it may come from the writing itself… but as we all know, the best actors can make lemonade from just a packet of Sweet-N-Low and a wedge of lemon. Mark Hamill’s been blessed with fantastic writers, but took the role to such heights that now I fear no one will ever replace him.
And just then, the window above shatters. Shards of glass rain down on the floor around you, reflecting the pale moonlight and streetlamp glow as they ping-ping-ping into pieces. A leathery flap darkens the area where you sit. You can’t see anything, but you hear a desperate plea.
“Wait, Batsy, no! We were just about to read O.M.A.C. #1 together! HAAA HAAA HAAA HEEE HEE HOO HOO HEEEE!”
[[Batman: The Brave and the Bold]]] is just a fun television series that pays homage not only to the joyful comic books of the 1960s but crams in both story and characterization with a verve that is all too often missing from animated fare. Out this week is Batman: The Brave and the Bold Season One Part Two featuring episodes 14-26, which ran on the Cartoon Network between March and October 2009.
Clearly, the highlight of the two-disc collection is “[[[Mayhem of the Music Meister]]]!” with Neil Patrick Harris as the singing villain. The music is fun and bouncy and the story fresh. It was so well-regarded by the producers that they rushed out an eight-track CD soundtrack within a week of the episode’s debut.
The show is a romp through the DC Universe with most of the characters recognizable although they have been given some modern-day reimagining so Aquaman is a pompous doofus and Green Arrow is out to one-up his counterpart. My complaints about the show which I aired when the first set was released remain. Batman has too many gimmicks that fit the needs of the script and his cape converts to a jet-pack (I’d sooner have the dreaded Whirly-Bat). These are really quibbles as the show entertains with amazing consistency.
This summer is a big one for Batman’s deadliest foe, the Joker, with the deceased Heath Ledger giving an apparently mesmerizing take on the clown prince of crime in [[[The Dark Knight]]].
And just in time comes the latest printing from DC of The Joker: The Greatest Stories Ever Told ($19.99), which offers some of the character’s legendary moments from his debut in 1940 in Batman #1 to last year’s macabre Christmas tale from Paul Dini.
First, lets dispense with the hyperbole of the title. There are some great Joker moments here, but several of the character’s biggest aren’t included. There’s nothing from [[[The Killing Joke]]],[[[ A Death in the Family]]] or [[[Dark Knight Returns]]], for example.
More than anything, this is a great primer on the Joker, charting his characterizations over his six-plus decades of existence as he became quite likely the most recognizable evil-doer in comics.
Paul Dini back to animation already? Too much rough Countdown coverage from the blogs?
Imagi Animation Studios has inked a deal with writer/producer Dini to collaborate on the screen for its upcoming CG animated movie, Gatchaman. Directed by Kevin Munroe and slated for release in early 2009, the movie is based on the original classic Japanese anime series Gatchaman (1970s), which aired in the US as both G-Force and Battle of the Planets. Dini has written for and/or produced TV series including Batman: The Animated Series, Duck Dodgers and Lost and a range of comics such as Detective Comics, The World’s Greatest Superheroes and DC Comics weekly series Countdown. Imagi is best known to comics fans for its recent CGI TMNT film.
ComicMix would like to wish all our readers a very happy Easter, wherein we pay tribute to Eostre, the Great Mother Goddess of the Saxons — otherwise known as Astarte in ancient Greece, Ishtar in Assyria, Ostara in Norse myth, and Peeps in modern times — by eating questionable foodstuffs high in sugar content.
And comic book peeps are no different. Paul Dini interviews the Easter Bunny on his latest Monkey Talk, wherein he can’t resist nibbling on his interview subject’s chocolate relative; and Rich Johnston tries repeatedly to give away a free Cadbury’s Creme Egg, below:
We have a theory as to why Rich was having trouble. Here’s hoping your holiday is sweet and springtime fresh!
Wizard has a nice overview of DC’s upcoming weekly series Countdown, including an interview with head writer Paul Dini, who will supervise other writers (including Jimmy Palmiotti, Justin Gray, Tony Bedard and Adam Beechen) plus a revolving cadre of artists (including Jesus Saiz, Jim Calafiore, Carlos Magno and David Lopez) working over Keith Giffen breakdowns, the same way that the company’s current wildly popular 52 is arranged. Buzz and expectations are already high for this one, and it isn’t even coming out until May!
For those who still can’t get enough, Newsarama has an interview with DC Senior VP-Executive Editor Dan Didio and Senior Editor Mike Marts (who will be editing the series) talking about the project in greater detail. The first block of four covers will be done by Andy Kubert and Tim Townsend. This is a very big deal for those of us who’ve only ever seen Tim’s magnificent and award-winning inking work at DC’s "crosstown rivals."
If you’ve been a fan of Warner Bros.’ direct-to-DVD DC Universe movies, you are no doubt eagerly awaiting the February 28th release of Justice League: Doom
This summer is a big one for Batman’s deadliest foe, the Joker, with the deceased Heath Ledger giving an apparently mesmerizing take on the clown prince of crime in [[[The Dark Knight]]].
($19.99), which offers some of the character’s legendary moments from his debut in 1940 in Batman #1 to last year’s macabre Christmas tale from Paul Dini.
Paul Dini back to animation already? Too much rough Countdown coverage from the blogs?
