Tagged: movie

ComicMix Radio: The Hulk’s Kid Goes Hollywood!

ComicMix Radio: The Hulk’s Kid Goes Hollywood!

So you were pleasantly surprised at The Incredible Hulk, and you still can’t shake that ending to Battlestar: Galactica. There is nothing better to do than plunge on with this week’s latest batch of new comics and DVDs, plus: 

 
• Skarr Son Of Hulk gets a movie tie-in
• Robotech gets a screen writer
• Bottle o’ wine for ol’ Green Skin
 
So was that really Earth? Wait!  Don’t dwell on that…  just Press the Button!

 

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

Warren Ellis Now A Hollywood Red

Warren Ellis Now A Hollywood Red

  • News
  • June 14, 2008

Our step-brothers over at Cinematical report Warren Ellis’ Red has been optioned by Summit Entertainment. It will be written, or at least first-drafted, by Whiteout‘s Erich and John Hoeber.

It seems DC Comics owner Warner Bros. (well, DC is a division of Warner Bros, which is a division of Time Warner, which ate the cow that ate the dog that ate the cat) has permitted Ellis to join Max Allan Collins’ Road To Perdition (you know; the one with Tom Hanks and Paul Newman) as a DC Comics-published movie handled by another outfit. They seem to focus on capes.

Reports about the faithfulness of the adaptation differ; we’ll see when the movie is cast, re-written, filmed and edited. But every non-cape comics adaptation is a victory, ergo kudos to Ellis.

 

Alone Together In the Dark, by John Ostrander

Alone Together In the Dark, by John Ostrander

  • News
  • June 12, 2008

I remember the first time I saw the film Casablanca. It was at the 400 Theater in Chicago, just up Sheridan Road from Loyola University where I attended college. It was on the bill with Woody Allen’s Play It Again, Sam, an obvious but terrific double feature. I went stag but was lucky to get in at all; the small theater was packed.

I had missed or ignored Casablanca up until this point. I’m not sure why; I liked old serials a lot. The movie had certainly played on TV enough. I’d seen bits here and there or seen send-ups of it; callow youth that I was, I thought it wasn’t for me. Part of it was my own perverseness; my immediate reaction, on being told by everyone else that I must see this or I must hear that or I must read such and such is to say, “No, I don’t.” I get stupid stubborn about such things some times. Being told I would love the film I, of course, refused to see it. Finally, my curiosity overcame my perverseness and I sneaked off to view it without anyone else.

As I said, I went stag but I soon discovered I wasn’t alone. I was part of an audience, folks who mostly knew and loved the film. At the end of the singing of La Marseillaise, they cheered. When Captain Renault said, “Round up the usual suspects,” they cheered again. They laughed out loud at the funny lines (the movie is incredibly witty and they had actors who knew timing) and listened with rapt attention to Bogart’s speech at the end. Their delight and enthusiasm was catching on its own. And then there was the film itself.

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Sex In The City, by Michael Davis

Sex In The City, by Michael Davis

No less than eight women and two gay men, all friends of mine, have asked me whether or not I was going to see the Sex And The City movie. I’m lucky (or unlucky depending on your point of view) to be able to see Hollywood films before their release. I have seen Sex And The City. Before you go on, I must tell you that I am going to reveal important plot elements as well as the surprise ending.

The plot of the films is this: four friends, Carrie, Samantha, Charlotte and Miranda, are now all over forty and dealing with life at middle age. Carrie and Mr. Big are planning their wedding. Mr. Big finally tells Carrie what he does for a living and how he got his nickname.

The scene played out like this:

Carrie: Now that we are going to be married, don’t you think I should know your real name and what you do for a living?

Mr. Big: Yes, Carrie, but you better sit down.

Carrie sits down. She has a look of fear and anticipation on her face.

Mr.Big: I love you, Carrie. No matter what happens between us please know I love you.

A tear starts to roll down Carrie’s cheek.

Carrie: You… you’re scaring me Big.

Mr.Big: I’m sorry baby. Look, there is no other way to say this so I’m just going to say it.

Carrie is now shaking and the tears are flowing freely. She begins to sob.

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Indiana Jones and the Secret to Adventure, by John Ostrander

Indiana Jones and the Secret to Adventure, by John Ostrander

Spoiler warning: Spoilers. Why did it have to be spoilers?! I hate spoilers. Hate ‘em! Unfortunately, I can’t talk about what I want to talk about regarding the latest Indiana Jones flick unless I spill some beams. So I’m warning you upfront. The spoilers won’t appear until after the break and I’ll give you a final warning before I go into them. If you want to just skip the column this week, I’ll understand… this week. Don’t make a habit of it. I know where I live.

Wait. That didn’t come off right.

Okay, I’ve gotten out the fedora and went off to see the new Indiana Jones flick, Indiana Jones and the Kingdom of the Crystal Skull. As much as I’m a Star Wars fan (and I’d better be – I’ve been writing Star Wars for about eight years now and you can see what I’m doing in Star Wars: Legacy and, yes, that’s a plug), I’m a bigger goon for Dr. Jones. Even before Raiders of the Lost Ark came out, I was a fan because George Lucas talked in interviews about how his new movie originated in his and Steven Spielberg’s love for the old Saturday Matinee Serials. I knew exactly what he was talking about. I loved ‘em, too. Still do.

Saturday Matinee Serials are also known as “chapter plays” and originally were shown in movie theaters on Saturdays as a way of getting the kids to come back, week after week. They would last 12 to 15 chapters and each one would end with a cliffhanger for the hero or heroine with no way out. Of course, when the next chapter appeared, they showed you the segment that they hadn’t previously shown you which allowed said hero/heroine to escape just in the nick of time. The serials date back from the dawn of cinema to the early 50s when they fell prey to the confangled new invention that was to blight/enrich all out lives, television.

And it was there that I discovered the Saturday Serial. The old serials were re-packaged for Saturday Morning TV kid’s fare and, like the old matinees, were part of a package. It was here that I discovered these often cheesy pleasures. I remember Tim Tyler’s Luck – a 1937 Universal jungle adventure adapted from the comic strip of the same name. The strip petered out only in 1996. I also remember Don Winslow of the navy, also based on a comic strip of the time. In fact, it’s amazing how many of the comic strips and books of the time were adapted into serials – Dick Tracy, Superman, Batman, the Shadow (yeah, he had a comics strip), Spy Smasher, and an excellent version of Captain Marvel, among others.

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Happy Silver Anniversary, Return of the Jedi!

Happy Silver Anniversary, Return of the Jedi!

Twenty-five years ago today (and six years after the original Star Wars opened) the summer movie season of 1983 blew wide open with the finale to the Star Wars saga — if you don’t count the re-releases, the three movie prequels, the multiple animated series, the books, the comics, oh, you get the idea.

And what do we remember from the film? Do we remember the escape from the Sarlaac? Do we remember the light saber duel between (spoiler) father and son? Do we remember Leia’s slave girl outfit?

Well, of course we remember the outfit. But we also remember the true heroes of the film, as memorialized here:

 

 

I think I speak for everyone here at ComicMix when I say, "yub yub".

Brian K. Vaughan to Write ‘Runaways’ Movie

Brian K. Vaughan to Write ‘Runaways’ Movie

Big name superheroes like The Incredible Hulk, Thor, Captain America and The Avengers aren’t the only Marvel properties hitting the big screen.

The lesser known characters are getting their crack at film stardom, including the ragtag group of young heroes known as the Runaways.

Created in 2002 by Brian K. Vaughan as part of Marvel’s Tsunami line, Runaways follows a group of kids who discover their parents are evil supervillains. Vaughn, who left the series at the conclusion of the second volume, will return to the property he co-created and write the script for the upcoming movie.

No director is currently attached to the film, but maybe they’ll hire Richard Donner and the movie will be like a super-powered version of The Goonies.

(via Hollywood Reporter)

ComicMix Six: The Best Movies Adapted From Comic Books

ComicMix Six: The Best Movies Adapted From Comic Books

In a previous edition of ComicMix Six, I set forth my picks for The Worst Movies Adapted from Comic Books. Now, because a "worst" list is nothing without a "best" list, I’ve assembled another one for you. This time around, I’m casting the spotlight on the opposite of bad movies and highlighting The Best Movies Adapted from Comic Books.

In contrast to the worst films, these stellar examples of cinematic goodness are not only great comic book adaptations, they’re great movies, too. From brilliant direction, exciting visuals that enhance rather than obscure the story, to compelling peformances, these six films deliver in a big way.

They alse showcase adherence to, and reverence for, their source material and represent what happens when talented people who appreciate comics get together to make a movie. Plus, they’re just plain fun to watch.

So now, without further ado and in no particular order, here is my ComicMix Six list of The Best Movies Adapted from Comic Books.

 

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‘The Incredible Hulk’ Smashes Other Movie Standees

‘The Incredible Hulk’ Smashes Other Movie Standees

Theater lobbies littered with cardboard standees promoting Indiana Jones, Dark Knight, Hellboy II and other movies may be a familiar sight these days, but to paraphrase the Hulk, they’re just "puny banners!"

Selected theaters across the country recently received life-size maquettes to promote the release of The Incredible Hulk on June 13. And when we say "life-size," we mean it! 

Measuring over 8-feet tall and as wide as a truck, simply standing next to one of the maquettes is enough to understand why that anonymous soldier in the classic Stan Lee/Jack Kirby origin issue called him a "hulking monster."

You have to wonder which movie theater employee gets to take this home.

The Real Hero, by Dennis O’Neil

The Real Hero, by Dennis O’Neil

Deju vu all over again? Why, sure.

About 19 years ago, I was being pulled into the summer movie/blockbuster season anticipating two of the myriad entertainments soon to be playing at a theater near me. One was Tim Burton’s second Batman flick, with Michelle Pfeiffer as Catwoman and Danny Devito as a particularly nasty Penguin. Oh, and Michael Keaton in his final appearance as the Caped Crusader. (Back then, although he was not a barrel of laughs, he may have been just an eensy-bitsy too cheerful to qualify as a Dark Knight.) Batman was soaking up most of my professional life – I was editing the comic books – and I was writing a comics version of the screenplay, and so I had a distant, tenuous but real interest in the movie. And anyone who’s ever been involved with a Major Motion Picture knows that there is an excitement to such projects that ripples outward to touch even us at their distant edges. (Which may be why working in movies seems to be, for many, so addictive.) In sum: yeah, I was awaiting the Batman flick with more than idle curiosity.

But what I was really waiting for was Indiana Jones and the Last Crusade. Batman was my job; Indy was my hero. I may have been associating him with an earlier hero, Mr. Paladin, who was the central character in a once-popular, 30-minute TV western called Have Gun, Will Travel. What No-First-Name Paladin and Indiana Jones had in common, besides impressive looks and charisma, and the ability to look good riding a horse, a powerful sense of right and wrong, and great prowess in combat with either fists or weapons, was this: They were smart. More – they were readers! And more – they were even intellectuals!

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