Dennis O’Neil’s Moving Words
Sunday afternoon. Two hundred and four days left before he gallops on back to Texas and that consarn brush that always seems to need clearing.Listen, I want to make an offer… George and Laura, if you need help moving, just give me a call. I can be at the White House in five or six hours and, sure, I’m not as young as I once was, but I can still lift a box or two, and I’ll be more than happy to buy the pizza.
And now for something completely different…
Last week, we mentioned crossovers – specifically, how Marvel’s movie division seems to be getting ready to emulate the comic book division’s old, old ploy and engage in crossovers. The trick, as I’m sure you know, is simple: take a lead character from one series and put said character into another. Comics have, as mentioned in the earlier column, have been doing crossovers for a long time, probably beginning with Sub-Mariner and The Human Torch hassling in the early 40s. I’m not counting DC’s Justice Society title, which assembled a small herd of super doers, because these guys and gal weren’t moving into each other’s magazines, but into a separate venue. (Does anyone know of any crossing over earlier than that of Subby and The Torch?)
It didn’t stop with the comics, even way back then. About once a year, Batman and Robin took over bad-guy-catching chores from the radio version of Superman for a week or two while the Man of Steel was indisposed and the actor who voiced him, Bud Collyer, took a vacation.
Reviewing 
, the film based on the Top Cow miniseries by Mark Millar and J.G. Jones, is a difficult request. Directed by Timur Bekmambetov, the film is enjoyable, but solely on a puerile level, and undoubtedly not for the reasons that Bekmambetov intended. This movie is exactly what would happen if a hyperactive 16-year-old was given free range to write a script; it features an Angelina Jolie butt-shot, bullets that don’t travel at normal speed or in a straight line, and the euphoria of telling off your boss and all the jerks at work. But when asked if this film is actually any good, or even a good comic adaptation, the answer is a strong “No.”
Fans have long wondered how any director could condense Watchmen into a feature-length film (I always liked the suggestion of doing it as an HBO miniseries), and now director Zack Snyder is feeling that pinch.
Beware the power of words, folks. Over at Cinematical, the movie news site’s resident "geek beat" contributor Elisabeth Rappe has taken a comment I left on one of her recent posts and turned it into a full-blown column, titled "The Touchiness of Geek Cred."
As I begin to type this, on a rainy Sunday afternoon, there are only 211 days left before someone else lives at 1600 Pennsylvania Avenue, near the Potomac. I tell you this, not because it has anything to do with what follows, but to perhaps lend a note of cheer to your hour.
When movie site 
’s next title certainly fills the void that series junkies need but can’t get from running their season DVDs bare. And while “[[[Beast with a Billion Backs]]]” is certainly not as deep or emotional as “Bender’s Big Score,” there is definitely enough to keep you entertained for 90 minutes.
While Fables creator Bill Willingham is keeping mum about the details surrounding his next original graphic novel set in the Fables universe, he recently mentioned that the first half of the mysterious project was written in the shadow of another famous fantasy scribe: Rudyard Kipling.
